The Sprint Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
(Full Score and Parts). By Alan Lee Silva. String orchestra. For String Orchestr...(+)
(Full Score and Parts).
By Alan Lee Silva. String
orchestra. For String
Orchestra. Carl Fischer
Concert String Orchestra
Series. Classical. Medium
Easy/Medium. Score and
Parts. Standard notation.
16 pages. Published by
Carl Fischer . Score and
Parts. classical.
Composed by Michael Nyman. Music Sales America. Classical, Opera. Book Only. Com...(+)
Composed by Michael
Nyman. Music Sales
America. Classical,
Opera. Book Only.
Composed 2008. 120 pages.
Chester Music
#MUSCH66693. Published by
Chester Musi
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band
SKU: PR.416413660
For Violin and
Orchestra. Composed
by Behzad Ranjbaran.
Perfect. Contemporary.
Full score. With Standard
notation. Composed 1994.
144 pages. Duration 31
minutes. Theodore Presser
Company #416-41366.
Published by Theodore
Presser Company
(PR.416413660).
ISBN
9781598063578. UPC:
680160601899. 9x12
inches.
Trained as
a violinist in his native
Tehran, composer Behzad
Ranjbaran eagerly drew
inspiration from the
traditional Persian
kamancheh and its
delicate, lyrical sound
when creating his
profoundly luscious and
brilliant Concerto for
Violin and Orchestra.
This work was completed
in 1994 and premiered in
England by Joshua Bell,
who also gave the first
American and Canadian
performances. The
Concerto for Violin and
Orchestra is the
recipient of the Rudolf
Nissim Award from ASCAP,
and it was supported in
part by a grant from The
National Endowment for
the Arts. The solo part
with a piano reduction as
well as a large score are
available on custom
print. For advanced
players. Duration:
31'. From my early
years studying violin at
the Tehran Music
Conservatory, I was
captivated by the sound
of the kamancheh, an
ancient Persian bowed
instrument considered one
of the ancestors to the
modern violin. I was
pleased when the National
Endowment for the Arts
awarded me a grant to
write a violin concerto
as it provided me with an
occasion to rekindle my
fascination with the
kamancheh. The notionof
writing a violin concerto
that would incorporate
the power and brilliance
of a modern instrument
with the delicate and
lyrical character of an
ancient one was simply
irresistible. Moreover,
the inspiration from the
kamancheh also informed
my use of Persian modes,
melodic, and rhythmic
figures.The notes of the
violin’s open
strings (G, D, A, E) also
influenced many of the
melodic and harmonic
elements of my violin
concerto. The opening
tutti is mostly based on
intervals of a perfect
4th and 5th. The primary
material for each
movement incorporates
notes of two of the open
strings of the violin,
creating a three-note
melodic motif as the
basis of themes:1 st
movement: A-D-A2nd
movement: D-G-D3rd
movement: E-A-EThe
overall structure of the
concerto is organic and
cyclical, as themes are
shared between the three
movements. For example,
the main musical idea of
the third movement is a
transformation of the
first movement’s
primary theme. While the
movements share similar
musical materials, each
one is definedby
distinguishing
characters. The first
movement is conflicted;
alternating between
sections of unabashed
lyricism and
unforgivingferocity. The
second movement is
haunting, mysterious, and
expressive with long
melodic lines that vary
continuously. It moves
through different moods
and characters including
a reimagining of a
traditional Persian
wedding tune played by
the orchestra (m. 98).
The third movement is
festive in character and
features much brilliant
passagework for the solo
violin. At the climax of
this movement, themes
fromthe previous
movements re-emerge
simultaneously with
greater intensity,
propelling the concerto
to an energetic finale.
The Concerto was composed
in 1994 and is dedicated
to Joshua Bell.
Study Score Orchestra (2 (2. auch Picc.) * 1 * 2 * 1 - 4 * 1 * 2 * 0 - 3 P. S. (...(+)
Study Score Orchestra (2
(2. auch Picc.) * 1 * 2 *
1 - 4 * 1 * 2 * 0 - 3 P.
S. (Trgl. * Beck. *
Holztr. * kl. Tr. * gr.
