Arranged by Ronald Babcock. For Trombone Quartet. Traditional German Christmas. Moderately advanced. Score and parts. Published by Cherry Classics

By A Steven Taranto. For Unison/2-part choir and piano. Eastertide, Sacred. Sacred Anthem. Published by Chorister's Guild.

(Facsimile British Library MS Mus. 1591). Edited by Oliver Neighbour. This edition: Facsimile. Hardback. Documenta Musicologica. Series II, Volume 44 / Barenreiter Facsimile. Language: English/German. 414 pages. Published by Baerenreiter Verlag

Composed by Gregor Aichinger. Edited by Andrea Angelini. Text: Liturgy of the Hours. Renaissance treasure. Easter, Marian. Octavo. Published by CanticaNOVA Publications (C5.7080).

By Richard Wienhorst. For 2-part treble voices or 2-part women's voices (SA children or women), piano, optional handbells. Christmas. Octavo. 16 pages. Published by Ione Press Octavo Christmas

SATB Chorus & Organ

SKU: SU.90880040

For SATB Chorus & Organ. Composed by Nancy Galbraith. Vocal/Choral, Sacred Choral. Accompanied by Organ. Choral, sacred. Choral Octavo. Composed 2002. Duration 4'. Subito Music Corporation #90880040. Published by Subito Music Corporation (SU.90880040).

1553 (adapted by the composer) Text: Philip Melanchthon.

SATB Chorus, Organ Duration: 4' Text: Philip Melanchthon, 1553 (adapted by the composer) Composed: 2002 Published by Subito Music Publishing The text of In Unity and Love was adapted by the composer from a prayer by 16th-century German theologian Philip Melanchthon. The work was commissioned by the Lutheran Theological Seminary at Gettysburg, and is dedicated to the glory of God, and in memory of Mrs. Mary Heiges. Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusi c.com (include the organization name with your request).

(solos: SSTTB - 2Sp - choir: SATB - picc.2.2.2(bassethn).2. - 2.2.0.0. - timp.perc(3) - str)

SKU: BR.CHB-5120-02

German Opera in 3 acts. Composed by Wolfgang Amadeus Mozart. Stapled. Chor-Bibliothek (Choral Library). Opera; Music theatre; Classical. Choral score. 8 pages. Breitkopf and Haertel #ChB 5120-02. Published by Breitkopf and Haertel (BR.CHB-5120-02).

ISBN 9790004410509. 7.5 x 10.5 inches.

Duration: full eveningText by Gottlieb Stephanie der Jungere after Christoph Friedrich BretznerNarrative text for Concert Version by Ursula Haas Place and time: A country estate in Turkey, Middle of the 16th CenturyCharacters: bassa Selim (speaking part) - Konstanze (soprano) - Blonde (soprano) - Belmonte (tenor) - Pedrillo (tenor) - Osmin (bass) - Klaas (speaking part) - Dumb PersonSince only the German original version of this work is available, we have supplied only a German-language commentary.

SSAA Version - Piano Part

SKU: HL.345468

Piano Part. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33171A. Published by Edition Wilhelm Hansen (HL.345468).

UPC: 840126919462.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33171. Version for mixed voices also available.

Fanfare Band - Grade 3

SKU: BT.GOB-000854-020

Arranged by David Well. Set (Score & Parts). Gobelin Music Publications #GOB 000854-020. Published by Gobelin Music Publications (BT.GOB-000854-020).

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to ‘kill’ nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These ‘living’ trees, said to be the work of benign spirits, were brought into people’s houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ’s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ‘O Tannenbaum’, the melody being a well-known folk song. Next to ‘Stille Nacht’ ‘O Tannenbaum’ is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of ‘O Tannenbaum’ has even been used in four States (among which the State of Maryland) for their State song. In David Well’s arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelendevlammetjes creëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten(o.a. Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke.Het tussendeel is weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000905-010

Arranged by David Well. Set (Score & Parts). Gobelin Music Publications #GOB 000905-010. Published by Gobelin Music Publications (BT.GOB-000905-010).

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af.

SSAA and Opt. Piano

SKU: BT.WH33171

SSAA Version - Score. Composed by Phillip Faber. Contemporary Music. Vocal Score. Composed 2020. 16 pages. Edition Wilhelm Hansen #WH33171. Published by Edition Wilhelm Hansen (BT.WH33171).

