| Fantasia di Falcone Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
Euphonium and Piano. By James Curnow. (EUPHONIUM). Curnow Concert Band Full Set...(+)
Euphonium and Piano. By
James Curnow.
(EUPHONIUM). Curnow
Concert Band Full Set.
Published by Curnow
Music.
$159.00 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Blessed One, Messiah! Chorale SATB SATB, Orchestre Hope Publishing Company
Composed by Mary McDonald. Palm Sunday, Sacred. Octavo. 12 pages. Hope Publishi...(+)
Composed by Mary
McDonald. Palm Sunday,
Sacred. Octavo. 12 pages.
Hope Publishing Company
#C 6075. Published by
Hope Publishing Company
(HP.C6075).
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Premiere Band Folio Orchestre d'harmonie [Conducteur] - Débutant C. Alan Publications
By Elliot Del Borgo. For concert band (Flute, Oboe, Bassoon, Clarinet in Bb, Bb ...(+)
By Elliot Del Borgo. For
concert band (Flute,
Oboe, Bassoon, Clarinet
in Bb, Bb Bass Clarinet,
Eb Alto Saxophone, Bb
Tenor Saxophone, Eb
Baritone Saxophone,
Trumpet in Bb, Horn in F,
Trombone/Baritone,
(Baritone T.C.), Tuba,
Bells, Percussion 1 [2
Players] (Snare Drum,
Bass Drum, Triangle,
Tam). Band Music. Grade
1. Score only. Duration
7:25. Published by C.
Alan Publications
$15.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Great Is The Lord Orchestre [Set de Parties séparées] Word Music
By Michael Lawrence. Modern Christian and Sacred. Orchestration- Stand Alone. Pu...(+)
By Michael Lawrence.
Modern Christian and
Sacred. Orchestration-
Stand Alone. Published by
Word Music.
$79.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| In The Name Of The Lord Chorale SATB Hope Publishing Company
Composed by Sandi Patty. Arranged by Mary McDonald. Palm Sunday, Sacred. Octavo...(+)
Composed by Sandi Patty.
Arranged by Mary
McDonald. Palm Sunday,
Sacred. Octavo. Hope
Publishing Company #C
6133. Published by Hope
Publishing Company
(HP.C6133).
$3.25 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| 200 B.C. Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Oxford University Press
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531. Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Ring of Stone Orchestre d'harmonie [Conducteur et Parties séparées] Carl Fischer
Composed by Peter Terry. Score and part(s). 12 126 pages. Duration 1 minute, 5...(+)
Composed by Peter Terry.
Score and part(s). 12
126 pages. Duration 1
minute, 57 seconds. Carl
Fischer #PPS0033.
Published by Carl Fischer
(CF.PPS33).
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Legends of Gold in Green Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Composed by Thomas Doss. De Haske Concert Band. Festival, Austrian. Softcove...(+)
Composed by Thomas Doss.
De
Haske Concert Band.
Festival,
Austrian. Softcover.
Published by De Haske
Publications
$125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 2 Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 6. Conductor
Full Score. Duration
21:00. Published by
Manhattan Beach Music.
$95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pacific Fanfare Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band - antiphonal. Suitable for the most advanced high...(+)
By Frank Ticheli. Concert
band - antiphonal.
Suitable for the most
advanced high school
bands, community,
college, university, and
professional bands. Grade
5. Conductor score and
set of parts. Duration
5:30
$165.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe, Percussion,
Trombone 1, Trombone 2,
Trumpet 1, Trumpet 2,
Tuba, Viola, Violin 1,
Violin 2, Violoncello
SKU: PR.44641192L
For 5 Percussionists
and Orchestra.
Composed by Ellen Taaffe
Zwilich. Contemporary.
Large Score. With
Standard notation.
Composed 2003. 72 pages.
Duration 30 minutes.
Theodore Presser Company
#446-41192L. Published by
Theodore Presser Company
(PR.44641192L). UPC:
680160610860. 11 x 14
inches. One of my
greatest pleasures in
writing a concerto is
exploring the new world
that opens for me each
time I enter the
sometimes alien, but
always fascinating, world
of a solo instrument or
instruments. For me, the
challenge is to discover
the deepest nature of the
solo instrument (its
karma, if you will) and
to allow that essential
character to guide the
shape and form of the
work and the nature of
the interaction between
soloists and orchestra.
In recent years, many of
us have become more aware
of the musical world
outside the Western
tradition of musics that
follow different
procedures and spring
from other aesthetics.
And contemporary
percussionists have
opened many of these
worlds to us, as they
have ventured around the
globe, participating in
Brazilian Samba schools,
studying Gamelan and
African drumming with
local experts, collecting
instruments from Asia and
Africa and South America
and the South Pacific,
widening our horizons in
the process. I will never
forget our first meeting
in Toronto when Nexus
invited me into their
world of hundreds of
exciting percussion
instruments. The vast
array of instruments in
the collection of the
Nexus ensemble is truly
global in scope as well
as offering a thrilling
sound-universe. I was
inspired by the
incredible range of sound
and moved by the fact
that so many of these
instruments were musical
reflections of a
spiritual dimension.
After long consideration,
I decided that it would
not only be impossible,
but even undesirable for
this
Western-tradition-steeped
composer to attempt to
use these instruments in
a culturally authentic
way. My goal was an
existential kind of
authenticity: searching
instead for universal
ideas that would be true
to both myself and the
performers while
acknowledging the
traditional uses of the
instruments. Since many
percussion instruments
are associated with
various kinds of ritual,
I decided that I would
allow that concept to
shape my piece. Rituals
is in four movements,
each issuing from a
ritual associated with
percussion, but with the
orchestral interaction
providing an essential
element in the musical
form. I. Invocation
alludes to the traditions
of invoking the spirit of
the instruments, or the
gods, or the ancestors
before performing. II.
