Harp (folk/celtic) - Beginning-Intermediate SKU: MB.97853 Traditional ...(+)
Harp (folk/celtic) -
Beginning-Intermediate
SKU: MB.97853
Traditional and
Original Irish Airs.
Arranged by Dennis Doyle.
Harp: Folk and Pedal,
Saddle-stitched, Style,
Solos. Archive Edition.
Celtic / Irish. Book. 48
pages. Mel Bay
Publications, Inc #97853.
Published by Mel Bay
Publications, Inc
(MB.97853).
ISBN
9780786628469. UPC:
796279057912. 8.75 x
11.75 inches.
With
the exception of two
pieces, the arrangements
in this book of
traditional tunes are
adapted from the
collections of Francis
ONeill, Edward Bunting,
Donal OSullivan, Manus
OBaoill, and Sean Og
OBaoill. Performance
notes are included.
Standard notation.
Harp SKU: HL.48181037 Composed by Marcel Tournier. Leduc. Post-1900. Soft...(+)
Harp
SKU:
HL.48181037
Composed
by Marcel Tournier.
Leduc. Post-1900.
Softcover. 6 pages.
Alphonse Leduc #AL20042.
Published by Alphonse
Leduc (HL.48181037).
UPC: 888680868802.
9x12 inches.
French
harpist, composer and
teacher, Marcel Tournier
(1879-1951) wrote
important repertoire for
the harp which expanded
the harmonic and
technical possibilities
of the instrument. His
Four Preludes for Two
Harps is no
exception. Published in
1921, Four
Preludes is still
performed and recorded by
harpists. The second
volume comprises the
third and fourth preludes
in which tonality and
rhythm are sublimely
experimented with, as
well as uses of
harmonics. Tournier's
Four Preludes is
suitable for all
intermediate to advanced
harp duets seeking to
explore varied repertoire
on the instrument.
Arranged by Gary Fry. Choir Sacred. For Harp and String Orchestra (SATB choir). ...(+)
Arranged by Gary Fry.
Choir Sacred. For Harp
and String Orchestra
(SATB choir). Choral
(Sacred); Choral Octavo;
Worship Resources.
Archive Edition.
Christmas; Sacred;
Winter. 12 pages.
Published by Alfred Music
Publishing
Harp SKU: UT.MAG-274 Composed by Philipp-Joseph Hinner. Edited by Frances...(+)
Harp
SKU:
UT.MAG-274
Composed
by Philipp-Joseph Hinner.
Edited by Francesca La
Carrubba Jessica
Pettenà . Saddle
stitching. Magadis.
Classical. Score and
Parts. Ut Orpheus #MAG
274. Published by Ut
Orpheus (UT.MAG-274).
ISBN 9790215326859. 9
x 12
inches.
Rediscoveri
ng, studying and
analyzing the musical art
of Philipp Joseph Hinner
means enhancing a piece
of the eighteenth-century
harp music mosaic.
Hinner's work intrigues
for its extraordinary
simplicity, for its
regularity and harmony;
the ordered balance of
the parts, symmetry and
sense of proportion are
essential elements for
the author, and give
character and unity to
his work. The harp
repertoire has long been
overshadowed by the
keyboard one, which
boasts extensive solo and
chamber literature, and
consolidated for over two
centuries. The
rediscovery of the
history of our
instrument, however, is
still recent and the
research work in the
field of harp music is
still long. Hinner,
with the apparent
simplicity of his opus
10, can thus regain his
role in the harp
repertoire of the
eighteenth century, as
well as covering a
considerable didactic
value today. The part of
the first harp
undoubtedly presents
characteristics of
greater rhythmic and
virtuosic complexity than
that of the second, which
consists of a continuous
accompaniment
interspersed with simple
thematic imitated
episodes. Furthermore in
the composition are
included arias such as
O ma tendre
Musette, a French
popular melody of the
18th century (previously
set to music by
Pierre-Alexandre
Monsigny), and <>, taken from
the opera-comique
L'erreur d'un moment
ou la Suite de Julie
by Nicolas Dezede, as
well as themes from
Gluck's Iphigenie en
Aulide, which had
been all used also by
Hinner's first harp
master, Francesco Petrini
(1744-1819). Hinner's
opus 10, originally
written in separate parts
for two harps, or harp
and fortepiano, is
presented here updated
and completed with its
score, for a thorough
perception of the
work.
