(Double Bass with Piano Reduction). Composed by Johann Baptist Vanhal (1739-1813...(+)
(Double Bass with Piano
Reduction). Composed by
Johann Baptist Vanhal
(1739-1813). Edited by
Tobias Gl�¶ckler.
For Double Bass, Piano
Accompaniment. Henle
Music Folios. Softcover.
G. Henle #HN979.
Published by G. Henle
Piano (NOTEN+CD) - easy to intermediate SKU: HL.49033329 The nice and ...(+)
Piano (NOTEN+CD) - easy
to intermediate
SKU:
HL.49033329
The
nice and easy sonatas of
Beethoven to
Kabalevsky. Composed
by G.D. Heumann. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Edition Schott.
Edition with CD. 94
pages. Schott Music
#ED9839. Published by
Schott Music
(HL.49033329).
ISBN
9783795757342.
9.25x12.0x0.275 inches.
German -
English.
In this
volume, Hans-Gunter
Heumann presents a
selection of 18 easy
popular classical
sonatinas, a Kabalevsky
sonatina and a jazz
sonatina by Eduard Putz.
The educational value of
these excellent and
sensitive sonatina
movements lies in the
training of melody and
form as well as in a
versatile technical
training.The volume
includes works by Andre,
Attwood, Beethoven,
Benda, Cimarosa,
Clementi, Diabelli,
Gurlitt, Haslinger,
Haydn, Kabalevsky,
Kohler, Kuhlau, Mozart,
Pleyel, Putz, Scarlatti,
Turk and Vanhal.
By Johann Baptist Vanhal (1739-1813). Edited by Rudolf Walter. This edition: pap...(+)
By Johann Baptist Vanhal
(1739-1813). Edited by
Rudolf Walter. This
edition: paperbound.
South German organ
masters of the Baroque.
Collection. 40 pages
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-16.
Published by Breitkopf
and Haertel
(BR.OB-15143-16).
ISBN
9790004342015. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 4 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-19.
Published by Breitkopf
and Haertel
(BR.OB-15143-19).
ISBN
9790004342022. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Set of parts.
16 pages. Duration 20'.
Breitkopf and Haertel #OB
15143-30. Published by
Breitkopf and Haertel
(BR.OB-15143-30).
ISBN
9790004342046. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-26.
Published by Breitkopf
and Haertel
(BR.OB-15143-26).
ISBN
9790004342039. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144-07
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library).
In
Cooperation with G. Henle
Verlag
Solo concerto;
Early classical;
Classical. Study Score.
28 pages. Duration 20'.
Breitkopf and Haertel #PB
15144-07. Published by
Breitkopf and Haertel
(BR.PB-15144-07).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Double bass and orchestra (solo: db - 0.2.0.1(ad lib.) - 2.0.0.0 - harps - str) ...(+)
Double bass and orchestra
(solo: db - 0.2.0.1(ad
lib.) - 2.0.0.0 - harps -
str)
SKU:
BR.PB-15144
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Partitur-Bibliothek
(Score Library). Solo
concerto; Early
classical; Classical.
Study Score. Duration
20'. Breitkopf and
Haertel #PB 15144.
Published by Breitkopf
and Haertel
(BR.PB-15144).
ISBN
9790004215968. 6.5 x 9
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 8 pages.
Duration 20'. Breitkopf
and Haertel #OB 15143-15.
Published by Breitkopf
and Haertel
(BR.OB-15143-15).
ISBN
9790004342008. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Urtext. Composed
by Johann Baptist Vanhal.
Edited by Tobias
Glockler. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). In
Cooperation with G. Henle
Verlag. Solo concerto;
Early classical;
Classical. Part. 12
pages. Duration 20'.
Breitkopf and Haertel #OB
15143-12. Published by
Breitkopf and Haertel
(BR.OB-15143-12).
ISBN
9790004342169. 10 x 12.5
inches.
The
unbroken popularity of
Vanhal's sole double bass
concerto in competitions
and for practice and
concert purposes is
reason enough for us to
publish the work in
Breitkopf Urtext. The
edition profits from
Tobias Glockler's
experience of many years.
As with the other great
double-bass concertos of
the classical Viennese
repertoire (Dittersdorf,
Hoffmeister), Glockler
arrives at convincing
solutions. He began by
filtering out a solid
musical text from the
source (which was not
always free of
contradictions) that was
supplied with many
additions. The
disposition of the solo
part required detailed
knowledge of performance
practice, since the work
was written in the
historical Viennese
double bass tuning, and a
few passages cannot be
played without difficulty
on a modern instrument.
As with Dittersdorf and
Hoffmeister, the piano
reduction makes it
possible to use three
different double-bass
tunings (solo, orchestral
and Viennese). Moreover,
it contains the editor's
virtuoso cadenzas as
well.I have performed the
Vanhal in Viennese tuning
and it was my thesis
topic so I am thrilled to
see an edition that makes
this tuning so
accessible. I highly
recommend this
all-encompassing edition.
(Marian Heckenburg,
Stringendo).
Divertimento Sol Mafeur Violon, Contrebasse (duo) [Conducteur et Parties séparées] Yorke Edition
Violin and Contra Bass SKU: BT.YE0067 Composed by Johann Baptist Vanhal. ...(+)
Violin and Contra Bass
SKU: BT.YE0067
Composed by Johann
Baptist Vanhal. Book
Only. Yorke Edition
#YE0067. Published by
Yorke Edition
(BT.YE0067).
