Opera SKU: HL.14026362 Composed by Henry Purcell. Music Sales America. Ba...(+)
Opera
SKU:
HL.14026362
Composed
by Henry Purcell. Music
Sales America. Baroque.
Sheet Music, Score. With
Text language: English.
Music Sales #NOV953733.
Published by Music Sales
(HL.14026362).
H.M.S. Pinafore Voix seule [Vocal Score] Faber Music Limited
(or The Lass That Loved a Sailor (Vocal Score)). By William S. Gilbert and Arthu...(+)
(or The Lass That Loved a
Sailor (Vocal Score)). By
William S. Gilbert and
Arthur S. Sullivan. For
Voice. Masterworks;
Score; Vocal (Opera)
Score. Faber Edition.
Masterwork; Romantic.
Published by Faber Music
Repertoire Collection. Edited by Peter Anton Ling and Marina Sandel. Oper...(+)
Repertoire
Collection. Edited by
Peter Anton Ling and
Marina Sandel. OperAria.
Collection (softbound).
140 pages. Published by
Breitkopf and Haertel
(BR.EB-8868).
Repertoire Collection. Edited by Peter Anton Ling and Marina Sandel. Oper...(+)
Repertoire
Collection. Edited by
Peter Anton Ling and
Marina Sandel. OperAria.
Collection (softbound).
160 pages. Published by
Breitkopf and Haertel
(BR.EB-8867).
Trumpet, piano SKU: BR.EB-8622 Arrangements from The Tale of Tsar Salt...(+)
Trumpet, piano
SKU:
BR.EB-8622
Arrangements from The
Tale of Tsar Saltan.
Composed by Nikolaj A
Rimskij-Korsakow. Edited
by H. James. Arranged by
H. James. Solo
instruments; stapled.
Edition Breitkopf.
Practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan by
Nikolay Rimsky-Korsakov.
It did not take long
before the Flight of the
Bumblebee began showing
up in many arrangements
for solo instruments.
Romantic period. Score.
12 pages. Breitkopf and
Haertel #EB 8622.
Published by Breitkopf
and Haertel (BR.EB-8622).
ISBN 9790004179703. 9
x 12
inches.
Nikolay
Rimsky-Korsakovs Flight
of the Bumblebee is one
of those little
orchestral interludes
from operas, excerpts
that have long since
become immortal even
while denying their
origins; in this
particular case,
practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan. It
did not take long before
the Flight of the
Bumblebee began showing
up in many arrangements
for solo
instruments.
Pract
ically no one knows that
this bravura piece comes
from the opera The Tale
of Czar Saltan by Nikolay
Rimsky-Korsakov. It did
not take long before the
Flight of the Bumblebee
began showing up in many
arrangements for solo
instruments.
Chorus (with soloists) and piano (Soli: SSSMezMezATTTTBarBarBB - choir: SSAATTBB...(+)
Chorus (with soloists)
and piano (Soli:
SSSMezMezATTTTBarBarBB -
choir: SSAATTBB and child
ch - picc.2.2(cor
ang).2.B-clar.2 - 4.2.3.1
- timp.perc - hp - pno -
str - stage music: child
trp and child dr)
SKU:
BR.BES-3074
The
Queen of Spades - Opera
in 3 Acts. Composed
by Pjotr Iljitsch
Tschaikowsky. Choir;
Softcover. Bessel,
London. Opera; Music
theatre; Romantic.
Piano/Vocal Score. 10
pages. Duration 150'.
Breitkopf and Haertel
#BES 3074. Published by
Breitkopf and Haertel
(BR.BES-3074).
ISBN
9790004610008. 11.5 x 8.5
inches. Russian / French
/ German /
English.
Duration:
full eveningText by
Modest Tchaikovsky after
Alexander Puschkins
NovelTranslation: German
(W. Ebermann/M. Koerth
and collaboration by H.
