Violin SKU: FZ.6370 Serie VII - Germany-Austria - 1600-1800. Edite...(+)
Violin
SKU:
FZ.6370
Serie VII
- Germany-Austria -
1600-1800. Edited by
Siegbert Rampe, Dominik
Sackmann. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.6370).
ISBN
9790049063708. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Hans GERLE - Matthias
KELZ - Johann Jacob
PRINNER - Georg MUFFAT
(1) - Daniel SPEER -
Georg MUFFAT (2) - Joseph
Friederich Bernhard
Caspar MAJER - Johann
Philipp EISEL - Maurus
BUOHL - ANONYME. Table of
contents: Gerle Hans:
Musica und Tablatur, auff
die Instrument der
kleinen und grossen
Geygen - 1546. Kelz
Matthias: Epidigma
Harmoniae Novae - 1669.
Prinner Johann Jacob:
Musicalischer Schlissl -
1677. Muffat Georg:
SUAVIORIS HARMONIAE
INSTRUMENTALIS - 1695.
Speer Daniel:
Grund-richtiger
Kurz-Leicht-und Nothiger
jetzt Wol-vermehrter
Unterricht der
Musicalishen Kunst -
1697. Muffat Georg:
EXQUISITORIS HARMONIAE
INSTRUMENTALIS - 1701.
Majer Joseph Friederich
Bernhard Caspar: MUSEUM
MUSICUM THEORETICO
PRACTICUM - 1732. Eisel
Johann Philipp: Musicus
autodidactos - 1738.
Buohl Maurus: Ein neues
durch die Musicalische
Combination - 1756.
Anonyme: Rudimenta
Panduristae - 1770.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - Congress
Library of Washington
(USA). - University
Library of Uppsala
(Sweden). - British
Library of London
(England). - Stadtarchiv
of Constancy (Germany). -
National Library of Wien
(Austria). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the violin.
Organ solo SKU: CA.1808200 Composed by Various. Edited by Armin Kircher. ...(+)
Organ solo
SKU:
CA.1808200
Composed
by Various. Edited by
Armin Kircher. This
edition: Paperbound.
Pastorale. Pastoralmusik
Fur Orgel Band 2. Free
organ music, Christmas.
Collection. 144 pages.
Carus Verlag #CV
18.082/00. Published by
Carus Verlag
(CA.1808200).
ISBN
9790007164003.
This
volume presents 64
Pastorale compositions
for organ
(harpsichord/pianoforte)
of the 18th century from
Germany, Bohemia, Austria
and South Tyrol. Charming
melodies shaped by
natural notes, bordoun
basses, a
lyrical-cheerful or
sensitive tone - these
are some of the common
characteristics of the
works in this collection.
Several of them are
connected to the custom
of the Kindlwiegen or
cradle song. Those in
search of new discoveries
will also find a number
of first editions here.
Almost all of the pieces
can be played manualiter
and range from easy to
moderate level of
difficulty. Together,
both Pastorale volumes
display an impressive
kaleidoscope of the
different national
characteristics of the
pastorale and offer a
rich repertoire for
organists, not only at
Christmas time.
Vocal and Piano SKU: HL.14003398 Teacher's Book. Composed by Mary ...(+)
Vocal and Piano
SKU:
HL.14003398
Teacher's Book.
Composed by Mary Gentry.
Music Sales America.
Christmas. Cassette.
Composed 2015. Golden
Apple Productions
#GA10907. Published by
Golden Apple Productions
(HL.14003398).
UPC:
884088430092. 9x12
inches.
English.
Based on
historical fact, this
refreshing musical takes
place in Austria and
tells how the carol
Silent Night came to be
written. As winter closes
in, Barny the church
mouse chews the organ
bellows to curb his
hunger. When the organ no
longer plays all the
notes, Barny fears that
he has spoilt Christmas
for the villagers, but
there is a way round the
problem! This work
contains songs, dance,
narration and dialogue,
and is suitable for
perormance in church or
school. There is a lagre
cast list, with four
principal characters plus
narrator. If you need to
license a school/youth
theatre performance of
this product, please use
the online application
form.
