By Various. Arranged by Daniel Kelley. For French Horn or English Horn. Quartets. Music for Four. Rags & Waltzes. Intermediate/Advanced. Part 3

Composed by Various. Arranged by Carol Klose, Christopher Norton, and Hywel Davies. BH Piano. Ballet, Classical. Softcover. 96 pages. Boosey and Hawkes #M060123917. Published by Boosey and Hawkes

Composed by Kenneth Hesketh. Score; Wind Band. Faber Edition: Faber Wind Band Series. Form: Dance. 20th Century; Masterwork. Published by Faber Music (AP.12-0571570496).

99 Traditional Pieces. Composed by Pete Cooper. Arranged by Pete Cooper. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Diese Ausgabe enthalt 99 traditionelle englische Geigenmelodien. Der Band ist versehen mit Akkorden und Hinweisen zur Bogenfuhrung. Ausserdem ist ihm eine CD von Pete Cooper beigelegt. Folk, Classical, English. Edition/Softcover with CD. 12758. 68 pages. Schott Music #ED12758. Published by Schott Music

SATB Choir a Cappella

SKU: HL.14042377

Music Sales America. Classical. Octavo. Composed 2008. Edition Wilhelm Hansen #WH30742. Published by Edition Wilhelm Hansen (HL.14042377).

ISBN 9788759815038. English.

Per Nørgård's Maya Dances (-for her unborn son) 
for mixed chorus SATB (1979/1992) - English version.

Original Danish text by Ole Sarvig - from the opera Siddharta. English vocal version by Paula Hostrup-Jesse.
< br/>The two melodies of MAYA DANCES was originally composed for children’s chorus and mixed choir with orchestra, respectively, as part of the opera SIDDHARTA (1974-79). The children’s song (bars 1-27) was later incorporated into the first movement of the choral work WIE EIN KIND for mixed chorus from 1979-80 (printed edition WH 29552). 

Th e presentchoral version for SATB from 1992, edited by Ivan Hansen and the composer, is a combination of the two above mentioned songs from the opera. 

In the opera the children’s singing game describes the sad Queen Maya’s longing for a child. She senses the coming of a new age and is enlivened by dancing a fertility dance for the unborn prince Siddharta. Two themes alternate: the straightforward song of the children, and the comment of Prajapati (Maya’s sister) on Queen Maya’s dance. 

 

Harp

SKU: HL.234540

Harp Solo. Composed by John Luther Adams. Music Sales America. Classical. Softcover. Composed 2017. 14 pages. Chester Music #CH86295. Published by Chester Music (HL.234540).

9.0x12.0x0.09 inches. English.

'This set of miniatures is based on traditional dance songs of the Yupik Eskimo people of Western Alaska. In their original forms, these melodies would be sung in unison. The first, third and fifth songs would be accompanied by frame drums. The second and fourth are game songs, for jumping rope and juggling pebbles. Aside from the obvious difference in instrumentation, my settings of these songs differ from the Yup'ik originals in other respects. I have extended and varied the melodies, and added countermelodies, ostinato figurations, introductions, interludes and codas. The first four melodies are drawn from the collection Yup'ik Eskimo songs, compiled by Thomas F. Johnston, and Tupou L. Pulu, and published by the University Of Alaska. The fifth was 'loaned' to me by Yup'ik singer and dancer Chuna McIntyre, who learned it in his village of Eek, Alaska. The poems preceding each piece are rough translations of the words to the songs. These verses are often cryptic and enigmatic. Their obscurity is increased because some of the words or their meanings have been lost, over time.' - John Luther Adams.

Composed by Kenneth Hesketh. 5 or More; Brass Band; Performance Music Ensemble; Solo Small Ensembles. Faber Edition: Faber Brass Band Series. Form: Dance. 20th Century; Masterwork. Part(s); Score. Faber Music #12-0571565123. Published by Faber Music

Composed by Collected by Paul Hutchinson. Piano Collection. Faber Edition. Form: Dance. Folk. Book. Faber Music #12-0571541143. Published by Faber Music

(For Orchestra). By Bernard Rogers. Orchestra. For Piccolo, Flute (Bass in C), Flute (Alto in G), Oboe, English Horn, Clarinet (in A), Clarinet (in Bb), Bass Clarinet (in Bb), Bassoon, Contra Bassoon, Horn, Trumpet, Tenor, Tuba, Harp, Piano, Celesta, Mezzo-Soprano, Timpani, Percussion, Snare Drum, Tenor D. This edition: study score. Classical. Full Score - Study. Standard notation. Composed 1933. 65 pages

By Tylman Susato [Tielman Susato]. By Tylman Susato. Arranged by David Marlatt. Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Eighth Note Publications. Form: Dance; Suite. Masterwork Arrangement; Renaissance. Part(s); Score. Eighth Note Publications #81-CB16305. Published by Eighth Note Publications (AP.81-CB16305).

Composed by Tielman Susato (1500-1561). Arranged by David Marlatt. 5 or More; Brass - Cornet (Trumpet) Sextet; Masterworks; Solo Small Ensembles. Eighth Note Publications. Form: Dance; Suite. Masterwork Arrangement; Renaissance. Part(s); Score. Duration 8:30. Eighth Note Publications #81-TE13229. Published by Eighth Note Publications (AP.81-TE13229).

