Piano, Voix [Partition] - Intermédiaire Hal Leonard
Composed by Jason Robert Brown. For voice and piano. From the Broadway musical. ...(+)
Composed by Jason Robert
Brown. For voice and
piano. From the Broadway
musical. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics and
chord names. Broadway.
128 pages. 9x12 inches.
Published by Hal Leonard.
Chorale SATB SATB, Piano [Vocal Score] - Intermédiaire Schirmer
Composed by Felix Mendelssohn. For SATB and double SATB quartet solos, SATB choi...(+)
Composed by Felix
Mendelssohn. For SATB and
double SATB quartet
solos, SATB choir and
piano. Format: vocal
score. With choral
notation and piano
reduction. Romantic
period. Text language
English. 198 pages.
7x10.5 inches. Published
by Schirmer.
Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * T...(+)
Wind band or wind
instrumentsensemble (1 *
1 * 3 * Bassklar. *
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 1 - 1 * 2 * 2 *
Tenorhr. * Bar. * 1 -
Glsp.) - intermediate
SKU: HL.49019886
Composed by Bertold
Hummel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Softcover. Composed 1998.
Op. 81g. 16 pages.
Duration 5'. Schott Music
#SHS1024. Published by
Schott Music
(HL.49019886).
ISBN
9790001144797.
9.25x12.0x0.076
inches.
At funeral
or memorial services and
ceremonies, the
traditional, slowly
marching funeral music,
the Tombeau, still plays
an important musical role
today. In most cases,
such musics were created
for a specific occasion,
like the death of a
prince or an artist. That
was the case with this
Tombeau for wind
orchestra, too: Bertold
Hummel wrote it after the
death of a fellow
composer and
friend.Hummel was not
afraid of expressing his
feelings in a wistfully
nostalgic funeral music
full of tonal beauty
which is close to the
musical language of the
19th century with regard
to form and harmony.In
addition to the score and
parts, our edition of
this moving piece also
contains the particell
with which Hummel put
down the Tombeau on paper
in 1998.
Wind band or wind instrumentsensemble (1 * 1 * 3 * Bassklar. * Altsax. in Es * T...(+)
Wind band or wind
instrumentsensemble (1 *
1 * 3 * Bassklar. *
Altsax. in Es * Tenorsax.
in B * Baritonsax. in Es
* 1 - 1 * 2 * 2 *
Tenorhr. * Bar. * 1 -
Glsp.) - intermediate
SKU: HL.49019887
Composed by Bertold
Hummel. Sheet music.
Ensemble. Softcover.
Composed 1998. Op. 81g.
50 pages. Duration 5'.
Schott Music #SHS1024-70.
Published by Schott Music
(HL.49019887).
ISBN
9790001144803.
9.25x12.0x0.336
inches.
At funeral
or memorial services and
ceremonies, the
traditional, slowly
marching funeral music,
the Tombeau, still plays
an important musical role
today. In most cases,
such musics were created
for a specific occasion,
like the death of a
prince or an artist. That
was the case with this
Tombeau for wind
orchestra, too: Bertold
Hummel wrote it after the
death of a fellow
composer and
friend.Hummel was not
afraid of expressing his
feelings in a wistfully
nostalgic funeral music
full of tonal beauty
which is close to the
musical language of the
19th century with regard
to form and harmony.In
addition to the score and
parts, our edition of
this moving piece also
contains the particell
with which Hummel put
down the Tombeau on paper
in 1998.
Recorder SKU: HL.1718680 Hal Leonard Recorder Songbook. By Taylor ...(+)
Recorder
SKU:
HL.1718680
Hal
Leonard Recorder
Songbook. By Taylor
Swift. Recorder. Pop.
Softcover. 48 pages.
Published by Hal Leonard
(HL.1718680).
UPC:
196288267539.
9.0x12.0x0.127
inches.
Swifties
with recorders, unite!
This updated collection
features 24 Swift
favorites from her whole
career through The
Tortured Poets Department
arranged for recorder.
The book includes a handy
fingering chart for
beginners or those who
need a refresher. Songs
include: Anti-Hero â¢
Bad Blood ⢠Blank
Space ⢠Cardigan
⢠Champagne Problems
⢠Cruel Summer
⢠Evermore â¢
Exile ⢠Fortnight
⢠I Knew You Were
Trouble ⢠Lavender
Haze ⢠Loml â¢
Love Story ⢠Lover
⢠The 1 ⢠Our
Song ⢠Shake It Off
⢠Sweet Nothing
⢠22 ⢠We Are
Never Ever Getting Back
Together ⢠Who's
Afraid of Little Old Me?
⢠Willow ⢠You
Belong with Me ⢠You
Need to Calm Down.
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy
big-note right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 96 pages.
Published by Hal Leonard.
Ligne De Mélodie, (Paroles) et Accords Hal Leonard
Celebrating the 100th Anniversary of Disney. Composed by Various. Lead Sheets...(+)
Celebrating the 100th
Anniversary of Disney.
