Symphony No. 1 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By William Boyce. Arranged by Brian Folus. Music by William Boyce / arr. Brian F...(+)
By William Boyce.
Arranged by Brian Folus.
Music by William Boyce /
arr. Brian Folus. For
string orchestra. String
Orchestra. String
Orchestra. Level: Grade
3. Conductor Score &
Parts. Published by
Alfred Publishing.
Piano seul [Partition + Accès audio] - Avancé Schirmer
Composed by Frederic Chopin (1810-1849). Edited by Brian Ganz. Schirmer Performa...(+)
Composed by Frederic
Chopin (1810-1849).
Edited by Brian Ganz.
Schirmer Performance
Editions. Classical.
Softcover Audio Online.
96 pages. Published by G.
Schirmer
Guitar SKU: HL.49010765 Composed by Various. Arranged by Brian Jeffrey. T...(+)
Guitar
SKU:
HL.49010765
Composed
by Various. Arranged by
Brian Jeffrey. This
edition: Saddle
stitching. Sheet music.
Gitarren-Archiv (Guitar
Archive). Classical.
Playing score. 8 pages.
Schott Music #GA225.
Published by Schott Music
(HL.49010765).
ISBN
9790220116490.
9.0x12.0x0.07
inches.
Contents:
Greensleeves in E minor
(anon) * The Queen's Good
Night in G Major
(Robinson) * The Hunt's
Up in A Major (anon).
Composed by Bruce Fraser.
Band Music. Score only.
Duration 8:30. Published
by G & M Brand Music
Publishers (CN.S11238).
Inspired by
Saint-Saens' Carnival of
the Animals, this work
depicts many of the
insects we know and love
using interesting effects
like tapping small
sticks. Bands may like to
perform the Carnival as a
complete suite or to play
individual movements on
their
own.
Carnival of
the Insects was
commissioned by the
National School Band
Association and was first
performed at the Scottish
Festival organized by
NSBA and Brian Duguid of
West Lothian Arts on May
12, 2001. The music
letters SBA were used to
form the basis of the
melodies to personalize
the piece for the
Association. (S can be
Eb, B can be Bb using
European note names.) The
Carnival is inspired by
Saint Saens Carnival of
the Animals and derives a
lot of the rhythmic
structures from it. March
of the Ants - The Thin
Black Line The composer
was reminded of a French
holiday when a line of
ants would march every
night from the gate of
the house, past the pool
and up into the garden.
Crickets and stick
insects Here the composer
remembered balmy
Mediterranean nights and
the sound of crickets. An
interesting effect is to
have small groups of
players around the
performance venue
randomly tapping small
sticks throughout this
movement. Insectivores
These are the creatures
which eat insects and the
music has a dramatic
scary feel to it with a
chase in the middle.
Metamorphosis This is
where the caterpillar
changes into a butterfly.
The Euphonium melody will
strike the listener as
being very similar to The
Elephant. The Bug Parade
This is a grand finales
where we can imagine many
of the insects in a
Disney-like parade. Bands
may like to perform the
Carnival as a complete
suite or to play
individual movements on
their own.
Edited by Briana Ackerman. Arranged by Daniel Kelley. For Flute (or Oboe or Viol...(+)
Edited by Briana
Ackerman. Arranged by
Daniel Kelley. For Flute
(or Oboe or Violin) and
Viola. Duets. Music for
Two. Wedding, Classical.
Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Composed by
Stuart Johnson. Band
Music. Score only.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.S11103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
Composed by
Stuart Johnson. Band
Music. Score and parts.
Duration 6:00. Published
by G & M Brand Music
Publishers (CN.R10103).
Before the days
of photography, the great
state occasions were
captured in paintings and
tapestries. In this
Suite, the composer has
imagined the pomp and
splendor of the English
court at work and play,
capturing each mood in a
short
movement.
Stuart
Johnson has the fine
ability to capture moods
and scenes in music. He
was born in
Staffordshire, the county
for which he was Director
of Music until his
retirement in 1997. After
experience as a player in
brass bands, he served in
the band of the King's
Dragoon Guards before
training as a teacher and
working in schools.