Tr. m. Beck. * Glsp. *
Xyl. * Vibr.) (3 Spieler)
- Hfe. - Str.)
SKU:
HL.49005010
Orchestra Study
Score. Composed by
Ernst Toch. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed 1956. Op.
76. 60 pages. Duration
13'. Schott Music #ED
4582. Published by Schott
Music (HL.49005010).
ISBN 9790001053693.
UPC: 073999877342.
6.0x9.0x0.163
inches.
Tango Variable Accordéon - Intermédiaire De Haske Publications
Accordion - late intermediate SKU: BT.DHP-1001915-401 For Accordion(+)
Accordion - late
intermediate
SKU:
BT.DHP-1001915-401
For Accordion.
Composed by Sijtse
Wagenmakers. Educational
Tool. Book Only. Composed
2000. 44 pages. De Haske
Publications #DHP
1001915-401. Published by
De Haske Publications
(BT.DHP-1001915-401).
ISBN 9789043113090.
International.
Rond
1900 ontstond in Buenos
Aires de tango:
meeslepende
Zuid-Amerikaanse
volksmuziek die tegelijk
sensueel, melancholisch,
trots en elegant is.
Inmiddels heeft deze
muziek zich over de hele
wereld verspreid. In
Tango
Variablestaan diverse
speelstukken die geschikt
zijn voor accordeonisten
die vier jaar of langer
spelen en de fascinerende
tangomuziek
waarderen.
Tango:
bezwingende
südamerikanische Musik
voll Sinnlichkeit, Stolz,
Schwermut und Eleganz.
Das Akkordeon ist
wesentlicher Bestandteil
der Tangomusik. Tango
Variable enthält
verschiedene Stücke
für alle, die ihr Herz
für die faszinierenden
Klänge des Tango
entdeckt haben.
Una
raccolta per tutti i
musicisti desiderosi di
scoprire il mondo del
tango. Grazie al CD
dâ??accompagnamento
potrete imparare la
giusta tecnica e le
inflessioni necessarie ad
interpretare al meglio
questo seducente genere
musicale nato per essere
eseguito soprattutto
dalla fisarmonica. Il
tango è ormai un
genere sempre moderno,
non più lontano dalla
musica colta, e ideale
per essere eseguito anche
in concerto.
Schirmer's Library of Musical Classics Volume 2109. Composed by Various...(+)
Schirmer's Library
of
Musical Classics Volume
2109. Composed by
Various.
Piano Collection.
Softcover.
192 pages. G. Schirmer
#LB2109. Published by G.
Schirmer
American Visions Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS255 Composed by Mark Lortz. Set of...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255
Composed by Mark Lortz.
Set of Score and Parts.
17+4+4+2+4+4+4+2+2+2+2+2+
2+4+4+4+2+2+3+3+3+2+4+1+2
+1+4+6 pages. Duration
2:10. Carl Fischer Music
#CPS255. Published by
Carl Fischer Music
(CF.CPS255).
ISBN
9781491159835. UPC:
680160918423.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
American Visions Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS255F Composed by Mark Lortz. Full ...(+)
Band Concert Band - Grade
3
SKU: CF.CPS255F
Composed by Mark Lortz.
Full score. 17 pages.
Carl Fischer Music
#CPS255F. Published by
Carl Fischer Music
(CF.CPS255F).
ISBN
9781491159842. UPC:
680160918430.
Ameri
can Visions is a
fast-paced and energetic
composition featuring
rousing brass fanfares,
lively woodwind motives,
and driving percussion.
It was initially inspired
to embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4-12 runs throughout the
piece and vacillates
between duple and triplet
rhythms. Players should
be mindful to
differentiate between the
two rhythms, so there is
clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble's texture.
Measure 73 uses bell tone
articulations that build
to standard articulations
at m. 76. Thank you for
playing my
composition. American
Visions is a fast-paced
and energetic composition
featuring rousing brass
fanfares, lively woodwind
motives, and driving
percussion. It was
initially inspired to
embody the sense of
American vigor and
patriotism. Musically,
the main motive at mm.
4–12 runs
throughout the piece and
vacillates between duple
and triplet rhythms.
