For Orchestra.
Composed by Judith Lang
Zaimont. Orchestra. Study
Score. Composed 1988.
Duration 18'. Subito
Music Corporation
#95010280. Published by
Subito Music Corporation
(SU.95010280).
Instrumentation
: 2,1 2,1 2,Eb,bcl 2;
4331; 4perc, pno/cel,
stgs Duration: 18' Full
Score & Parts: available
on rental Composed: 1988
Published by: Subito
Music Publishing A work
that utilizes with
persuasive eloquence a
wide range of orchestral
colors and compositional
techniques. Zaimont lays
out in clear display her
formal concepts,
contained masterfully by
a centrifugal moving
tonality that never lacks
direction. -- The
Greenville (SC) News.
(12 italienische Kantaten). By George Frideric Handel (1685-1759). Edited by Han...(+)
(12 italienische
Kantaten). By George
Frideric Handel
(1685-1759). Edited by
Hans Joachim Marx. For
voice/instrument (Singing
voice/Instruments). This
edition: Clothbound,
Complete edition, Urtext
edition. Clothbound.
Halle Handel Edition.
Series V, Volum Score
Kantaten, Barock
(Cantatas, Baroque)
Composed by Elliot Del
Borgo. Solo or Ensemble.
Apex String Orchestra.
Score and set of parts.
Kendor Music Inc #10143.
Published by Kendor Music
Inc (KN.10143).
UPC:
822795101430.
For
student string orchestras
this expressive tone poem
beautifully portrays the
changing moods of the sea
with soaring melodies and
lush, late-Romantic
harmonies. The lyrical
opening theme should be
played with great
sensitivity and warmth,
while the dramatic
closing theme should be
played with energy and
passion. Playing with
clarity, precision and
balance is particularly
important in fugal
passages. In the final
analysis, Del Borgo says
players shouldn't be
afraid to wear their
hearts on their
sleeves.
Fünf
Motetten. Composed by
Heinrich Schutz. Edited
by Werner Breig. This
edition: complete
edition, urtext edition.
Linen. Heinrich Schutz.
Neue Ausgabe samtlicher
Werke 31. Sacred,
Motetten, Fruhbarock.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA04483_00.
Published by Baerenreiter
Verlag (BA.BA04483).
ISBN 9790006448968.
27.6 x 19.7 cm
inches.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Mixed choir-SSAATTBB, Instr-Bass ad libitum (Mixed choir (SSAATTBB), Bass instru...(+)
Mixed choir-SSAATTBB,
Instr-Bass ad libitum
(Mixed choir (SSAATTBB),
Bass instrument ad
libitum) - Level 4
SKU: BA.BA11303
Composed by Georg
Christoph Biller.
Stapled. Choral score. 11
pages. Baerenreiter
Verlag #BA11303_00.
Published by Baerenreiter
Verlag (BA.BA11303).
ISBN 9790006565436. 27
x 19 cm inches. Language:
German.
Georg
Christoph Billers
„Drei
Motetten“ für
vielstimmig gemischten
Chor, Solo-Bariton (in
„St.
Thomas-Motette“ und
„Hiobs
Botschaft“) und
Bassinstrument (ad lib.)
zeugen vom
vielschichtigen
Kompositionsstil des
ehemaligen Thomaskantors
und sind in praktischen
Einzelausgaben mit
separater Bassstimme
erhältlich.
Als
zweite der „Drei
Motetten“ verweisen
die „Botschaften
Jesajas“
zunächst auf Johann
Sebastian Bachs Motette
„Fürchte dich
nicht“ BWV 228. Die
Motette für vier- bis
sechsstimmigen gemischten
Chor und Bassinstrument
(ad libitum) ist gespickt
von musikalischen
Zitaten. Sogar
Anklänge der
Nationalhymne der DDR
halten Einzug in Georg
Christoph Billers
Komposition.
Schließlich ertönt
im Schlussfugato das
„Thema
Regium“ aus dem
„Musikalischen
Opfer“ BWV 1079 von
Johann Sebastian
Bach.
