(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Mixed Trios. By Various. Arranged by Daniel Kelley. For Flute or Oboe or Violin....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Flute or Oboe
or Violin. Trios. Music
for Three. Classical /
Baroque. Level:
Intermediate/Advanced.
Part 1. Published by Last
Resort Music Publishing.
Composed by Johann Sebastian Bach (1685-1750), edited by Ludwig Landshoff. BWV 1...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Ludwig Landshoff. BWV
1037, 1039, . Collection
and set of performance
parts for 2 violins,
cello (viola da gamba)
and cembalo (basso
conitnuo). With basso
continuo notation,
bowings and fingerings.
69 pages. Published by
C.F. Peters.
For 2 Violins and Basso. By Franz Joseph Haydn. Edited by Barry S. Brook. String...(+)
For 2 Violins and Basso.
By Franz Joseph Haydn.
Edited by Barry S. Brook.
String Duo and Trios.
Pages: Vl I Part = 18 *
Vl II Part = 18 * Basso
(Vc) Part = 17. Urtext
edition without
fingering-paper bound.
Published by G. Henle.
For 2 Violins and Basso (Violoncello). By Franz Joseph Haydn. Edited by B.C. Mac...(+)
For 2 Violins and Basso
(Violoncello). By Franz
Joseph Haydn. Edited by
B.C. Macintyre, B.S.
Brook. String Duo and
Trios. Pages: Vl I Part =
VI and 40 *,Vl II Part =
29 * Basso (Vc) Part =
26. Urtext edition
without fingering-paper
bound. Published by G.
Henle.
Violin - Grade 1.5 to 3 SKU: XC.SB2008 21 Quartets for Any Combination...(+)
Violin - Grade 1.5 to 3
SKU: XC.SB2008
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2008. Published by
Excelcia Music Publishing
(XC.SB2008).
ISBN
9781644020531. UPC:
812598035513. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).
Arranged by Deborah Greenblatt. String Trio. For cello 3. This edition: spiral-b...(+)
Arranged by Deborah
Greenblatt. String Trio.
For cello 3. This
edition: spiral-bound.
Trios for Strings. Part
book. 48 pages. Published
by Greenblatt & Seay
Trumpet SKU: HL.49007263 Composed by Michael Schmidt. This edition: Paper...(+)
Trumpet
SKU:
HL.49007263
Composed
by Michael Schmidt. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 128 pages.
Schott Music #ED 7464.
Published by Schott Music
(HL.49007263).
ISBN
9790001078047.
German.
Im 2. Band
werden mit Kapiteln uber
Zungentechnik,
Verzierung, Artikulation
und Chromatik die in Band
1 erworbenen Grundlagen
erweitert. Spezielle
Bindeubungen verhelfen
zur Steigerung der
Ausdauer und Hohe. Wie
jazzige Stucke zu blasen
sind, wird in einem
besonderen Kapitel
behandelt. Die Schule ist
sowohl fur den Einzel-
als auch fur den
Gruppenunterricht
geeignet.
Bassoon; French Horn; Oboe; Orchestra; Strings (Study Score) SKU: HL.49009780...(+)
Bassoon; French Horn;
Oboe; Orchestra; Strings
(Study Score)
SKU:
HL.49009780
Study
Score. Composed by
Johann Sebastian Bach.
Edited by Karin Stö
and ckl. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Baroque, Classical. Study
Score. 60 pages. Duration
11'. Eulenburg Edition
#ETP 280. Published by
Eulenburg Edition
(HL.49009780).
ISBN
9783795761967. UPC:
073999827217.
5.25x7.5x0.377
inches.
Preface *
Editorial Notes * II.
Adagio * III. Allegro *
IV. Menuet * Trio 1 *
Poloinesse * Trio 2 *
Appendix: Trio pour le
Cors de chasse.
Viola SKU: BR.OB-5293-19 Book 1. Composed by Wolfgang Amadeus Moza...(+)
Viola
SKU:
BR.OB-5293-19
Book
1. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 1-3. 12
pages. Breitkopf and
Haertel #OB 5293-19.
Published by Breitkopf
and Haertel
(BR.OB-5293-19).
ISBN
9790004337998. 9 x 12
inches.
I am
presently collecting the
fugues of Bach - not only
of sebastian, but also of
Emanuel and friedeman,
wrote Mozart to his
father in April 1782.
This could be a hint that
the Six Three-Part
Preludes and Fugues were
derived from this
collection: Mozart wrote
string-trio arrangements
of two preludes and five
fugues by Johann
Sebastian Bach, and of
one fugue by Wilhelm
Friedemann Bach. This
apparently plunged him
into such a creative mood
that he simply wrote the
missing preludes himself.
It is to Johann Nepomuk
David that we owe the
first edition of this
work, which introduced
this unique document to a
broad public for the
first time. The present
edition has retained
David's basic editorial
decision to adapt the
divergent passages of
Mozart's arrangement to
Bach's original music
text.Contents:No. 1 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier I, Fuga 8 in D#
minor BWV 853No. 2 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier II, Fuga 14 in F#
minor BWV 883No. 3 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier II, Fuga 13 in F#
major BWV 882.