Singapore Rhapsody Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 2.5 SKU: BT.DHP-1043758-020 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1043758-020
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Set (Score
& Parts). Composed 2004.
De Haske Publications
#DHP 1043758-020.
Published by De Haske
Publications
(BT.DHP-1043758-020).
9x12 inches.
English-German-French-Dut
ch.
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means
“The swaying of the
watercress,†Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’),
Katang Lompat
(over de symboliek van de
kikker) en Kenek
kenek-lah Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei
Sätzen, die auf
malaysischen Volksliedern
basieren: zwei
Liebeslieder, ein Lied
über die Freundschaft,
zwei Lieder über die
Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapore, la
citt del leone, è uno
dei più importanti
crocevia
dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a
quelle occidentali. La
musica tradizionale è
l’immagine delle
molte etnie di questa
citt -stato. I due
movimenti di questa
composizione si ispirano
a canti tradizionali
della Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in
oriente, descrivono
animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1043758-120 Composed by Jacob De Haa...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1043758-120
Composed by Jacob De
Haan. Performance Series.
Concert Piece. Score
Only. Composed 2004. 36
pages. De Haske
Publications #DHP
1043758-120. Published by
De Haske Publications
(BT.DHP-1043758-120).
9x12 inches.
English-German-French-Dut
ch.
Singapore
Rhapsody is an exciting
work in two movements
based on popular
Malaysian folksongs. The
songs that occur in the
first movement are Rasa
Sayang eh (a love song),
Gelang Sipaku Gelang (a
song about community
spirit), Suriram (a song
about a girl proclaiming
her virtues) and
Di-Tanjung Katong (a love
song that takes place at
the Cape Katong on the
southeast coast of
Singapore). The second
movement features
Lenggang Kangkung, which
literally means
“The swaying of the
watercress,†Katang
Lompat (a moralistic song
about the symbolism of
the frog) and finally
Kenek kenek-lah Udang (a
wedding song). Each
movement of this
enchanting work can be
performed separately but
acomplete performance
will be the crowning
moment of any concert.
Dit tweedelige
werk is gebaseerd op
populaire Maleisische
volksliedjes. De liedjes
uit het eerste deel zijn
Rasa Sayang eh
(een liefdesliedje),
Gelang Sipaku
Gelang (een liedje
over gemeenschapszin),
Suriram (overeen
meisje dat haar eeuwige
vriendschap aanbiedt) en
Di-Tanjung Katong
(een liefdeslied dat zich
afspeelt aan de
zuidoostkust van
Singapore). Deel twee
bestaat uit Lenggang
Kangkung (letterlijk
‘het zwaaien vande
waterkers’),
Katang Lompat
(over de symboliek van de
kikker) en Kenek
kenek-lah Udang (een
bruiloftslied). De twee
delen van Singapore
Rhapsody kunnen prima
los van elkaar worden
uitgevoerd.
Jacob
de Haans Komposition
besteht aus zwei
Sätzen, die auf
malaysischen Volksliedern
basieren: zwei
Liebeslieder, ein Lied
über die Freundschaft,
zwei Lieder über die
Natur sowie ein
Hochzeitslied. Die beiden
Sätze von Singapore
Rhapsody sind nicht
untrennbar miteinander
verbunden; sie können
daher auch problemlos
getrennt voneinander
aufgeführt werden.
Bringen Sie mit dieser
Rhapsodie etwas Exotik in
Ihr nächstes Konzert!
Singapore, la
citt del leone, è uno
dei più importanti
crocevia
dell’Asia.
Singapore mischia
abilmente le culture
provenienti dalla Cina,
dalla Malesia,
dall’India a
quelle occidentali. La
musica tradizionale è
l’immagine delle
molte etnie di questa
citt -stato. I due
movimenti di questa
composizione si ispirano
a canti tradizionali
della Malesia. Il primo
movimento sviluppa
quattro canti
tradizionali di carattere
contrastante e
contrastato. Il secondo
movimento è basato sui
canti Lenggang Kangkung e
Katang Lompat, che, come
d’abitudine in
oriente, descrivono
animali e
l’ambiente in cui
vivono legandoli a
simbolismi, e un canto
tradizionale in occasione
di matrimoni. I
duemovimenti di questa
rapsodia non sono legati
tra loro, rendendo
possibile eseguirli
separatamente.
