Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01).
ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra.
On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Opera SKU: CU.EC11663 Composed by Cecilia Gobbi, Nunzia Nigro, Andrea Gor...(+)
Opera
SKU:
CU.EC11663
Composed
by Cecilia Gobbi, Nunzia
Nigro, Andrea Goroni,
Pietro Dichiara. Magia
dell'Opera - Alla
scoperta del melodramma.
Published by Edizioni
Curci (CU.EC11663).
Dramma per musica. Composed by Francesco Cavalli (1602- 1676). Edited by Hend...(+)
Dramma per musica.
Composed
by Francesco Cavalli
(1602-
1676). Edited by Hendrik,
Sara Elisa / Schulze, and
Stangalino. This edition:
Edition of selected
works,
Urtext edition. Cloth
bound.
Francesco Cavalli. Opere.
Venice 1655. Edition of
Selected Works , Score.
Baerenreiter Verlag
#BA08915-
01. Published by
Baerenreiter
Verlag
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate
SKU:
HL.50603593
Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English.
Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori.
Opera SKU: HL.50499149 Teatro Musicale In Un Atto. Composed by Cor...(+)
Opera
SKU:
HL.50499149
Teatro
Musicale In Un Atto.
Composed by Corghi A.
MGB. Contemporary Music.
Score Only. Composed
2006. Ricordi #NR139260.
Published by Ricordi
(HL.50499149).
Guitarra (Guitar) y Piano SKU: BO.B.3106 Composed by Jordi Cervello. Pluc...(+)
Guitarra (Guitar) y Piano
SKU: BO.B.3106
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3106).
ISBN
9788480201940.
Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra.
Guitar and orchestra SKU: BO.B.3105 Composed by Jordi Cervello. Plucked I...(+)
Guitar and orchestra
SKU: BO.B.3105
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3105).
ISBN
9788480202350.
Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra.
VI: Numero del matto sul filo SKU: HL.50603661 For Flute and Piano...(+)
VI: Numero del matto sul
filo
SKU:
HL.50603661
For
Flute and Piano.
Composed by Nino Rota.
Arranged by C. Tabarelli.
Woodwind Solo. Softcover.
Ricordi #NR142177.
Published by Ricordi
(HL.50603661).
ISBN
9781705127827. UPC:
840126952285.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
III: Debutto di Gelsomina nel numero del 'ciufile' SKU: HL.50603658 Fo...(+)
III: Debutto di Gelsomina
nel numero del 'ciufile'
SKU: HL.50603658
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142174. Published by
Ricordi (HL.50603658).
ISBN 9781705127797.
UPC:
840126952254.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
Symphony orchestra SKU: BO.B.3624 Composed by E. Granados/M. Mestre. Publ...(+)
Symphony orchestra
SKU: BO.B.3624
Composed by E.
Granados/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3624).
The Suite on
Galician songs was
written in 1899 and
debuted on 31 October
that same year, as part
of a series of concerts
organised by the
Philharmonic Society of
Barcelona at the Teatro
Lirico, under the
direction of Joan Lamote
de Grignon.
The
work is made up of four
movements: I. Canto de la
manana (‘Morning
song'), also known as En
la montana (‘In the
mountains'), II. Danza
Scherzo (Galician folk
dance), III. Morrina
(‘Homesickness')
and IV. La Fiesta
(finale). The entire
composition is laced with
Galician folk melodies,
which serve as the
pretext for developing a
piece that is entirely
descriptive and scenic in
nature, by means of a
meticulous and precise
orchestration of great
technical and folkloric
interest. The work
reveals not only
Granados' great technical
expertise as
orchestrator, but also
his imagination and
intelligence when
recreating the most
distinctive sounds of
traditional Galician folk
music. He achieves this
effect through a
masterful use of
instrumentation and
experimentation
throughout the 23 minute
duration of this
magnificent suite.