Players should be mindful
to differentiate between
the two rhythms, so there
is clarity. Measure 39
represents a contrasting
section, and should be
thought of as dark and
warm sounding as
possible. I intended that
the section would
resemble the overall
timbre of orchestral
strings, and players
could think of that when
performing the piece.
Measure 55 presents a
triplet rhythmic motive
that must be precise in
timing and dynamics. At
m. 66, be sure that the
main melodic motive and
the tenor saxophone, low
brass, and chimes
countermelody can be
heard through the
ensemble’s
texture. Measure 73 uses
bell tone articulations
that build to standard
articulations at m.
76. Thank you for
playing my
composition. .
Concert Band/Harmonie,
Children's Choir and
Cello - Grade 4
SKU:
BT.DHP-1115053-140
...dann wachsen
Flügel deinen
Worten. Composed by
Marco Putz. De Haske
Manuscript. Concert
Piece. Score Only.
Composed 2011. 51 pages.
De Haske Publications
#DHP 1115053-140.
Published by De Haske
Publications
(BT.DHP-1115053-140).
A3 (420X297)
inches.
...Then
Thy Words Will Take
Wing... is a four
movement composition
based upon drawings made
by Russian painter
Zinovii Tolkatchev
(1903-1970), who served
as official artist during
the liberation of
concentration camps in
Auschwitz. After the war,
Tolkatchev’s works
were published and now
tour the world as a
travelling exhibition.
This composition is a
tribute to the victims of
the Holocaust who still
remain nameless, and is a
powerful piece to include
in any concert
programme.
“
…dan zullen uw
woorden vleugels
krijgen...†is een
vierdelige compositie
gebaseerd op vier
tekeningen van de
Wit-Russische schilder
Zinovii Tolkatchev
(1903-1970). Tijdens de
bevrijding van de
concentratiekampen
Auschwitz en Majdanekwas
Tolkatchev bij het Rode
Leger in dienst als
tekenaar. Na de oorlog
verschenen de tekening
van Tolkatchevs in
albumvorm en momenteel
reizen ze de wereld over,
te bekijken bij
tentoonstellingen. De
compositie is een
eerbetoonaan alle
naamloze slachtoffers van
de Holocaust en grijpt
daarbij ook terug op de
hoofdgedachte van de Yad
Vashems, het gedenkbeeld
van de Holocaust in
Jeruzalem.
Für
Blasorchester,
Violoncello und
Kinderchor...dann wachsen
Flügel Deinen
Worten...“ ist eine
viersätzige
Komposition nach
Zeichnungen des
weißrussischen Malers
Zinovii Tolkatchev
(1903-1970), der bei der
Befreiung der
Konzentrationslager
Auschwitz und Majdanek in
der Roten Armee als
Zeichner diente. Nach dem
Krieg wurden seine Bilder
veröffentlicht und
wandern jetzt in einer
Ausstellung um die Welt.
Diese Komposition will an
die vielen namenlos
gebliebenen Opfern des
Holocaust erinnern und
damit einen der
Leitgedanken Yad Vashems,
der
Holocaust-Gedenkstätte
in Jerusalem,
vermitteln.
Un
brano in quattro
movimenti che si ispirano
a quattro dipinti del
pittore bielorusso
Zinovii Tolkachev
(1903-1970) che servì
nell’Armata Rossa
come illustratore durante
la liberazione dei campi
di concentramento di
Auschwitz e Majdanek. Il
suo compito era
realizzare schizzi delle
atrocit commesse. In
seguito, i figli di
Tolkachev decisero di
donare la serie di
disegni al Memorial Yad
Vashem di Gerusalemme,
disegni ora oggetto di
una mostra
itinerante.
Concert Band/Harmonie,
Children's Choir and
Cello - Grade 4
SKU:
BT.DHP-1115053-010
...dann wachsen
Flügel deinen
Worten. Composed by
Marco Putz. De Haske
Manuscript. Concert
Piece. Set (Score &
Parts). Composed 2011. De
Haske Publications #DHP
1115053-010. Published by
De Haske Publications
(BT.DHP-1115053-010).
9x12
inches.