Marchissimo Fanfare [Conducteur et Parties séparées] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-062-020 Composed by Philip Sparke. Cer...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-062-020
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 062-020.
Published by Anglo Music
Press (BT.AMP-062-020).
English-German-French-
Dutch.
Marchissimo
will make a fantastic
opening piece for any
concert. It does however
come with a twist! It can
be played simply as
written, but is really
designed to be
‘staged’
with players coming on
the concert platform one
by one as they begin to
play. The piece actually
consists of three marches
in one, each of which
highlights a section of
the band. The piece
culminates in a final
climax where all three
march themes are played
simultaneously.
Marchi
ssimo wurde als
Eröffnung eines
Konzerts geschrieben, da
es einem Spieler nach dem
Anderen Gelegenheit gibt,
auf die Bühne zu
treten. Im ersten Satz
treten erst die
Schlaginstrumente,
zusammen mit
Pikkoloflöte,
Bassklarinette, Euphonium
und Tuba auf. Im zweiten
Satz kommen Posaune,
Flöte, Klarinette und
schließlich Saxophon
hinzu. Im dritten Satz
komplettieren die
Hörner das
Blasorchester, welches im
fulminanten Schluss die
Themen aller drei
Sätze noch einmal
aufnimmt. Mit
Marchissimo ist
ein wirkungsvoller
Auftritt
garantiert!
Marchissimo Fanfare [Conducteur] - Facile Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-062-120 Composed by Philip Sparke. Cer...(+)
Fanfare Band - Grade 3
SKU:
BT.AMP-062-120
Composed by Philip
Sparke. Ceremonial
Series. Opening Pieces.
Score Only. Composed
2003. Anglo Music Press
#AMP 062-120. Published
by Anglo Music Press
(BT.AMP-062-120).
English-German-French-
Dutch.
Marchissimo
will make a fantastic
opening piece for any
concert. It does however
come with a twist! It can
be played simply as
written, but is really
designed to be
‘staged’
with players coming on
the concert platform one
by one as they begin to
play. The piece actually
consists of three marches
in one, each of which
highlights a section of
the band. The piece
culminates in a final
climax where all three
march themes are played
simultaneously.
Marchi
ssimo wurde als
Eröffnung eines
Konzerts geschrieben, da
es einem Spieler nach dem
Anderen Gelegenheit gibt,
auf die Bühne zu
treten. Im ersten Satz
treten erst die
Schlaginstrumente,
zusammen mit
Pikkoloflöte,
Bassklarinette, Euphonium
und Tuba auf. Im zweiten
Satz kommen Posaune,
Flöte, Klarinette und
schließlich Saxophon
hinzu. Im dritten Satz
komplettieren die
Hörner das
Blasorchester, welches im
fulminanten Schluss die
Themen aller drei
Sätze noch einmal
aufnimmt. Mit
Marchissimo ist
ein wirkungsvoller
Auftritt
garantiert!
Rikudim Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0860039-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-0860039-140
Composed by Jan Van der
Roost. Inspiration
Series. Concert Piece.
Score Only. Composed
1986. 32 pages. De Haske
Publications #DHP
0860039-140. Published by
De Haske Publications
(BT.DHP-0860039-140).
Rikudim (Hebrew
for Dances) is a
four-part dance suite
based on Jewish music. By
using eastern intervals
and irregular time
changes, the composer
succeeds in creating a
slightly melancholy but
specifically Jewish
flavored piece.Dur:
9:40
Die
vierteilige Suite
Rikudim
(hebräisch für
’Tanzen‘)
besteht aus von der
jüdischen Musik
inspirierten Tänzen.
Durch den Gebrauch von
orientalisch anmutenden
Tonintervallen und
unregelmäßigen
Taktarten ist es dem
Komponisten gelungen, in
dieser Musik einerseits
einen Hauch Melancholie,
andererseits spezifisch
jüdische Elemente
miteinander zu
verschmelzen. Die
deutlich bestimmten
Themen und die bisweilen
sehr überraschenden
und natürlichen
Harmonien bewirken, dass
diese stilisierten
Volkstänze ihre
Botschaft sehr direkt
vermitteln.
