String Quartet SKU: HL.14017482 Composed by Karen Tanaka. Music Sales Ame...(+)
String Quartet
SKU:
HL.14017482
Composed
by Karen Tanaka. Music
Sales America. Post-1900.
Sheet Music, Instrumental
Work. With Text language:
English. Chester Music
#SOS05499. Published by
Chester Music
(HL.14017482).
UPC:
884088840167.
8.5x11.0x0.099
inches.
At the
grave of Beethoven was
commissioned by the
Brodsky Quartet, on the
occasion of the
bicentenary anniversary
of Beethoven's opus 18.
The title suggests
admiration and a tribute
towards Beethoven, and
the first movement was
inspired by the first
four bars of opus 18
no.3.
Symphonic Poem No.
13. Composed by Franz
Liszt. Edited by Humphrey
Searle. Arranged by
Humphrey Searle. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1881. 32 pages.
Duration 15'. Eulenburg
Edition #ETP600.
Published by Eulenburg
Edition (HL.49010062).
ISBN 9783795761196.
UPC: 841886017917.
5.25x7.5x0.108
inches.
Preface *
Zeichnung von Graf Mihaly
Zichy * Von der Wiege bis
zum Grabe: * I. The
Cradle. Andante * II. The
Struggle for Existence.
Adagio rapido * III. To
the Grave: the Cradle of
the Future Life. Moderato
quasi Andante.
Choral (3 Part Treble choir) SKU: HL.254709 Composed by James Deignan. He...(+)
Choral (3 Part Treble
choir)
SKU:
HL.254709
Composed by
James Deignan. Henry Leck
Creating Artistry.
Concert. Octavo. 20
pages. Published by Hal
Leonard (HL.254709).
UPC: 888680721954.
6.75x10.5
inches.
This
frequently set text by
Mary Elizabeth Frye is
full of hope and life. In
this new setting, the
violin soars as if to
represent the spirit that
has left the grave. The
repeating text “I'm
not there, I'm not
gone” over an
ascending 1/16th note
pattern gives your
singers the sense of
traveling to places yet
unknown.
SATB choir SKU: WD.080689670237 Composed by Luke Gambill. Choral. Sacred ...(+)
SATB choir
SKU:
WD.080689670237
Composed by Luke Gambill.
Choral. Sacred Anthem.
Octavo. Word Music
#080689670237. Published
by Word Music
(WD.080689670237).
UPC:
080689670237.
Made
popular by Bethel Music
comes this uplifting new
anthem from arranger Luke
Gambill and orchestrator
Cliff Duren,
Ain’t No
Grave. Jesus rose up
like a lion and set all
captives free. We are no
longer bound by death, no
longer held down by the
grave! Your choir and
congregation will shout
praises for the victory
over the grave!
SATB choir SKU: LP.765762194601 Composed by Nick Robertson & Kelly R. Bur...(+)
SATB choir
SKU:
LP.765762194601
Composed by Nick
Robertson & Kelly R.
Burton. Arranged by Cliff
Duren. Anthems. Praise &
Worship and Sacred.
Orchestration on CD-ROM.
Published by Lillenas
Publishing Company
(LP.765762194601).
UPC:
765762194601.
Refre
shing and satisfying No
Grave is perfect for
Easter or the season
between Easter and
Pentecost. A lively
celebration in song
reminding one and all
that No grave could hold
the King...He is alive
again! Arranged for
choral unison and
SATB.
Composed by Cindy Berry.
Shawnee Press. Print on
demand - publisher prints
this title after order is
received. Easter, General
Worship. Shawnee Press
#LB5709. Published by
Shawnee Press
(HL.35016073).
UPC:
747510057321. 9x14
inches.
Just as
Jesus was resurrected
from the dead, so shall
believers experience the
joy of eternal life in
heaven with him. This
inspiring anthem begins
in minor, telling of
Jesus's death, then
builds to a thrilling
climax: On the other
side of the grave is
victory! “On
the Other Side of the
Grave” is a
wonderfully dynamic
pageant piece for Easter
or for anytime when
eternal life is the
theme.
No Grave Chorale SATB [Octavo] Lillenas Publishing Co.
By Cliff Duren. For SATB choir. Anthems. Adult Choral Anthem for Worship. Praise...(+)
By Cliff Duren. For SATB
choir. Anthems. Adult
Choral Anthem for
Worship. Praise and
Worship and Sacred.
Moderate. Octavo. 16
pages. Published by
Lillenas Publishing
Company
Composed by Michael Berkeley. For tenor voice and harp. This edition: Version fo...(+)
Composed by Michael
Berkeley. For tenor voice
and harp. This edition:
Version for tenor and
harp. 24 pages. Duration
17 minutes. Published by
Oxford University Press
Jamais la paix Piano, Voix et Guitare Bookmakers International
Voice, guitar and piano SKU: LM.PB742 By Mademoiselle K. Album. Pop, jazz...(+)
Voice, guitar and piano
SKU: LM.PB742
By
Mademoiselle K. Album.
Pop, jazz. Score.
Bookmakers International
#PB742. Published by
Bookmakers International
(LM.PB742).
ISBN
9790231307429.
Le
Vent la fureur - A.S.D. -
Jamais la paix - Maman Xy
- Grave - Pas des carres
- En smoking - Click
clock - Tea time - Alors
je dessine - Enjoliveur -
Espace - Ca me vexe -
Jalouse - Final.
Choir SKU: WD.080689400230 Composed by Marty Hamby. Arranged by Marty Ham...(+)
Choir
SKU:
WD.080689400230
Composed by Marty Hamby.
