(Authentic Guitar TAB). By Led Zeppelin. For Guitar. This edition: Authentic...(+)
(Authentic Guitar TAB).
By
Led Zeppelin. For Guitar.
This edition: Authentic
Guitar TAB; Revised.
Artist/Personality;
Authentic Guitar TAB;
Book;
Guitar Personality;
Guitar
TAB. Acoustic Classics.
Acoustic; Blues; Folk;
Rock.
120 pages. Published by
Alfred Music
Guitar - very easy to easy SKU: HL.49045379 Song Book for Voice and Gu...(+)
Guitar - very easy to
easy
SKU:
HL.49045379
Song
Book for Voice and
Guitar. Arranged by
Sebastian Mueller. This
edition: Ring/Spiral
binding. Sheet music.
Guitar. 100 Songs aus
Pop, Rock und Schlager
fur Gitarre und Gesang.
Classical. Softcover. 168
pages. Schott Music #ED
22700. Published by
Schott Music
(HL.49045379).
ISBN
9783795711740.
9.25x12.0x0.795
inches.
By popular
request, the popular book
of party songs for guitar
is now also available in
XXL music format with
spiral binding. The
edition contains 100
songs from pop, rock,
folk and German schlager
music which are perfect
for singing along
together. They can be
easily accompanied with
just a few chords on the
guitar.The XXL version
provides: spiral binding
music in large print
lyrics in large
printContent: Atemlos
durch die Nacht - Country
Roads - Griechischer Wein
- Hey Jude - Marmor,
Stein und Eisen bricht -
Sierra Madre - Viva
Colonia - We Are The
Champions - Wonderful
Tonight and many
more!Also
available:Songbooks for
young and old in a handy
book format.
Notturno
- Napolitana - Roma.
Composed by Francesco
Balilla Pratella. Edited
by Maurizio Mazzoli.
Saddle stitching.
Classical. Ut Orpheus #CH
111. Published by Ut
Orpheus (UT.CH-111).
ISBN 9790215316317. 9
x 12 inches.
The
three original pieces for
guitar Notturno,
Napolitana
(popolar songs) and
Roma (March
for guitar),
together with three
transcriptions, are
included in a manuscript
of 36 pages, noting in
the frontispiece
“Transcriptions and
compositions of F.
Balilla Pratella sent as
a tribute to M.R. Brondi
(1920)”.
These compositions follow
a traditional language,
and, in the tonality and
the alternating themes,
are an expression of
Pratella’s
folkloric vein, with
cantabile and melancholy
melodies, with the
exception of the march,
that show some echoes of
the nineteenth century
guitar masters’ way
of composing. There is
a characteristic use of
the quartine with
no alternated thumb
forefinger tremolo, that
immediately recalls the
plectrum orchestra so
much used by Pratella in
his youth. The
discovery of these pieces
– which happened
accidentally and saved
them from certain
destruction –
contributes to enhance
that period of great
guitarist turmoil
preceding Segovia,
establishing itself at
the beginning of
twentieth century in
Italy with three
compositions from an
author that, along
with the Bonaccorsi and
Colacicchi, anticipated
that current –
already initiated by the
Fara, Gabriel,
Caravaglios –
which was, in the
following decades, to go
by the name of
ethnomusicology.
Saddle-stitched. Folk.
Book and online video.
Mel Bay Publications, Inc
#31120M. Published by Mel
Bay Publications, Inc
(MB.31120M).
ISBN
9781513477497. 8.75X11.75
inches.
John Dowland (1563
â?? 1626), a
contemporary of both
William Shakespeare and
Queen Elizabeth I, was
recognized as one of the
greatest musicians of his
time, writing songs,
ensemble music and solos
for the
lute.
Early music has
long been part of the
classic guitar repertoire
and more recently, it has
been adopted with
enthusiasm by ukulele
players. This book
presents sixteen of
Dowland's most beautiful
lute songs that can be
performed by ukulele
players, with or without
a
vocalist.
Two versions of
each song â?? one easier
and another more
advancedâ??are offered
in both standard notation
and tablature for
soprano, concert, and
tenor ukuleles in
re-entrant (gCEA) tuning.
Various vocal ensemble
renditions of the songs,
as well as the
authorâ??s video
performances of each solo
arrangement are available
online. For vocalists and
their audiences, and for
all musicians and
songwriters to fully
connect with the emotion
of the songs,
Dowlandâ??s sublime
lyrics are also
included.
Guitar SKU: HL.50607050 Guitar Solo. Composed by Leo Brouwer. Guit...(+)
Guitar
SKU:
HL.50607050
Guitar
Solo. Composed by Leo
Brouwer. Guitar.
Classical, Cuban.
Softcover. 12 pages.
Editions Max Eschig
#DF01682000. Published by
Editions Max Eschig
(HL.50607050).
UPC:
196288292401.
9.0x12.0x0.073
inches.
Deux Airs
populaires cubains (Dos
aires populares cubanos)
and Deux Thèmes
populaires cubains (Dos
temas populares cubanos)
were written in the 1960s
and published by
Ãditions Max Eschig in
1972 and 1978. These two
pieces belong to the
genre of arrangements of
popular songs for solo
instruments that was a
widespread presence in
the plucked-string
repertoire from the
sixteenth century on. In
these two cycles, Leo
Brouwer reworks Cuban
popular music with his
usual instrumental
originality. In the first
cycle, Brouwer did not
alter any of the melodic
or structural elements of
the original songs, only
embellishing these with
introductions, harmony,
and some structure. In
the second cycle however,
the original dance was
composed by Brouwer
himself, imitating Cuban
popular music
characterised by both
Spanish and African
influences. Rather than
being based on actual
folk repertoire, it draws
its inspiration from it
and attempts to recreate
its sonic ambiance.
Zigante interventions,
made on the scores
published during the
1970s, consist of the
correction of a few
errors and restoring some
of the original repeat
signs as conceived by
Brouwer. Any fingering
indicationswere added by
Leo Brouwer himself.