Composed by Various. Lead
Sheets: Melody line,
lyrics
and chord symbols.
Disney,
Movies, Musicals.
Hardcover.
Published by Hal Leonard
(Mezzo-Soprano/Belter Accompaniment CDs). Composed by Various. Edited by Richard...(+)
(Mezzo-Soprano/Belter
Accompaniment CDs).
Composed by Various.
Edited by Richard
Walters. For Voice, Piano
Accompaniment. Vocal
Collection. CD only.
Published by Hal Leonard
By Johann Sebastian Bach / Georg Philipp Telemann. Edited by Eberhard Hofmann / ...(+)
By Johann Sebastian Bach
/ Georg Philipp Telemann.
Edited by Eberhard
Hofmann / Gunter Graulich
/ Daniel Melamed. This
edition: Paperbound.
Stuttgart Urtext Edition.
German title: Samtliche
Motetten mit Bc
(ed.Graulich). Sacred,
Motets; Choral
Collections, Mixed Choir,
Stuttgart Urtext
editions; Occasions:
Praise and thanks; Use
during church year:
Easter and Eastertide,
Pentecost. Choral
collection. 224 pages.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Uwe Wolf. This edition: paperbou...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Uwe Wolf. This edition:
paperbound. Sacred,
Motets; Choral
Collections, Mixed Choir,
Music for Casuals,
Stuttgart Urtext
editions; Occasions:
Praise and thanks; Use
during church year:
Easter and Eastertide.
Choral collection. 144
pages. Published by Carus
Verlag
By Janice Kapp Perry. Text: John V. Pearson / Rodney Turner / Janice Kapp Perry ...(+)
By Janice Kapp Perry.
Text: John V. Pearson /
Rodney Turner / Janice
Kapp Perry / Neal A.
Maxwell / Orrin G. Hatch
/ David B. Larsen / Olga
S. Whitaker. For SATB
Choir. Level: Varied.
Published by Jackman
Music Corporation.
Paint Me Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA choir, piano SKU: CF.CM9585 Composed by Debra Morton. Fold. Pe...(+)
Choral SSA choir, piano
SKU: CF.CM9585
Composed by Debra Morton.
Fold. Performance Score.
12 pages. Duration 2
minutes, 59 seconds. Carl
Fischer Music #CM9585.
Published by Carl Fischer
Music (CF.CM9585).
ISBN 9781491154076.
UPC: 680160912575. 6.875
x 10.5 inches. Key: G
major. English.
Original.
Good
friends see the best in
us. They tend to downplay
our faults while
applauding our strengths.
In short, they encourage
us to be the best we can
be, maybe even a little
more. The text of
Paint Me was
born out of the desire to
be that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me
to music, I tried to let
the cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so dont
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint
MeA was born out of
the desire to be that
person my best friend
thinks I am. To Mary Jo,
my sister and best
friend. May I really be
that person you see and
love. In setting the text
of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so donat
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
apainta the words, as
well as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me
was born out of the
desire to be that person
my best friend thinks I
am. To Mary Jo, my sister
and best friend. May I
really be that person you
see and love. In setting
the text of Paint
Me to music, I tried
to let the cadence of the
words dictate the rhythm
of the music. Use rubato,
word stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was born
out of the desire to be
that person my best
friend thinks I am. To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love. In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so don't
be afraid to let the
interior part of a phrase
move along, while
relaxing the beginning
and ending. I would
recommend a straight tone
as opposed to vibrato for
the held notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
paint the words, as well
as making every idea
understood. Enjoy adding
the color and shading to
make this piece of art
your own. Good friends
see the best in us. They
tend to downplay our
faults while applauding
our strengths. In short,
they encourage us to be
the best we can be, maybe
even a little more. The
text of Paint Me was
born out of the desire to
be that person my best
friend thinks I am.To
Mary Jo, my sister and
best friend. May I really
be that person you see
and love.In setting the
text of Paint Me to
music, I tried to let the
cadence of the words
dictate the rhythm of the
music. Use rubato, word
stress and syllabic
stress to enhance this.
Remember, no two eighth
notes are alike, so
don’t be afraid to
let the interior part of
a phrase move along,
while relaxing the
beginning and ending. I
would recommend a
straight tone as opposed
to vibrato for the held
notes, since the
accompaniment plays
around with other
harmonies while choral
chords are being held.
Diction is so important
in this song. You have a
great opportunity to
“paint†the
words, as well as making
every idea
understood.Enjoy adding
the color and shading to
make this piece of art
your own.
For Two Violins, Op. 85. Composed by Jacques Fereol Mazas (1782-1849). This edit...(+)
For Two Violins, Op. 85.
Composed by Jacques
Fereol Mazas (1782-1849).
This edition: Complete -
Books 1-3. Carl Fischer
Music Library. Classical.
Set of parts. With
Standard notation. Opus
85. 80 pages. Carl
Fischer #L001072.
Published by Carl Fischer