Arranged by Marty Hamby.
Choral. Sacred Anthem,
Eastertide, General.
Octavo. Word Music
#080689400230. Published
by Word Music
(WD.080689400230).
UPC:
080689400230.
With
straightforward rhythms
and melodies, this
lilting, up-tempo anthem
is easy to prepare with
your Easter singers.
Marty Hamby’s
arrangement includes a
march-like use of the
hymn “Christ
Arose†where he has
melodically painted our
Risen Savior exiting the
tomb. Shout hallelujah!
He has triumphed o'er the
grave!
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music,
Cantatas, Epiphany.
Single Part, Violin 1.
Composed 1729. BWV 156. 8
pages. Duration 17
minutes. Carus Verlag #CV
31.156/11. Published by
Carus Verlag
(CA.3115611).
ISBN
9790007208776. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
Cantata for the 3rd
Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas,
Epiphany. Single Part,
basso continuo. Composed
1729. BWV 156. 8 pages.
Duration 17 minutes.
Carus Verlag #CV
31.156/14. Published by
Carus Verlag
(CA.3115614).
ISBN
9790007208806. Text
language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and part available
separately - see item
CA.3115600.
SATB choir SKU: WD.080689724237 Composed by Luke Gambill. Choral. Sacred ...(+)
SATB choir
SKU:
WD.080689724237
Composed by Luke Gambill.
Choral. Sacred Anthem,
Eastertide, General.
Octavo. Word Music
#080689724237. Published
by Word Music
(WD.080689724237).
UPC:
080689724237.
In an
irresistible blues style,
Empty Grave features
strong choral backgrounds
that support a soulful
tenor solo. Consider this
anthem as an exciting and
engaging opener to your
Easter service.
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M).
ISBN
9781513467016. 8.75x11.75
inches.
Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115600 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115600
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Full score.
Composed 1729. BWV 156.
28 pages. Duration 17
minutes. Carus Verlag #CV
31.156/00. Published by
Carus Verlag
(CA.3115600).
ISBN
9790007186777. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale.
Go Dig My Grave Chorale SSAA SSAA A Cappella [Octavo] Roger Dean
Composed by Sally Lamb McCune. For SSAA choir (a cappella). Janet Galvan Women's...(+)
Composed by Sally Lamb
McCune. For SSAA choir (a
cappella). Janet Galvan
Women's Choral Series.
Concert, General. Octavo.
Published by Roger Dean
Publishing
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115619 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115619
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Cantatas,
Epiphany. Set of
Orchestra Parts. Composed
1729. BWV 156. Duration
17 minutes. Carus Verlag
#CV 31.156/19. Published
by Carus Verlag
(CA.3115619).
ISBN
9790007208813. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
and parts available
separately - see item
CA.3115600.
Score
Only. Composed by
Georg Philipp Telemann.
Arranged by Robert D
McCashin. Series; String
Orchestra. FJH String
Orchestra. Masterwork
Arrangement. Score.
Duration 3:30. The FJH
Music Company Inc
#98-ST6348S. Published by
The FJH Music Company Inc
(FJ.ST6348S).
English.
This
two-movement work
contrasts lyrical beauty
with rhythmic precision.
The opening Grave
features sweeping lines
with gorgeous suspensions
while the melodic lines
weave their way
throughout the entire
ensemble. The joyful
Allegro showcases a
delightful interplay
between sections as the
music moves to an
exhuberant conclusion.
Wonderful!
About FJH
String
Orchestra
More emphasis on bow
technique and
independence of lines.
For the accomplished
middle, high school,
college, or professional
group. Grade 3 and up
Soli SATB, SATB Choir, Ob, 2 Vl, Va, Bc SKU: CA.3115603 Cantata for th...(+)
Soli SATB, SATB Choir,
Ob, 2 Vl, Va, Bc
SKU:
CA.3115603
Cantata
for the 3rd Sunday after
Epiphany. Composed by
Johann Sebastian Bach.
Edited by Uwe Wolf.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas,
Epiphany. Vocal score.
Composed 1729. BWV 156.
24 pages. Duration 17
minutes. Carus Verlag #CV
31.156/03. Published by
Carus Verlag
(CA.3115603).
ISBN
9790007186784. Language:
German/English.
Ich
steh mit einem Fuss im
Grabe (I stand with my
open grave before me) BWV
156 is one of the few
surviving cantatas of
Johann Sebastian Bach
that is based on texts
from the so-called
Picander cycle. As in
several other cantatas
that use texts from this
poet, Bach opens the work
with a sinfonia, most
likely taken from an
earlier concerto that
didn't survive and is
later reused as the slow
movement of the famous
harpsichord concerto in F
minor BWV 1056. In the
first aria, the poet
combines his text with a
well-known chorale, a
technique that is often
found in Bach's cantatas,
particularly those from
the pre-Leipzig period.
The cantata is comprised
of six short movements;
the choir is used only in
the final chorale. Score
available separately -
see item CA.3115600.
Performed by Black Sabbath. Book. Published by Music Sales. (AM92881) Includ...(+)
Performed by Black
Sabbath. Book. Published
by Music Sales.
(AM92881)
Includes: National
Acrobat, Black Sabbath,
Changes, Children of the
Grave, Dirty Woman,
Fairies Wear Boots/ Jack
the Stripper, Heaven and
Hell, Iron Man, Looking
for Today, N.I.B., Neon
Knights, Never Say Die,
Paranoid, Sabbath, Bloody
Sabbath, Sleeping
Village/A Bit of Finger,
Snowblind, Sweet Leaf,
Symptoms of the Universe,
and War Pigs.