Violin SKU: FZ.6391 Serie VII - Germany-Austria - 1600-1800. Edite...(+)
Violin
SKU:
FZ.6391
Serie VII
- Germany-Austria -
1600-1800. Edited by
Siegbert Rampe, Dominik
Sackmann. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.6391).
ISBN
9790049063913. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
George Simon LoHLEIN -
Johann Friedrich
REICHARDT (2) - Karl
TAUBER VON TAUBERFURT.
Table of contents:
Lohlein George Simon:
Anweisung zum
Violinspielen - 1774.
Reichardt Johann
Friederich: Schreiben
uber die Berlinische
Musik - 1775. Reichardt
Johann Friederich:
Antwort Schreiben eines
Ton-Kunstler - 1782.
Reichardt Johann
Friederich: Ueber die
Pflichten des
Ripien-Violonisten -
1776. Tauber Von
Tauberfurt Karl: Uiber
meine Violine - 1780.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - British
Library of London
(England). - Royal
Library of Brussels
(Belgium). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the violin.
Violin SKU: FZ.6371 Serie VII - Germany-Austria- 1600-1800. Edited...(+)
Violin
SKU:
FZ.6371
Serie VII
- Germany-Austria-
1600-1800. Edited by
Siegbert Rampe, Dominik
Sackmann. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.6371).
ISBN
9790049063715. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Leopold MOZART. Table of
contents: Mozart Leopold:
Versuch einer grundlichen
Violinschule - 1756.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of a
copy in the National
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the violin.
28
easy arrangements.
Composed by Boarder.
Arranged by Steve
Boarder. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. 24 pages.
Schott Music #ED 7386.
Published by Schott Music
(HL.49007198).
ISBN
9783795750329. UPC:
884088108465.
9.0x12.0x0.096
inches.
Whatever
your attitude is towards
them, national anthems
play an important part in
our daily lives and help
people to identify with
their nation, whether at
big sporting events or at
international state
ceremonies. Our extended
new edition presents a
selection of the most
important anthems.
Australia * Austria *
Belgium * Brazil *
Bulgaria * Canada * Czech
Republic * Denmark *
Finland * France *
Germany * Great Britain *
Greece * Hungary *
Ireland * Israel * Italy
* Japan * Luxembourg *
Mexico * the Netherlands
* Norway * Poland *
Portugal * Spain * Sweden
* Switzerland * United
States of America.
Piano, Vocal and Guitar SKU: HL.14003399 Composed by Mary Gentry. Music S...(+)
Piano, Vocal and Guitar
SKU: HL.14003399
Composed by Mary Gentry.
Music Sales America.
Musical Education. Book
[Softcover]. Composed
2017. 24 pages. Music
Sales #GA10894. Published
by Music Sales
(HL.14003399).
ISBN
9780711941618.
English.
Based on
historical fact, this
refreshing musical takes
place in Austria and
tells how the carol
Silent Night came to be
written. As winter closes
in, Barny the church
mouse chews the organ
bellows to curb his
hunger. When the organ no
longer plays all the
notes, Barny fears that
he has spoilt Christmas
for the villagers, but
there is a way round the
problem! This work
contains songs, dance,
narration and dialogue,
and is suitable for
perormance in church or
school. There is a large
cast list, with four
principal characters plus
narrator. Duration: 30
mins. Script available in
student book. If you need
to license a school/youth
theatre performance of
this product, please use
the online application
form.
Violin SKU: FZ.6392 Serie VII - Germany-Austria - 1600-1800. Edite...(+)
Violin
SKU:
FZ.6392
Serie VII
- Germany-Austria -
1600-1800. Edited by
Siegbert Rampe, Dominik
Sackmann. This edition:
Facsimile. Methodes &
Traites. Score. Published
by Anne Fuzeau
Productions - France
(FZ.6392).
ISBN
9790049063920. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in four books.
Francesco GEMINIANI -
Giuseppe TARTINI - F. A.
