Concert band - Grade 4

SKU: CL.012-4523-01

Composed by J. Bell. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR391). Extra full score. Composed 2017. Duration 5 minutes. Opus III Wind Orchestra Publications #012-4523-01. Published by Opus III Wind Orchestra Publications (CL.012-4523-01).

Red River Station is a bright and upbeat work emulating the style popularized by the soundtrack of the great American west. After the Civil War, cattle drives from Texas to Kansas included a stop at Red River Station along the Chisholm Trail, just before leaving Texas. The syncopated rhythms and pentatonic melodies bring to the life the vibrant and beautiful landscape and experience of riding horseback through the southwest. The energetic and inventive orchestration and exciting nature of this work make it an excellent fit for any concert, and a great contest or festival selection.

By John Feierabend and Peggy Lyman. Music Education. DVD. Published by GIA Publications

Includes Video Instruction and Audio Play-Alongs!. Guitar Educational. Instruction, Method. Softcover Media Online. 104 pages. Published by Hal Leonard

Choir Secular (Men's Choir)

SKU: AP.50300

Composed by Louis Prima. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Great American Songbook; Jazz; Secular; Standard. Choral Octavo. 24 pages. Alfred Music #00-50300. Published by Alfred Music (AP.50300).

UPC: 038081574707. English. Mark Hayes.

Louis Prima's legendary big band-era showstopper is as exciting as ever in Mark Hayes' sizzling choral setting. Swinging rhythms, scintillating harmonies, independent vocal lines, and a sassy horns-and-rhythm instrumentation bring the heat. A few fresh lyrics add to the bright music theme, creating the ultimate opener or closer for school or community choirs. Now you're singin' with a swing!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Choir Secular (SAB choir/3-Part choir Mixed)

SKU: AP.50299

Composed by Louis Prima. Arranged by Mark Hayes. Performance Music Ensemble; Single Titles. Alfred Pop Choral Series. Great American Songbook; Jazz; Secular; Standard. Choral Octavo. 20 pages. Alfred Music #00-50299. Published by Alfred Music (AP.50299).

UPC: 038081574684. English. Mark Hayes.

Louis Prima's legendary big band-era showstopper is as exciting as ever in Mark Hayes' sizzling choral setting. Swinging rhythms, scintillating harmonies, independent vocal lines, and a sassy horns-and-rhythm instrumentation bring the heat. A few fresh lyrics add to the bright music theme, creating the ultimate opener or closer for school or community choirs. Now you're singin' with a swing!

About Alfred Pop Choral Series

The Alfred Pop Series features outstanding arrangements of songs from the popular music genre. These publications provide exciting, contemporary, and educationally-sound arrangements for singers of all ages, from elementary through high school, to college and adult choirs.

Composed by J.H. Bell. Concert Band Series. Audio recording available separately (item CL.WFR391). Score and parts. Composed 2017. Duration 5 minutes. Published by C.L. Barnhouse (CL.012-4523-00).

Composed by Drew Pearson and Greg Holden. Arranged by Bryan Sharpe. Choir Secular. SATB choir. Choral Octavo. Pop Choral. Secular. 16 pages. Published by Alfred Music

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Concert band - Grade 4

SKU: CL.012-4523-75

Composed by J. Bell. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR391). Oversized, spiral-bound score. Composed 2017. Duration 5 minutes. Opus III Wind Orchestra Publications #012-4523-75. Published by Opus III Wind Orchestra Publications (CL.012-4523-75).

Red River Station is a bright and upbeat work emulating the style popularized by the soundtrack of the great American west. After the Civil War, cattle drives from Texas to Kansas included a stop at Red River Station along the Chisholm Trail, just before leaving Texas. The syncopated rhythms and pentatonic melodies bring to the life the vibrant and beautiful landscape and experience of riding horseback through the southwest. The energetic and inventive orchestration and exciting nature of this work make it an excellent fit for any concert, and a great contest or festival selection.

By Drew Pearson and Greg Holden [Phillip Phillips]. Arranged by Greg Gilpin. Choir Secular. Women's Choir. Choral Octavo. Pop Choral. 12 pages. Published by Alfred Music Publishing

Trumpet

SKU: FG.55011-772-3

Composed by Lara Poe. Classical, contemporary. Folder. Fennica Gehrman #55011-772-3. Published by Fennica Gehrman (FG.55011-772-3).

ISBN 9790550117723.

The name of Lara Poe’s solo trumpet work Triton (2019) alludes both the sea god Triton and the shell named after him. The 6’30’� �� long piece is constructed of two types of material: the combination of a fanfare like trumpet call with a meandering line, and more undulating material. Have a look inside by clicking sample.

