By Shawn Mendes. Piano/Vocal/Guitar Artist Songbook. Pop. Softcover. 96 pages. Published by Hal Leonard

Bass Clarinet and Orchestra

SKU: HL.14001122

Composed by Asbjorn Schaathun. Music Sales America. Classical. Score. Music Sales #KP00663. Published by Music Sales (HL.14001122).

ISBN 9788759855669. Danish.

ACTIONS, INTERPOLATIONS AND ANALYSES, symphonies for bass-clarinet and large ensemble (1987-90), is what is commonly termed a work in progress. So far Schaathun has completed three of five parts. The is the composer's first large-scale attempt to investigate possible connections between ostensibly unrelated material. Explained in simple terms, it involves taking two of Schaathun's own type of texture (composed by means of different techniques) and letting them rotate around a familiar musical object (in this case a short excerpt from Stravinskij's Symphonies of Wind instruments in which he employs the famous frozen chords). In the course of the piece the elements takes over various characteristics from one another and the form progresses from fairly clear-cut textures to a situation where the various textures are superimposed, creating a dramatic flow. On a more advanced level, the piece is about trying to mediate between different musical textures as metaphors for the different levels of the sound itself. One of the main questions in this context is; What is size in music? Is it possible to take a small chord(i.e. narrow register, few instruments, simple tone colours) and then blow it up (wide register, many instruments, advanced mixtures) in such a way that the listener still perceives it as the same chord? You have simply moved closer to the sound. At any rate, when Schaathun composed the piece, he himself travellig into the sound, as if were viewing a texture from a distance. He then recomposed the same situation and drew closer, and then recompose it a third time and simply get close enough to discover the world of sounds that thus emerged. A world of sounds capable of travelling at a tremendous speed... However, like all concertos, the piece is of course about the individual and his relationship to his surroundings (society). Schaathun has often pondered on the reason for this preoccupation wih solo concertos. The answer derives from his firm conviction that nothing would ever happen if it weren't for the initiative, the Action, of the individual.

A Beginner's Guide, Featuring Step-By-Step Lessons with Audio, Video, and Popular Songs!. Guitar Educational. Softcover Media Online. 32 pages. Published by Hal Leonard

Edited by Bob Dingley, composed by George Gershwin (1898-1937), arranged by Mac Huff. Octavo for SATB choir and piano accompaniment. With chord names. Series: Pop choral octavo (SATB). 80 pages. Published by Alfred Publishing.

Arranged by Mac Huff. (SAB). Choral Octavo. Pop. Choral Octavo. 80 pages. Published by Alfred Publishing.

For Voice, Piano, Guitar (with chord symbols). Religious. Sheet Music. 44 pages. Published by Music Sales.

By Keith Green. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. 90 pages. Published by Hal Leonard. (

By E. L. Lancaster, Gayle Kowalchyk, Christine H. Barden. For Piano. Piano - Music for Little Mozarts. Music for Little Mozarts. Book. 24 pages. Published by Alfred Publishing.

Piano - Level 4

SKU: BA.BA09649

Composed by Ludwig van Beethoven. Edited by Mario Aschauer. This edition: urtext edition. Paperback. With Bagatelle in A minor WoO 59 Für Elise. Performance score, anthology. Baerenreiter Verlag #BA09649. Published by Baerenreiter Verlag (BA.BA09649).

ISBN 9790006539895. 31 x 24.3 cm inches. Preface: Mario Aschauer.

The bagatelles reflect Beethoven’s diverse compositional cosmos in miniature. Technically, they range from moderate dexterity to demanding virtuosity.

In addition to the well-known collections opp. 33, 119 and 126, ten pieces were found after Beethoven’s death in an envelope labelled “Bagatelles”. These included the revised version of “Für Elise” as well as two further bagatelles in previously unpublished versions.

New interesting findings regarding interpretation, a compelling Foreword and insightful notes on Viennese piano playing in Beethoven’s time (Ger/Eng) as well as a detailed Critical Commentary (Eng) offer an abundance of information and a new perspective on Beethoven’s bagatelle uvre.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Violin)

SKU: HL.14060331

Violin. General Merchandise. Duration 240 seconds. Music Sales #AM1009349. Published by Music Sales (HL.14060331).

ISBN 9781783056927.