W. ANONYME - Johann Adam
HILLER - Ignaz SCHWEIGL
(2) - George Simon
LoHLEIN. Table of
contents: Geminiani
Francesco: Grundliche
Anleitung oder Violin
Schule 1782. Tartini
Giuseppe: Brief des
Joseph Tartini an
Magdalena Lombardini
1786. Anonyme:
Anmerkungen uber die
Violin und den
Violinspieler 1788.
Hiller Johann Adam:
Anweisung zum
Violinspielen, fur
Schulen, und zum
Selbstunterrichte c.
1792. Schweigl Ignaz:
Grundlehre der Violin.
Erster Theil 1794.
Schweigl Ignaz:
Grundlehre der Violin.
Zweiter Theil 1795.
Lohlein George Simon:
George Simon Lohlein's
Anweisung zum
Violinspielen (. . . )
mit Verbesserungen und
Zusatzen - 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - British
Library of London
(England). - Royal
Library of Brussels
(Belgium). - Bayerische
Staatsbibliothek of
Munich (Germany). Anne
Fuzeau Classique propose
the complete theoretic
documentation, methods,
classical music scores on
the violin.
Concert
Band, Grade 4 10:30 Score
and Parts. Composed
by Otto M. Schwarz.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 630
seconds. Hal Leonard
#SDP234-23-01. Published
by Hal Leonard
(HL.4008952).
UPC:
196288281825.
Empre
ss Elisabeth of Austria,
also known as Sisi, led a
fascinating life shaped
by external constraints
and internal struggles.
Born in 1837 in Munich,
she became Empress
through her marriage to
Emperor Franz Joseph I.
Despite the highs and
lows of her marriage, she
bore four children.
Sisi's extraordinary
beauty and her
distinctive fashion sense
were as well-known as her
longing for freedom,
which led her on numerous
journeys throughout
Europe, with a particular
affinity for Hungary. Her
relationships with the
men in her life,
especially Emperor Franz
Joseph I. and Count Gyula
Andrássy, hold
significance. The
composition by Otto M.
Schwarz explores Sisi's
freedom-loving nature and
her loves, with the
composer incorporating
short musical motifs from
her era.
Score and Parts Concert Band (Score & Parts) - Grade 4 SKU: HL.4008951 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 4
SKU:
HL.4008951
Concert
Band, Grade 4 10:30 Score
and Parts. Composed
by Otto M. Schwarz.
Symphonic Dimensions.
Concert, Concert Band.
Softcover. Duration 630
seconds. Hal Leonard
#SDP234-23-02. Published
by Hal Leonard
(HL.4008951).
UPC:
196288281818.
Empre
ss Elisabeth of Austria,
also known as Sisi, led a
fascinating life shaped
by external constraints
and internal struggles.
Born in 1837 in Munich,
she became Empress
through her marriage to
Emperor Franz Joseph I.
Despite the highs and
lows of her marriage, she
bore four children.
Sisi's extraordinary
beauty and her
distinctive fashion sense
were as well-known as her
longing for freedom,
which led her on numerous
journeys throughout
Europe, with a particular
affinity for Hungary. Her
relationships with the
men in her life,
especially Emperor Franz
Joseph I. and Count Gyula
Andrássy, hold
significance. The
composition by Otto M.
Schwarz explores Sisi's
freedom-loving nature and
her loves, with the
composer incorporating
short musical motifs from
her era.
Choral TB chorus with Piano and optional Solos SKU: CF.CM9591 Composed by...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9591
Composed by Franz
Schubert. Arranged by
Susan Thrift. Fold.
Performance Score. 8
pages. Duration 1 minute,
37 seconds. Carl Fischer
Music #CM9591. Published
by Carl Fischer Music
(CF.CM9591).
ISBN
9781491154137. UPC:
680160912636. 6.875 x
10.5 inches. Key: Bb
major. Italian. Gedicht
Goldoni.
Original.
There is
not a lot written about
the history of La
Pastorella by
Austrias classical
composer, Franz Schubert
(17971828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (17071793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
dont get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once youve learned it,
youll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va
lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Collagnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-n
oh ah LAH-toh
kahn-TAHN-doh een
lee-behr-TAH Se
linnocente amore Gradisce
il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh il
suo pastore eel
SOO-oh
pah-STOH-reh La
bella pastorella contenta
ognor sara lah
BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La
Pastorella by
Austriaas classical
composer, Franz Schubert
(1797a1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (1707a1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
donat get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once youave learned it,
youall find it very
rewarding to sing.