Harp SKU: UT.MAG-221 Composed by Martin-Pierre Dalvimare. Edited by Anna ...(+)
Harp
SKU:
UT.MAG-221
Composed
by Martin-Pierre
Dalvimare. Edited by Anna
Pasetti. Saddle
stitching. Magadis.
Classical. Ut Orpheus
#MAG 221. Published by Ut
Orpheus (UT.MAG-221).
ISBN 9790215318625. 9
x 12
inches.
Martin-Pier
re Dalvimare, born in
1770, in Dreux
(Eure-et-Loir), from a
distinguished family,
learnt music as an
entertainment art, and
was obliged to make it a
resource for his
existence, after the
troubles of the
Revolution in 1789. He
had acquired a remarkable
talent for the harp; when
he arrived in Paris he
made a very good
impression. Then, man of
the world, knowledgeable
in many fields, which is
rare for a musician, he
was welcome everywhere,
and very soon came in
friendly terms with some
of the most renowned
artists and men of
letters of his times. The
marriage certificate of
the poet Legouve (15
pluviose of the year XI,
or February 1803, 12th
municipality of Paris),
shows that Dalvimare was
one of his best men and
that at the time he was
thirty-two years old. He
became harpist of the
Opera in the year VIII
(1800), and was
definitively confirmed in
the month of fructidor of
the year IX. At the time
of the institution of the
emperor Napoleon's
private music, M.
Dalvimare was appointed
as his harpist. In
September 1807 he
obtained the title of
harp master of the
empress Josephine. A
lucky change of his
fortune allowed this
artist to renounce to
practise his talent for
living, he resigned from
all of his positions on
March, 12th, 1812, and he
retired in Dreux, where
he still was living in
1837. For a peculiar
weakness, he does not
like to speak about his
artist career, which had
been entirely honourable,
and he would like to
forget his success too.
His first composition was
a symphonie concertant
for harp and horn, which
he composed with Frederic
Duvernoy, and published
in the year VII (1798);
notwithstanding, he
counted as his first opus
a collection of romances
with accompaniment of
piano or harp, which he
later published with
Pleyel.
In 1809
Dalvimare composed, for
the theatre Feydeau, a
one-act opera-comique
called The Marriage for
Imprudence. The music was
weak; the work did not
succeed, and people used
to say that the greatest
imprudence had been the
one of the authors who
had it performed.
Nevertheless, the score
of this opera was
published in Paris by
erard. (Francois-Joseph
Fetis).
Harp (Harp) SKU: HL.48181033 Composed by Alphonse Hasselmans. Leduc. Clas...(+)
Harp (Harp)
SKU:
HL.48181033
Composed
by Alphonse Hasselmans.
Leduc. Classical,
Romantic. Softcover. 25
pages. Alphonse Leduc
#AL20037. Published by
Alphonse Leduc
(HL.48181033).
UPC:
888680868758.
9.0x12.0x0.198
inches.
Written by
Francois Joseph Naderman
(1781-1835), Sonatinas
Progressive, Op. 92
consists of a series of
seven small sonatas. The
level of difficulty
alternates between
intermediate and advanced
as these can be played at
different speeds but
necessitates some strong
technique as well as some
pedal changes. These
Sonatinas Progressive,
Op. 92 are still
considered as some of the
most famous pieces of the
harp repertoire today.
Francois Joseph Naderman
was a classical harpist,
composer and teacher at
the Paris Conservatoire.
His vocation was
developed by growing up
as the son of a Luthier
harp maker. He also wrote
Sonatas for harp, harp
and cello, studies and
other pieces.
Harp SKU: UT.MAG-276 Composed by Ludwig van Beethoven. Edited by Anna Pas...(+)
Harp
SKU:
UT.MAG-276
Composed
by Ludwig van Beethoven.
Edited by Anna Pasetti.
Saddle stitching.
Magadis. Classical. Ut
Orpheus #MAG 276.
