Piano/Keyboard SKU: HL.221028 Composed by William T. Eveleth. Instruction...(+)
Piano/Keyboard
SKU:
HL.221028
Composed by
William T. Eveleth.
Instructional.
Instructional, Blues,
Jazz and Rock.
Instructional book. With
instructional text. 71
pages. Published by Hal
Leonard (HL.221028).
ISBN 9780793520916.
UPC: 073999210286. 9x12
inches.
This book
presents a practical
approach to improvising
through a system of
patterns in a traditional
blues style. Because so
much of today's popular
music has its roots in
blues, the material
included here is a vital
component of jazz, rock,
RandB, gospel, soul, and
even pop. The author has
compiled actual licks,
riffs, turnaround
phrases, embellishments,
and basic patterns that
define good piano blues
and can be used as a
basis for players to
explore and create their
own style.
By The Fratellis. By John Lawler. Arranged by Paul Murtha and Will Rapp. For Mar...(+)
By The Fratellis. By John
Lawler. Arranged by Paul
Murtha and Will Rapp. For
Marching Band (Score and
Parts). Contemporary
Marching Band. Grade 3-4.
Published by Hal Leonard
For
Piccolo and Band.
Composed by Daniel Dorff.
This edition: Band.
Premiere: Walfrid Kujala
piccolo, Mitchell Fennell
conducting the California
State University -
Fullerton wind ensemble,
at 2010 NFA convention.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 8-Oct.
60+12+12+4+4+4+16+16+16+4
+3+3+3+8+8+8+4+6+6+6+3+3+
3+3+6+6+6+6+3+27+3+8
pages. Duration 6:30.
Theodore Presser Company
#115-40204. Published by
Theodore Presser Company
(PR.115402040).
UPC:
680160591220. 9.5 x 13
inches. Key: G
major.
Already a
popular recital work for
piccolo and piano, and
winner of the 2009
International Piccolo
Symposium biennial
composition competition,
Flash! is now available
for solo piccolo with
band accompaniment -
fresh from the NFA
premiere, featuring
piccolo legend Walfrid
Kujala. The East Coast
premiere is scheduled for
11/18/10, featuring
Boston Symphony
piccoloist Linda Toote
with the Boston
University wind
ensemble. By 2008,
Sonatine de Giverny was
being performed so
frequently that I decided
to write another piccolo
piece as soon as an
opportunity arose. Since
Giverny is a study in
French style, I knew the
new piece must be in my
own authentic American
voice. That summer,
Giverny was performed six
times at the NFA
convention as a mandatory
competition piece, and I
returned from the August
2008 convention all
charged up to write
something different for
piccolo. In September,
Kate Prestia-Schaub wrote
to tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete. Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010. More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention. By
2008, Sonatine de
Giverny was being
performed so frequently
that I decided to write
another piccolo piece as
soon as an opportunity
arose.
Since Giverny is a
study in French style, I
knew the new piece must
be in my own authentic
American voice. That
summer, Giverny was
performed six times at
the NFA convention as a
mandatory competition
piece, and I returned
from the August 2008
convention all charged up
to write something
different for piccolo.In
September, Kate
Prestia-Schaub wrote to
tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete.Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010.More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention.
The Chicken Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Alfred James Ellis. Arranged by Kris Berg. By Alfred James Ellis / arr. Kris ...(+)
By Alfred James Ellis.
Arranged by Kris Berg. By
Alfred James Ellis / arr.
Kris Berg. For Jazz
Ensemble. Jazz Ensemble.
Jazz Band Series. Level:
Medium Easy (grade III).
Conductor Score and
Parts. 108 pages.
Published by Alfred
Publishing.
Open Wide Ensemble Jazz [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
Grade 4 SKU: CL.036-0279-00 Composed by Ellis. Jazz Ensemble. Score and s...(+)
Grade 4
SKU:
CL.036-0279-00
Composed by Ellis. Jazz
Ensemble. Score and set
of parts. Composed 1984.
