By John Levan. For Guitar (Electric). Reference. FAQ. All. Level: Beginning. DVD. Size 5.25x7.5. Duration 55 minutes. Published by Guitar Services Workshop.

For electric bass. All styles, tablature. Book. Manuscript. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.

A Guide to Playing Modern and Traditional Electric Country Lead Guitar. Musicians Institute Press. Softcover Audio Online. With guitar tablature. 104 pages. Published by Musicians Institute Press

By Tony Skinner and Merv Young. For Guitar (Electric). Methods. Rock. Book/CD Set. 28 pages

Ultimate Beginner Series - Electric Guitar Basics. (Steps One and Two). By Keith Wyatt. For Guitar. Guitar DVD; Method/Instruction. The Ultimate Beginner Series. Beginner. DVD. 1 pages. Published by Alfred Music Publishing

by Mike Hiland. For electric bass. method. You Can Teach Yourself. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 120 pages. Published by Mel Bay Publications, Inc.

Guitar (rock and blues) - Beginning-Intermediate

SKU: MB.30701M

Composed by Sven Nier. Saddle-stitched, Solos, Duets and Ensembles, Method, Solos. Dirt Simple. Style. Book and online audio. 28 pages. Mel Bay Publications, Inc #30701M. Published by Mel Bay Publications, Inc (MB.30701M).

ISBN 9781513461663. 8.75 x 11.75 inches.

This guitar method focuses on playing engaging rhythmic themes entirely on open strings. What seems at first to be a simple task quickly becomes a real challenge, requiring a high level of accuracy and an excellent sense of rhythm. While the picking hand can only play what the other hand has prepared, nothing musical will happen unless you pluck the right string. Sven Niers exercises and tunes offer motivating, effective training to facilitate hitting the correct string with precision, winning half the coordination battle. While the audio examples are recorded on an electric instrument, guitar teachers and beginning students in all styles will appreciate this innovative book. Includes access to outstanding play-along online audio with and without the solo part.

Composed by Johann Sebastian Bach (1685-1750). Arranged by John Kiefer. Saddle-stitched. Book and online audio. Published by Mel Bay Publications, Inc (MB.97068M).

By Dino Monoxelos. For Electric Bass. Methods. Young Beginner. Children. Beginning. Book/CD Set. 52 pages. Published by Mel Bay Publications, Inc

By Corey Christiansen. For Guitar (Electric). Licks and Phrases. QwikLicks. Blues. Intermediate. DVD Chart. 4 pages. Duration 44

By John Levan. For Guitar (Electric). Reference. All. Level: Multiple Levels. DVD. Size 5.25x7.5. Duration 22 minutes. Published by Guitar Services Workshop.

The Father of the Modern Electric Solid Body Guitar - Special Collector's Edition. Book. Biography / MUSIC BISAC, Biography/Composers and Musicians, Guitar Reference. Hardcover with CD. 1 pages. Published by Hal Leonard

Electric Guitar - easy

SKU: BT.REBCEG9608

Composed by Jean-Jacques Rebillard. Book with CD. Composed 1996. Editions J.J. Rebillard #REBCEG9608. Published by Editions J.J. Rebillard (BT.REBCEG9608).

French.

Le meilleur de la guitare électrique en 4 volumes. Pour chaque volume :

La méthode : 100 pages en tablatures avec cahier d?exercices
Le CD : tous les exercices des ralentis 20play-backs
Le DVD (en option) : le prof sous la main en permanence.
Riffs, rythmiques, solos, arpèges, accompagnement, technique, théorie, improvisation, exercices, ralentis. Tous les styles : blues, rock,metal, fusion, reggae, funk. Tous les standards de : Eric Clapton ? Jimi Hendrix ? Jimmy Page ? Nirvana ? Metallica ? Slayer ? The Rolling Stones ? AC/DC ? Slash ? The Pixies ?RHCP? Mark Knopfler ? Stevie Ray Vaughan ? Muddy Waters ? BB King ? Elmore James ? Pantera ? RATM ? Joe Satriani ? Sepultura ? Steve Vai ? Van Halen ? James Brown ? Korn? Faith No More ? Aerosmith ? Gary Moore...

by Roger Filiberto. For electric bass. All styles, solos and studies. Level: Beginning-Intermediate. Book. Method. Size 8.75x11.75. 40 pages. Published by Mel Bay Pub., Inc.

By Roger Filiberto. For Electric Bass. Methods. All. Level: Beginning. Book/CD Set. 48 pages. Published by Mel Bay Publications, Inc.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342S

For Orchestra. Composed by Clint Needham. Study Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342S. Published by Theodore Presser Company (PR.11640342S).

UPC: 680160687749.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Clarinet 1, Contrabass, Flute 2, Harp, Horn 1, Horn 2, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello, tenor Trombone

SKU: PR.11640342L

For Orchestra. Composed by Clint Needham. Large Score. 54 pages. Duration 9 minutes. Theodore Presser Company #116-40342L. Published by Theodore Presser Company (PR.11640342L).

UPC: 680160687756.