For piano. Sacred, Ascension, Eastertide, General, Holy Week, Lent. Intermediate. Published by Lorenz Publishing Company

2 Pianos, 4 Hands; Piano Duet - intermediate to advanced

SKU: HL.49013049

For 2 Pianos/4 Hands. Composed by Istvá, n Szelé, and nyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Edition Schott. I. Szelenyi schrieb das Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze (Tranquillo - Vivace).Zum 100. Geburtstag von I. Szelenyi am 8. 8. 2004. Classical. 2 copies needed for performance. Composed 1964. 52 pages. Schott Music #ED 9568. Published by Schott Music (HL.49013049).

ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.

This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic piano concerto without orchestra. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This Concertino offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.

Band concert band - Grade 0.5

SKU: CF.PPS31F

Composed by Larry Clark. SWS. Full score. With Standard notation. 16 pages. Duration 2 minutes, 59 seconds. Carl Fischer Music #PPS31F. Published by Carl Fischer Music (CF.PPS31F).

ISBN 9781491141052. UPC: 680160629114. 9 x 12 inches.

You've heard of i everything, from phones to tablets to websites, so why not add the i to your favorite holiday carol? This arrangement is designed for the young students to play at their very first holiday concert, including popular carol Jingle Bells and Beethoven's Ode to Joy. What makes this piece unique is how it incorporates audience participation by having them shake their cell phones along to the band using any of the free sleigh bell apps that are out there. This is going to be pure fun for your students and audience and one of the most talked about arrangements of the coming holiday concert season.

Titanic: The Musical by Maury Yeston. For Piano/Vocal/Guitar. Personality. Broadway. 128 pages. Published by Cherry Lane Music

Composed by Various. Edited by Richard Walters. Boosey and Hawkes Voice. Opera. Softcover. 306 pages. Published by Boosey and Hawkes

(SSAATTBB choir)

SKU: HL.48024952

SATB Divisi a cappella. Composed by Becky McGlade. Boosey & Hawkes Sacred Choral. Octavo. Boosey & Hawkes #M060137235. Published by Boosey & Hawkes (HL.48024952).

ISBN 9781784545987. UPC: 840126947243. 6.75x10.5 inches.

I was introduced to William Blake's poem The Lamb many years ago through John Tavener's famous setting and, when commissioned by York Minster to write a carol for their 2019 nine lessons and carols services, the idea of writing my own setting of this beautiful poem was hard to resist. For me, the biblical symbol of the lamb represents one of the most profound theological mysteries. That divine omnipotence as represented by the symbolic lamb speaks volumes of the humility and self-sacrificing nature of God; complexity illustrated in simplicity. The poet has seen within the vulnerability of the lamb, the profundity of God's self-sacrifice. I looked to convey the innocence of the lamb through the gentle opening of the piece with its simple melody and harmony. The harmonies gradually intensify as the questions of the text continue, and there is a stronger feel to the second verse as those questions begin to be answered and it is revealed that the Creator God is Himself the Lamb. A feeling of space should prevail, without the tempo dragging. The commas in bars 29, 33, 46, 51 and 52 imply there should be room to breathe, but not a whole quaver's worth of breath if possible.

Composed by Dan Forrest. Octavo. Beckenhorst Press #BP2242. Published by Beckenhorst Press

Piano Duets. By Various. Duet Piano Education. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Piano - Level 3

SKU: BA.BA10811

Composed by Erik Satie. Edited by Jens Rosteck. This edition: urtext edition. Stapled. Barenreiter Urtext. Notes on Performance Practice by Steffen Schleiermacher. Performance score. Baerenreiter Verlag #BA10811_00. Published by Baerenreiter Verlag (BA.BA10811).

ISBN 9790006521067. 31 x 24.3 cm inches. Language: German/English. Preface: Jens Rosteck.

In the summer of 1913 Satie once more poked fun at himself and the world of music with a set of parodic piano pieces on various marine animals, giving it the grotesque title “Embryons desschs” (Desiccated Embryos).
The notation without barlines, the ‘stories’ beneath the music and the spoofsof well-known pieces of music, most strikingly the Funeral March from Chopin’s Piano “Sonata in B-flat minor”, make the work a barrel of musical fun.

This Urtext edition faithfully adheres to the sources and reflects the latest findings of Satie scholarship. It contains translations of all of Satie’s French texts, practical page-turns, notes on performance practice by Satie specialist Steffen Schleiermacher and an informative Foreword.
The pieces range from an easy to moderate level of difficulty and provide an ideal additional varied repertoire for teaching purposes.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding