Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Compo...(+)
Twenty-Three Classic,
Traditional, and Ethnic
Wedding Arrangements.
Composed by Beth A. Kolle
and Laurie Riley.
Squareback saddle stitch.
Book and online audio.
Published by Mel Bay
Publications, Inc
(MB.98748M).
By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales Am...(+)
By Bob Dylan. By Bob
Dylan. Arranged by Don
Giller and Ed Lozano.
Music Sales America.
Folk, Pop, Rock.
Softcover. Composed 2016.
788 pages. Music Sales
#AM978923. Published by
Music Sale
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
17 Estonian Wedding Songs. By Veljo Tormis. (SATB A Cappella). Boosey and Hawke...(+)
17 Estonian Wedding
Songs. By Veljo Tormis.
(SATB A Cappella). Boosey
and Hawkes Secular
Choral. Size 8.2x11.75
inches. 30 pages.
Published by Boosey &
Hawkes.
Piano (Piano) SKU: HL.14021076 Composed by John McCabe. Music Sales Ameri...(+)
Piano (Piano)
SKU:
HL.14021076
Composed
by John McCabe. Music
Sales America. Studies &
Exercises. Book
[Softcover]. 20 pages.
Music Sales #NOV090981.
Published by Music Sales
(HL.14021076).
8.25x11.75x0.102
inches.
English.
Epithalami
um was commissioned by
John Sell as a birthday
present for his wife
Jane, and is dedicated to
her and to Malcolm Binns.
It was written during
summer 2006 and derived
from the two great chords
that swing to and fro
during the Coronation
Scene in Mussorgsky's
opera Boris Godunov.
These provide a series of
seven notes (heard in the
quick flourishes after
the opening chords) which
provide the basis for the
tunes and the harmonies
through most of the work.
The idea of bell sounds
is carried through not
only the chords during
the piece but also some
of the techniques (e.g.
the gradually changing
repeated patterns, rather
like bell-ringing
changes, encountered
towards the end,or the
quiet and distant, uneven
tintinnabulation heard at
the end of the central
slow section). An
epithalamium (or
epithalamion) is a song
or poem in honour of a
bride and bridegroom -
though technically a
wedding piece, it seemed
an appropriate title for
a work honouring an
anniversary, especially
one where bell-sounds
provided the original
inspiration.
(16 tunes with accompanying chords plus pull-out booklets for second fiddle and ...(+)
(16 tunes with
accompanying chords plus
pull-out booklets for
second fiddle and
cello/bass). By Ilana
Cravitz. For Violin
tutor. Violin. Other
Collection. Book and CD.
96 pages
Performed by Lawrence Welk. By Various. Piano/Vocal/Chords Songbook (Arrangement...(+)
Performed by Lawrence
Welk. By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 64 pages.
Published by Hal Leonard.
SKU: GI.006832 Sacred. GIA Publications #006832. Published by GIA Publica...(+)
SKU: GI.006832
Sacred. GIA Publications
#006832. Published by GIA
Publications (GI.006832).
UPC:
641151033563.
These
attractive and useful
Ceremonial Folders
feature the exquisite
 two-tone stamped
cross design with gold
foil found on
WLP’s Series
One Ceremonial
Binders. Each
fabric-lined folder holds
one or two single sheets
of 8½ x 11 paper that
you can easily tuck into
the grosgrain  ribbon
corner holders. Ideal for
use by lectors (with
intercessions placed on
one side and parish
announcements placed on
the other), by priests
and deacons, and by
cantors (to hold the
psalm). Consider having
brides and grooms use at
weddings to hold their
vows, or use as a
presentation folder for
special awards or
appreciation
certificates. .
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee II...(+)
Orchestra
SKU:
SU.94010400
For
Orchestra. Composed
by James Lee III.
Orchestra. Study Score.
Subito Music Corporation
#94010400. Published by
Subito Music Corporation
(SU.94010400).
2,1 2,1 2,1
2,1; 4331; timp, perc(3),
cel, hp; stgs Duration:
11' Composed: 2013
Published by: Subito
Music Publishing
Performance materials
available on rental:
Alas! Babylon’s
Final Sunset is
another installment in my
series of works that
musically comment on the
biblical books of Daniel
and Revelation. The
principal source of
inspiration for this
works comes from the 18th
chapter of the book of
Revelation. This chapter
states that the career of
Babylon the Great is
finally coming to an end.
The music begins with a
mysterious pianissimo
tremolo accompanied by
tam-tam and bass drum.
The initial flourishes in
the oboes and English
horn serve as the
principal motive of
warning. As the music
continues, there are
varying degrees of
agitation among the
strings and woodwinds.
Throughout the work there
are rhythmic motives in
the brass, percussion,
and various woodwind
instruments that sing and
speak Babylon is Fallen
in triple meter. As the
tutti ensemble arrives at
a climax, the orchestral
texture becomes thinner
and slightly transparent.
As the music continues,
the opening motive
returns in the oboes,
however the counterpoint
produces a series of solo
laments. These passages
are intended to provide
picturesque images of
these words: And the
voice of harpers, and
musicians, and of pipers,
and trumpeters, shall be
heard no more at all in
thee; and no craftsman,
of whatsoever craft he
be, shall be found any
more in thee; and the
sound of a millstone
shall be heard no more at
all in thee; And the
light of a candle shall
shine no more at all in
thee. and the voice of
the bridegroom and of the
bride shall be heard no
more at all in thee: for
thy merchants were the
great men of the earth;
for by thy sorceries were
all nations deceived. And
in her was found the
blood of prophets, and of
saints, and of all that
were slain upon the
earth. Rev. 18:22-24 The
following passages
musically comment on the
historical career of
Babylon with a sense of
her impending
destruction. The series
of laments transforms
into the more emphatic
rhythmic motive Babylon
is Fallen. The orchestral
texture begins to become
more condense, once
again, with the initial
flourishes of, but with
notable variations.
Finally, the celesta,
harp, oboes, English
horn, and strings sing
profundities that are
finally transformed into
a minor mode tonality
that fades away with the
ringing of the tam-tam.
Babylon has finally seen
her last sunset.
Lyrics by Alfred Uhry, music by Robert Waldman. For voice, piano and guitar chor...(+)
Lyrics by Alfred Uhry,
music by Robert Waldman.
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Broadway.
83 pages. 9x12 inches.
Published by G Schirmer,
Inc