C.L. Barnhouse
#036-0279-00. Published
by C.L. Barnhouse
(CL.036-0279-00).
This incredible
Don Ellis chart was the
highlight of the his
best-selling ‘Live
At Montreux’
Album. Intense jazz samba
that features the
trumpet...naturally!
The Heaven Tree Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104887-010 La pierre de v...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104887-010
La pierre de vie.
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2010.
De Haske Publications
#DHP 1104887-010.
Published by De Haske
Publications
(BT.DHP-1104887-010).
9x12 inches.
English-German-French-Dut
ch.
The Heaven Tree
is based on the fi rst
book in an intensely
imagined trilogy by
author Edith Pargeter.
Set during the golden age
of cathedral building,
this adventure novel
explores the splendour
and cruelty of the Middle
Ages. Thierry
Deleruyelle’s work
is an ideal accompaniment
to the novel. With an
obvious sense of
suspense, his music helps
us get in touch with a
distant reality that
brings the past to life.
Für The
Heaven Tree nahm sich der
Komponist den ersten Band
einer fantasievollen
Romantrilogie von Edith
Pargeter als Vorlage.
Dieser spielt im goldenen
Zeitalter des
Kathedralenbaus und
spiegelt die ganze Pracht
und die Grausamkeit des
Mittelalters wider.
Thierry Deleruyelles Werk
ist das perfekte
Äquivalent des
Romans. Mit einem guten
Gespür für
Spannung gelingt es dem
Komponisten, mit seiner
Musik längst
vergangene Zeiten
begreifbar zu machen und
zu neuem Leben zu
erwecken.
Primo
volume di una trilogia
storica di Edith Pargeter
(alias Ellis Peters
1913-1995) e considerato
come il suo miglior
lavoro, The Heaven Tree
incanta per la sua
fluidit . Romanzo di
avventura ai tempi della
costruzione di
cattedrali, The Heaven
Tree descrive il Medioevo
in tutto il suo splendore
e la sua crudelt .
Thierry Deleruyelle ci
offre il romanzo in
musica, con un senso
tangibile di suspense,
tipico di questo periodo
storico.
Choral (3 Part Treble choir) SKU: HL.200499 Composed by Issachar Miron. A...(+)
Choral (3 Part Treble
choir)
SKU:
HL.200499
Composed by
Issachar Miron. Arranged
by Henry Leck and Martin
Ellis. Henry Leck
Creating Artistry.
Concert, Hebrew,
Multicultural. Octavo. 16
pages. Published by Hal
Leonard (HL.200499).
UPC: 888680650872.
6.75x10.5 inches. Arr.
Henry Leck/Martin
Ellis.
Made popular
by the Weavers folk group
in the late 1940s, this
dance-like song will add
life and color to your
concert. Easily learned
with layered vocal parts
and body percussion, this
arrangement is
well-suited for festival
performances.
The Heaven Tree Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1104887-140 La pierre de v...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1104887-140
La pierre de vie.
Composed by Thierry
Deleruyelle. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2010. 32
pages. De Haske
Publications #DHP
1104887-140. Published by
De Haske Publications
(BT.DHP-1104887-140).
9x12 inches.
English-German-French-Dut
ch.
The Heaven Tree
is based on the fi rst
book in an intensely
imagined trilogy by
author Edith Pargeter.
Set during the golden age
of cathedral building,
this adventure novel
explores the splendour
and cruelty of the Middle
Ages. Thierry
Deleruyelle’s work
is an ideal accompaniment
to the novel. With an
obvious sense of
suspense, his music helps
us get in touch with a
distant reality that
brings the past to life.
Für The
Heaven Tree nahm sich der
Komponist den ersten Band
einer fantasievollen
Romantrilogie von Edith
Pargeter als Vorlage.
Dieser spielt im goldenen
Zeitalter des
Kathedralenbaus und
spiegelt die ganze Pracht
und die Grausamkeit des
Mittelalters wider.