PHONETIC PRONUNCIATION
LaA A pastorellaA A A A A
A A A A A A A A alA A A A
pratoA A A A A contentaA
A A A A A A A seA A neA A
va lah
pah-stoh-REHL-lah ahlA
PRAH-toh kohn-TEHN-tah
seh neh vah
CollaagnellinoA A A A A A
A A A A A aA A A A latoA
A A A A A CantandoA A A A
A A A A inA A A A libertA
kohl-ah-A+-eh-LEE
-nohA ah LAH-tohA A
kahn-TAHN-doh een
lee-behr-TAH Se
lainnocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh
ilA A A A suoA A A A A A
pastore eel
SOO-ohA
pah-STOH-reh LaA
bellaA A A A A A A A
pastorellaA A A A A A A A
A A A A A contentaA A A A
A A A A A ognorA A A sarA
lah BEHL-lahA
pah-stoh-REHL-lahA
kohn-TEHN-tahA A oh-A+-or
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La
Pastorella by
Austria's classical
composer, Franz Schubert
(1797-1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (1707-1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
don't get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once you've learned it,
you'll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va
lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Coll'agnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-n
oh ah LAH-toh
kahn-TAHN-doh een
lee-behr-TAH Se
l'innocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh il
suo pastore eel
SOO-oh
pah-STOH-reh La
bella pastorella contenta
ognor sara lah
BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La Pastorella
by Austria's classical
composer, Franz Schubert
(1797-1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo di
campagna by Carlo Goldoni
(1707-1793), this simple,
charming part song about
a little shepherd girl,
was originally written
for four-part male chorus
and piano and is believed
to have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
don't get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once you've learned it,
you'll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Coll'agnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-noh ah
LAH-toh kahn-TAHN-doh een
lee-behr-TAH Se
l'innocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re grah-DEE-sheh
il suo pastore eel SOO-oh
pah-STOH-reh La bella
pastorella contenta ognor
sara lah BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE: All R's
should be flipped, not
rolled. There is not a
lot written about the
history of La Pastorella
by Austria’s
classical composer, Franz
Schubert
(1797–1828). An
extremely prolific
writer, Schubert died
before his thirty-second
birthday. With lyrics
from the libretto Il
filosofo di campagna by
Carlo Goldoni
(1707–1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817.Be careful not to
sing with too much weight
in the voice so that you
don’t get bogged
down in the sixteenth
note runs. I would
suggest speaking the
Italian words in rhythm
many times before singing
them in rhythm. Once
you’ve learned it,
you’ll find it
very rewarding to
sing.PHONETIC
PRONUNCIATIONLa ÂÂ
pastorella  ÂÂ
    ÂÂ
   ÂÂ
 al  ÂÂ
 prato  ÂÂ
  contentaÂÂ
    ÂÂ
  se ÂÂ
ne  valah
pah-stoh-REHL-lah ahlÂÂ
PRAH-toh kohn-TEHN-tah
seh neh
vahColl’agnellinoÃ
‚ Â Â Â ÂÂ
    ÂÂ
 a  ÂÂ
 lato  ÂÂ
  ÂÂ
Cantando  ÂÂ
    ÂÂ
in  ÂÂ
 libertàkohl-ah-ÃÂ
±eh-LEE-noh ah
LAH-tohÂÂ
 kahn-TAHN-doh een
lee-behr-TAHSe
l’innocente amore
Gradisce ilse
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-shehil ÂÂ
  suo ÂÂ
  ÂÂ
 pastoreeel SOO-ohÂÂ
pah-STOH-rehLaÂÂ
bella   ÂÂ
  ÂÂ
 pastorella ÂÂ
    ÂÂ
    ÂÂ
 contenta ÂÂ
    ÂÂ
  ognor ÂÂ
 saràlah
BEHL-lahÂÂ
pah-stoh-REHL-lahÂÂ
kohn-TEHN-tahÂÂ
 oh-ñor
sah-RAHNOTE: All R's
should be flipped, not
rolled.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094734-010.
Published by De Haske
Publications
(BT.DHP-1094734-010).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
â„¢.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Tirol Terra Fortis Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1094734-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1094734-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 40
pages. De Haske
Publications #DHP
1094734-140. Published by
De Haske Publications
(BT.DHP-1094734-140).
9x12 inches.
English-German-French-Dut
ch.
The
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) invited Belgian
composer Jan Van der
Roost to write a work to
mark the bicentenary of
the Tyrolean fight for
freedom, which was
settled in 1809. Various
musical elements reflect
this historical event.
First, a hymn-like
section rings out, based
on melodic fragments from
the ‘Tiroler
Landeshymne’ (by
Leopold Knebelsberger),
which intertwine in a
counterpoint-like
arrangement. The second
passage is more bellicose
in character, and mirrors
the fight of the
Tyroleans - under the
inspiring leadership of
freedom fighter Andreas
Hofer (1767-1810) -
against Bavarian, French
and Italian troops. Next,
a broad, chorale-style
melodyappears again:
here, the imposing beauty
of nature in Tyrol, and
the amiable, lively
temperament of the people
who live in this
mountainous region, are
glorified.This is neither
a programmatic work
around an historical
reconstruction, nor a
politically inspired
work: it is a combination
of factual and cultural
components, with an
artistic and sonorous
character. The use of the
flugelhorn in particular
gives Tirol Terra
Fortis its
‘couleur
locale’: for this
beautiful instrument can
invariably be found in
the Austrian wind band.
The commissioning music
society had therefore
specifically asked the
composer to incorporate
the instrument in this
work. It certainly
enhances the already
extensive colour palette
of the modern concert
band!
Een hymne
bestaand uit fragmenten
van het Tiroolse
volkslied. Strijdlustige
klanken in het tweede
deel. Tot slot een
melodie in koraalstijl
die de bewoners van Tirol
en de indrukwekkende
schoonheid van de natuur
beschrijft. Hebt ual een
idee? Tirol Terra
Fortis is een
programmatisch werk
rondom de geschiedenis
van Andreas Hofer en de
vrijheidsstrijd van Tirol
200 jaar geleden. De
bugel geeft dit
kunstzinnige en
klankvolle werk zijn
bijzondere
‘couleurlocaleâ€
â„¢.
Eine Hymne
aus Fragmenten der
Tiroler Landeshymne,
kämpferische Klänge
im zweiten Teil und
schließlich eine
Melodie im Choralstil,
welche die eindrucksvolle
Schönheit der Natur
und die Menschen in Tirol
beschreibt. Sie haben es
erraten? Tirol Terra
Fortis ist ein
programmatisches Werk
rund um die Geschichte
Andreas Hofers und den
Freiheitskampf Tirols vor
200 Jahren. Der Einsatz
des Flügelhorns
verleiht diesem
künstlerischen und
klangvollen Werk ein
besonderes
Lokalkolorit.
La
Stadtmusikkapelle
Wilten-Innsbruck
(Austria) ha invitato il
compositore belga Jan Van
der Roost a scrivere
un'opera per celebrare il
bicentenario
dell’Insorgenza
tirolese, che ebbe luogo
nel 1809. L'uso del
flicorno, in particolare,
conferisce al Tirol
Terra Fortis il suo
colore locale: questo
bellissimo strumento si
può sempre trovare
nelle bande
austriache.
Last Call Sc/pts Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Brass Band (Score & Parts) - Grade 5 SKU: HL.44011357 Composed by Otto M....(+)
Brass Band (Score &
Parts) - Grade 5
SKU:
HL.44011357
Composed
by Otto M. Schwarz.
Mitropa Music Concert
Band. Original Light
Music. Score Only.
Composed 2009. Hal
Leonard #158409M.
Published by Hal Leonard
(HL.44011357).
Last Call was
commissioned by and
written for Brass Band
Oberosterreich (Austria)
as a special concert
finale. Austrian composer
Otto M. Schwarz was asked
to write an encore piece
with which the band could
really show off.
