(A Transcription of the 1981 Recording of the Goldberg Variations by Johannes Ba...(+)
(A Transcription of the
1981 Recording of the
Goldberg Variations by
Johannes Bach). Composed
by Johann Sebastian Bach
(1685-1750). Edited by
Nicholas Hopkins. For
solo piano. Performance
score. Published by Carl
Fischer
Piano SKU: BR.EB-8937 Urtext. Composed by Christoph Graupner. Solo...(+)
Piano
SKU:
BR.EB-8937
Urtext. Composed
by Christoph Graupner.
Solo instruments. Edition
Breitkopf. Suite;
Baroque. Score. Breitkopf
and Haertel #EB 8937.
Published by Breitkopf
and Haertel (BR.EB-8937).
ISBN 9790004186046. 0
x 0 inches.
Given
that hardly any printed
collections of new
keyboard music were
offered in Germany in the
first decades of the 18th
century, Christoph
Graupner's eight Partien
auf das Clavier ,
published in 1718, marked
a new beginning. The
suites are arranged
according to an ascending
sequence of notes and
generally follow the
scheme Allemande -
Courante - Sarabande -
Gigue, but this order is
repeatedly broken, also
by movements that are
rather unusual for a
suite. The focus is on
the characteristics of
the individual movements
and the joy of playing
with figures typical for
the movement or
instrument, as well as on
challenging playing
techniques, such as hand
changes in runs
(passaggi), wide-ranging
chord breaks and the use
of the thumb, which was
not very common at the
time. In this respect,
Graupner's suites offer
not so much a formal
advancement, but rather
an expansion of the
demands of playing
technique. Although
several CD recordings of
these suites already
exist, this volume
constitutes the first
modern Urtext edition.
Complementing her
scholarly activities, the
editor Genevieve Soly
provides important
impulses on performance
practice in the preface,
especially on the
execution of the passaggi
and the ornamentation,
thus opening up the view
on her activity as a
harpsichordist.
Brass Ensemble; Choral (SATB) SKU: HL.48185177 For Chorus and Double B...(+)
Brass Ensemble; Choral
(SATB)
SKU:
HL.48185177
For
Chorus and Double Brass
Choir Music for Brass No.
602. Composed by
Daniel Pinkham. Robert
King. Christmas,
Christmas Sacred,
Christmas/Advent Sacred,
Classical. Softcover. 28
pages. Alphonse Leduc
#AL28532. Published by
Alphonse Leduc
(HL.48185177).
UPC:
888680788537.
7.0x10.25x0.062
inches.
Christmas
Cantata (Sinfonia Sacra),
the most famous piece of
Daniel Pinkham, composed
in 1957, is a church
composition for chorus,
double brass and organ.
Written in Latin.
Accessible to good
high-school and college
singers, the opening
statement is sung by the
whole SATB chorus,
followed by the Allegro
section, which is
rhythmically quite
complicated. The middle
section is sung by
sopranos and altos while
the Rondo, which is part
of the final part, is
sung by the whole SATB,
its verses being
interpreted by the
different groups. Daniel
Pinkham (1923-2006) is an
American composer,
organist and
harpsichordist. Most of
his compositions were
related to church music
and his best known works
are the Christmas, Advent
and wedding cantatas.
Piano - intermediate SKU: HL.49008100 Composed by Barbara Heller. This ed...(+)
Piano - intermediate
SKU: HL.49008100
Composed by Barbara
Heller. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Composed 1984.
12 pages. Duration 15'.
Schott Music #ED 8620.
Published by Schott Music
(HL.49008100).
ISBN
9790001115490.
Scar
let Letters was composed
in 1984 on commission of
the pianist and
harpsichordist Franzpeter
Goebels (1920-1988) on
the occasion of the 300th
birth day of Domenico
Scarlatti. The original
working title 'Lettere
scarlattine' is a
concealed homage to the
Italian composer. The
compositional material is
limited to the tones D,
E, C, Es (= S, spoken
'Es' = E flat in German
notation) and A, derived
from the musical letters
of Domenico Scarlatti's
name, and the tones B (=
B flat in German nota
tion) and H (= B
natural), the initials of
my name. With 7 tones and
7 parts, this music is a
sort of story about my
imaginary encounter with
the composer Domenico
Scarlatti who was then
one of my favourite
composers. Sometimes I
also used compositional
means which I discovered
in the sonatas of
Scarlatti, such as quick
6/8 figures, afterbeat
octaves and repetitions
of short motifs. I tried
to translatethe clarity,
brightness and
cheerfulness, the
astounding modulations
and the pianistic
brilliance of his music
into my compositional
language.Barbara
HellerThe piece was
recorded on CD by the
American pianist Deborah
Richards (WERGO 6610-02).