Violin, viola
and bass. Anamazing piece
of musical research
enabled this work to be
assembled from autographs
surviving in Prague,
Bologna, Vienna and
Paris. Vintage Vanhal,
published here for the
first time; five short
movementsin best late
18th century style. Score
and parts.
Tasteninstrumente piano SKU: DB.DM-01513 I.Sonate E-Dur II.Sonate B-Du...(+)
Tasteninstrumente piano
SKU: DB.DM-01513
I.Sonate E-Dur
II.Sonate B-Dur III.
Sonate F-Dur.
Composed by Johann
Baptist Vanhal. Edited by
John F. Strauss and
Virginia F. Strauss.
Keyboard music. Doblinger
Music Publishers
#DM-01513. Published by
Doblinger Music
Publishers (DB.DM-01513).
ISBN
9790012206613.
Die
vorliegenden Sonaten sind
ernsthafte Werke und
keinesfalls blosse
Unterrichts-Sonatinen.
Vanhal stellt wie Mozart
und Haydn seine tiefsten
Gedanken in den ersten
Satzen seiner Sonaten
vor, die zweiten Satze
sind auf wienerische
Weise lieblich und
wehmutig. Die Finalsatze
sind leicht, schnell,
kurz und schlicht wie die
fruhen Haydn-Sonaten.
(nach d. Vorw. d
Hg.).
2010 Edition.
Composed by The Royal
Conservatory. Overtones:
A Comprehensive Flute
Series. Book and online
audio. The Frederick
Harris Music Company
#FLR04. Published by The
Frederick Harris Music
Company (FH.FLR04).
ISBN
978-1-55440-292-2.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Online Audio,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study. This
compilation of standard
orchestral passages for
flute is an indispensable
resource for the
developing years and
beyond. Teachers and
students will find this
unrivaled volume
essential for examination
or audition
preparation. Sonata in
E flat Major, BWV 1031,
Second movement:
Siciliana attr. Johann
Sebastian Bach Sonata
in A Minor, op. 1, no. 1,
First Movement and Second
Movement Jean-Baptiste
Loeillet (de Gant), arr.
Kathleen
Wood Tambourin
Jean-Philippe Rameau,
arr. Stephen
Chatman Suite in A
Minor, TWV 55:a2, Menuet
I and Menuet II Georg
Philipp Telemann, ed.
Lionel Salter Sonata
No. 2 in A Major: Cadenza
and First Movement;
Second Movement Johann
Baptist Vanhal Sonata
in F Major, RV 52, First
Movement: Siciliano,
Second Movement:
Allemanda Antonio
Vivaldi, arr. Stephen
Chatman Tanzlied, op.
52, book 2, no. 2 Karl
Joachim
Andersen Humoresque
Arno Babadjanyan, transc.
Marianne Gedigian and
Rick Rowley Habanera,
from Carmen Georges
Bizet, arr. Stephen
Chatman Spring Song
Frank Bridge, transc.
Marianne Gedigian and
Rick Rowley
Rumbustious Rumba
Richard Kershaw Grand
Solo in F Major, op. 57,
no. 1, Second movement
(excerpt) Friedrich
Kuhlau Agra Paul
Horn Classical
Escapade Leslie
Uyeda.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program.
Composed by Johann
Baptist Vanhal. Edited by
Otto Biba. Coppenrath
Series. German title:
Christus Natus Est Nobis
1201001. Sacred vocal
music, Christmas. Choral
Score. 8 pages. Carus
Verlag #CV 91.057/05.
Published by Carus Verlag
(CA.9105705).
Ausgewahlte Stucke zum
Uben und Vorspielen.
Arranged by Schwotzer.
Sheet music mit CD.
Friedrich Hofmeister
Musikverlag #FH 2138.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-2138).
ISBN
9790203421382. 9 x 12
inches.
1. Zwei
Lieder (J. Regnart); 2.
Zwei Tanze (Melchior
Franck); 3. Menuett
(Georg Friedrich Handel);
4. Allegro (C. H. Graun);
5. Andante (Joseph
Haydn); 6. Ecossaise
(Carl Maria von Weber);
7. Sehnsuchtig -
Charakterstuck (Felix
Mendelsohn Bartholdy); 8.
Kleines Trio (Johann
Baptist Vanhal); 9. Susse
Traumerei (Peter
Tschaikowsky); 10. Tanz
der kleinen Schwane
(Peter Tschaikowsky); 11.
Arabischer Tanz ( Edvard
Grieg); 12. Polka (Claude
Debussy).
Concerto in C Clarinette et Piano EMB (Editio Musica Budapest)
Clarinet and Piano SKU: HL.50510456 Clarinet. Composed by Johann B...(+)
Clarinet and Piano
SKU: HL.50510456
Clarinet. Composed
by Johann Baptist Vanhal.
Edited by Balassa,
Berlasz, and Karolyi.
Arranged by Balassa,
Berlász, Károlyi.
Classic. EMB. Book
[Softcover]. 36 pages.
Editio Musica Budapest
#Z6879. Published by
Editio Musica Budapest
(HL.50510456).
ISBN
9790080068793. UPC:
073999023848.
8.25x11.75x0.135 inches.
Gyorgy Balassa; Melinda
Berlasz; Pal
Karolyi.