By Rodney Schrank. For organ. Organ Music. Published by MorningStar Music Publishers.
Level: Easy/Medium-Easy.

Keyboard (Masterworks Book). Level: Intermediate/Early Advanced (4/5/6/6 ). Published by Alfred Publishing.

Edited by Denes Agay. For piano. Format: piano solo book. With fingerings, introductory text, biographical sketches of composers and glossary of musical terms. Romantic period. 244 pages. 9x12 inches. Published by Yorktown Music Press.

By Albert E. Weir (Editor). For Piano. Classical. 224 pages. Published by Music Sales

Celebration Series, Sixth Edition. Method book. The Frederick Harris Music Company #C6R07. Published by The Frederick Harris Music Company

Composed by Anton Stepanovich Arensky (1861-1906). Masterworks; Piano Collection. Kalmus Edition. Masterwork; Romantic. Book. 28 pages. Kalmus Classic Edition #00-K09904. Published by Kalmus Classic Edition

SATB choir, cantor, assembly, keyboard accompaniment

SKU: GI.G-005277

Composed by Gail Gillispie. Sacred. Octavo. 4 pages. GIA Publications #005277. Published by GIA Publications (GI.G-005277).

English.

A delicate song of consolation. It draws its refrain text from the Requiem Mass., paired with verses adapted from the book of Wisdom and Psalms 42 and 64. The simplicity and ease of performance of this chorale-like work will make Rest Eternal .an essential part of your repertoire for funerals and memorial services.

By Felix Mendelssohn. Keyboard. Level: Intermediate/Early Advanced (4/5/6/6 ). Published by Alfred Publishing

SATB Choir and Organ

SKU: HL.14002917

Composed by Johann Sebastian Bach. Music Sales America. Classical. Choral Score. Music Sales #NOV290248. Published by Music Sales (HL.14002917).

For voice and organ. Format: organ/vocal songbook (two copies needed for performance). With vocal melody, lyrics, organ accompaniment and chord names. Hymn. 132 pages. 9x12 inches. Published by Hal Leonard.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105819

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches Herzeleid. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. Duration 17 minutes. Carus Verlag #CV 31.058/19. Published by Carus Verlag (CA.3105819).

ISBN 9790007136208. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.

SKU: HL.3712004

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #402974. Published by Hal Leonard (HL.3712004).

8.0x8.5x3.75 inches.

The headset DT 109 is ideal for use in radio, television, reports, cameras, sound and light mixing consoles and intercom systems. The soft, circumaural ear cushions offer high wearing comfort and excellent isolation from external noise. The padded headband and microphone boom can be individually adjusted. The headset is also available as a one-ear version.

SKU: HL.3712002

Beyer-Dynamic. Monitors and Headphones. Hal Leonard #402958. Published by Hal Leonard (HL.3712002).

UPC: 196288220992. 8.5x8.0x3.75 inches.

The single-ear headset DT 108 is ideal for use in radio, television, reporting, cameras, sound and light mixing consoles and intercome systems. The soft, circumaural ear padding offers a high degree of wearing comfort and excellent isolation from external noise. The padded headband and microphone boom can be individually adjusted. This headset is also available in a version with two ear cups.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105814

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, New year. Single Part, Cello/Double Bass. Composed 1733/1734. BWV 58. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.058/14. Published by Carus Verlag (CA.3105814).

ISBN 9790007043261. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

by William Bay. For trumpet. Sacred, duets. Level: Intermediate. Book. Descants. Size 8.75x11.75. 64 pages. Published by Mel Bay Pub., Inc.

SKU: HL.1105200

Mackie. Live Sound. Hal Leonard #2051991-00. Published by Hal Leonard (HL.1105200).

UPC: 663961058895. 18.5x17.0x7.5 inches.