Following a period as a
lecturer at
Northumberland College of
Education he became Music
Adviser to the
Metropolitan District of
Sandwell prior to his
appointment to
Staffordshire. He has
long experience as a
conductor, particularly
in the choral and band
fields and also wide
experience as an
adjudicator and examiner.
He has written
prolifically for bands
and orchestras and his
didactic publications are
used in many countries.
He has over eighty
published compositions
and arrangements, many of
which have been broadcast
on radio or television.
His commissioned works
include the cantata David
and Goliath which was
first performed at the
Royal Festival Hall,
Oregon Overture for wind
orchestra, Landscapes,
Sinfonietta No 2, Wessex
Dances and A Castle
Suite. Stuart Johnson has
recently completed
several commissions,
funded by National
Lottery grants, for bands
in Cumbria, the Isle of
Wight, and Staffordshire.
Requiem for Soprano,
Chorus and Orchestra, was
premiered successfully in
front of a capacity
audience in Lichfield
Cathedral in March 1997,
and received its first
London performance at St.
John's Smith Square in
March 1998. This
prestigious venue also
saw the first performance
of Songs and Sonnets for
unaccompanied mixed choir
in 2001. Stuart Johnson
has written extensively
for the theatre, his
music for the production
of Anna of the Five Towns
was used for both the
radio and television
adaptations His music
ranges in style from the
evocative and demanding
Sinfonietta for Wind
Orchestra, which has
received many
performances since its
premiere in the Royal
Festival Hall, including
a broadcast by the Band
of the Scots Guards, to
his ubiquitous Bandstand
Boogie which has set feet
tapping all over the
world. Apart from the
latter his most performed
work is probably Circus
Suite which was the
British Youth Band
Championship test piece
in 1980. Northumbrian
Suite and Landscapes have
also been used as
National Brass Band
Championship test pieces.
The Flint Knappers
commissioned as a test
piece for the 1998 East
Anglian Band Festival was
selected as a test piece
for the 1999 Australian
Championships. Before the
days of photography, the
great state occasions
were captured in
paintings and tapestries.
In this Suite, the
composer has imagined the
pomp and splendor of the
English court at work and
play, capturing each mood
in a short movement.
By Brian Slawson. For Mallet Percussion. Book; Percussion - Mallet Instrument Co...(+)
By Brian Slawson. For
Mallet Percussion. Book;
Percussion - Mallet
Instrument Collection;
Solo. Alfred's Keyboard
Percussion Series. 24
pages. Published by
Alfred Music
Composed by Brian Balmages. For string orchestra. FJH String Orchestra. Grade 3....(+)
Composed by Brian
Balmages. For string
orchestra. FJH String
Orchestra. Grade 3. Score
and parts. Duration 4
minutes, 30 seconds.
Published by The FJH
Music Company Inc
(A Collection of Favorite Encores) Performed by James Galway. Instrumental solo ...(+)
(A Collection of Favorite
Encores) Performed by
James Galway.
Instrumental solo book
for flute solo and piano
accompaniment. With solo
part, standard notation
and piano reduction. 59
pages. Published by G.
Schirmer, Inc.
(Foundations in Choral Sight-Singing). By Andy Beck and Brian Lewis. This editio...(+)
(Foundations in Choral
Sight-Singing). By Andy
Beck and Brian Lewis.
This edition:
Reproducible Companion CD
Kit.
Classroom/Pre-School;
Method/Instruction;
Reproducible;
Sight-Singing Collection.
Book and CD. 80 pages
Music for Two Violas, Volume 2 Alto seul [Conducteur et Parties séparées] - Intermédiaire/avancé Last Resort Music Publishing
Edited by Briana Ackerman. Arranged by Daniel Kelley. For Viola Duet. Duets. Mus...(+)
Edited by Briana
Ackerman. Arranged by
Daniel Kelley. For Viola
Duet. Duets. Music for
Two. Classical. Level:
Intermediate/Advanced.
Score with 2 parts.