Arranged by Sandra Dackow. Performance Music Ensemble; Single Titles; String Orc...(+)
Arranged by Sandra
Dackow. Performance Music
Ensemble; Single Titles;
String Orchestra.
Orchestra Expressions.
Folk. Score. 12 pages.
Duration 1:30. Alfred
Music #00-45825S.
Published by Alfred Music
(AP.45825S).
Like a Child Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 3 SKU: BT.GOB-000752-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.GOB-000752-140
Composed by Andreas
Ludwig Schulte. Score
Only. Gobelin Music
Publications #GOB
000752-140. Published by
Gobelin Music
Publications
(BT.GOB-000752-140).
The young have
the future. This is the
statement made at the
beginning of ‘Like
a Child’ by
Andreas Ludwig
Schulte. The opening
radiates strength and
ambition, but one is also
made to wonder which
direction will be chosen,
which choices will have
to be made. After the
introduction the first
steps on the path of life
are taken, still somewhat
unsteadily (the 3/4th
time used illustrates
this uncertainty).
However, the child has
now set off and will meet
the future with an open
mind, unafraid, even
though experience will
teach it how easily it
can be
hurt. Fortunately, it
is sometimes allowed to
be vulnerable and it
discovers there will
always be someone to
offer shelter,support and
love. (Adagio) The
last part breathes a far
greater independence.
Youth is able to face the
future, it can even take
on the whole world!
Wie de jeugd
heeft, heeft de toekomst.
Met dit statement begint
deze compositie van
Andreas Ludwig Schulte.
Het begin straalt
kracht en ambitie uit.
Maar welke kant gaat het
op, welke keuzes moeten
gemaakt worden? Na de
inleidingworden de eerste
schreden op het levenspad
gezet, het is nog wat
onzeker (de driekwarts
maat voelt een beetje
wankel). Toch gaan we
daarna op pad,
onbevangen, met open
vizier de toekomst
tegemoet al blijken er
toch noch
kwetsbaremomenten te
bestaan. Gelukkig
mogen we dat soms ook
zijn en dan is er altijd
wel iemand bij wie we
geborgenheid, steun en
liefde ontvangen.
(Adagio) Het laatste
deel straalt al veel meer
zelfstandigheid uit. Laat
maarkomen die toekomst,
we kunnen de wereld
aan!
The Golden Age Fanfare [Conducteur et Parties séparées] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-020 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-020
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-020. Published by
De Haske Publications
(BT.DHP-1064079-020).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
The Golden Age Fanfare [Conducteur] - Facile De Haske Publications
Fanfare Band - Grade 3 SKU: BT.DHP-1064079-120 Composed by Kees Schoonenb...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1064079-120
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-120. Published by
De Haske Publications
(BT.DHP-1064079-120).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Three Little Pop Tunes Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0960695-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0960695-015
Composed by Dizzy
Stratford. De Haske Easy
Band Series. Set (Score &
Parts). Composed 1996. De
Haske Publications #DHP
0960695-015. Published by
De Haske Publications
(BT.DHP-0960695-015).
Great melodies
in a versatile context.
One of the most performed
pieces of Dizzy Stratford
of all time!
Dizzy Stattford
schreef Three Little
Pop Tunes als vervolg
op de zo succesvolle
Easy Pop Suite. De
titel geeft het al aan:
het werk bestaat uit drie
korte delen, te weten
Sunny Day,
Tragic Story en
DaltonSka. Deze
populaire muziek wordt
door jong en oud zeer
gewaardeerd.
Die
Drei kleinen Popmelodien
von Dizzy Stratford
eignen sich ideal für
Jugendorchester und
unvollständig besetzte
Blasorchester. Die drei
Sätze geben dem
Ensemble die
Möglichkeit, Jung und
Alt mit populärer
Musik zu erfreuen.