ISBN 9788759841624.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33171A). Version for mixed voices also available.

SATB Choir and Piano

SKU: BT.WH33172A

SATB Version - Piano Part. Composed by Phillip Faber. Contemporary Music. Part. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33172A. Published by Edition Wilhelm Hansen (BT.WH33172A).

ISBN 9788759894491.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33172. Version for upper voices also available.

SSAA and Opt. Piano

SKU: BT.WH33171A

SSAA Version - Piano Part. Composed by Phillip Faber. Contemporary Music. Part. Composed 2020. 8 pages. Edition Wilhelm Hansen #WH33171A. Published by Edition Wilhelm Hansen (BT.WH33171A).

ISBN 9788759894484.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33171. Version for mixed voices also available.

SATB Version - Piano Part

SKU: HL.345466

Piano Part. Composed by Phillip Faber. Choral. Softcover. Edition Wilhelm Hansen #WH33172A. Published by Edition Wilhelm Hansen (HL.345466).

UPC: 840126919448.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment. Score: WH33172. Version for upper voices also available.

Fanfare Band - Grade 3

SKU: BT.GOB-000854-120

Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000854-120. Published by Gobelin Music Publications (BT.GOB-000854-120).

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to ‘kill’ nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These ‘living’ trees, said to be the work of benign spirits, were brought into people’s houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church in thecourse of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ’s apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song ‘O Tannenbaum’, the melody being a well-known folk song. Next to ‘Stille Nacht’ ‘O Tannenbaum’ is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of ‘O Tannenbaum’ has even been used in four States (among which the State of Maryland) for their State song. In David Well’s arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelendevlammetjes creëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten(o.a. Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke.Het tussendeel is weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk.

SKU: HL.345469

Score. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33171. Published by Edition Wilhelm Hansen (HL.345469).

UPC: 840126919479.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33171A). Version for mixed voices also available.

SATB and Opt. Piano

SKU: BT.WH33172

SATB Version - Score. Composed by Phillip Faber. Contemporary Music. Vocal Score. Composed 2020. 16 pages. Edition Wilhelm Hansen #WH33172. Published by Edition Wilhelm Hansen (BT.WH33172).

ISBN 9788759841631.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33172A). Version for upper voices also available.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000905-140

Arranged by David Well. Score Only. 10 pages. Gobelin Music Publications #GOB 000905-140. Published by Gobelin Music Publications (BT.GOB-000905-140).

The tradition of the Christmas tree in Western Europe dates back to a time long before any Christianization had taken place. During the severely cold winter nights, so it was believed, evil spirits tried to 'kill' nature. Needle-leaved trees were the only ones which kept their green colour throughout the year, and therefore became symbols of immortality. These 'living' trees, said to be the work of benign spirits, were brought into people's houses to ward off evil, life-threatening powers. In the 14th century people first started to decorate Christmas trees. It was a pagan custom, originated by the inhabitants of Alsace. This custom was taken over by the Church inthe course of the 15th and 16th century. At first the decoration consisted mainly of edibles, such as apples and wafers, but later small presents were added. Legend has it that the reformer Martin Luther was the first person to decorate a Christmas tree with candles. The flickering candle flames were meant to create the image of a starry sky in which Christ's apparition could be recognized. The German organ-player Ernst Anschütz from Leipzig was the first person to notate the song 'O Tannenbaum', the melody being a well-known folk song. Next to 'Stille Nacht' 'O Tannenbaum' is the most famous German Christmas song, now known throughout the world. In the United States of America the melody of 'O Tannenbaum' has even been used in four States (among which the State of Maryland) for their State song. In David Well's arrangement the song is first heard as many of us know it. After this introduction, however, it is transformed into a solid rock version, and the beat has been changed. In the second part the familiar three-four time is back, but here the rhythm is different from the original. After the richly ornamented rock beat the basic theme can be heard once again and the composition is concluded in a festive manner.

