Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

By Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big band. Swing. Medium-difficult. Score and parts. Published by Jazz Lines Publications

Organ, Choir - Medium - easy

SKU: JK.02046

Composed by Various. Arranged by Jackie Frost Halversen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #02046. Published by Jackman Music Corporation (JK.02046).

UPC: 093285020467.

This is the Organ Accompaniment book that is a companion to That All May Be Edified - Piano Accompaniment & Voice. This volume was carefully crafted by renowned arranger, Jackie Frost Halversen, to provide spiritually impactful musical numbers for sacred meetings with no preparation required of the singers. The congregation or choir simply sings unison melody as they attentively follow the conductor through each arrangement.


C ONTENTS INCLUDE:
A POOR WAYFARING MAN OF GRIEF
BE STILL, MY SOUL
BEHOLD THE GREAT REDEEMER DIE
GOD LOVED US, SO HE SENT HIS SON
JESUS, ONCE OF HUMBLE BIRTH
NEARER, MY GOD, TO THEE
OUR SAVIOR'S LOVE
WHERE CAN I TURN FOR PEACE?
This book is perfect for congregational and impromptu choir numbers, among many other musical settings. The accompanist(s) and music director do the necessary preparation to perform these arrangements and should each have their own book. The piano and organ accompaniments are mid-late intermediate in difficulty and are sold separately. The organ accompaniment part does not contain a vocal staff; only the piano/voice book contains lyrics and melodies.

These arrangements are also designed to be performed in a variety of musical scenarios. They may be performed by:
Congregation, choir, or vocal solo, with piano and/or organ accompaniment
Piano or organ solo (the hymn melodies are present throughout)
Piano/orga n duet
C instrument solo with Piano and/or organ accompaniment
#02043 - That All May Be Edified - Piano Accompaniment/Voice Book Available:

Compose r: Various
Arranger: Jackie Frost Halversen
Difficulty: Medium for accompanists; Easy for singers
Instachoir - Insta Choir - Instant Choir - Impromptu Choir - Enhanced Hymn Accompaniments.

By Many. Arranged by Compiled And Arranged By Brent Jorgensen. Text: Many. For Easy Songbook. Published by Jackman Music Corporation.
Level: Easy.

Piano, Choir - easy

SKU: JK.02043

Composed by Various. Arranged by Jackie Frost Halversen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #02043. Published by Jackman Music Corporation (JK.02043).

UPC: 093285020436.

This is the Piano Accompaniment; Voice book belonging to That All May Be Edified. The companion Organ Accompaniment book is sold separately. This volume was carefully crafted by renowned arranger, Jackie Frost Halversen, to provide spiritually impactful musical numbers for sacred meetings with no preparation required of the singers. The congregation or choir simply sings unison melody as they attentively follow the conductor through each arrangement.

CONTE NTS INCLUDE:
A POOR WAYFARING MAN OF GRIEF
BE STILL, MY SOUL
BEHOLD THE GREAT REDEEMER DIE
GOD LOVED US, SO HE SENT HIS SON
JESUS, ONCE OF HUMBLE BIRTH
NEARER, MY GOD, TO THEE
OUR SAVIOR'S LOVE
WHERE CAN I TURN FOR PEACE?
This book is perfect for congregational and impromptu choir numbers, among many other musical settings. The accompanist(s) and music director do the necessary preparation to perform these arrangements and should each have their own book. The piano and organ accompaniments are mid-late intermediate in difficulty and are sold separately. The organ accompaniment part does not contain a vocal staff; only the piano/voice book contains lyrics and melodies.
These arrangements are also designed to be performed in a variety of musical scenarios. They may be performed by:
Congregation, choir, or vocal solo, with piano and/or organ accompaniment
Piano or organ solo (the hymn melodies are present throughout)
Piano/orga n duet
C instrument solo with Piano and/or organ accompaniment
#02046 - That All May Be Edified - Organ Accompaniment Book Available

Composer : Various
Arranger: Jackie Frost Halversen
Difficulty: Medium for accompanists; Easy for singers


Instac hoir - Insta Choir - Instant Choir - Impromptu Choir - Enhanced Hymn Accompaniments.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.

Randy Newman. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Book. 100 pages. Published by Alfred Publishing.

(Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Love Somebody / I'm Gonna Make You Love Me / Love Can Build a Bridge / You Raise Me Up / The Greatest Love of All). Arranged by Greg Gilpin. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Pop Choral. Pop. Choral Octavo. 20 pages

Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Love Somebody / I'm Gonna Make You Love Me / Love Can Build a Bridge / You Raise Me Up / The Greatest Love of All. Arranged by Greg Gilpin. For Choir. (SSA). Choral Octavo. Pop Choral. Pop. Choral Octavo. 20 pages. Published by Alfred Publishing.

Featuring: When You Tell Me That You Love Me / When a Man Loves a Woman / To Love Somebody / I'm Gonna Make You Love Me / Love Can Build a Bridge / You Raise Me Up / The Greatest Love of All. Arranged by Greg Gilpin. For Choir. (SATB). Choral Octavo. Pop Choral. Pop. Choral Octavo. 20 pages. Published by Alfred Publishing.

Choral Children's choir, Piano

SKU: PR.312419260

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2:45. Theodore Presser Company #312-41926. Published by Theodore Presser Company (PR.312419260).

ISBN 9781491137901. UPC: 680160692590.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choral TTBB choir, piano

SKU: PR.312419270

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 8 pages. Duration 2 minutes. Theodore Presser Company #312-41927. Published by Theodore Presser Company (PR.312419270).

ISBN 9781491137918. UPC: 680160692606. English. Charles Mackay.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Choral SATB choir, piano

SKU: PR.312419280

From Terra Nostra. Composed by Stacy Garrop. Performance Score. 12 pages. Duration 5:30. Theodore Presser Company #312-41928. Published by Theodore Presser Company (PR.312419280).

ISBN 9781491137925. UPC: 680160692613.

Terra Nostra focuses on the relationship between our planet and mankind, how this relationship has shifted over time, and how we can re-establish a harmonious balance. The oratorio is divided into three parts:Part I: Creation of the World celebrates the birth and beauty of our planet. The oratorio begins with creation myths from India, North America, and Egypt that are integrated into the opening lines of Genesis from the Old Testament. The music surges forth from these creation stories into “God’s World” by Edna St. Vincent Millay, which describes the world in exuberant and vivid detail. Percy Bysshe Shelley’s “On thine own child” praises Mother Earth for her role bringing forth all life, while Walt Whitman sings a love song to the planet in “Smile O voluptuous cool-breathed earth!” Part I ends with “A Blade of Grass” in which Whitman muses how our planet has been spinning in the heavens for a very long time.Part II: The Rise of Humanity examines the achievements of mankind, particularly since the dawn of the Industrial Age. Lord Alfred Tennyson’s “Locksley Hall” sets an auspicious tone that mankind is on the verge of great discoveries. This is followed in short order by Charles Mackay’s “Railways 1846,” William Ernest Henley’s “A Song of Speed,” and John Gillespie Magee, Jr.’s “High Flight,” each of which celebrates a new milestone in technological achievement. In “Binsey Poplars,” Gerard Manley Hopkins takes note of the effect that these advances are having on the planet, with trees being brought down and landscapes forever changed. Percy Bysshe Shelley’s “A Dirge” concludes Part II with a warning that the planet is beginning to sound a grave alarm.Part III: Searching for Balance questions how we can create more awareness for our planet’s plight, re-establish a deeper connection to it, and find a balance for living within our planet’s resources. Three texts continue the earth’s plea that ended the previous section: Lord Byron’s “Darkness” speaks of a natural disaster (a volcano) that has blotted out the sun from humanity and the panic that ensues; contemporary poet Esther Iverem’s “Earth Screaming” gives voice to the modern issues of our changing climate; and William Wordsworth’s “The World Is Too Much With Us” warns us that we are almost out of time to change our course. Contemporary/agrarian poet Wendell Berry’s “The Want of Peace” speaks to us at the climax of the oratorio, reminding us that we can find harmony with the planet if we choose to live more simply, and to recall that we ourselves came from the earth. Two Walt Whitman texts (“A Child said, What is the grass?” and “There was a child went forth every day”) echo Berry’s thoughts, reminding us that we are of the earth, as is everything that we see on our planet. The oratorio concludes with a reprise of Whitman’s “A Blade of Grass” from Part I, this time interspersed with an additional Whitman text that sublimely states, “I bequeath myself to the dirt to grow from the grass I love…”My hope in writing this oratorio is to invite audience members to consider how we interact with our planet, and what we can each personally do to keep the planet going for future generations. We are the only stewards Earth has; what can we each do to leave her in better shape than we found her?

