By Luca Marenzio (1553-1599). Edited by John Steele. For 5 mixed voices. Madriga...(+)
By Luca Marenzio
(1553-1599). Edited by
John Steele. For 5 mixed
voices. Madrigal.
Renaissance Voices.
Collection. Text
Language: Italian.
Published by Gaudia Music
and Arts Publications
Voice and piano SKU: BR.EB-8873 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8873
Repertoire
Collection. Composed
by Marina (Hrsg.) Peter
Anton und Sandel Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf. Aria;
Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8873.
Published by Breitkopf
and Haertel (BR.EB-8873).
ISBN 9790004184639. 9
x 12 inches. German /
English.
,,Una voce
poco profonda: Curtain up
for Trouser Roles and
Heroines Whether the
voice is lyric light or
heavy, whether it can
master coloratura,
perhaps even has dramatic
potential - in the
OperAria mezzo-soprano
and alto volumes, singers
with a deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi! Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors) OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance) with comments
on the arias information
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of view
with phonetic assistant
and text assistant aria
texts in the original
language spoken by native
speakers as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8872 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8872
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf. Aria; Opera;
Classical; Late-romantic.
Piano/Vocal Score. 152
pages. Breitkopf and
Haertel #EB 8872.
Published by Breitkopf
and Haertel (BR.EB-8872).
ISBN 9790004184622. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Voice and piano SKU: BR.EB-8871 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8871
Repertoire
Collection. Composed
by Marina Sandel and
Peter Anton Ling. Edited
by Peter Anton Ling.
Voice; Softbound. Edition
Breitkopf.
Publication of
Vol. 1 is scheduled for
the first half of 2020,
Vol. 2 for the first half
of 2021.
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 132
pages. Breitkopf and
Haertel #EB 8871.
Published by Breitkopf
and Haertel (BR.EB-8871).
ISBN 9790004184615. 9
x 12 inches. German /
English.
Una voce
poco profonda: Curtain up
for Trouser Roles and
HeroinesWhether the voice
is lyric light or heavy,
whether it can master
coloratura, perhaps even
has dramatic potential -
in the OperAria
mezzo-soprano and alto
volumes, singers with a
deeper voice and a
special talent for the
trouser role through to
the heroine find
everything they need for
their performance.
Throbbing of the heart?
Yes, that's simply part
of the game! Feeling
nervous? No, because
actually nothing can go
wrong with OperAria. The
best vocal coach for
auditions and current
theatre practice. Only
the voice needs to do its
bit. Toi, toi, toi!Our
goal is to give the user
a modern-day,
systematically structured
vocal coach who satisfies
the demands of
present-day theater
practice. At long last a
consistent repertoire and
a well-ordered conflation
of respective audition
arias for all vocal
genres. (Peter Anton Ling
and Marina Sandel,
editors)OperAria -
repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
One of
the most difficult
decisions for singers
(and their teachers!) is
finding the right
repertoire for the
present state of vocal
development. These three
volumes for mezzo-soprano
and alto provide a
magnificent orientation,
and are a great gift!
(Marilyn Schmiege, Patron
mezzosoprano, alto).
Piano SKU: M7.RMP-3003 Critical Edition of the Complete Works. Com...(+)
Piano
SKU:
M7.RMP-3003
Critical Edition of
the Complete Works.
Composed by Sergej
Wassiljewitsch
Rachmaninow. Edited by
Valentin Antipov. This
edition:
Slipcase/Cassette. Sheet
music. Score and critical
commentary, complete
edition. Op. 3, op. 10,
op. 16. 320 pages.
Russian Music Publishing
#RMP 3003. Published by
Russian Music Publishing
(M7.RMP-3003).
ISBN
9783795716615. English
Russian.
Sergei
Rachmaninoff (1873-1943)
was a pianist and
composer of international
stature and one of the
towering figures of early
20th century music. He
left behind an ouvre
consisting of some 170
works, many of which
await discovery or are
known only in forms far
removed from the
composer's intentions.
Sergei Rachmaninoff :
Critical Edition of the
Complete Works (RCW), a
project issued by Russian
Music Publishing, is the
first complete edition of
Rachmaninoff 's music
prepared in accordance
with scholarly criteria
while meeting the demands
of performers. It
catalogues, explores, and
annotates every available
musical, literary, and
iconographic source on
Rachmaninoff 's music.