By Tylman Susato [Tielman Susato]. By Tylman Susato. Arranged by David Marlatt. Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Eighth Note Publications. Form: Dance; Suite. Masterwork Arrangement; Renaissance. Score. Eighth Note Publications #81-CB16305S. Published by Eighth Note Publications (AP.81-CB16305S).

Ghost Dances by Nicholas Maw (1935-). Orchestra. Full Orchestra (Study Score); Masterworks; Score. Faber Edition. Form: Dance. 20th Century; Masterwork. 124 pages. Published by Faber Music

Brass Band - Grade 4

SKU: BT.DHP-1206265-130

Andantino. Composed by Sir Malcolm Arnold. Arranged by Ray Farr. Great Classics. Classical. Score Only. Composed 2020. 12 pages. De Haske Publications #DHP 1206265-130. Published by De Haske Publications (BT.DHP-1206265-130).

English Dances, Set I, opus 27, is a light classic composition that was written for orchestra by the British composer Malcolm Arnold in 1950. The set contains four dances that continue without pause: the individual movements are indicated by the tempo markings. The work came about at the request of Bernard de Nevers, at the time the head of publisher Alfred Lengnick & Co., who asked Arnold to write a suite of dances as an English counterpart to Dvo ák’s Slavonic Dances and Bartók’s Romanian Folk Dances. The première took place in the spring of 1951, played by the London Philharmonic Orchestra, conducted by Sir Adrian Boult. Following the success of the first set, DeNevers asked the composer to write a second one, which Arnold completed the next year (Op. 33). The Andantino from the first set has been skilfully arranged and orchestrated for brass band by Ray Farr.

English Dances, Set I, opus 27, is een licht klassieke compositie die in 1950 door de Britse componist Malcolm Arnold voor orkest geschreven werd. De set bestaat uit vier dansen die zonder onderbreking in elkaar overgaan: de afzonderlijke delen worden aangegeven met de tempomarkering. Het werk kwam tot stand op verzoek van Bernard de Nevers, destijds het hoofd van uitgeverij Alfred Lengnick & Co., die Arnold vroeg om een reeks dansen te schrijven als een Engelse tegenhanger voor de Slavische dansen van Dvo ák en de Roemeense volksdansen van Bartók. De première werd in het voorjaar van 1951 gebracht door het London Philharmonic Orchestra, onder leiding van Sir Adrian Boult.Na het succes van de eerste set vroeg De Nevers om een tweede, die Arnold een jaar later voltooide (opus 33). Het Andantino uit de eerste set is door Ray Farr meesterlijk gearrangeerd en ge nstrumenteerd voor brassband.

English Dances, Set I, opus 27, ist eine leicht Klassische Komposition, die 1950 von dem britischen Komponisten Malcolm Arnold für Orchester geschrieben wurde. Die Reihe enthält vier Tänze, die ohne Unterbrechung gespielt werden. Die einzelnen Sätze sind mit Tempoangaben versehen. Das Werk entstand auf Wunsch von Bernard de Nevers, dem damaligen Leiter des Verlags Alfred Lengnick & Co., der Arnold bat, eine Reihe von Tänzen als englisches Gegenstück zu Dvo áks Slawischen Tänzen“ und Bartóks Rumänischen Volkstänzen“ zu schreiben. Die Uraufführung fand im Frühjahr 1951 mit dem London Philharmonic Orchestra unter der Leitung von Sir Adrian Boult statt. Nach demErfolg der ersten Reihe bat de Nevers den Komponisten, eine zweite Reihe zu schreiben, die Arnold im darauffolgenden Jahr fertigstellte (op. 33). Das Andantino aus der ersten Reihe wurde von Ray Farr gekonnt für Brass Band arrangiert und orchestriert.

English Dances, Set I, opus 27, est une composition de musique légère classique pour orchestre écrite en 1950 par le compositeur britannique Malcolm Arnold. La série comprend quatre danses qui s’enchaînent sans interruption, les divers mouvements étant indiqués par des changements de tempo. Cette œuvre fut écrite la demande de Bernard de Nevers, alors directeur de l’éditeur Alfred Lengnick & Co., qui pria Arnold de composer une série de danses qui serait l’équivalent anglais des Danses slaves de Dvo ák et des Danses populaires roumaines de Bartók. L’œuvre fut créée le 14 avril 1951 par le London Philharmonic Orchestra sous la direction de Sir Adrian Boult. la suite du succès de la première série, De Nevers pria le compositeur d’en écrire une seconde, qui fut achevée l’année suivante (Op. 33). L’Andantino de la première série a été habilement arrangé et orchestré pour brass band par Ray Farr.

Composed by Pierre Certon (1510-1572). Arranged by with English words; by Patrick M. Liebergen. Masterworks; Performance Music Ensemble; Single Titles. Alfred Choral Designs. Masterwork Arrangement; Renaissance; Secular. Choral Octavo. 12 pages. Alfred Music #00-45606. Published by Alfred Music (AP.45606).

By Oliver Knussen (1952-). Orchestra. Full Orchestra; Masterworks; Score. Faber Edition. Form: Dance. 20th Century; Masterwork. 52 pages. Published by Faber Music