Info
rmationen zu den
Audio-Aufnahmen (siehe
Multimedia)
Botsch
aften Jesajas
Leipziger
Vocalensemble
Leitung: Georg
Christoph Biller
Aufnahme: 10. Februar
2018 in der Thomaskirche
Leipzig Tonmeister
Stefan Antonin / Rondeau
Production
Overture to the
Opera. Composed by
Carl Maria von Weber.
Folder.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling its
original function in the
opera, the Overture to
Euryanthe has long been a
popular concert piece on
its own. Carl Maria von
Weber effectively evokes
the dramatic conflicts of
the action on stage.
Overture; Romantic. Set
of parts. 36 pages.
Duration 8'. Breitkopf
and Haertel #OB 4920-30.
Published by Breitkopf
and Haertel
(BR.OB-4920-30).
ISBN
9790004325001. 10 x 12.5
inches.
Apart from
fulfilling its original
function in the opera,
the Overture to Euryanthe
has long been a popular
concert piece on its own.
Carl Maria von Weber
effectively evokes the
dramatic conflicts of the
action on stage. The
festive upward surge at
the beginning leads to
mysterious forest
whispers of the muted
strings in the Largo
section. This is followed
by a short fugato section
that opens onto the
recapitulation of the
works rousing themes and
the hymnic-jubilant
close.
For 4 guitars SKU: HL.49018191 Composed by Kurt Weill. Arranged by Nangia...(+)
For 4 guitars
SKU:
HL.49018191
Composed
by Kurt Weill. Arranged
by Nangialai Nashir.
Sheet music. Guitar.
Classical. 100 pages.
Universal Edition
#UE34385. Published by
Universal Edition
(HL.49018191).
ISBN
9783702467562. UPC:
803452064756.
9.0x12.0x0.36
inches.
Diese
Bearbeitung orientiert
sich einer
Instrumentalversion von
Weill selbst von 1929.
Eine ausschopfende
Benutzung der Dynamik-
und Klangfarbenpalette
der Gitarren ware
wunschenswert. Sie kommt
dem temperamentvollen
Charakter der Musik mit
seinen Gratwanderungen
zwischen Phrasierungen
der U- und E-Musik,
quasi-improvisierend-jazz
igen Passagen,
Fugato-Einsatzen,
rhythmischen
Tanzmusik-Grooves der
1920er Jahre sehr
entgegen und verwandelt
das Quartett mitsamt
Becken in ein
Miniaturorchester.
SATB vocal soli, SATB choir, 2 oboes, 2 c trumpets, timpani, 2 violins and organ...(+)
SATB vocal soli, SATB
choir, 2 oboes, 2 c
trumpets, timpani, 2
violins and organ
SKU:
CA.5453003
Composed
by Michael Haydn. Edited
by Armin Kircher. This
edition: urtext.
Stuttgart Urtext Edition:
Johann Michael Haydn.
Missa In Hon. Sti
Gotthardi Mh 530. Sacred
vocal music, Masses,
Latin. Vocal score. MH
530. 72 pages. Duration
40 minutes. Carus Verlag
#CV 54.530/03. Published
by Carus Verlag
(CA.5453003).
ISBN
9790007094348. Language:
Latin.
The names of
Michael Haydn's masses
are associated either
with a specific
commission or with the
composition's dedicatee.
Thus, Haydn composed the
Missa in honorem Sti.
Gotthardi, also known as
the Admont Mass, for the
Admont Abbey located in
the region of Styria,
Austria, where Gotthard
Kuglmayr was the Abbot.
The mass combines formal
concentration with
liturgical function. The
songlike melody, the
unity of the motivic
material, and the
balanced harmony of
solemn and lyrical
passages show how
intensively Haydn
concerned himself with
the genre. Due to its
length and its
orchestration the mass
can be considered a type
of missa solemnis. Fugues
and fugal movements are
completely missing from
the Missa Admontis as is
any kind of contrapuntal
(including imitative)
composition. In so doing,
Haydn assured that the
required understanding of
the liturgical text would
be achieved. Score
available separately -
see item CA.5453000.