Featuring all the
sections of the band in
turn, your audience will
surely be dazzled by
their skills!
Last Call
was commissioned by and
written for Brass Band
Oberosterreich (Austria)
as a special concert
finale. Austrian composer
Otto M. Schwarz was asked
to write an encore piece
with which the band could
really show off.
Featuring all the
sections of the band in
turn, your audience will
surely be dazzled by
their skills!
Last Call
- Letzter Aufruf - wurde
speziell als letztes
Stuck fur Konzerte der
Brass Band Oberosterreich
geschrieben. Der
osterreichische Komponist
Otto M. Schwarz wurde
beauftragt, ein
Zugabestuck zu schreiben,
mit dem die Band einen
glanzvollen letzten
Auftritt hinlegen konnte.
In einem Vamp durfen alle
Instrumentengruppen ihr
Konnen beweisen und das
Publikum uberzeugen!
Last Call
(Dernier appel) est une
œuvre pop-funk qui
debute avec une fanfare
impressionnante suivie
immediatement du premier
chorus. Ce dernier
introduit une melodie
entrainante qui subit
plusieurs transformations
a travers le
developpement de
l'œuvre tout en
etant soutenue par un
rythme funk. Last
Call est le bis
ideal.
Critical Edition Violin Solo Part. Composed by Erich Wolfgang Korngold (1897- ...(+)
Critical Edition Violin
Solo
Part. Composed by Erich
Wolfgang Korngold (1897-
1957). LKM Music.
Classical.
Softcover. Lauren Keiser
Music Publishing
#S510015.
Published by Lauren
Keiser
Music Publishing
Chorus and piano (choir: S(child)TB/SATB - 2.A-fl.0.0.0 - 0.1.2.0 - timp.perc - ...(+)
Chorus and piano (choir:
S(child)TB/SATB -
2.A-fl.0.0.0 - 0.1.2.0 -
timp.perc - 2vl.db)
SKU: BR.EB-6690
Cantata. Composed
by Johann Nepomuk David.
Edited by Bernhard A.
Kohl. Arranged by
Bernhard A. Kohl. Choir;
Softcover. Edition
Breitkopf. World
premiere: March 26,
1974 – Linz
(Austria). Cantata; Music
post-1945. Piano/Vocal
Score. Composed 1972. 32
pages. Duration 15'.
Breitkopf and Haertel #EB
6690. Published by
Breitkopf and Haertel
(BR.EB-6690).
Strings SKU: BR.PB-3829-07 Study score. Composed by Johann Nepomuk...(+)
Strings
SKU:
BR.PB-3829-07
Study score.
Composed by Johann
Nepomuk David. Softcover.
Partitur-Bibliothek
(Score Library). World
premiere: Nov., 30,1960
– Linz (Austria).
Symphony; Music
post-1945. Study Score.
Composed 1959. 52 pages.
Duration 18'. Breitkopf
and Haertel #PB 3829-07.
Published by Breitkopf
and Haertel
(BR.PB-3829-07).
SKU: HL.1117959 Lewitt Audio. Microphone. Hal Leonard #INTERVIEWER. Publi...(+)
SKU: HL.1117959
Lewitt Audio. Microphone.
Hal Leonard #INTERVIEWER.
Published by Hal Leonard
(HL.1117959).
UPC:
847986001733.
7.5x14.5x3.5
inches.
Please
note: although we don't
keep stock on hand, this
item will drop ship
direct from the
manufacturer at the time
of your order. Sturdy and
resilient casing This
extremely sturdy dynamic
microphone features an
omnidirectional polar
pattern. Its capsule is
fully rubber mounted. In
combination with the
INTERVIEWERs new coating
technology all handling
noise is reduced to a
minimum while offering
safe and comfortable
grip. Best speech
intelligibility Tailored
for voice reproduction
the INTERVIEWER provides
you with crystal clear
results in almost any
situation. This
hassle-free tool makes it
easy to concentrate on
what is essential. Camera
connection cable The
INTERVIEWER comes with a
connection cable for your
camera. This way you are
fully equipped, and you
can record even more
comfortable on-the-go.
