By Frank Ticheli. Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor Full Score. Duration 11:10. Published by Manhattan Beach Music.

(Movement 1 from the Vaughan Williams Suite) By Robert W. Smith. Conductor's score and set of performance parts for concert band (3 - 1st flute, 3 - 2nd flute, 1 - 1st oboe, 1 - 2nd oboe, 2 - bassoon, 3 - 1st clarinet, 3 - 2nd clarinet, 3 - 3rd clarinet, 1 - alto clarinet, 2 - bass clarinet, 1 - contralto clarinet, 2 - 1st alto saxophone, 2 - 2nd alto saxophone, 1 - tenor saxophone, 1 - baritone saxophone, 3 - 1st trumpet, 3 - 2nd trumpet, 3 - 3rd trumpet, 2 - 1st horn in F, 2 - 2nd horn in F, 2 - 1st trombone, 2 - 2nd trombone, 2 - 3rd trombone, 2 - euphonium, 1 - baritone (treble clef), 4 - tuba, 3 - mallet percussion, 1 - timpani, 4 - percussion I, 2 - per

SSATB vocal soli, SSAATTBB choir, 2 flute, 3 oboe/2 oboe d'amore, 2 bassoon, horn, 3 trumpet, timpani, 2 violin, viola, basso continuo

SKU: CA.3123249

Composed by Johann Sebastian Bach. Edited by Ulrich Leisinger. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Carus sheet music series: Vocal scores XL. Organ. Innovative practice aids, Masses, Latin, Lent and Passiontide. Single Part, Organ. BWV 232. 72 pages. Duration 100 minutes. Carus Verlag #CV 31.232/49. Published by Carus Verlag (CA.3123249).

ISBN 9790007211042. Language: Latin.

Bach's B minor Mass is among the greatest and most ambitious works of all time. The various stages of composition of the Mass occupied the composer for over two decades: beginning with the Sanctus (1724), by way of the Missa of 1733, to the remaining movements of the Ordinary, which were composed during his last years. Thus the Mass, in its wealth of forms with arias, duets, as well as concertante and fugal choruses, displays the essence of Bach's skill and personal style. The greatest musical work of art of all times and all peoples (to quote the enthusiastic Hans Georg Nageli, who first edited the Mass in 1818) and one of the most demanding choral works in the repertoire is presented by Frieder Bernius, the Kammerchor Stuttgart and the Barockorchester Stuttgart in a stellar recording based on the principles of historical performance practice (Carus 83.211). Awarded the Gramophone - Editor's Choice. Score and part available separately - see item CA.3123200.

Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more.

SKU: PR.416415150

Composed by Behzad Ranjbaran. Spiral. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Study Score. With Standard notation. Composed 2013. 126+126 pages. Duration 28 minutes. Theodore Presser Company #416-41515. Published by Theodore Presser Company (PR.416415150).

ISBN 9781598069020. UPC: 680160621743. 9 x 12 inches.

Inspired by the alluring, human-like sound of the Ney (a Persian bamboo flute), Ranjbaran aims not only to highlight the modern flutist’s ability to play agile and brilliant passages, but also to emulate the delicate sound of the Ney, particularly in extended solo passages. The three-movement 27-minute concerto was commissioned by the Philadelphia Orchestra for its principal flutist Jeffrey Khaner. The piano reduction (published separately) was designed by the composer to be practical in recital performances. CONCERTO for Flute and Orchestra has been recorded for Naxos by Érik Gratton with the Nashville Symphony conducted by Giancarlo Guerrero.
The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.

Composed by David R. Gillingham. For concert band (Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, Bassoon 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Contralto Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, ). Grade 5. Score and parts. Duration 9:00. Published by C. Alan Publications

(Piano/Conductor, Oboe). Arranged by Michael Story. For Piano/Conductor, Oboe. Duet or Duo; Mixed Instruments - Flexible Instrumentation. Instrumental Ensembles for All. Movie. Book. 24 pages

Bass voice solo or baritone voice solo, SATB choir, flute (recorder), oboe, bassoon, 2 violins, viola and basso continuo

SKU: CA.3911313

Kantate zum 22. Sonntag nach Trinitatis. Composed by Georg Philipp Telemann. TVWV 1:1724. Viola. Sacred vocal music, Trinity. Single Part, Viola. TVWV 1:1724. 2 pages. Duration 15 minutes. Carus Verlag #CV 39.113/13. Published by Carus Verlag (CA.3911313).

ISBN 9790007215514. Language: German.

A solo cantata for bass-baritone (B-f1), whose two recitatives and arias are framed with two chorale verses sung by the choir. Particularly beautiful is the first aria, accompanied by flute, oboe and basoon. The flute part can be also be performed by an alto recorder. Score and part available separately - see item CA.3911300.

Second Movement - Full Score and Parts. By Howard Hanson. Arranged by Norman A. Goldberg. Concert band/stage band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Clarinet III, Clarinet IV, Alto Clarinet, Bass Clarinet, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Cornet I, Cornet II, Trumpet I, Trumpet II, Tenor I, Tenor II, Tenor III, Euphonium, Tuba, Double Bass, Timpani, Harp, Snare Drum. Score and parts. 20 pages. Published by Carl Fischer.