First performance: 31.
October 1987
International Festival of
Women Composers, Unna;
Rosario Marciano,
piano.
Voice and Organ or Piano Organ Accompaniment; Piano Accompaniment; Voice (Voice ...(+)
Voice and Organ or Piano
Organ Accompaniment;
Piano Accompaniment;
Voice (Voice and Piano)
SKU: HL.49047076
Zur Ruh', zur Ruh' ihr
muden Glieder / Wenn der
Herr... Voice and.
Composed by Johanna
Senfter. Edited by Rolf
Schö and nstedt.
Vocal Collection.
Classical, General
Worship, Sacred.
Softcover. 16 pages.
Schott Music #ED23654.
Published by Schott Music
(HL.49047076).
ISBN
9781705184035. UPC:
196288115076.
There
are only two sacred solo
songs in the extensive
oeuvre of the Oppenheim
composer Johanna Senfter.
Both songs, probably
composed in 1917, are
influenced by the
catastrophe of the First
World War. They are
hereby presented as the
first publication.
JOHANNA SENFTER 1879 -
1961 Born and raised in
Oppenheim/Rhein - First
lessons from the mother
(piano, violin) - School
and university years in
Frankfurt/Main -From 1895
parallel music studies at
the Hoch Conservatory in
Frankfurt, graduating in
1903 (piano, organ,
violin, composition;
especially dealing with
J.S. Bach) - From 1907
private lessons with Max
Reger - October 1908 to
1909 his student at the
Leipzig Conservatory -
1909 Arthur Nikisch Prize
for the best composition
- Then worked in
Oppenheim as a freelance
composer and music
teacher - Friendly
relationship between the
Reger family and Senfter
- With Reger's death in
1916 she lost the protege
for the advertising of
her works (approx. 130) -
1921 founding of two
music societies. ROLF
SCHONSTEDT Born in
Erfurt/Thuringia in 1944
- studied church music in
Herford and Cologne -
church music exams (B / A
/ artistic maturity exam
/ concert exam) Kantor
positions in Remscheid,
Wuppertal, Hamm/Westf. -
KMD, state chairman of
church musicians, state
church music director,
lecturer at the Westf.
phil. (The organ song - a
new genre on the
threshold of the 20th
century) - As an
organist,
harpsichordist,conductor,
lecturer in Europe,
Russia, North and South
America, Africa -
Co-founder of the 2nd
Reger Festival in
Argentina - Boardmember
of the International Max
Reger Society - Member of
the Argentine National
Academy for Art and Music
- Honors and awards
(national /
international) -
Publisher: Series The
Spiritual Song / The
Organ Works by Karl Hasse
- Radio, television, disc
/CD.
Piano SKU: M7.VGH-44-70 Pour piano. Composed by Rene Staar. Sheet ...(+)
Piano
SKU:
M7.VGH-44-70
Pour
piano. Composed by
Rene Staar. Sheet music.
Op. 10 / Nr. 2.bis / d.
Duration 1'.
Verlagsgruppe Hermann
#VGH 44-70. Published by
Verlagsgruppe Hermann
(M7.VGH-44-70).
ISBN
9790206660092.
The
vision of a
harpsichordist playing
rock music on the roof of
a house in Geneva became
the starting point for
this short piece, a piano
transcription of a
movement of the 2nd
Divertissement Suisse,
which is scored for a
septet. It also contains
biographical
elements.
A Transcription of the 1981 Recording of The Goldberg Variations by Johann Se...(+)
A Transcription of the
1981
Recording of The Goldberg
Variations by Johann
Sebastian Bach. Composed
by
Johann Sebastian Bach
(1685-
1750). Edited by Nicholas
Hopkins. Performance
score.