This product is a folder with sheet music as loose pages.

Lara Poe is a Finnish-American composer who is currently based in London. Her works have been performed across a wide range of venues throughout the US, Europe, and Asia. Her piece Kaamos, which she wrote for the Lahti Symphony Orchestra, was recently nominated for a Ivors Composer Award in the Large Scale Composition category. Kaamos also was selected by YLE Radio Finland to represent Finland at the International Rostrum of Composers 2021 in Belgrade, Serbia. Poe was the 2019 Tanglewood Music Patricia Plum Wilde Fellow and represented Finland at Ung Nordisk Musik 2019 in Piteå. She was also a 2018-2019 participant in the London Symphony Orchestra’s Panufnik Scheme, where she worked under the guidance of Colin Matthews and Christian Mason.

(Easy Guitar with Notes and Tab). By Various. Easy Guitar. Softcover. Guitar tablature. 144 pages

For String Quartet. By Steven Stucky. String quartet. For Violin, Violin II, Viola, Cello. First performance by the Cuarteto Latinoamericano in Pittsburgh on Febuary 12, 2000. Classical. Score and parts. Composed 2000. 32 pages. Duration 17:00. Published by Theodore Presser Company.

(33 Works by 25 Composers from the 20th and 21st Centuries). By Various. For Piano. Piano Collection. 240 pages. Published by G. Schirmer

(Cuarteto Latinoamericano Para Cuarteto De Saxofones). By Aldemaro Romero. Score and Set of parts. Duration 13'30

Guitar

SKU: GI.G-9501G

Send Out Your Spirit. Composed by Chris De Silva. This edition: Guitar edition. Pentecost Vigil, Pentecost. Sacred. Guitar part. With guitar chord names. GIA Publications #9501G. Published by GIA Publications (GI.G-9501G).

UPC: 785147950172. Spanish. Text Source: Psalm 104:1ab and 24ac, 29bc–30, 31 and 34, La Biblia Latinoamericana

SAB choir, cantor, voice solo, assembly, keyboard accompaniment, C instrument, cello, guitar - Beginning

SKU: GI.G-9501

Send Out Your Spirit. Composed by Chris De Silva. Pentecost Vigil, Pentecost. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9501. Published by GIA Publications (GI.G-9501).

UPC: 785147950103. Spanish. Text Source: Psalm 104:1ab and 24ac, 29bc-30, 31 and 34, La Biblia Latinoamericana Scripture: Psalm 103:1ab, 24ac, 29bc–30, 31, 34.

For cantor or soloist.

Fanfare (Full Score) - Grade 3

SKU: HL.44012387

Composed by John Williams. Arranged by Jan de Haan. De Haske Concert Band. Festive and Solemn Music. Softcover. Composed 1994. De Haske Publications #0940599-120. Published by De Haske Publications (HL.44012387).

Met Schindler's List, een film over het leven van Oskar Schindler, een Duits industrieel die in de Tweede Wereldoorlog met de inzet van al zijn financiele middelen meer dan 1100 Joden redde van de dood in Auschwitz, schreefregisseur Steven Spielberg filmgeschiedenis. De muziek bij deze - in Amerika met maar liefst zeven Oscars bekroonde - film werd geschreven door John Williams, de componist met wie Spielberg in het verleden al meer succesvolle productiesmaakte (onder andere Indiana Jones, Jawa, E.T. en Jurassic Park). Jan de Haan maakte een inspirerende bewerking van het pakkende thema uit Schindler's List.

Die verbluffend leidenschaftlichen Melodien aus John Williams Musik zum Film Schindlers Liste flossen in dieses Arrangement ein, das Musiker und Publikum gefangen nehmen wird. Die herrlich einfachen Melodien spiegeln sowohl die Traurigkeit als auch die Hoffnung, um die es in Spielbergs Film geht, wider. Bewegend und mitreissend!

Avec cinq Oscars, trois British Awards decernes par l'industrie cinematographique britannique, trois Golden Globes, quatre Emmy Awards, dix-huit Grammy Awards, d'innombrables disques d'or et de platine, John Williams (1932) est le plus celebre et le plus accompli de tous les compositeurs de musiques de film. Composant dans le style classique et possedant une fibre melodique immensement riche, il seduit par la brillance orchestrale et la beaute lyrique de ses œuvres. Son nom est indissociable de celui du cineaste americain Steven Spielberg. C'est pour lui qu'il a compose le plus de bandes originales, parmi lesquelles E.T., Indiana Jones, Jurassic Park, Il faut sauver lesoldat Ryan, et la sublime bande originale du film La Liste de Schindler pour laquelle il recoit un Oscar en 1994.