Overture to the
Opera. Composed by
Carl Maria von Weber.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling its
original function in the
opera, the Overture to
Euryanthe has long been a
popular concert piece on
its own. Carl Maria von
Weber effectively evokes
the dramatic conflicts of
the action on stage.
Overture; Romantic. Part.
4 pages. Duration 8'.
Breitkopf and Haertel #OB
4920-15. Published by
Breitkopf and Haertel
(BR.OB-4920-15).
ISBN
9790004324967. 10 x 12.5
inches.
Apart from
fulfilling its original
function in the opera,
the Overture to Euryanthe
has long been a popular
concert piece on its own.
Carl Maria von Weber
effectively evokes the
dramatic conflicts of the
action on stage. The
festive upward surge at
the beginning leads to
mysterious forest
whispers of the muted
strings in the Largo
section. This is followed
by a short fugato section
that opens onto the
recapitulation of the
works rousing themes and
the hymnic-jubilant
close.
Composed by Michael
Haydn. Edited by Armin
Kircher. Arranged by Paul
Horn. This edition:
urtext. Stuttgart Urtext
Edition: Johann Michael
Haydn. Missa Sti
Hieronymi Mh 254. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1777. MH
254. Duration 40 minutes.
Carus Verlag #CV
54.254/19. Published by
Carus Verlag
(CA.5425419).
ISBN
9790007138431. Language:
Latin.
Just by
reason of its scoring the
Missa Sancti Hieronymi
occupies a special place
not only among the
settings of the Mass by
Haydn, but also in the
repertoire of church
music at the Royal Court
of Salzburg. Other than
the Hieronymus Mass and
the Proprium motet Timete
Dominum MH 256, which is
connected with it, there
are no additional
surviving works in the
Salzburg repertoire with
this type of
instrumentation. The
unusual instrumentation,
the contrapuntal style in
the fugal sections, as
well as the melodic
invention and harmonic
elaboration show that
this Mass is a
masterpiece. Score and
parts available
separately - see item
CA.5425400.
Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203).
ISBN
9790007294243. Key: D
minor. Latin.
The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press.
Junket Orchestre d'harmonie - Avancé Kjos Music Company
Band concert band - Grade 5 SKU: KJ.JB97F Composed by Jack Stamp. Kjos Co...(+)
Band concert band - Grade
5
SKU: KJ.JB97F
Composed by Jack Stamp.
Kjos Concert Band Legacy.
Score. Neil A. Kjos Music
Company #JB97F. Published
by Neil A. Kjos Music
Company (KJ.JB97F).
UPC:
084027044339.
Compo
ser Jack Stamp takes us
on an excursion of
unknown destination in
Junket. A set of seamless
variations is developed
from the opening cascade
of notes. All the
hallmarks of Mr. Stamp's
style are present:
exciting rhythmic motifs,
adventurous harmonies,
fugato, stretto, and
powerful climaxes.
About Kjos
Concert Band
Legacy
The
Neil A. Kjos Music
Company's legacy of
producing superb
literature for concert
band spans its entire 80
year history. We're proud
to honor that legacy by
continuing to publish
compositions of the
utmost quality at all
grade levels in the Kjos
Concert Band Legacy
series. Each composition
is carefully selected and
edited to provide the
best in wind band
literature by both
celebrated and rising
composers of today.
Skillful engraving with
logical page turns,
measure numbers,
rehearsal marks,
essential cueing, and
other useful indications
ensure that the rehearsal
process runs smoothly, so
bands can focus on making
great music.
Clarinet - Grade 1 SKU: RM.DART02954 Composed by Michel Fugain. Clarinet ...(+)
Clarinet - Grade 1
SKU: RM.DART02954
Composed by Michel
Fugain. Clarinet and
piano. Instrumental
music. Editions Robert
Martin #DART02954.