156 pages. Carl Fischer
#PL01046SB. Published by
Carl
Fischer
Tribute to a Maestro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-010 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-010
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2019.
De Haske Publications
#DHP 1195884-010.
Published by De Haske
Publications
(BT.DHP-1195884-010).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo
Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and
Raffaello
Ravasio. Saddle
stitching.
Piero Bonaguri
Collection.
Classical. Ut Orpheus #CH
254.
Published by Ut Orpheus
Tribute to a Maestro Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1195884-140 Variations on ...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1195884-140
Variations on a theme
by Jean-Philippe
Rameau. Composed by
Jan de Haan. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2019. 40
pages. De Haske
Publications #DHP
1195884-140. Published by
De Haske Publications
(BT.DHP-1195884-140).
English-German-French-
Dutch.
Tribute
to a Maestro is an
homage to Jean-Philippe
Rameau (1683 1764), one
of the most important
French Baroque composers.
Rameau was a hugely
significant composer,
organist, harpsichordist
and music teacher: he
also published several
authoritative books on
music theory. Jan de Haan
based this tribute on a
theme from ‘Les
Sauvages’ (The
Savages), the fourth act
of Rameau’s
ballet-opera, Les
Indes Galantes
(The Amorous
Indies). The work
begins with two
variations, whereupon the
striking theme can be
heard. After a short
intermezzo, four more
variations follow, of
which the last one is
composed in Baroque
style.
Tribute
to a Maestro is een
hommage aan Jean-Philippe
Rameau (1683 1764), een
van de belangrijkste
componisten uit de barok.
Deze Fransman was niet
alleen componist,
organist, klavecinist en
muziekpedagoog, maar ook
muziektheoreticus. Hij
publiceerde verschillende
toonaangevende boeken
over muziektheorie. Jan
de Haan baseerde dit
eerbetoon op een thema
uit het oeuvre van
Rameau, namelijk
‘Les
Sauvages’ (De
wilden) uit de vierde
akte van een van Rameaus
balletopera’s,
Les Indes Galantes
(De hoffelijke
Indiërs). Het werk
begint met twee
variaties, waarna het
markante thema is te
beluisteren. Na een kort
intermezzo volgen dan nog
vier variaties, waarvan
delaatste in barokstijl
is gecomponeerd.
Tribute to a
Maestro ist eine
Hommage an Jean-Philippe
Rameau (1683 1764), einen
der bedeutendsten
Komponisten der
Barockzeit. Der Franzose
war nicht nur Komponist,
Organist, Cembalist und
Musiklehrer, sondern auch
Musiktheoretiker. Er
veröffentlichte einige
grundlegende
musiktheoretische
Bücher. Jan de Haan
stützte seine
Huldigung auf ein Thema
aus Rameaus Werk,
nämlich Les
Sauvages“ (Die
Wilden“) aus dem
vierten Akt von Rameaus
Ballettoper Les Indes
galantes. Das
Stück beginnt mit zwei
Variationen, woraufhin
das bemerkenswerte Thema
erklingt. Nach einem
kurzen Intermezzo folgen
vier weitere Variationen,
von denen die letzte im
Barockstilkomponiert ist.
Harpsicord, strings - Level 3-4 SKU: HF.RHM-2B Composed by Christoph Scha...(+)
Harpsicord, strings -
Level 3-4
SKU:
HF.RHM-2B
Composed by
Christoph Schaffrath.
Edited by Liedtke.
Arranged by Liedtke.
Sheet music. Friedrich
Hofmeister Musikverlag
#RHM 2B. Published by
Friedrich Hofmeister
Musikverlag (HF.RHM-2B).
Chamber Music Dizi, Zheng, Harpsicord SKU: PR.114411030 Composed by Chen ...(+)
Chamber Music Dizi,
Zheng, Harpsicord
SKU:
PR.114411030
Composed
by Chen Yi. Saddle.
Christmas and Holiday.
Set of Score and Parts.
With Standard notation.
Composed 1993. 15+2
pages. Duration 8
minutes. Theodore Presser
Company #114-41103.
Published by Theodore
Presser Company
(PR.114411030).