Fanfare - Grade 3

SKU: HL.44002283

Composed by John Williams. Arranged by Jan de Haan. De Haske Concert Band. Festive and Solemn Music. Set (Score & Parts). Composed 1994. Hal Leonard #940599. Published by Hal Leonard (HL.44002283).

UPC: 073999280272. 6.75x10.5 inches.

Met Schindler's List, een film over het leven van Oskar Schindler, een Duits industrieel die in de Tweede Wereldoorlog met de inzet van al zijn financiele middelen meer dan 1100 Joden redde van de dood in Auschwitz, schreefregisseur Steven Spielberg filmgeschiedenis. De muziek bij deze - in Amerika met maar liefst zeven Oscars bekroonde - film werd geschreven door John Williams, de componist met wie Spielberg in het verleden al meer succesvolle productiesmaakte (onder andere Indiana Jones, Jawa, E.T. en Jurassic Park). Jan de Haan maakte een inspirerende bewerking van het pakkende thema uit Schindler's List.

Die verbluffend leidenschaftlichen Melodien aus John Williams Musik zum Film Schindlers Liste flossen in dieses Arrangement ein, das Musiker und Publikum gefangen nehmen wird. Die herrlich einfachen Melodien spiegeln sowohl die Traurigkeit als auch die Hoffnung, um die es in Spielbergs Film geht, wider. Bewegend und mitreissend!

Avec cinq Oscars, trois British Awards decernes par l'industrie cinematographique britannique, trois Golden Globes, quatre Emmy Awards, dix-huit Grammy Awards, d'innombrables disques d'or et de platine, John Williams (1932) est le plus celebre et le plus accompli de tous les compositeurs de musiques de film. Composant dans le style classique et possedant une fibre melodique immensement riche, il seduit par la brillance orchestrale et la beaute lyrique de ses œuvres. Son nom est indissociable de celui du cineaste americain Steven Spielberg. C'est pour lui qu'il a compose le plus de bandes originales, parmi lesquelles E.T., Indiana Jones, Jurassic Park, Il faut sauver lesoldat Ryan, et la sublime bande originale du film La Liste de Schindler pour laquelle il recoit un Oscar en 1994.

Fanfare (Score & Parts) - Grade 3

SKU: HL.44012386

Composed by John Williams. Arranged by Jan de Haan. De Haske Concert Band. Festive and Solemn Music. Softcover. Composed 1994. De Haske Publications #0940599-020. Published by De Haske Publications (HL.44012386).

8.25x11.75x0.315 inches.

Met Schindler's List, een film over het leven van Oskar Schindler, een Duits industrieel die in de Tweede Wereldoorlog met de inzet van al zijn financiele middelen meer dan 1100 Joden redde van de dood in Auschwitz, schreefregisseur Steven Spielberg filmgeschiedenis. De muziek bij deze - in Amerika met maar liefst zeven Oscars bekroonde - film werd geschreven door John Williams, de componist met wie Spielberg in het verleden al meer succesvolle productiesmaakte (onder andere Indiana Jones, Jawa, E.T. en Jurassic Park). Jan de Haan maakte een inspirerende bewerking van het pakkende thema uit Schindler's List.

Die verbluffend leidenschaftlichen Melodien aus John Williams Musik zum Film Schindlers Liste flossen in dieses Arrangement ein, das Musiker und Publikum gefangen nehmen wird. Die herrlich einfachen Melodien spiegeln sowohl die Traurigkeit als auch die Hoffnung, um die es in Spielbergs Film geht, wider. Bewegend und mitreissend!

Avec cinq Oscars, trois British Awards decernes par l'industrie cinematographique britannique, trois Golden Globes, quatre Emmy Awards, dix-huit Grammy Awards, d'innombrables disques d'or et de platine, John Williams (1932) est le plus celebre et le plus accompli de tous les compositeurs de musiques de film. Composant dans le style classique et possedant une fibre melodique immensement riche, il seduit par la brillance orchestrale et la beaute lyrique de ses œuvres. Son nom est indissociable de celui du cineaste americain Steven Spielberg. C'est pour lui qu'il a compose le plus de bandes originales, parmi lesquelles E.T., Indiana Jones, Jurassic Park, Il faut sauver lesoldat Ryan, et la sublime bande originale du film La Liste de Schindler pour laquelle il recoit un Oscar en 1994.