Published by Ut Orpheus
(UT.MAG-276).
ISBN
9790215326880. 9 x 12
inches.
Johannes
Snoer is not one of the
most remembered harpists
today, but his didactic
work was really important
and can still be useful
today. For didactic
purposes, he also
published collections of
simple pieces by great
composers transcribed for
harp. Among his
transcriptions there is
the Adagio from Sonata n.
5 in C minor, op. 10 no.
1, by Ludwig van
Beethoven, subject of
this edition. The
original musical text has
been left unchanged, only
the ornamentation has
been written in full and
the harp fingerings and
indications relating to
the movement of the
pedals have been added.
The work brings the
dedication to Mr. H.
Rutters, probably a
relative of his wife
Antoinette.
Fantasia on the Rondo from the Piano Sonata in A major K. 331 by Wolfgang Am...(+)
Fantasia on the Rondo
from
the Piano Sonata in A
major
K. 331 by Wolfgang
Amadeus
Mozart, arranged for harp
by
Ekaterina Afanasieva
(2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
Saddle stitching. Sheet
music. Der Finalsatz der
Sonate A-Dur KV 331 von
Wolfgang Amadeus Mozart,
das
Rondo Alla Turca, ist
eines
der bekanntesten
Klavierstucke uberhaupt.
An
diese Popularitat knupft
das
als effektvolle Zugabe
entstandene Stuck von
Faz?l
Say in der Bearbeitung
fur
Harf. Classical. Single
sheet. Composed 1993. Op.
5b.
8 pages. Duration
4'. Schott
Music #ED22797. Published
by
Schott Music
Harp SKU: UT.HS-284 Composed by Pellegrino Santucci. Edited by Giuseppe M...(+)
Harp
SKU:
UT.HS-284
Composed by
Pellegrino Santucci.
Edited by Giuseppe
Monari. Saddle stitching.
Classical. Ut Orpheus #HS
284. Published by Ut
Orpheus (UT.HS-284).
ISBN 9790215326460. 9
x 12
inches.
Melodia
for Solo Harp/ Alleluja
Modo II - Wachet auf for
Harp and
Organ
This
publication gathers
together in these three
pieces the only
compositions by Santucci
devoted to the harp, both
as a solo instrument and
in dialogue with the
organ, his favourite
instrument. The little
Melodia per arpa,
a simple piece having an
apparently didactic
purpose, does not show
the date of composition
but, judging by the
handwriting of the
manuscript, it probably
dates back to the period
between 1980 and 1990. No
other information has
reached us as to why the
piece was
composed. The two
pieces Alleluja Modo
II and Wachet
auf, both dated 20
March 1993, composed for
the unusual duo of harp
and organ, are dedicated
to Anna Maria Restani,
first harp in the
orchestra of the Teatro
Comunale of Bologna from
1965 to 2002, and to her
son Wladimir Matesic,
organist and now teacher
at the Conservatoire in
Trieste. Gregorian chant
is the protagonist of the
first piece, evoking a
Gothic and rarefied
atmosphere. The second is
instead a blatant tribute
to Johann Sebastian Bach
(right from the first
bars the reference to
Prelude no. 1 of the
Well-Tempered
Clavier is clear),
through one of his most
famous chorales
(Wachet auf, ruft uns
die stimme), also
used by Santucci for
numerous other
compositions, including
Il corteo dei Magi
[for trumpet, organ,
orchestra and choir,
1986, ms.], still
performed in the
Christmas concerts in
Bologna. (Giuseppe
Monari).
Bob Chilcott Carols 2 Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
(10 carol arrangements for mixed voices). By Bob Chilcott. For SATB choir accomp...(+)
(10 carol arrangements
for mixed voices). By Bob
Chilcott. For SATB choir
accompanied and a
cappella (away in a
manger - harp and strings
coventry carol -
1.1.2.1-2.0.0.0-str
gaudete! -
1.1.2.2-2.2.0.0-timp-str
jesus, jesus rest your
head - harp and strings
jingle, bells -
2.2.2.2-2.0.0.0 - sleigh
bells, glock, hp-str
sussex carol -
2.2.2.2-2.0.0.0-timps-).