De traditie van de ‘Kerstboom’ gaat in West-Europa terug tot ver voordat er van enige kerstening sprake was. Gedurende de koude strenge winters dacht men dat kwade geesten de natuur ‘vermoordde’. Naaldbomen behielden als enige hungroene kleur en werden daardoor symbolen van onsterflijkheid. Deze ‘levende’ bomen, het werk van goede machten, werden in huis gehaald om kwade geesten en levensbedreigende krachten buitenshuis te houden. Van ‘versierde’ kerstbomenwas het eerst sprake in de 14e eeuw. Het was een heidens gebruik, dat in deze periode in de Elzas voorkwam. Tijdens de 15e en 16e eeuw werd het versieren van de kerstboom door de kerk overgenomen. De versiering bestond in eersteinstantie vooral uit etenswaar, als appels en koekjes. Later ging men ook kleine cadeautjes als versiering gebruiken. Er wordt beweerd dat Martin Luther, de hervormer, als eerste kaarsen in een kerstboom deed. De fonkelende vlammetjescreëerden een sterrenhemel waarin men Christus’ verschijning leek te herkennen. De Duitse organist Ernst Anschütz uit Leipzig, was de eerste die het lied ‘O Tannenbaum’ op schrift stelde. De melodie was een bekend volkswijsje.Naast ‘Stille Nacht’ is ‘O Tannenbaum’ het meest bekende kerstlied dat vanuit Duitsland de hele wereld veroverde. De melodie van ‘O Tannenbaum’ wordt zelfs in de Verenigde Staten van Amerika in vier verschillende staten (o.a.Maryland) als volkslied gebruikt. In het arrangement van David Well hoort u het lied eerst op de manier zoals velen het kennen. Na deze inleiding klinkt een stevige rock-versie en is de maatsoort niet meer de gebruikelijke. Het tussendeelis weer in de vertrouwde driekwarts-maatsoort. Hier is echter de ritmiek in een ander jasje gestoken. Na de rijkelijk met slingers versierde rock-beat klinkt nog één keer het oorspronkelijke thema om daarna feestelijk af.

SKU: HL.345467

Score. Composed by Phillip Faber. Choral. Octavo. Edition Wilhelm Hansen #WH33172. Published by Edition Wilhelm Hansen (HL.345467).

UPC: 840126919455.

The work is based on the Latin Christmas hymn Puer natus in Bethlehem from the 13th century, and along the way, the German fishing melody Ein Kind geborn zu Bethlehem from the 16th century onwards. The latter can be sung in English, German or Danish at will. The work can be sung a cappella or with piano accompaniment (WH33172A). Version for upper voices also available.

Flute and Piano - easy

SKU: BT.AMP-297-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Classical. Book with CD. Composed 2013. 16 pages. Anglo Music Press #AMP 297-400. Published by Anglo Music Press (BT.AMP-297-400).

ISBN 9789043138048. 9x12 inches. English-German-French-Dut ch.

Part of the Anglo Music Play-along Series, Philip Sparkes 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces thebeginning player to the world of the classics by using simple yet attractive melodies that fit their limited range.

The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie.

This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.

Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.

15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ®Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden.Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie.Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.

1 5 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave.

Spécifiqueme nt adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.

Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une source complémentaire inestimable toute méthode pédagogique.

So mmaire : Waltz (Moritz Vogel) â?¢ Chorale Now Praise, My Soul, the Lord (J. S. Bach) â?¢ Humming Song from Album for the Young (Robert Schumann) â?¢ Gymnopédie No. 1 (Erik Satie) â?¢ Iâ??m Called Little Buttercup from HMS Pianoforte (Sir Arthur SeymourSullivan) â?¢ Study, op. 37 No.3 (Henry Lemoine) â?¢ Minuet Z649 (Henry Purcell) â?¢ Theme and Variation from Sonata No. 3 (Thomas Attwood) â?¢ Northern Song from Album for the Young (Robert Schumann) â?¢ Two German Dances from Twelve German Dances D 420(Franz Schubert) â?¢ Watchmanâ??s Song from Lyric Pieces op. 12 (Edvard Grieg) â?¢ Gavotte (Jan Dussek) â?¢ Vien qu , Dorina Bella, op. 7 (Antonio Bianchi, arr. Von Weber) â?¢ Minuet from Notebook for Anna Magdalena Bach (Christian Petzold) â?¢ The Prince ofDenmarkâ??s March from Choice Lessons for the Harpsichord or Spinet ( Jeremiah Clarke)

Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.