Thierry Deleruyelles Werk
ist das perfekte
Äquivalent des
Romans. Mit einem guten
Gespür für
Spannung gelingt es dem
Komponisten, mit seiner
Musik längst
vergangene Zeiten
begreifbar zu machen und
zu neuem Leben zu
erwecken.
Primo
volume di una trilogia
storica di Edith Pargeter
(alias Ellis Peters
1913-1995) e considerato
come il suo miglior
lavoro, The Heaven Tree
incanta per la sua
fluidit . Romanzo di
avventura ai tempi della
costruzione di
cattedrali, The Heaven
Tree descrive il Medioevo
in tutto il suo splendore
e la sua crudelt .
Thierry Deleruyelle ci
offre il romanzo in
musica, con un senso
tangibile di suspense,
tipico di questo periodo
storico.
The Chicken Ensemble Jazz [Conducteur] Alfred Publishing
By Alfred James Ellis. Arranged by Kris Berg. By Alfred James Ellis / arr. Kris ...(+)
By Alfred James Ellis.
Arranged by Kris Berg. By
Alfred James Ellis / arr.
Kris Berg. For Jazz
Ensemble. Jazz Ensemble.
Conductor Score. 16
pages. Published by
Alfred Publishing.
For
Piccolo and
Orchestra. Composed
by Daniel Dorff. Large
Score. 60 pages. Duration
6:30. Theodore Presser
Company #116-40385L.
Published by Theodore
Presser Company
(PR.11640385L).
UPC:
680160682904. Key: G
major.
By 2008,
Sonatine de Giverny was
being performed so
frequently that I decided
to write another piccolo
piece as soon as an
opportunity arose. Since
Giverny is a study in
French style, I knew the
new piece must be in my
own authentic American
voice. That summer,
Giverny was performed six
times at the NFA
convention as a mandatory
competition piece, and I
returned from the August
2008 convention all
charged up to write
something different for
piccolo. In September,
Kate Prestia-Schaub wrote
to tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete. Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010. More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention. By
2008, Sonatine de
Giverny was being
performed so frequently
that I decided to write
another piccolo piece as
soon as an opportunity
arose.
Since Giverny is a
study in French style, I
knew the new piece must
be in my own authentic
American voice. That
summer, Giverny was
performed six times at
the NFA convention as a
mandatory competition
piece, and I returned
from the August 2008
convention all charged up
to write something
different for piccolo.In
September, Kate
Prestia-Schaub wrote to
tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete.Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010.More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention.
For
Piccolo and
Orchestra. Composed
by Daniel Dorff. Full
score. 60 pages. Duration
6:30. Theodore Presser
Company #116-40385S.
Published by Theodore
Presser Company
(PR.11640385S).
UPC:
680160682898. Key: G
major.
By 2008,
Sonatine de Giverny was
being performed so
frequently that I decided
to write another piccolo
piece as soon as an
opportunity arose. Since
Giverny is a study in
French style, I knew the
new piece must be in my
own authentic American
voice. That summer,
Giverny was performed six
times at the NFA
convention as a mandatory
competition piece, and I
returned from the August
2008 convention all
charged up to write
something different for
piccolo. In September,
Kate Prestia-Schaub wrote
to tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete. Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010. More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention. By
2008, Sonatine de
Giverny was being
performed so frequently
that I decided to write
another piccolo piece as
soon as an opportunity
arose.
Since Giverny is a
study in French style, I
knew the new piece must
be in my own authentic
American voice. That
summer, Giverny was
performed six times at
the NFA convention as a
mandatory competition
piece, and I returned
from the August 2008
convention all charged up
to write something
different for piccolo.In
September, Kate
Prestia-Schaub wrote to
tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete.Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010.More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention.
Red Sombrero Violoncelle, Piano - Intermédiaire De Haske Publications
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal...(+)
Cello and Piano -
intermediate
SKU:
BT.DHP-1175829-401
Composed by Pascal
Proust. De Haske String
Series. Book and Part(s).
Composed 2017. 12 pages.
De Haske Publications
#DHP 1175829-401.