Mixed Voices. Composer
Carol Collections.
Christmas Choral
Collection. Vocal score.
72 pages
SKU: HP.8384 Arranged by Jack Schrader. This edition: Complete. Christmas...(+)
SKU: HP.8384
Arranged by Jack
Schrader. This edition:
Complete. Christmas,
Cantata. Musicals &
Cantatas, Orchestra.
Christmas, Sacred. Set of
Instrumental Parts. Hope
Publishing Company #8384.
Published by Hope
Publishing Company
(HP.8384).
UPC:
763628183844.
Chris
tmas Musical This
Christmas cantata is a
faithful retelling of the
Christmas story, the
gospel, in song and
narration, and a
wonderful mixture of the
new and the old, the
traditional and the
freshness of the
contemporary. The
narrations are deep and
insightful, demanding
much passion and
heartfelt emotion. The
choir will enjoy these
choral arrangements,
including one of Jack
Schrader's top-selling
pieces, Mary, Did You
Know? The work makes a
strong impact when done
with simply choir, piano,
and narration; however,
full orchestrations are
available. Also, the
narrations are perfect to
suggest the inclusion of
costumed actors creating
tableaux of the various
scenes, so, the work may
be fully staged or as
simply presented as
necessary. Go Tell It!
has moments of quiet
worship and reflection,
as well as the exuberant
times of joy and
celebration. The
congregation is
frequently involved,
being asked to sing on
four occasions, which
leads to a satisfying
experience for all who
participate. Performance
time is approximately 39
minutes.
The
Orchestration contains a
full Conductor's Score
and parts for:
Piano/Rhythm, Bass,
Flute, Oboe, Clarinet,
Trumpet I, II & III,
Horns I & II, E-Flat Alto
Sax, Trombones I, II
(III), Tuba, Percussion,
Timpani, Harp, Violins,
Violas, Cellos,
Basses.
Composed by Robert
Sterling. Arranged by
Robert Sterling. Choral.
Sacred Anthem.
Orchestration. Word Music
#080689011474. Published
by Word Music
(WD.080689011474).
By Robert A. Hobby (1962-). For Two-Part Mixed Voices or SATB, Soprano Solo, opt...(+)
By Robert A. Hobby
(1962-). For Two-Part
Mixed Voices or SATB,
Soprano Solo, opt.
Congregation, opt.
Children's Choir or
Treble Solo with Organ,
Piano, Brass Quintet,
Percussion, Handbells or
Full Orchestra. Choral.
Christmas, Advent. Medium
to Moderately Difficult.
Published by MorningStar
Music Publishers
(Silent Night). By Franz Gruber, Joseph Mohr. Arranged by Jackson Berkey. (SATB)...(+)
(Silent Night). By Franz
Gruber, Joseph Mohr.
Arranged by Jackson
Berkey. (SATB). Walton
Choral. Size 6.8x10.5
inches. 12 pages.
Published by Walton
Music. (8500578) 6-PACK
includes six original
copies of this piece.
Composed by Hal H. Hopson. Multi-Movement/Large Choral Work. Christmas, 21st Ce...(+)
Composed by Hal H.
Hopson.
Multi-Movement/Large
Choral Work. Christmas,
21st Century. Choral
score. Published by
MorningStar Music
Publishers (MN.70-110).
Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88).
ISBN
9781491158845. UPC:
680160917563.
Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice.
(10 Expressive Arrangements Inspired by Chopin). Arranged by Faye López. ...(+)
(10 Expressive
Arrangements
Inspired by Chopin).
Arranged
by Faye López. For
Piano.
Book; Piano Collection;
Piano
Supplemental. Sacred
Performer
Collections. Christmas;
Sacred; Winter. Early
Advanced. 40 pages.
Published
by Alfred Music
By Judith Lang Zaimont (1945-). For Chamber Orchestra (2(1).2(1).2(1).2 - 4.2.3....(+)
By Judith Lang Zaimont
(1945-). For Chamber
Orchestra
(2(1).2(1).2(1).2 -
4.2.3.1 - percussion,
harp; strings). Study
Score. Composed 2005.
Duration 19'30 .
Published by Subito Music
Corporation