The Body Electric draws its inspiration from great American poet, Walt Whitman's work I Sing the Body Electric. Two years earlier, while writing a setting of Whitman's Crossing Brooklyn Ferry for baritone and chamber orchestra, I became enamored with many of the poems from his collection, The Leaves of Grass. I had not revisited Whitman's poetry since high school and that distance provided a fresh look at Whitman's poetry. In the spring of 2009, I came back to this collection and decided to write another work inspired by Whitman's poetry, this time for chamber orchestra alone. Writing a work that attempted to capture the mood of this epic poem seemed impossible. Because of the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blow of the poem seemed equally impossible. For me, the solution was to take three fragments of the poem and focus on conveying their particular moods. In the score, I have included the following lines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Body at auction. the Body Electric was written for the 2009 Wellesley College Composers Conference and was premiered on the final concert of the conference with Jim Baker conducting. Clint Needham.
the Body Electric draws its inspiration from great American poet, Walt Whitman’s work I Sing theBody Electric. Two years earlier, while writing a setting of Whitman’s Crossing Brooklyn Ferry forbaritone and chamber orchestra, I became enamored with many of the poems from his collection,The Leaves of Grass. I had not revisited Whitman’s poetry since high school and that distanceprovided a fresh look at Whitman’s poetry. In the spring of 2009, I came back to this collectionand decided to write another work inspired by Whitman’s poetry, this time for chamber orchestraalone.Writing a work that attempted to capture the mood of this epic poem seemed impossible. Becauseof the inherent abstract nature of text-less music, writing a work that was a musical blow-by-blowof the poem seemed equally impossible. For me, the solution was to take three fragments of thepoem and focus on conveying their particular moods. In the score, I have included the followinglines at the beginning of each section: the Body electric, A divine nimbus exhales, and the Bodyat auction.the Body Electric was written for the 2009 Wellesley College Composers Conference and waspremiered on the final concert of the conference with Jim Baker conducting.Clint Needham.

Arranged by Edwin Mclean, edited by Milton Okum. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams, introductory text and illustrations. TV. 71 pages. 9x12 inches. Published by Cherry Lane Music.

A Complete Course for the Beginner Guitarist!. Performed by Keith Wyatt. Dvd. DVD (Digital Video Disc). Size 5.25x7.5 inches. Published by Hudson Music And Hal Leonard.

Guitar (electric) - Beginning

SKU: MB.3802406058

Composed by Georg Wolf. Saddle-stitched, Style, French Language, CLEARANCE: OTHER, Pop, Rock & Blues, Method. Basics. Rock. Book/CD set. 64 pages. Voggenreiter #3802406058. Published by Voggenreiter (MB.3802406058).

ISBN 9783802406058. 8.25 x 11.75 inches.

Le début parfait pour apprendre la guitare électrique. Ce cours de guitare fournit au guitariste débutant les bases essentielles d'un instrument et de la musique en plusieurs étapes simples. Toutes les informations sont précieuses et clairement expliquées, ce qui signifie qu’elles peuvent être immédiatement mises en pratique. Les bases de la guitare électrique se composent de trois sections cohérentes: jouer des accords et accompagner des chansons; jouer des notes simples et des accords puissants; théorie de la musique et fondements. Le chapitre sur les accords de force contient tout ce que vous devez savoir sur cette technique de jeu indispensable. Le CD d'accompagnement avec des exercices et des morceaux de musique offre une aide précieuse pour la pratique. Rendre la guitare électrique encore plus amusant.
The perfect start to learning the electric guitar. This guitar course provides the beginner guitarist with the essential instrument and music foundations in simple to follow steps. All information is both valuable and clearly explained, meaning it can be instantly put into practice. Electric Guitar Basics comprises of three cohesive sections: playing chords and accompanying songs; playing single notes and power chords; music theory and foundations. The chapter on power chords contains everything you need to know about this indispensable playing technique. The accompanying CD with exercises and music pieces offers a valuable aid to practice. Making playing the electric guitar even more fun.

By Chuck Sher . For Bass. A complete method book, over 200 pages, filled with information and exercises on all aspects of bass playing, for both acoustic and electric bass. Method. Published by Sher Music Company.

Arranged by Lloyd Larson. For SATB choir and piano (with optional electric bass, acoustic guitar, electric guitar, synth strings and drum kit). Octavo. Published by Hope Publishing Company.

Electric bass - Intermediate

SKU: MB.30798

A Chord Tone Approach. Composed by Jason Raso. Rock, Saddle-stitched. ALL. Book. 52 pages. Mel Bay Publications, Inc #30798. Published by Mel Bay Publications, Inc (MB.30798).

ISBN 9781513465340. 8.75 x 11.75 inches.

Jason Raso?s Soloing on Electric Bass: A Chord Tone Approach provides the next step following his first book for Mel Bay Publications, Improvising on Electric Bass. The primary focus of this second book is to help you develop a more melodic approach to solo bass playing. The author suggests avoiding root notes, concentrating instead on chord tones of a 3rd, 5th, and 7th as fertile ground to begin revising your approach to more creative soloing. Following a series of standard notation exercises exploring intervals and goal notes in all keys, Jason presents a dozen original solo etudes in notation and tablature.