...Then Thy
Words Will Take Wing...
is a four movement
composition based upon
drawings made by Russian
painter Zinovii
Tolkatchev (1903-1970),
who served as official
artist during the
liberation of
concentration camps in
Auschwitz. After the war,
Tolkatchev’s works
were published and now
tour the world as a
travelling exhibition.
This composition is a
tribute to the victims of
the Holocaust who still
remain nameless, and is a
powerful piece to include
in any concert
programme.
“
…dan zullen uw
woorden vleugels
krijgen...†is een
vierdelige compositie
gebaseerd op vier
tekeningen van de
Wit-Russische schilder
Zinovii Tolkatchev
(1903-1970). Tijdens de
bevrijding van de
concentratiekampen
Auschwitz en Majdanekwas
Tolkatchev bij het Rode
Leger in dienst als
tekenaar. Na de oorlog
verschenen de tekening
van Tolkatchevs in
albumvorm en momenteel
reizen ze de wereld over,
te bekijken bij
tentoonstellingen. De
compositie is een
eerbetoonaan alle
naamloze slachtoffers van
de Holocaust en grijpt
daarbij ook terug op de
hoofdgedachte van de Yad
Vashems, het gedenkbeeld
van de Holocaust in
Jeruzalem.
...dann
wachsen Flügel
Deinen Worten...“
ist eine viersätzige
Komposition nach
Zeichnungen des
weißrussischen Malers
Zinovii Tolkatchev
(1903-1970), der bei der
Befreiung der
Konzentrationslager
Auschwitz und Majdanek in
der Roten Armee als
Zeichner diente. Nach dem
Krieg wurden seine Bilder
veröffentlicht und
wandern jetzt in einer
Ausstellung um die Welt.
Diese Komposition will an
die vielen namenlos
gebliebenen Opfern des
Holocaust erinnern und
damit einen der
Leitgedanken Yad Vashems,
der
Holocaust-Gedenkstätte
in Jerusalem,
vermitteln.
Un
brano in quattro
movimenti che si ispirano
a quattro dipinti del
pittore bielorusso
Zinovii Tolkachev
(1903-1970) che servì
nell’Armata Rossa
come illustratore durante
la liberazione dei campi
di concentramento di
Auschwitz e Majdanek. Il
suo compito era
realizzare schizzi delle
atrocit commesse. In
seguito, i figli di
Tolkachev decisero di
donare la serie di
disegni al Memorial Yad
Vashem di Gerusalemme,
disegni ora oggetto di
una mostra
itinerante.
Decorum Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-1064032-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-1064032-015
Composed by Peter
Riedemann. On Parade! Set
(Score & Parts). Composed
2006. De Haske
Publications #DHP
1064032-015. Published by
De Haske Publications
(BT.DHP-1064032-015).
MARS (135X180) inches.
English-German-French-Dut
ch.
A rip roaring
grandioso concert march,
full of wonderful melodic
lines and striking
rhythmic features. An
extremely appealing
composition for both
performers and listeners
alike.
In
Decorum volgt na
een verrassende, virtuoze
inleiding een speels
leggiero thema. Hier
wordt in een dynamische
contrastwerking de
houtgroep afgewisseld
door tutti-spel.
Aansluitend komt een
melodische lijn aan bod
met triolenen gepunteerde
figuren als opvallendste
ritmische kenmerken. Het
triodeel etaleert een
nieuw thema waarin het
zestiendenotenbeeld de
overhand krijgt. Met een
markante grandioso
slotreprise wordt deze
concertmars afgesloten.
Decorumis een
bijzonder aanstekelijke
compositie voor zowel
muzikanten als
publiek.
In
Decorum folgt auf
eine überraschende,
virtuose Einleitung ein
verspieltes, leichtes
Thema. Hier wechseln sich
die Holzbläser mit
Tutti-Passagen ab,
wodurch ein dynamisch
kontrastiver Effekt
entsteht. Danach tritt
eine Melodielinie, mit
Triolen und punktierten
Motiven als
auffälligste
rhythmische Merkmale, in
den Vordergrund. Das Trio
präsentiert ein neues
Thema, in dem die
Sechzehntelnoten die
Oberhand haben. Eine
ausgesprochen erhabene
Reprise beendet diesen
Konzertmarsch.