Seeger); (R. Lauckner)
Place and time:
Petersburg, End of the
18th CenturyCharacters:
Hermann (tenor) - Count
Tomskij (baritone) -
Prince Jeletzkij
(baritone) -Czekalinskij
(tenor) - Ssurin (bass) -
Tschaplitzkij (tenor) -
Narumoff (bass) - The
Counts Wife
(mezzo-soprano) - Lisa
(soprano) - Pauline
(alto) - Governess
(mezzo-soprano) - Mascha
(soprano) - A Steward
(tenor) Characters of the
intermezzo: ChloE
(soprano) - Daphnis
(Pauline) (alto) - Plutus
(Count Tomskij)
(baritone) By the time
Tchaikovsky began writing
Pique Dame, he had
already composed eight
operas and had very well
developed ideas about the
drama and aesthetics of
the genre. Gustav Mahler,
who judged Pique Dame to
be Tchaikovskys most
mature and artistically
solid musical work, is
certainly not alone with
his opinion. A confession
made by Tchaikovsky a few
months before his death
show to want extent the
composer, after an
initial period of
hesitation, was possessed
by his work on this
opera: I composed it with
uncommon passion and
enthusiasm, suffered from
everything that happens
in it and related to it
with every fibre in my
body (it went so far that
I even feared the
apparition of the ghost
for a while). Now I hope
that all my enthusiasm,
excitement and devotion
will find an echo in the
hearts of receptive
listeners.
The Pirates of Penzance. (The Slave of Duty). By W.S. Gilbert and Sir Arthur Sey...(+)
The Pirates of Penzance.
(The Slave of Duty). By
W.S. Gilbert and Sir
Arthur Seymour Sullivan
(1842-1900). For Piano
and Vocal. Masterworks;
Vocal (Opera) Score.
Faber Edition.
Masterwork; Romantic.
Vocal score. Published by
Faber Music
Overture to the
Opera. Composed by
Carl Maria von Weber.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling
its original function in
the opera, the
FreischuetzOverture has long been an
extraordinarily popular
concert piece.
Overture; Romantic. Set
of parts. 60 pages.
Duration 9'. Breitkopf
and Haertel #OB 4481-30.
Published by Breitkopf
and Haertel
(BR.OB-4481-30).
ISBN
9790004311394. 9 x 12
inches.
Apart from
fulfilling its original
function in the opera,
the Freischuetz Overture
has long been an
extraordinarily popular
concert piece. Carl Maria
von Weber excerpts the
central elements of the
operas storyline. The
dense forest, the Wolfs
Glen and Agathes love
aria atmospherically and
thematically stamp the
course of the orchestral
piece, which also
anticipates the happy
ending of the opera
through its brilliant C
major.
Apart from
fulfilling its original
function in the opera,
the Freischuetz Overture
has long been an
extraordinarily popular
concert piece.
Viola (2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.OB-4481-19 Overture to ...(+)
Viola (2.2.2.2 - 4.2.3.0
- timp - str)
SKU:
BR.OB-4481-19
Overture to the
Opera. Composed by
Carl Maria von Weber.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling
its original function in
the opera, the
FreischuetzOverture has long been an
extraordinarily popular
concert piece.
Overture; Romantic. Part.
4 pages. Duration 9'.
Breitkopf and Haertel #OB
4481-19. Published by
Breitkopf and Haertel
(BR.OB-4481-19).
ISBN
9790004311363. 9 x 12
inches.
Apart from
fulfilling its original
function in the opera,
the Freischuetz Overture
has long been an
extraordinarily popular
concert piece. Carl Maria
von Weber excerpts the
central elements of the
operas storyline. The
dense forest, the Wolfs
Glen and Agathes love
aria atmospherically and
thematically stamp the
course of the orchestral
piece, which also
anticipates the happy
ending of the opera
through its brilliant C
major.
Apart from
fulfilling its original
function in the opera,
the Freischuetz Overture
has long been an
extraordinarily popular
concert piece.
Overture to the
Opera. Composed by
Carl Maria von Weber.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Apart from fulfilling
its original function in
the opera, the
FreischuetzOverture has long been an
extraordinarily popular
concert piece.
Overture; Romantic. Part.
4 pages. Duration 9'.
Breitkopf and Haertel #OB
4481-27. Published by
Breitkopf and Haertel
(BR.OB-4481-27).
ISBN
9790004311387. 9 x 12
inches.
Apart from
fulfilling its original
function in the opera,
the Freischuetz Overture
has long been an
extraordinarily popular
concert piece. Carl Maria
von Weber excerpts the
central elements of the
operas storyline. The
dense forest, the Wolfs
Glen and Agathes love
aria atmospherically and
thematically stamp the
course of the orchestral
piece, which also
anticipates the happy
ending of the opera
through its brilliant C
major.