Composed by Richard
Summers. Sws. Cps. Full
score. 24 pages. Duration
3 minutes, 40 seconds.
Carl Fischer Music
#CPS239F. Published by
Carl Fischer Music
(CF.CPS239F).
ISBN
9781491157848. UPC:
680160916443. 9 x 12
inches.
The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter. Syncopation
adds a modern, jazzy,
popular feel to this
exciting concert band
composition. Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and blend.
This adds a feeling of
baroque or renaissance
style to the texture. Yet
the melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The middle
3/4 section is slightly
slower featuring brass
and saxophones and played
legato. Then at the key
change, it becomes more
articulate and
contrapuntal. The a tempo
at m. 88 returns to the
original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated. The energy
and drive of this piece
uses simple time
signatures of 4/4 and 3/4
and mixes groups of three
notes and syncopation to
the rhythm and the
melody. There is also a
use of a musical term
called hemiola, when
groups of two beats are
replaced by groups of
three beats, creating a
shift between duple and
triple meter.Â
Syncopation adds a
modern, jazzy, popular
feel to this exciting
concert band
composition.Along with
syncopation and popular
influences are
countermelodies to the
main theme that are as
important as the melody
for balance and
blend. This adds a
feeling of baroque or
renaissance style to the
texture. Yet the
melodies, chords, and
structure are
recognizable and
enjoyable to listen to
and perform. The
middle 3/4 section is
slightly slower featuring
brass and saxophones and
played legato. Then at
the key change, it
becomes more articulate
and contrapuntal. The
a tempo at m. 88 returns
to the original thematic
material, differing
slightly from the
beginning, and the coda
has some added technical
and challenging woodwind
passages. The
cymbal/triangle part has
a lot of directions on
choking, hi-hat sound,
etc., that will add nice
color to the piece if
performed as
indicated.
For trombones and
band. Composed by
Harm Evers. Solo
Spectrum. March. Score
Only. Composed 2005. 20
pages. De Haske
Publications #DHP
1053784-140. Published by
De Haske Publications
(BT.DHP-1053784-140).
English-German-French-
Dutch.
In diesem
lustigen Stück von
Harm Evers stellen die
Posaunen die halb
gruseligen, halb
komischen Gesichter dar,
die zu Halloween aus
Kürbissen
(englisch 'pumpkins')
geschnitzt werden. Ein
leichter, lebhafter
Marsch 'mit einem
Augenzwinkern', der nicht
nur zu Halloween
für gute Stimmung
sorgt!
From Ancient Times Ensemble de cuivres [Conducteur] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1094715-130 Composed by Jan Van der Roos...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1094715-130
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2009. 84
pages. De Haske
Publications #DHP
1094715-130. Published by
De Haske Publications
(BT.DHP-1094715-130).
9x12 inches.
English-German-French-Dut
ch.
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly ‘ancient
times’ while the
tonal language is of a
much more modern nature!
From Ancient
Times ist nach drei
früheren großen
Werken für Brass Band
ein Meilenstein in Jan
Van der Roosts Oeuvre,
das vor allem von der
Musik aus der Zeit der
flämischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
ältere Musik
zurückgegriffen:
Grundlage dieses
großartigen Werkes
sind wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
From Ancient Times Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire/avancé De Haske Publications
Brass Band - Grade 6 SKU: BT.DHP-1094715-030 Composed by Jan Van der Roos...(+)
Brass Band - Grade 6
SKU:
BT.DHP-1094715-030
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2009.
De Haske Publications
#DHP 1094715-030.
Published by De Haske
Publications
(BT.DHP-1094715-030).
9x12 inches.
English-German-French-Dut
ch.
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly ‘ancient
times’ while the
tonal language is of a
much more modern nature!
From Ancient
Times ist nach drei
früheren großen
Werken für Brass Band
ein Meilenstein in Jan
Van der Roosts Oeuvre,
das vor allem von der
Musik aus der Zeit der
flämischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
ältere Musik
zurückgegriffen:
Grundlage dieses
großartigen Werkes
sind wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.
Concert Band; Orchestra
2.1.1.1: 2.1.00: Pno: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929201
Arranged by Reynaldo Hahn
and ed./arr. R. Mark
Rogers. Full Orchestra.