Published by De Haske
Publications
(BT.DHP-1175829-401).
ISBN 9789043153034.
English-German-French-Dut
ch.
To the beat of
the Habanera rhythm, our
young cellists will
travel to the land of
multi-coloured hats.
Composer Pascal Proust
has many years of
experience as a musician
and music teacher. His
work includes several
hundred compositions for
the most diverse
instrumentations. He
wrote Red Sombrero
for cellists with an
ability of approximately
3 4 years’
experience. He paid
special attention to an
easy-to-follow,
attractive musical style.
Red Sombrero is an
ideal performance or
competition work for
young
musicians.
Op het
ritme van de Habanera,
reizen onze jonge
cellisten naar het land
van de kleurrijke
hoeden. De componist
Pascal Proust kan bogen
op een jarenlange
ervaring als muzikant en
muziekdocent. Zijn oeuvre
omvat honderden
composities voor de meest
diverse instrumentaties.
Hij schreef Red
Sombrero voor
cellisten die ongeveer
drie tot vier jaar les
hebben gehad, waarbij hij
speciaal aandacht heeft
besteed aan een makkelijk
te volgen, aantrekkelijke
muziekstijl. Daardoor is
Red Sombrero een
ideaal voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
In
einem Habanera-Rhythmus
unternehmen die jungen
Cellisten eine Reise ins
Land der bunten
Hüte. Der
Komponist Pascal Proust
kann aus seiner
langjährigen Erfahrung
als Musiker und
Musikpädagoge
schöpfen, sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
Red Sombrero
für Cellisten mit
ungefähr 3 4 Jahren
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einen
leicht verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet sich
Red Sombrero ideal
als Vortrags- und
Wettbewerbsstück
für junge
Musiker.
Cello and Piano - easy SKU: BT.DHP-1175823-401 Composed by Pascal Proust....(+)
Cello and Piano - easy
SKU:
BT.DHP-1175823-401
Composed by Pascal
Proust. De Haske String
Series. Book and Part(s).
Composed 2017. 8 pages.
De Haske Publications
#DHP 1175823-401.
Published by De Haske
Publications
(BT.DHP-1175823-401).
ISBN 9789043152938.
English-German-French-Dut
ch.
A small,
playful piece that
revives the famous
Twinkle, twinkle,
little star in a
dance version (a short
tango). Composer
Pascal Proust has many
years of experience as a
musician and music
teacher. His work
includes several hundred
compositions for the most
diverse instrumentations.
He wrote El
violonchelo del
niño for cellists
with an ability of
approximately one
year’s experience.
He paid special attention
to an easy-to-follow,
attractive musical style.
El violonchelo del
niño is an ideal
performance or
competition work for
young
musicians.
Een
kort, vrolijk werkje
waarin Twinkel,
Twinkel, little star
is verwerkt als een
dansbaar nummer (een
korte tango). De
componist Pascal Proust
kan bogen op een
jarenlange ervaring als
muzikant en muziekdocent.
Zijn oeuvre omvat
honderden composities
voor de meest diverse
instrumentaties. Hij
schreef El violonchelo
del niño voor
cellisten die ongeveer
een jaar les hebben
gehad, waarbij hij
speciaal aandacht heeft
besteed aan een makkelijk
te volgen, aantrekkelijke
muziekstijl. Daardoor is
El violonchelo del
niño een ideaal
voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
Ein
kurzes spielerisches
Stück, in dem das
bekannte LiedAh! vous
dirais-je, maman in
einer tänzerischen
Version (ein kleiner
Tango) verwendet
wird. Der Komponist
Pascal Proust kann aus
seiner langjährigen
Erfahrung als Musiker und
Musikpädagoge
schöpfen, sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
El violonchelo del
niño für
Cellisten mit ungefähr
1 Jahr
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einen
leicht verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet sich
El violonchelo del
niño ideal als
Vortrags- und
Wettbewerbsstück
für junge
Musiker.