Apart from
fulfilling its original
function in the opera,
the Freischuetz Overture
has long been an
extraordinarily popular
concert piece.
Flute, piano SKU: BR.EB-8625 Arrangements from The Tale of Tsar Saltan...(+)
Flute, piano
SKU:
BR.EB-8625
Arrangements from The
Tale of Tsar Saltan.
Composed by Nikolaj A
Rimskij-Korsakow. Edited
by Joseph Strimer.
Arranged by Joseph
Strimer. Solo
instruments; stapled.
Edition Breitkopf.
Practically no one
knows that this bravura
piece comes from the
opera The Tale of
Czar Saltan by
Nikolay Rimsky-Korsakov.
It did not take long
before the Flight of
the Bumblebee began
showing up in many
arrangements for solo
instrumen. Romantic
period. Score. 10 pages.
Breitkopf and Haertel #EB
8625. Published by
Breitkopf and Haertel
(BR.EB-8625).
ISBN
9790004179833. 9 x 12
inches.
Nikolay
Rimsky-Korsakovs Flight
of the Bumblebee is one
of those little
orchestral interludes
from operas, excerpts
that have long since
become immortal even
while denying their
origins; in this
particular case,
practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan. It
did not take long before
the Flight of the
Bumblebee began showing
up in many arrangements
for solo
instruments.
Pract
ically no one knows that
this bravura piece comes
from the opera The Tale
of Czar Saltan by Nikolay
Rimsky-Korsakov. It did
not take long before the
Flight of the Bumblebee
began showing up in many
arrangements for solo
instruments.
Piano SKU: BR.EB-8065 Arrangements from The Tale of Tsar Saltan. C...(+)
Piano
SKU:
BR.EB-8065
Arrangements from The
Tale of Tsar Saltan.
Composed by Nikolaj A
Rimskij-Korsakow. Edited
by Joseph Strimer.
Arranged by Joseph
Strimer. Solo
instruments; stapled.
Edition Breitkopf.
Practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan by
Nikolay Rimsky-Korsakov.
It did not take long
before the Flight of the
Bumblebee began showing
up in many arrangements
for solo instruments.
Romantic period. Score. 8
pages. Breitkopf and
Haertel #EB 8065.
Published by Breitkopf
and Haertel (BR.EB-8065).
ISBN 9790004174524. 9
x 12
inches.
Nikolay
Rimsky-Korsakovs Flight
of the Bumblebee is one
of those little
orchestral interludes
from operas, excerpts
that have long since
become immortal even
while denying their
origins; in this
particular case,
practically no one knows
that this bravura piece
comes from the opera The
Tale of Czar Saltan. It
did not take long before
the Flight of the
Bumblebee began showing
up in many arrangements
for solo
instruments.
Pract
ically no one knows that
this bravura piece comes
from the opera The Tale
of Czar Saltan by Nikolay
Rimsky-Korsakov. It did
not take long before the
Flight of the Bumblebee
began showing up in many
arrangements for solo
instruments.
Arranged by Wil van der
Beek. Great Classics.
Score Only. Composed
2012. 44 pages. De Haske
Publications #DHP
1125039-140. Published by
De Haske Publications
(BT.DHP-1125039-140).
(Francesco Geminiani - Opera Omnia. Critical Edition directed by Christopher Hog...(+)
(Francesco Geminiani -
Opera Omnia. Critical
Edition directed by
Christopher Hogwood).
Composed by Francesco
Geminiani (1687-1762).
Edited by Christopher
Hogwood. For Violoncello
and Basso Continuo;
Violin and Basso
Continuo. Opera Omnia -
Vol. 5. Early Music.
Critical commentary. Op.
5 (H. 103-108, H.
109-114). 152 pages.
Published by Ut Orpheus
Chorus (with soloists) and piano (solos: SSMezTBarB - choir: SATB - 2.2.2.2 - 2....(+)
Chorus (with soloists)
and piano (solos:
SSMezTBarB - choir: SATB
- 2.2.2.2 - 2.2.0.0 -
timp - str)
SKU:
BR.EB-1666
Opera
buffa in 2 acts.