The perfect companion
With the purpose-built
Dust Protection Membrane
and its heavily rugged,
most resilient housing,
the INTERVIEWER will be
the perfect companion
even under the roughest
conditions. Designed and
engineered in Vienna,
Austria Like all LEWITT
microphones, the
INTERVIEWER is designed
and engineered in Vienna,
Austria.
Cantata. Composed
by Johann Nepomuk David.
Choir; stapled.
Chor-Bibliothek (Choral
Library). World
premiere: March 26,
1974 – Linz
(Austria). Cantata; Music
post-1945. Choral score.
Composed 1972. 20 pages.
Duration 15'. Breitkopf
and Haertel #ChB 3587-02.
Published by Breitkopf
and Haertel
(BR.CHB-3587-02).
Concert Band - Grade 3 - Score and Parts. Arranged by Thomas Doss, T Doss. De Ha...(+)
Concert Band - Grade 3 -
Score and Parts. Arranged
by Thomas Doss, T Doss.
De Haske Concert Band
Full Set. Size 9x12
inches. Published by
DeHaske Publications.
Concert Band/Harmonie and
Baritone/Euphonium (Score
& Parts) - Grade 5
SKU: HL.44011353
Composed by Thomas Doss.
Mitropa Music Concert
Band. Solo & Concerto.
Score Only. Composed
2007. Hal Leonard
#149107M. Published by
Hal Leonard
(HL.44011353).
Sir Eu was
commissioned by the
regional music authority
of Upper Austria and the
brass band SoundINNBrass.
The composition was meant
to be very virtuoso and
was written for the
euphonium player Steven
Mead, who premiered it
and has played it
regularly worldwide. The
title Sir Eu
alludes to the master of
the euphonium himself,
and also to the concept
of Europe. From jazz
through romanticism to
folkloristic elements -
this work offers
everything that the
musical heart could wish
for!
Sir Eu
is geschreven in opdracht
van de deelstaat
Opper-Oostenrijk en de
brassband SoundINNBrass.
De compositie moest heel
virtuoos zijn -
toegesneden op de
talenten van
euphoniumspeler Steven
Mead, die de premiere
voor zijnrekening nam en
het werk overal ter
wereld heeft gespeeld. De
titel verwijst naar deze
meester op het euphonium,
maar ook naar het
Europese beginsel. Van
jazz en romantiek tot
folkloristische elementen
biedt dit werk alles wat
hetmuzikale hart
begeert.
Sir
Eu wurde von der
oberosterreichischen
Landemusikdirektion und
der Brass Band
SoundInn-Brass in Auftrag
gegeben. Das Stuck sollte
ausserst virtuos und
massgeschneidert fur den
Euphoniumspieler Steven
Mead sein, der es
urauffuhrte und bis heute
weltweit regelmassig
spielt. Der Titel Sir
Eu ist eine
Anspielung auf den
Meister des Euphoniums
und zugleich an den
europaischen Gedanken.
Von Jazz uber Romantik
bis hin zu
Folklore-Elementen ist in
diesem Stuck alles zu
finden, was das
musikalische Herz
begehrt.
Sir
Eu est une œuvre
de commande conjointe du
Comite Regional pour la
Musique de Haute-Autriche
et du Brass Band
SoundINNBrass. Cette
composition, taillee sur
mesure pour le maitre de
l'euphonium Steven Mead,
est d'une grande
virtuosite. Steven Mead
en assura d'ailleurs la
creation et la promotion
sur les scenes du monde
entier. Le titre fait
reference a la fois au
dedicataire de la piece
et au concept europeen.
Du jazz aux elements
traditionnels en passant
par des couleurs plus
romantiques, cette piece
contient tous les
ingredients pour un
succes grand public
!
Sir Eu
was commissioned by the
regional music authority
of Upper Austria and the
brass band SoundINNBrass.
The composition was meant
to be very virtuoso and
was written for the
euphonium player Steven
Mead, who premiered it
and has played it
regularly worldwide. The
title Sir Eu
alludes to the master of
the euphonium himself,
and also to the concept
of Europe. From jazz
through romanticism to
folkloristic elements -
this work offers
everything that the
musical heart could wish
for!