The RCW is published
under the scholarly
auspices of Dr. Valentin
Antipov. The editorial
standards of the RCW
satisfy the most
discerning criteria and
are safeguarded by an
Editorial Board of
internationally
acknowledged authorities
in Rachmaninoff
scholarship. Alexandre
Rachmaninoff (1933-2012),
the composer's grandson,
has been retained as a
special advisor. The RCW
is furthermore realized
in close cooperation with
the Glinka State Central
Museum of Musical
Culture, which houses one
of the most extensive
collections of
Rachmaninoff autographs
worldwide. All sources
are consulted for the
first time and all
compositions are
presented in their
authentic form with all
existing versions from
the composer.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Arranged
by K. Doge. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library).
Klaus
Doge has critically
re-examined all the
surviving sources. His
research has yielded a
new, text-critical
edition that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edit. Solo
concerto; Romantic. Full
score. 128 pages.
Duration 42'. Breitkopf
and Haertel #PB 5290.
Published by Breitkopf
and Haertel (BR.PB-5290).
ISBN 9790004210802. 10
x 12.5
inches.
Choosing an
edition of this
celebrated violoncello
concerto has always posed
a dilemma: they were
based either on the first
edition, which was not
given a final
authorization by Dvorak,
or solely on the
autograph, which does not
represent the final
version in many
instances. This was the
case with the Dvorak
Complete Edition of 1955,
for example. Klaus Doge
has critically
re-examined all the
surviving sources. His
research has yielded a
new, text-critical
edition that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edition. In the
conclusions he draws for
performance practice,
Doge generally gives
priority to the first
edition. However, he does
not smooth out Dvorak's
special notation, such as
Dvorak's publisher
Simrock did in his day.
Doge's edition also shows
that the musical text is
not as authenticated as
has been suggested by
previous editions.
Variants have
occasionally been notated
on a second staff at
several passages,
particularly in the solo
part. The piano
reduction, which was
prepared by the composer
himself, has been edited
according to
text-critical criteria
for the first time as
well. Doge was able to
rely on a renowned
performer for this part
of his work: Heinrich
Schiff, who arranged the
solo part and provides
valuable interpretative
tips in his commentaries
on performance
practice.
Klaus
Doge has critically
re-examined all the
surviving sources. His
research has yielded a
new, text-critical
edition that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edition.
Horn and piano (solo: hn - 0.2.0.2. - 0.0.0.0. - str) SKU: BR.EB-8698 ...(+)
Horn and piano (solo: hn
- 0.2.0.2. - 0.0.0.0. -
str)
SKU:
BR.EB-8698
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Arranged
by Christian Rudolf
Riedel. Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Classical. Piano
reduction. 56 pages.
Duration 12'. Breitkopf
and Haertel #EB 8698.
Published by Breitkopf
and Haertel (BR.EB-8698).
ISBN 9790004184813. 9
x 12 inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work. Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.
Voice and piano SKU: BR.EB-8882 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8882
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 144
pages. Breitkopf and
Haertel #EB 8882.
Published by Breitkopf
and Haertel (BR.EB-8882).
ISBN 9790004184721. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8881 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8881
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 120
pages. Breitkopf and
Haertel #EB 8881.
Published by Breitkopf
and Haertel (BR.EB-8881).
ISBN 9790004184714. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Voice and piano SKU: BR.EB-8880 Repertoire Collection. Composed by...(+)
Voice and piano
SKU:
BR.EB-8880
Repertoire
Collection. Composed
by Peter Anton Ling.
Edited by Peter Anton
Ling. Voice; Softbound.
Edition Breitkopf.
If
only we'd had something
like that ... an album
for practice, a guide for
professional singers as
well as for opera
enthusiasts.(Franz
Mazura, Patron
Bass)
Aria; Opera; Classical;
Late-romantic.
Piano/Vocal Score. 156
pages. Breitkopf and
Haertel #EB 8880.
Published by Breitkopf
and Haertel (BR.EB-8880).
ISBN 9790004184707. 9
x 12 inches. German /
English.