Composed by Wolfgang
Amadeus Mozart. Edited by
H. Levi / J.-D. Link.
Choir; Softbound. Edition
Breitkopf.
Duration:
full eveningText by
Lorenzo da
PonteTranslation: German
(H. Levi)Place: Neapel,
around 1780Characters:
Fiordiligi (soprano) -
Dorabella (mezzo-soprano)
- Guglielmo (baritone) -
Ferrando (tenor) -
Despina (soprano) - Don
Al. Opera; Music theatre;
Classical. Piano/Vocal
Score. 368 pages.
Breitkopf and Haertel #EB
1666. Published by
Breitkopf and Haertel
(BR.EB-1666).
ISBN
9790004160633. 7.5 x 10.5
inches. Italian /
German.
Duration:
full evening Text by
Lorenzo da Ponte
Translation: German (H.
Levi)Place: Neapel,
around 1780 Characters:
Fiordiligi (soprano) -
Dorabella (mezzo-soprano)
- Guglielmo (baritone) -
Ferrando (tenor) -
Despina (soprano) - Don
Alfon.
Chorus (with soloists) and piano (solos: SSMezTBarB - choir: SATB - 2.2.2.2 - 2....(+)
Chorus (with soloists)
and piano (solos:
SSMezTBarB - choir: SATB
- 2.2.2.2 - 2.2.0.0 -
timp - str)
SKU:
BR.EB-1666-14
Opera buffa in 2
acts. Composed by
Wolfgang Amadeus Mozart.
Edited by H. Levi / J.-D.
Link. Choir; Linen.
Edition Breitkopf.
Duration: full
eveningText by Lorenzo da
PonteTranslation: German
(H. Levi)Place: Neapel,
around 1780Characters:
Fiordiligi (soprano) -
Dorabella (mezzo-soprano)
- Guglielmo (baritone) -
Ferrando (tenor) -
Despina (soprano) - Don
Al. Opera; Music theatre;
Classical. Piano/Vocal
Score. 368 pages.
Breitkopf and Haertel #EB
1666-14. Published by
Breitkopf and Haertel
(BR.EB-1666-14).
ISBN
9790004160640. 7.5 x 10.5
inches. Italian /
German.
Duration:
full evening Text by
Lorenzo da Ponte
Translation: German (H.
Levi)Place: Neapel,
around 1780 Characters:
Fiordiligi (soprano) -
Dorabella (mezzo-soprano)
- Guglielmo (baritone) -
Ferrando (tenor) -
Despina (soprano) - Don
Alfon.
Music Drama in 3
Acts. Composed by
Richard Wagner. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Richard Wagner wrote
Tristan and
Isolde in the years
1857 to 1859. The first
edition was published by
Breitkopf & Hartel in
Leipzig in 1860. The
world premiere took place
in the Konigliches Hof-
und National-Theater in
Munich on 10 June 1865 u.
Opera; Music theatre;
Romantic. Choral score. 8
pages. Breitkopf and
Haertel #ChB 138-02.
Published by Breitkopf
and Haertel
(BR.CHB-138-02).
ISBN
9790004400791. 6 x 8.5
inches.
Translation
s: engl. (H. und F.
Comer), french (A.
Ernst/P. Bruck) Place:
Tristan's ship, King
Mark's castle in
Cornwall, Tristan's
castle Characters:
Tristan (tenor) - King
Mark (bass) - Isolde
(soprano) - Kurwenal
(baritone) - Melot
(tenor) - Brangane
(mezzo-soprano) -
Shephard (tenor) - Mate
(baritone) - Voice of a
young sailor (tenor)In
1856 pressing financial
obligations forced Wagner
to interrupt the
composition of the Ring
to work on Tristan und
Isolde. He initially
planned a work that was
modest in its production
and performance demands.
The project was also
given priority not least
because of the prospect
of the royalties which he
would then receive. He
once again turned to
Breitkopf & Hartel for
the performance material:
'Tristan und Isolde' is
scheduled to be given its
first performance at the
end of this year. I still
hope that it will take
place in Karlsruhe under
my guidance. Due to the
celebrity that I have now
acquired, I assume that a
new and easily
performable work of mine
should be able to spread
very quickly across the
German stages in its
first winter season.
Wagner was wrong.
although the publisher
had spent a great deal of
time and money in
producing preliminary
material, Wagner wrote to
Breitkopf & Hartel from
Munich in November 1864:
The squalor of Germany's
opera singers and the
vile condition of its
opera houses have so far
dissuaded me from
allowing a performance of
'Tristan und Isolde'.
What I needed was an
impassioned young monarch
to restore my courage.
Next spring you will hear
about the work's premiere
in Munich, and you will
then hopefully become
more confident about this
publication.
Richa
rd Wagner wrote Tristan
and Isolde in the years
1857 to 1859. The first
edition was published by
Breitkopf & Hartel in
Leipzig in 1860. The
world premiere took place
in the Konigliches Hof-
und National-Theater in
Munich on 10 June 1865
under the direction of
Hans von Bulow.
Overture No. 2 to the
Opera. Composed by
Ludwig van Beethoven.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Overture; Classical.
Part. 12 pages. Duration
13'. Breitkopf and
Haertel #OB 5142-16.
Published by Breitkopf
and Haertel
(BR.OB-5142-16).
ISBN
9790004329528. 10 x 12.5
inches.
Despite the
numbering, the overture
Leonore No. 2 was
Beethoven's first effort
to precede his only opera
with an adequate
introduction. It had been
composed last minute and
in between the rehearsals
for the premiere of the
opera Leonore oder Der
Triumph der ehelichen
Liebe (Leonore, or The
Triumph of Marital Love)
on 20 November 1805 at
the Theater an der Wien.
This comprehensive,
programmatic work was met
with incomprehension at
first performances just
like the opera itself.
Beethoven felt compelled
to re-write Leonore
completely and presented
it under its new title
Fidelio. In 1806 he
revised the overture to
such an extent that a
symphonic sonata movement
emerged; with another
incorrect numbering,
Leonore No. 3 has gone
down in music history and
above all it has achieved
a regular place in
concert repertory. And in
order to complete the
confusion: written in
1806/07, only Overture
No. 1 is Beethoven's
chronologically last
effort to write an
overture for Leonore,
before he - many years
later - put an end to
this infinite subject
with the so-called
Fidelio overture for the
third version of the
opera. After all, thanks
to the search after a
dramaturgically
convincing beginning of
the opera, the music
world has been enriched
by four quite different
orchestra scores.The
music text of the present
score is based on Volume
11 of the Supplements to
the Complete Edition. The
performance material of
the Fidelio and Leonore
No. 3 overtures is
available in Breitkopf
Urtext editions..
Large
Romantic Opera in 2 Acts
- Urtext. Composed by
Heinrich Marschner.
Edited by Egon Voss.
Choir; Softbound. Edition
Breitkopf.
The
splendid music is worth
it. What a work!, writes
Claus Ambrosius in the
Rhein-Zeitung.
p>
After the premiere
of Marschner's Vampyr on
7 May at the Theater
Koblenz, the early
romantic opera repertoire
is once again a work the
richer. <. Opera;
Romantic. Piano/Vocal
Score. 344 pages.
Duration 180'. Breitkopf
and Haertel #EB 8915.
Published by Breitkopf
and Haertel (BR.EB-8915).
ISBN 9790004185810.
7.5 x 10.5
inches.
The
original version finally
availableHeinrich
Marschner is considered
the most significant
German opera composer
between Carl Maria von
Weber and Richard Wagner.
Among his most important
works is his opera Der
Vampyr (The Vampire)
premiered in 1828, with
which he celebrated his
breakthrough. The
composer's autograph is
regarded as lost, and a
score was not published
in Marschner's lifetime.
It was only in 1925 that
Hans Pfitzner produced an
edition that must be
described as flawed.
Breitkopf & Hartel has
prepared the complete,
practical performance
material based on the
score published in the
Das Erbe deutscher Musik
(German Music Heritage)
in the version authorized
by Marschner and tops it
off with a new piano
reduction [or piano
score?] that is very
playable.
The
splendid music is worth
it. What a work!, writes
Claus Ambrosius in the
Rhein-Zeitung. After the
premiere of Marschner's
Vampyr on 7 May at the
Theater Koblenz, the
early romantic opera
repertoire is once again
a work the richer.