2 or more Violoncelli - late intermediate SKU: BT.EMBZ14886 For 4 viol...(+)
2 or more Violoncelli -
late intermediate
SKU:
BT.EMBZ14886
For 4
violoncellos. By
Arpad Pejtsik. EMB
Chamber Music for
Violoncellos. Educational
Tool. Set (Score and
Parts). Composed 2014. 54
pages. Editio Musica
Budapest #EMBZ14886.
Published by Editio
Musica Budapest
(BT.EMBZ14886).
9x12
inches.
The latest
volume of Chamber Music
for Violoncellos contains
four sacral works, two of
which were arranged for
cello quartet by the
editor of the series,
Ãrpád Pejtsik. Both
Angelus!, Liszt's piano
piece of ethereal beauty,
and the Kyrie of Mozart's
Requiem, an irresistibly
surging four-part fugue,
are magnificent when
played with the immensely
rich sound of the four
cellos. The second part
of the volume contains a
pair of inspired works by
two prominent cellists
and composers of the 19th
century: Karl Friedrich
Wilhelm Fitzenhagen's
Consecration Hymn and
Friedrich
Grützmacher's Ave
Maria. While an
instrumental skill of at
least intermediate level
is required for playing
the upperparts due to the
use of higher positions,
the lower parts can be
performed by beginner
cellists. The editor has
assisted the appropriate
interpretation of the
works by providing the
fingering and bowing.
Band 15 der Reihe
für Violoncelli
enthält vier
Kirchenmusikwerke. Die
ersten beiden wurden vom
Herausgeber der Reihe,
Ãrpád Pejtsik,
für Celloquartett
arrangiert. Es folgen
zwei Werke von zwei
berühmten Cellisten
und Komponisten des 19.
Jahrhunderts:Karl
Friedrich Wilhelm
Fitzenhagens CONSECRATION
HYMN und Friedrich
Grützmachers AVE
MARIA. Für die
höheren Lagen sollten
die Schüler mindestens
fortgeschritten sein, die
tieferen Lagen können
von Anfängern gespielt
werden. Der Herausgeber
hat für eine
werkgetreue Wiedergabe
Fingersätze und
Striche
hinzugefügt.
Inhalt:
1. Liszt: Angelus!
Priere aux anges
gardiens 2.
Mozart, Wolfgang Amadeus:
Kyrie from the
Requiem (K 626) 3.
Grützmacher,
Friedrich:
Consecration Hymn
(Op. 65) 4.
Fitzenhagen: Ave
Maria
Conte
nts: 1. Liszt:
Angelus! Priere aux
anges gardiens 2.
Mozart, Wolfgang Amadeus:
Kyrie from the
Requiem (K 626) 3.
Grützmacher,
Friedrich:
Consecration Hymn
(Op. 65) 4.
Fitzenhagen: Ave
Maria
Discovery Level 2.
Composed by Clifford
Grey, Greatrex Newman,
and Vivian Ellis.
Arranged by Mac Huff.
Discovery Choral. Jazz,
Oldies, Standard. Octavo.
Duration 140 seconds.
Published by Hal Leonard
(HL.1720684).
UPC:
196288267867. 6.75x10.5
inches.
Ideal for
beginning jazz choirs,
this arrangement of the
1929 swing song
encourages one and all to
care for others even when
days are difficult. The
swing feel provides a
happy-go-lucky style
highlighting the song's
positive message.
Performed by James Galway, Phil Coulter. For flute solo and piano accompaniment....(+)
Performed by James
Galway, Phil Coulter. For
flute solo and piano
accompaniment. Format:
flute/piano songbook
(includes separate
pull-out flute part).
Folk, irish and celtic.
68 pages. 9x12 inches.
Published by Hal Leonard.
(1940). By Ellis B. Kohs. String quartet. For Violin I, Violin II, Viola, Cello....(+)
(1940). By Ellis B. Kohs.
String quartet. For
Violin I, Violin II,
Viola, Cello. Classical.
Full score (study).
Standard notation. 51
pages. Published by
Theodore Presser Company
full score (study)
classical