Violin and piano

SKU: LM.J31013

Composed by Armand Parent. Classical. Score. Edition Delrieu #J31013. Published by Edition Delrieu (LM.J31013).

ISBN 9790231705218.

RAME AU : Menuet - CAIX D'HERVELOIS : Air gai - MOZART : Allegretto - FORQUERAY : Rigaudon - SCHUMANN : Reverie - SCHUBERT : Moment musical - WAGNER : Les Maitres Chanteurs - MENDELSSOHN : Romance - CORELLI : Grave - LECLAIR J. M. : Sarabande - TARTINI : Andante cantabile - SCHUBERT : La truite. (recueil en 1ere, 2eme, 3eme et 5eme position, sauf l'Andante Cantabile de Tartini : positions 1 a 6).

By Chris Saranec. (SAB). This edition: M051478491. Building Bridges. 8 pages. Published by Boosey and Hawkes.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115621

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Oboe. Sacred vocal music, Cantatas, Epiphany. Single Part, Oboe. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/21. Published by Carus Verlag (CA.3115621).

Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

By Zach Williams. By Jonathan Smith, Parker Nohe, and Zach Williams. Arranged by Ed Hogan. PraiseSong Choral. Easter. Octavo. 12 pages. Duration 160 seconds. Published by PraiseSong

By Bethel Worship. By Claude Ely, Jonathan David Helser, Melissa Helser, and Molly Skaggs. Arranged by David Angerman. PraiseSong Choral. Easter, General Worship, Sacred. Octavo. 24 pages. Published by PraiseSong

By Bethel Worship. By Claude Ely, Jonathan David Helser, Melissa Helser, and Molly Skaggs. Arranged by David Angerman. PraiseSong Choral. Easter, General Worship, Sacred. Octavo. 24 pages. Duration 310 seconds. Published by PraiseSong

Voice, guitar and piano

SKU: LM.PB742

By Mademoiselle K. Album. Pop, jazz. Score. Bookmakers International #PB742. Published by Bookmakers International (LM.PB742).

ISBN 9790231307429.

Le Vent la fureur - A.S.D. - Jamais la paix - Maman Xy - Grave - Pas des carres - En smoking - Click clock - Tea time - Alors je dessine - Enjoliveur - Espace - Ca me vexe - Jalouse - Final.

By Witold Lutoslawski. For Cello, Piano Accompaniment. 20th Century. Sheet Music. 10 pages. Published by Chester Music.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115612

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Epiphany. Single Part, Violin 2. Composed 1729. BWV 156. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.156/12. Published by Carus Verlag (CA.3115612).

ISBN 9790007208783. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

ATB vocal soli, SATB choir, oboe, 2 violins, viola, basso continuo

SKU: CA.3115613

Cantata for the 3rd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Epiphany. Single Part, Viola. Composed 1729. BWV 156. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.156/13. Published by Carus Verlag (CA.3115613).

ISBN 9790007208790. Text language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.

By Benjamin Britten (1913-1976). For Choral (TBB). BH Secular Choral. 22 pages. Boosey and Hawkes #M051481705. Published by Boosey and Hawkes

(Bassoon Duet Two Performance Scores). By Thea Musgrave (1928-). For Bassoon Duet. Music Sales America. Softcover. Novello and Co Ltd. #NOV121693. Published by Novello and Co Ltd.

Clarinet, Cello and Piano - intermediate-advanced

SKU: HL.14022234

Composed by Thea Musgrave. Music Sales America. Classical. Score. 6 pages. Music Sales #NOV95371101. Published by Music Sales (HL.14022234).

8.5x11.75x0.445 inches.

Canta, Canta! is a slow and expressive piece for Clarinet, Cello and Piano by Thea Musgrave. This short song is taken from Cantata for a Summer's Day, written in 1954 while the composer was a student in Paris. This is the score only.

Marimba

SKU: HL.14022240

Composed by Thea Musgrave. Music Sales America. 20th Century. Book [Softcover]. Music Sales #NOV120838. Published by Music Sales (HL.14022240).

ISBN 9780711998193.

Musg rave from Spring to Spring for solo Marimba.

Voice (Vocal Score)

SKU: HL.14018657

Composed by Thea Musgrave. Music Sales America. Classical. Part. 46 pages. Music Sales #NOV070440. Published by Music Sales (HL.14018657).

6.5x9.75x0.232 inches.

Thea Musgrave's The Last Twilight was composed in 1980 and is arranged for SATB and Brass Ensemble. commission ed by Anthony Branch and New Mexico D H Lawrence Festival, the piece has a duration of approximately 13 minutes.

Clarinet, Violin and Piano

SKU: HL.14025544

Composed by Thea Musgrave. Music Sales America. Post-1900. Set. Music Sales #NOV120705. Published by Music Sales (HL.14025544).

ISBN 9780853609773. 8.25x11.75x0.33 inches.

Score and parts for Thea Musgrave's Pierrot, arranged for Violin, Clarinet and Piano. Duration 17 minutes.

SATB and Organ. Composed by Thea Musgrave (1928-). Music Sales America. Sacred. Choral Score. 44 pages. Novello & Co Ltd. #MUSNOV296901. Published by Novello & Co Ltd.

Guitar

SKU: HL.14025909

Composed by Thea Musgrave. Music Sales America. Classical. Book Only. 19 pages. Music Sales #NOV120809. Published by Music Sales (HL.14025909).

ISBN 9780853607465. UPC: 888680020279. 8.5x12.0x0.121 inches.

Thea Musgrave's Postcards From Spain is a fascinating travelogue of Spain without being overly Spanish, from the tranquility of sunlight reflecting off still pools to the dramatic song of the Cantaor and his Flamenco guitarist. This little collection of five serenades for solo guitar has been editred by Michael Lorimer is a real treat for guitarists and listeners.

Composed by David Matthews. Edited by Jerry Rubino. Arranged by Timothy C. Takach. Voices Rising. A Cappella, Concert, Pop. Octavo. 16 pages. Published by Hal Leonard

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

By Kacey Musgraves. Piano/Vocal/Guitar Artist Songbook. Country. Softcover. Published by Hal Leonard

Clarinet

SKU: HL.14020134

Composed by Thea Musgrave. Music Sales America. Classical. Book [Softcover]. 18 pages. Music Sales #NOV09062001. Published by Music Sales (HL.14020134).

9.5x14.25x0.064 inches.