The
OperAria repertoire
anthology was much
applauded when it came on
stage with three baritone
volumes in 2015. The
successful baritone debut
was followed in 2017/18
by the appearance of the
four soprano volumes,
also conquering hearts in
no time. Now, another
performance: The curtain
rises on the bass
volumes, the foundation
of the vocal family for
heavier, darker voices,
though nevertheless
brilliant and full of
radiance. The
protagonists have such
well-known names as
Bartolo, Don Basilio,
Colline, Don Pasquale,
Falstaff, Figaro, Kecal,
Osmin, Sarastro. Other
heroes less often in the
limelight, such as
Dulcamara, Sancho Pansa,
Phanuel, and Sir Morosus,
can certainly also count
on much applause. It is
my aim to give students a
modern, systematically
structured, well-informed
vocal coach that meets
the demands of
present-day stage
practice. And, of course,
a cohesive repertoire and
logical presentation of
audition arias for every
vocal genre.(Peter Anton
Ling)OperAria is the
ideal vocal coach for all
voice types. Edited by
Peter Anton Ling, the
books address all singers
and are conceived above
all for training and
auditions. In addition,
through their careful
selection, they offer
valuable inspiration for
opera recitals. OperAria
- repertoire anthology of
opera arias according to
vocal criteria (range,
tessitura, specifics,
type of aria) with due
regard to practical
aspects of musical and
theatrical nature (style,
era, role type, national
provenance)with comments
on the ariasinformation
on the composer, the
librettist, the work, the
range and of versions or
casting a short synopsis
of the contents
illuminating the basic
dramatic constellation in
the context of the
opera's plot an
evaluation from the
singer's point of
viewwith phonetic
assistant and text
assistantaria texts in
the original language
spoken by native speakers
as an audio file
(mp3)aria texts in German
and English translations
as a text file
(pdf)available for
download
If only
we'd had something like
that ... an album for
practice, a guide for
professional singers as
well as for opera
enthusiasts. (Franz
Mazura, Patron Bass).
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Folder.
Orchester-Bibliothek
(Orchestral Library).
Klaus Doge has
critically re-examined
all the surviving
sources. His research has
yielded a new,
text-critical edition
that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edit. Solo
concerto; Romantic. Set
of parts. 162 pages.
Duration 42'. Breitkopf
and Haertel #OB 5290-30.
Published by Breitkopf
and Haertel
(BR.OB-5290-30).
ISBN
9790004334775. 9 x 12
inches.
Choosing an
edition of this
celebrated violoncello
concerto has always posed
a dilemma: they were
based either on the first
edition, which was not
given a final
authorization by Dvorak,
or solely on the
autograph, which does not
represent the final
version in many
instances. This was the
case with the Dvorak
Complete Edition of 1955,
for example. Klaus Doge
has critically
re-examined all the
surviving sources. His
research has yielded a
new, text-critical
edition that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edition. In the
conclusions he draws for
performance practice,
Doge generally gives
priority to the first
edition. However, he does
not smooth out Dvorak's
special notation, such as
Dvorak's publisher
Simrock did in his day.
Doge's edition also shows
that the musical text is
not as authenticated as
has been suggested by
previous editions.
Variants have
occasionally been notated
on a second staff at
several passages,
particularly in the solo
part. The piano
reduction, which was
prepared by the composer
himself, has been edited
according to
text-critical criteria
for the first time as
well. Doge was able to
rely on a renowned
performer for this part
of his work: Heinrich
Schiff, who arranged the
solo part and provides
valuable interpretative
tips in his commentaries
on performance
practice.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Klaus Doge has
critically re-examined
all the surviving
sources. His research has
yielded a new,
text-critical edition
that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edit. Solo
concerto; Romantic. Part.
12 pages. Duration 42'.
Breitkopf and Haertel #OB
5290-27. Published by
Breitkopf and Haertel
(BR.OB-5290-27).
ISBN
9790004334768. 10 x 12.5
inches.
Choosing an
edition of this
celebrated violoncello
concerto has always posed
a dilemma: they were
based either on the first
edition, which was not
given a final
authorization by Dvorak,
or solely on the
autograph, which does not
represent the final
version in many
instances. This was the
case with the Dvorak
Complete Edition of 1955,
for example. Klaus Doge
has critically
re-examined all the
surviving sources. His
research has yielded a
new, text-critical
edition that meticulously
evaluates the many, often
contradictory readings
that create discrepancies
between the autograph and
the first edition. In the
conclusions he draws for
performance practice,
Doge generally gives
priority to the first
edition. However, he does
not smooth out Dvorak's
special notation, such as
Dvorak's publisher
Simrock did in his day.
Doge's edition also shows
that the musical text is
not as authenticated as
has been suggested by
previous editions.
Variants have
occasionally been notated
on a second staff at
several passages,
particularly in the solo
part. The piano
reduction, which was
prepared by the composer
himself, has been edited
according to
text-critical criteria
for the first time as
well. Doge was able to
rely on a renowned
performer for this part
of his work: Heinrich
Schiff, who arranged the
solo part and provides
valuable interpretative
tips in his commentaries
on performance
practice.
Piano - late intermediate SKU: BT.SLB-00596300 By Robert Orledge. By Erik...(+)
Piano - late intermediate
SKU:
BT.SLB-00596300
By
Robert Orledge. By Erik
Satie.
Durand-Salabert-Eschig-Si
gnature Series. Set of
Books. Composed 2016. 600
pages. Editions Salabert
#SLB 00596300. Published
by Editions Salabert
(BT.SLB-00596300).