Kalmus Masterworks
Library. Masterwork.
Score. LudwigMasters
Publications #36-A929201.
Published by
LudwigMasters
Publications
(AP.36-A929201).
ISBN
9781638875185. UPC:
735816238636.
English.
Born in
Venezuela, but raised in
Paris, Reynaldo Hahn
(1874-1947) was drawn
early in life to
fashionable salons,
singing his own songs
from the piano. There he
mingled with such
luminaries as Mallarme
and Proust, the latter
with whom he formed an
amorous relationship.
After the first world
war, he accepted an
appointment of voice
teaching at the École
normale de music de
Paris. His colleagues
included Nadia Boulanger,
Pablo Casals, and Jacques
Thibaud. One of many
musical works he composed
for the stage during this
time, Mozart, a musical
comedy (comédie
musicale) in 3 Acts, IRH
52, premiered at the
Theatre Edouard VII in
Paris on December 2,
1925. The libretto was
written by Sacha Guitry
for their first of two
collaborations. The
Mozart Overture, here
edited by R. Mark Rogers,
serves as a vibrant
introduction to this
underrepresented work.
Instrumentation: 2.1.1.1:
2.1.00: Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra
2.1.1.1: 2.1.00: Pno: Str
(9-8-7-6-5 in set)
SKU: AP.36-A929290
Arranged by Reynaldo Hahn
and ed./arr. R. Mark
Rogers. Full Orchestra.
Kalmus Masterworks
Library. Masterwork.
Score and Part(s).
LudwigMasters
Publications #36-A929290.
Published by
LudwigMasters
Publications
(AP.36-A929290).
UPC:
735816238247.
English.
Born in
Venezuela, but raised in
Paris, Reynaldo Hahn
(1874-1947) was drawn
early in life to
fashionable salons,
singing his own songs
from the piano. There he
mingled with such
luminaries as Mallarme
and Proust, the latter
with whom he formed an
amorous relationship.
After the first world
war, he accepted an
appointment of voice
teaching at the École
normale de music de
Paris. His colleagues
included Nadia Boulanger,
Pablo Casals, and Jacques
Thibaud. One of many
musical works he composed
for the stage during this
time, Mozart, a musical
comedy (comédie
musicale) in 3 Acts, IRH
52, premiered at the
Theatre Edouard VII in
Paris on December 2,
1925. The libretto was
written by Sacha Guitry
for their first of two
collaborations. The
Mozart Overture, here
edited by R. Mark Rogers,
serves as a vibrant
introduction to this
underrepresented work.
Instrumentation: 2.1.1.1:
2.1.00: Pno: Str
(9-8-7-6-5 in set).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Brass Band (Score & Parts) - Grade 6 SKU: HL.44012724 Composed by Jan Van...(+)
Brass Band (Score &
Parts) - Grade 6
SKU:
HL.44012724
Composed
by Jan Van der Roost. De
Haske Brass Band. Concert
Piece. Softcover.
Composed 2009. De Haske
Publications #1094715030.
Published by De Haske
Publications
(HL.44012724).
9x12
inches.
English-German-French-Dut
ch.
From Ancient
Times is a major work
for brass band, inspired
largely by the music of
the Franco-Flemish School
of the Renaissance. Hints
of Gregorian chant and
middle age dances pay
tribute to music from
even earlier times. The
foundation of this
spectacular work rests on
truly 'ancient times'
while the tonal language
is of a much more modern
nature!
From
Ancient Times ist
nach drei fruheren
grossen Werken fur Brass
Band ein Meilenstein in
Jan Van der Roosts
Oeuvre, das vor allem von
der Musik aus der Zeit
der flamischen
Vokalpolyphonie
inspiriert ist. Mit
gregorianischen
Reminiszenzen und einem
mittelalterlichen Tanz
wird jedoch auch auf noch
altere Musik
zuruckgegriffen:
Grundlage dieses
grossartigen Werkes sind
wahrlich alte Zeiten
(ancient times), die
Tonsprache hingegen ist
vorwiegend modern.