Decorum ist eine
äußerst attraktive
Komposition für
Musiker und
Zuhörer.
Dopo
un’introduzione di
abbellimento, segue un
tema giocoso e leggero. I
legni alternano con
passaggi in tutti in un
effetto di sfumature
contrastate. In seguito
viene evidenziata una
linea melodica nella
quale le terzine e motivi
incisivi costituiscono
l’aspetto ritmico
più sorprendente. Il
trio sviluppa un nuovo
tema e accompagna verso
il grandioso finale.
Decorum è un
brano che esecutori e
pubblico troveranno molto
accattivante.
Trio SKU: BR.DV-8382 Composed by Siegfried Thiele. Chamber music; stapled...(+)
Trio
SKU:
BR.DV-8382
Composed
by Siegfried Thiele.
Chamber music; stapled.
Deutscher Verlag. Music
post-1945. Score and
parts. Composed 2000. 32
pages. Duration 7'.
Deutscher Verlag fur
Musik #DV 8382. Published
by Deutscher Verlag fur
Musik (BR.DV-8382).
ISBN 9790200483116. 9
x 12 inches.
World
premiere Perugia, May 3,
2000 Nach acht Jahren
Laufzeit war es soweit:
Ricercare der Sherlock
Holmes des Organisten
brauchte dringend eine
Frischzellenkur d. h.
neue Informationen und
technische Updates. Das
Lifting hat der CD-ROM
gut getan. Ricercare
saust nunmehr mit neuer
Kraft (neuen
Informationen)
prestissimo durch die
weite Datenwelt von uber
20.000
cantus-firmus-gebundenen
Orgelwerken und gibt
umfassend Auskunft uber
Melodien Komponisten
Ausgaben Bearbeitungen
Verlage u. a. m.
After eight years on the
beat it was finally time
for Ricercare the
Sherlock Holmes of the
Organ to get a badly
needed makeover i.e. to
be supplied with new
information and technical
updates. The makeover did
a world of good to the
CD-ROM. Loaded with new
info Ricercare now zips
along prestissimo through
the vast data world of
more than 20 000
cantus-firmus-related
organ works and provides
comprehensive information
on melodies composers
editions arrangements
publishers and much
more.
Horizons Orchestre à Cordes - Débutant Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS30 Full Score and ...(+)
Orchestra String
Orchestra - Grade 1.5-2
SKU: CF.FAS30
Full Score and
Parts. Composed by
Joseph Compello. Carl
Fischer First Plus String
Orchestra Series. Score
and Parts. With Standard
notation. 12 pages.
Duration 3 minutes. Carl
Fischer Music #FAS30.
Published by Carl Fischer
Music (CF.FAS30).
ISBN
9780825858109. UPC:
798408058104. 8.5 X 11
inches. Key: D
major.
A solid
piece in a processional
style by noted composer
Joseph Compello, Horizons
is both melodic and
engaging. The work has a
strong lyrical line that
is beautifully blended
with an enchanting
pizzicato section. This
helps to augment the
driving pulse th. The
processional style
of Horizons will be
ideal for young string
ensembles which are
seeking a more serious
style of music but which
are not yet capable of
performing at a brisk
tempo. Older groups,
however, should not
perform this piece at a
fast pace, otherwise the
processional feel will be
lost.The articulation
throughout should
be marcato except
where otherwise marked. A
light staccato touch
is required in the
accompaniment beginning
at bar 11. Very young
ensembles always need
guidance in performing
accents and loud dynamics
tastefully.At m. 20, the
cellos have a
countermelody which is
separate from the bass
part. If the ensemble
does not have basses, the
part may be covered on
the piano. At m. 45, the
cellos have optional
notes to allow extra time
to prepare
for pizzicato.
Likewise at m. 53, cues
are included for violin
2, viola and cello to
allow time to prepare
for arco.The
effectiveness of the
final section beginning
at m. 71 should be played
as broadly as possible.
The 100 tempo is a
suggestion.Performance
time with the repeat is
just under three
minutes.Thank you for
choosing this
composition. I hope you
and your students enjoy
performing it.- Joseph
CompelloGlen Arm,
Maryland, 2005.