PIANO inches.
English-French.
Thi
s new, completely revised
and reset centenary
edition of Satie’s
complete piano music in
three volumes has
returned to
Satie’s
manuscripts and first
editions to give pianists
completely accurate and
reliable texts to play
from.
Questa
nuova edizione in tre
volumi delle composizioni
per pianoforte di Satie
offre ai pianisti una
revisione accurata e
fedele alle intenzioni
dell’autore grazie
all’analisi e al
confronto dei manoscritti
e delle loro prime
edizioni
astampa.
La
pubblicazione, oltre a
includere tutti i pezzi
per pianoforte o in
riduzione che Satie ha
pubblicato, offre anche
alcuni brani fino a oggi
sconosciuti, come la
Petite Sonate che ha
scritto per Vincent
d’Indy e
interessanti
primeversioni di pezzi
celebri, tra cui San
Bernardo, un primo
tentativo di
Españaña (1913) e
la prima versione,
considerevolmente
diversa, di Les Pantins
dansent
(1914).
Per
agevolare gli interpreti,
il curatoreha aggiunto,
all’occorrenza,
segnidi metronomo e
alcuni suggerimenti per
l’esecuzione. La
notazione musicale è
stata resa il più
possibile comprensibile
senza depauperare il
pensiero musicale di
Satie
sull’esteriorizzaz
ione della musica.
Composed by Various. Transcontinental Music Folios. Jewish. Softcover Audio O...(+)
Composed by Various.
Transcontinental Music
Folios. Jewish. Softcover
Audio Online.
Transcontinental Music
#994023. Published by
Transcontinental Music
German (Book) SKU: HL.49045991 Musikhistorische Darstellungen der Jahr...(+)
German (Book)
SKU:
HL.49045991
Musikhistorische
Darstellungen der
Jahrzehnte um 1900 in
narratologischer
Perspektive.
Classical, German
Edition. Softcover. 284
pages. Schott Music
#ED22884. Published by
Schott Music
(HL.49045991).
Music history
is not the past itself
but a story based on
certain sources. In her
thesis, Anna Magdalena
Bredenbach takes a look
at the narrative
structures of
musico-historical texts
by asking how the history
of music was narrated in
common texts around 1900.
Based on a specially
developed narratological
'tool kit', she examines
time cuts, selection
criteria, acting persons
and perspectives, as well
as master and counter
narratives of the
centuries around 1900.
German.
Piano (Piano Solo) SKU: HL.1187832 Solo Piano, Grades 2-5. Compose...(+)
Piano (Piano Solo)
SKU: HL.1187832
Solo Piano, Grades
2-5. Composed by
Naoko Ikeda. Edited by
Andrew Eales. Willis.
Festival, Performance,
Solos. Softcover.
Published by Willis Music
(HL.1187832).
ISBN
9781705191989. UPC:
196288129684. 9.0x12.0
inches.
24
exquisite works for solo
piano by Naoko Ikeda,
exclusively matched to
the grade criteria of the
major examination boards
by Andrew Eales. With
fresh engravings and
editorial practice notes,
this unique folio shines
a spotlight on the music
of Naoko Ikeda for
pianists of Grade 2â??5
level.
Original Version and
Revised Version by Mozart
completed by Robert D.
Levin - Urtext.
Composed by Wolfgang
Amadeus Mozart. Edited by
Robert D. Levin. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo concerto; Classical.
Part. 12 pages. Duration
12'. Breitkopf and
Haertel #OB 5557-26.
Published by Breitkopf
and Haertel
(BR.OB-5557-26).
ISBN
9790004341148. 10 x 12.5
inches.
The
two-movement,
incompletely transmitted
Horn Concerto in D major
K. 412 was long
considered as Mozarts
first horn concerto; it
is, however, his last,
and was written between
March and December 1791.
Mozart undertook
revisions in the
autograph which contains
the most important
orchestral parts next to
the entire solo horn part
in order to adjust the
work to the modest
technical abilities of
the planned soloist
Joseph Leutgeb. Mozart
revised and completed the
first movement,
eliminated lower notes in
the solo part, rewrote
difficult passages and
expanded orchestral
interludes to give
Leutgeb additional breath
rests. Mozart also made
similar simplifications
in the second movement as
well, but his early death
prevented the completion
of the work.Robert D.
Levin reconstructed both
versions of the concerto
on the basis of the
autograph. Next to the
version revised by Mozart
(post correcturam), he
now presents the original
version (ante
correcturam) for the
first time in a musical
text revised and
supplemented according to
rigorous philological
criteria.