Published by Editions
Robert Martin
(RM.DART02954).
Orchestra - Grade 4 SKU: AP.38497S Prague. Composed by Wolfgang Am...(+)
Orchestra - Grade 4
SKU: AP.38497S
Prague. Composed
by Wolfgang Amadeus
Mozart. Arranged by Todd
Parrish. Masterworks;
Performance Music
Ensemble; Single Titles;
String Orchestra.
Highland/Etling String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement.
Score. 36 pages.
Highland/Etling
#00-38497S. Published by
Highland/Etling
(AP.38497S).
UPC:
038081436845.
English.
Celebrate
the spirit of Bohemia at
your next festival or
concert with this
acclaimed masterpiece.
This arrangement uses
material from the Allegro
section of the first
movement in the original
key of D. The fugal
nature of this movement
gives each section a
chance to play melodic
passages. Care has been
taken to preserve the
energy of the original
while seamlessly
transferring wind and
brass parts into the
string section. Advanced
shifting is required,
along with the ability to
perform syncopation and
spiccato.
How Firm a Foundation Chorale SATB SATB A Cappella - Intermédiaire MorningStar Music Publishers
SATB choir a cappella - Late Intermediate to Advanced SKU: MN.50-9114 Com...(+)
SATB choir a cappella -
Late Intermediate to
Advanced
SKU:
MN.50-9114
Composed
by Edward Schaefer. Year
C Pentecost15;Year C
Pentecost14; Catholic
Year A Ordinary19; Year A
Proper 24 (29); Catholic
Year A Ordinary29.
Pentecost, Faith, Word of
God. Octavo. MorningStar
Music Publishers
#50-9114. Published by
MorningStar Music
Publishers (MN.50-9114).
UPC:
688670591143.
This
arrangement adds an
immediately appealing
freshness to a familiar
hymn tune FOUNDATION,
while keeping its
colonial American flavor.
Each verse is set
differently: the first in
simple hymn-style, the
second in the manner of a
bold fugato, the third as
a lilting canon, and the
fourth as a repeat of the
first with a soaring
descant.
Overture to the
Opera. Composed by
Carl Maria von Weber.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling its
original function in the
opera, the Overture to
Euryanthe has long been a
popular concert piece on
its own. Carl Maria von
Weber effectively evokes
the dramatic conflicts of
the action on stage.
Overture; Romantic. Part.
4 pages. Duration 8'.
Breitkopf and Haertel #OB
4920-16. Published by
Breitkopf and Haertel
(BR.OB-4920-16).
ISBN
9790004324974. 10 x 12.5
inches.
Apart from
fulfilling its original
function in the opera,
the Overture to Euryanthe
has long been a popular
concert piece on its own.
Carl Maria von Weber
effectively evokes the
dramatic conflicts of the
action on stage. The
festive upward surge at
the beginning leads to
mysterious forest
whispers of the muted
strings in the Largo
section. This is followed
by a short fugato section
that opens onto the
recapitulation of the
works rousing themes and
the hymnic-jubilant
close.
Overture to the
Opera. Composed by
Carl Maria von Weber.
Stapled.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling its
original function in the
opera, the Overture to
Euryanthe has long been a
popular concert piece on
its own. Carl Maria von
Weber effectively evokes
the dramatic conflicts of
the action on stage.
Overture; Romantic. Part.
4 pages. Duration 8'.
Breitkopf and Haertel #OB
4920-19. Published by
Breitkopf and Haertel
(BR.OB-4920-19).
ISBN
9790004324981. 10 x 12.5
inches.
Apart from
fulfilling its original
function in the opera,
the Overture to Euryanthe
has long been a popular
concert piece on its own.
Carl Maria von Weber
effectively evokes the
dramatic conflicts of the
action on stage. The
festive upward surge at
the beginning leads to
mysterious forest
whispers of the muted
strings in the Largo
section. This is followed
by a short fugato section
that opens onto the
recapitulation of the
works rousing themes and
the hymnic-jubilant
close.