Ambulation moves from a
processional, through
march and dance to
fantasy based on all
three. III. Remembrances
alludes to traditions of
memorializing. IV.
Contests progresses from
friendly competition
games, contests to a
suggestion of a battle of
big band drummers, to
warlike exchanges. In the
2nd and 4th movements,
another percussion
tradition, improvisation,
is employed. Written into
these movements are a
number of seeds for
improvisation.
Indications in the score
call for the soloists to
improvise in three
different ways, marked A
for percussion alone;
marked B for percussion
with and in response to
the orchestra; and C
where the percussionists
are free to add and
embellish the written
parts. These
improvisations should
grow out of and embellish
previous motives and
gestures in the
movement. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The voice of rejoicing and hope (Man singet mit Freuden vom Sieg) - Facile Carus Verlag
SSATB voice soli, bassoon, violone (cello), 2 clarino/trumpet, 2 violin, 2 viola...(+)
SSATB voice soli,
bassoon, violone (cello),
2 clarino/trumpet, 2
violin, 2 viola (2
trombone), basso continuo
- Level 2 SKU:
CA.3602914 Composed
by Anonymous and Dietrich
Buxtehude. Edited by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Buxtehude. Man Singet Mit
Freuden Vom Sieg Anh 2.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide.
Single Part, Viola 2.
BuxWV Anh. 2. 4 pages.
Duration 6 minutes. Carus
Verlag #CV 36.029/14.
Published by Carus Verlag
(CA.3602914). ISBN
9790007053734. Key: C
major. Language:
German. Further
textual sources: Von der
Auferstehung Christi
(Schade); Ehre sei dem
Vater allezeit (Erfurter
Enchiridion, 1524). Score
and part available
separately - see item
CA.3602900. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The voice of rejoicing and hope (Man singet mit Freuden vom Sieg) - Facile Carus Verlag
SSATB voice soli, bassoon, violone (cello), 2 clarino/trumpet, 2 violin, 2 viola...(+)
SSATB voice soli,
bassoon, violone (cello),
2 clarino/trumpet, 2
violin, 2 viola (2
trombone), basso continuo
- Level 2 SKU:
CA.3602905 Composed
by Anonymous and Dietrich
Buxtehude. Edited by
Traugott Fedtke. This
edition: urtext.
Stuttgart Urtext Edition:
Buxtehude. Man Singet Mit
Freuden Vom Sieg Anh 2.
Sacred vocal music,
Cantatas, Psalms, German,
Easter and Eastertide.
Choral Score. BuxWV Anh.
2. Duration 6 minutes.
Carus Verlag #CV
36.029/05. Published by
Carus Verlag
(CA.3602905). ISBN
9790007053680. Key: C
major. Language:
German. Further
textual sources: Von der
Auferstehung Christi
(Schade); Ehre sei dem
Vater allezeit (Erfurter
Enchiridion, 1524). Score
available separately -
see item CA.3602900. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La Canzone della Fantasia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Composed by Gerald Oswald. De Haske Concert Band. Concert. Softcover. Publis...(+)
Composed by Gerald
Oswald. De
Haske Concert Band.
Concert.
Softcover. Published by
De
Haske Publications
$65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Festival in Russia (Polonaise, Op. 49) Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-020-3 Composed by Liadov. Arranged...(+)
Concert band - Grade 4
SKU:
MH.1-59913-020-3
Composed by Liadov.
Arranged by Don Wilcox.
Suitable for high school,
community, and college
bands. Conductor score
and set of parts.
Duration 6:45. Published
by Manhattan Beach Music
(MH.1-59913-020-3).
ISBN
9781599130200. Prog
ram Notes: Festival in
Russia is a transcription
for concert band of
Anatoli Liadov's dazzling
orchestral work,
Polonaise (Op. 49).
Written at the turn of
the century, its
energetic dance rhythms
and melodic
expressiveness will bring
a delightful Old World
charm to today's
audiences. Liadov
(1855-1914) was a student
of Rimsky-Korsakov at the
St. Petersburg
Conservatory, and
succeeded him as the
composition teacher. (One
of Liadov's most notable
students at the
Conservatory was Sergei
Prokofiev.) At the time
the Polonaise was written
(1899), Liadov was at the
height of his profession
and one of his era's most
respected and
widely-known composers.
The first performance of
this transcription for
concert band was given by
the West Virginia
University Wind Symphony
at the Kennedy Center for
the Performing Arts on
February 24, 1988, Don
Wilcox conducting.
Ensemble instrumentation:
1 Piccolo, 4 Flute I, 4
Flute II, 1 Oboe I, 1
Oboe II, 1 English Horn,
1 Bassoon I, 1 Bassoon
II, 1 Eb Clarinet, 4 Bb
Clarinet I, 4 Bb Clarinet
II, 4 Bb Clarinet III, 1
Eb Alto Clarinet, 1 Eb
ContrabassClarinet, 3 Bb
Bass Clarinet & Bb
Contrabass Clarinet, 3 Eb
Alto Saxophone I, 3 Eb
Alto Saxophone II, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Cornet I, 3 Bb Cornet II,
3 Bb Cornet III, 2 Bb
Trumpet I, 2 Bb Trumpet
II, 2 F Horn I & III, 2 F
Horn II & IV, 2 Trombone
I, 2 Trombone II, 2 Bass
Trombone, 3 Euphonium, 2
Euphonium T.C., 4 Tuba, 2
Timpani, 2 Bells &
Vibraphone, 3 Chimes,
Triangle & Cymbals, 2
Xylophone & Marimba, 2
Snare Drum & Bass
Drum. $150.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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