Give your project studio or mobile rig the analog mixer it deserves. The Mackie Onyx12 is a premium 12-channel USB mixer optimized for multitrack recording and live sound. Experience impeccable sound quality, a flexible FX engine and seamless workflow for your home recording or live shows. Level-up your rig with a versatile 12-channel mixer designed by engineers who know that great sound lives in the details. Every element of the Mackie Onyx12 is geared towards recording at a professional level, from our award-winning Onyx preamps to the Perkins “British Style” EQs inspired by classic desks from the '60s and '70s. Record ultra-clean, transparent sound with incredible accuracy. Our award-winning Onyx Mic Preamps are designed for maximum studio-quality performance. Create podcasts, live stream gameplay, or produce the next hit. No matter what you do, we want to make sure you sound great. The Mackie Onyx12 features an enhanced 3-Band “British Style” EQ based on the same circuit used on classic mixing consoles from the '60s and '70s. This version designed by Mackie has greater filter control, minimum phase shift and allows you to pinpoint specific frequency ranges. To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology inspired by the hallowed “British” desks of the '60s and '70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a±mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (±15 dB) without excessively narrowing the “Q” or bandwidth of the filters. It's what we call a win-win. Tired of fumbling with your gear? We got you covered. Carry and transport your Mackie Onyx12 mixer effortlessly with our QuickGrip side handles. Whether you're moving gear around your home studio or heading to rehearsal, the rugged design of our steel chassis and sealed rotary will protect your investment wherever you go.

(Score & Parts)

SKU: HL.44011297

IberMusica Concert Band. Hal Leonard #IB039. Published by Hal Leonard (HL.44011297).

UPC: 884088891329.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105849

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. Organ. Sacred vocal music, Cantatas, New year. Single Part, Organ. Composed 1733/1734. BWV 58. 16 pages. Duration 17 minutes. Carus Verlag #CV 31.058/49. Published by Carus Verlag (CA.3105849).

ISBN 9790007206611. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105812

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Ach Gott, wie manches. Sacred vocal music, Cantatas, New year. Single Part, Violin 2. Composed 1733/1734. BWV 58. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.058/12. Published by Carus Verlag (CA.3105812).

ISBN 9790007043247. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and part available separately - see item CA.3105800.

Orchestra SB voice soli, 2 Oboes, Taille (English Horn), Violin solo, Strings, Organ - Level 3

SKU: CA.3105807

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. This edition: Paperbound. Sacred vocal music, Cantatas, New year. Study score. Composed 1733/1734. BWV 58. 56 pages. Duration 17 minutes. Carus Verlag #CV 31.058/07. Published by Carus Verlag (CA.3105807).

ISBN 9790007043216. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score available separately - see item CA.3105800.

Orchestra SB vocal soli, 2 oboes, taille (english horn), 2 violins, viola, basso continuo - Grade 3

SKU: CA.3105809

Cantata for the Sunday after New Year. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. 1x 31.058/21 oboe 1, 1x 31.058/22 oboe 2, 1x 31.058/23 oboe d'amore. German title: Ach Gott, wie manches Herzeleid 3. Sacred vocal music, Cantatas, New year. Set of Orchestra Parts. Composed 1733/1734. BWV 58. 6 pages. Duration 17 minutes. Carus Verlag #CV 31.058/09. Published by Carus Verlag (CA.3105809).

ISBN 9790007043223. Key: C major. Language: German/English.

The cantata O God, what glut of care and pain BWV 58, which Bach subtitled Dialogus and wrote for the Sunday after New Year, limits itself accordingly to the dialog couple consisting of soprano and bass; further soloists or a choir are not required. In the framing movements, the dialog takes on the form of a chorale arrangement: the soprano presents a cantus firmus whose words are consolingly commented on by the bass. Both the expansive chorale arrangements leave room for an aria which is framed by two recitatives. The cantata was composed for the Sunday after New Year 1727, but the received form is from a subsequent performance that took place six or seven years later. For this performance, Bach not only expanded the instrumentation but also replaced an entire aria. Later, he assigned the cantata to his annual cycle of chorale cantatas, probably due to its high proportion of chorales; this Sunday was missing in that annual cycle as there was no Sunday between New Year and Epiphany in 1725. Score and parts available separately - see item CA.3105800.