Clarinet trio - Grade 3

SKU: CL.110-0123-08

Composed by F. McKay. Ensemble. Composed 1958. Duration 3 minutes, 30 seconds. C.L. Barnhouse #110-0123-08. Published by C.L. Barnhouse (CL.110-0123-08).

This trio is a joy to play! Take a look to see if it reaches Sunny Point by the end. Instrumentation options: Part 1: Flute, Oboe, Bb Clarinet Part 2: Oboe, Bb Clarinet Part 3: Bb Clarinet, Bb Bass Clarinet, Tenor Saxophone, Bassoon, Eb Alto Clarinet, Eb Alto Saxophone.

Solo tenor voice, SATB choir, flute, oboe d'amore (oboe), 2 violins, viola, basso continuo

SKU: CA.3105511

Cantata for the 22nd Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Felix Loy. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich armer Mensch, ich Sundenknecht. Sacred vocal music, End of the church year. Single Part, Violin 1. Composed 1726. BWV 55. 4 pages. Duration 15 minutes. Carus Verlag #CV 31.055/11. Published by Carus Verlag (CA.3105511).

ISBN 9790007206444. Language: German/English.

Sco re and part available separately - see item CA.3105500.

(Full Score). Composed by Tommy J. Fry. Concert Band. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Clarinet III, Alto Clarinet, Bass Clarinet, Contra Alto Clarinet, Bassoon I, Bassoon II, Alto Saxophone I, Alto Saxophone II, Tenor Saxophone, Baritone Saxophone, Trumpet I, Trumpet II,. Carl Fischer Classic Band Editions. Full Score. Standard notation. 30 pages. Published by Carl Fischer

SAB choir, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, guitar - Beginning

SKU: GI.G-6846

Composed by Liam Lawton. Arranged by Gary Fry. Lent. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #6846. Published by GIA Publications (GI.G-6846).

UPC: 785147684602. English. Text by Liam Lawton.

A stirring anthem for all pilgrims who journey through this life. Can be accompanied with obbligato instruments, including flute, oboe and brass.

Concert Band Bass, Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Contrabass Clarinet, Cornet, Cymbal, Flute 1, Flute 2, Horn, Oboe 1, Oboe 2, Organ, Piccolo, Snare Drum, Timpani, Trombone, alto Clarinet, alto Saxophone, baritone Saxophone and more.

SKU: PR.115400980

Composed by Charles Francois Gounod. Arranged by John Cacavas. Score and Set of Parts. With Standard notation. Theodore Presser Company #115-40098. Published by Theodore Presser Company (PR.115400980).

UPC: 680160018628. Key: Eb major.

(For Orchestra - Study Score). By George Perle (1915-). Orchestra. For Piccolo, Flute I, Flute II, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Bass Clarinet, Bassoon I, Bassoon II, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet in full score (study)

Oboe 1 Orchestra

SKU: HL.49004422

Oboe 1 Part. Composed by George Frideric Handel. Edited by Helmuth Walcha. Sheet music. Edition Schott. Classical. Individual part. Op. 7/5. 12 pages. Duration 13'. Schott Music #ED 3836-11. Published by Schott Music (HL.49004422).

ISBN 9790001045919.

(Timpani Feature). By Gordon Jacob (1895-1986). For Soloist(s) with Concert Band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, 1st F Hor). Band Music. Grade 4.5. Score and parts. Duration 12:30. Published by C. Alan Publications

Flute and orchestra (ST KPL)

SKU: HL.49027808

Composed by Francois Devienne. Sheet music. Edition Schott. Wind parts, Oboe I, Oboe II, Horn I, Horn II. 46 pages. Schott Music #CON42-10. Published by Schott Music (HL.49027808).

Composed by Michael W. Smith / Wayne Kirkpatrick. Arranged by Lloyd Larson. For SSA choir. Christmas, Assurance. Octavo. Published by Hope Publishing Company

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Cello, Clarinet, Double Bass, English Horn, Flute, Horn 1, Horn 2, Oboe 1, Oboe 2, Piano, Piccolo, Viola, Violin 1, Violin 2

SKU: PR.44641239L

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 18 minutes, 30 seconds. Theodore Presser Company #446-41239L. Published by Theodore Presser Company (PR.44641239L).

UPC: 680160573882.

(For Orchestra - Full Score). By Elie Siegmeister (1909-1991). Orchestra. For Flute I, Flute II, Piccolo, Oboe I, Oboe II, English Horn, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Trumpet I, Trumpet II, Trumpet III, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Percussion, Piano, Violin I, Violin II, . Full score (large). Standard notation. 63 pages. Published by Carl Fischer

Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more.

SKU: PR.41641515L

Composed by Behzad Ranjbaran. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 28 minutes. Theodore Presser Company #416-41515L. Published by Theodore Presser Company (PR.41641515L).

UPC: 680160621750.

The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice. In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions. In writing my flute concerto, I aimed not only to highlight the modern flautist's ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages. Two prominent characters permeate the first movement of my concerto. They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively. The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra. Apart from these two characters there are moments of mystery, comedy and the grotesque, among others. In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors. The solo flute is left out in an agitated middle section that references the first movement. In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp. The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute. Some of the materials from the earlier movements are presented again with joyous character. The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.
The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.