Published by Last Resort
Music Publishing.
Top 101 Worship Songs of The Vineyard. Performed by Various Artists. Songbook. S...(+)
Top 101 Worship Songs of
The Vineyard. Performed
by Various Artists.
Songbook. Softcover with
CD. Size 7x10.25 inches.
424 pages. Published by
Word Music.
Fanfare Band - Grade 3 SKU: BT.1572-08-020-MS Composed by Brian Wilson an...(+)
Fanfare Band - Grade 3
SKU:
BT.1572-08-020-MS
Composed by Brian Wilson
and Mike Love. Arranged
by Don Campbell. DHP Pop,
Film and Show. Set (Score
and Parts). Composed
2009. Music Sales
#1572-08-020 MS.
Published by Music Sales
(BT.1572-08-020-MS).
9x12 inches.
English-German-French-Dut
ch.
The pop song
Good Vibrations,
which appeared as a
single in 1966, is one of
the most celebrated hits
of The Beach Boys. The
piece, composed and
produced by Brian Wilson,
has been called a mini
symphony. Various covers
versions have been made,
including a marvellous a
cappella version by the
Kingâ??s Singers. This
arrangement by Don
Campbell is just as
delightful as the
original.
De
popsong Good
Vibrations, die op
single verscheen in 1966,
is een van de bekendste
hits van de beroemde
Amerikaanse Beach Boys.
Het door Brian Wilson
gecomponeerde en
geproduceerde nummer is
wel eens een minisymfonie
genoemd.De kenmerkende
sound, met de bijzondere,
gevarieerde
instrumentatie en
herkenbare vocals, doet
het ook tegenwoordig nog
goed. Er zijn diverse
covers van de song
gemaakt, onder andere een
prachtige a-capellaversie
van de BritseKingâ??s
Singers. Dit arrangement
voor harmonieorkest, van
de hand van Don Campbell,
is net zo pakkend als het
origineel.
Dieser
Hit der American Beach
Boys, geschrieben und
produziert von Brian
Wilson, hat den Beinamen
Mini Symphonieâ??
erhalten. Der typische
Sound und die
au�ergewöhnliche und
abwechslungsreiche
Instrumentierung sind
auch in der Bearbeitung
von Don Campbell
erhalten.
Good Vibrations Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1572-08-140-MS Composed by Brian ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1572-08-140-MS
Composed by Brian Wilson
and Mike Love. Arranged
by Don Campbell. DHP Pop,
Film and Show. Pop &
Rock. Score Only.
Composed 2008. 24 pages.
Music Sales #1572-08-140
MS. Published by Music
Sales
(BT.1572-08-140-MS).
9x12 inches.
English-German-French-Dut
ch.
The pop song
Good Vibrations,
which appeared as a
single in 1966, is one of
the most celebrated hits
of The Beach Boys. The
piece, composed and
produced by Brian Wilson,
has been called a mini
symphony. Various covers
versions have been made,
including a marvellous a
cappella version by the
King’s Singers.
This arrangement by Don
Campbell is just as
delightful as the
original.
De
popsong Good
Vibrations, die op
single verscheen in 1966,
is een van de bekendste
hits van de beroemde
Amerikaanse Beach Boys.
Het door Brian Wilson
gecomponeerde en
geproduceerde nummer is
wel eens een minisymfonie
genoemd.De kenmerkende
sound, met de bijzondere,
gevarieerde
instrumentatie en
herkenbare vocals, doet
het ook tegenwoordig nog
goed. Er zijn diverse
covers van de song
gemaakt, onder andere een
prachtige a-capellaversie
van de
BritseKing’s
Singers. Dit arrangement
voor harmonieorkest, van
de hand van Don Campbell,
is net zo pakkend als het
origineel.
Dieser
Hit der American Beach
Boys, geschrieben und
produziert von Brian
Wilson, hat den Beinamen
Mini Symphonie“
erhalten. Der typische
Sound und die
außergewöhnliche
und abwechslungsreiche
Instrumentierung sind
auch in der Bearbeitung
von Don Campbell
erhalten.