Mixed choir

SKU: FG.55011-743-3

By Aleksis Kivi, Edith Södergran, Siegfried Sassoon, Viljo Kajava, and Walt Whitman. By Alex Freeman. Classical, contemporary. Book. Fennica Gehrman #55011-743-3. Published by Fennica Gehrman (FG.55011-743-3).

ISBN 9790550117433.

Alex Freeman’s Under the arching heavens: A Requiem (2018) was commissioned by Nils Schweckendiek and the Helsinki Chamber Choir to commemorate the 100th anniversary of the 1918 Finnish civil war. Structured around the Latin liturgy of the mass for the dead, the work has a duration of more than an hour and also incorporates poems in Finnish, Swedish and English, reflecting both the specific reason for the commission and the universality of human suffering caused by war. In the non-liturgical texts chosen by Freeman, birds are a recurring image, as is that of a mother and child. The work ends with lines by Walt Whitman from a poem written in the aftermath of the American Civil War; lines described by the composer as ‘some of the most comforting poetry in the English language.’ Also included on the disc is A Wilderness of Sea, another recent choral piece which draws on works by Shakespeare, and the poet’s images of the sea, and of mankind’s relationship with it.

Contents:
I. Sydämeni laulu (Aleksis Kivi)
II. Requiem aeternam
III. Sequentia
Dies irae
Thrushes (Siegfried Sassoon)
(Rex tremendae)
Fientliga stjärnor (Edith Södergran)
(Inter oves)
IV. Sanctus
V. Mikä lienee se lintu ollut? (Viljo Kajava)
VI. Agnus Dei
VII. O Years and Graves! (Walt Whitman)

Duration: c. 67’.

Fake Book (Includes melody line and chords). Size 9x12 inches. 568 pages. Published by Hal Leonard.

By Greg Fishman. For saxophone duet. Play Along, Jazz. Book and 3 CDs. Published by Greg Fishman Jazz Studios.

By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Songbook. Published by Jackman Music Corporation.
Level: Easy.

By Various. Arranged by Robert Cundick / John Longhurst. Text: Many. For Choir. Choral. Level: Varied. Hymn Extender. Published by Jackman Music Corporation.

Piano

SKU: FG.55011-676-4

Composed by Juhani Nuorvala. Classical. Book. Fennica Gehrman #55011-676-4. Published by Fennica Gehrman (FG.55011-676-4).

Juhani Nuorvala (b. 1961) wrote The Five Chords That Shook My World (2020) for pianist Nicolas Horvath's Hommage a Glass project and it is dedicated to him. It's a fantasy meditation on the Train/Spaceship chords in Einstein, that repeating five-chord progression (Fm - Db - A - B7 - E) about which the composer has said that there's something strange, because it never fails to lift the audience to its feet. The duration of the piece is c. 6'30'', and it was premiered by Emil Holmstrom at RUSK festival (Pietarsaari, Finland) 20th November 2020. A notable variety of influences - microtonality, American minimalism, New Romanticism, popular music, techno - has been regarded as a special feature of Nuorvala's idiom. Despite this he is not a collage artist; instead he has blended various ingredients to create a mode of expression entirely his own. Nuorvala's works are often marked with frenzied rhythmic drive. He makes music using elements and materials that both the mind and the body respond to. He finds these elements not only in old or new classical music but in various forms of urban popular music, such as the electronic music of modern dance clubs.

By Many. Arranged by Brent Jorgensen. Text: Many. For Easy Piano Solo. Published by Jackman Music Corporation.
Level: Very Easy.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

By Various. Arranged by Darwin Wolford. For cello and piano. Includes part for cello only. Piano accompaniment available separately (see item 01436). Medium. Published by Jackman Music Corporation (JK.01162). This book of hymns for cello with piano accompaniment includes: "A Poor Wayfaring Man of Grief" "Abide with Me; 'Tis Eventide" "Beautiful Zion for Me" "Come Thou Fount of Every Blessing" "God Is Love" "I Am a Child of God" "I Know That My Redeemer Lives" "Love at Home" "Sweet Hour of Prayer" "The Lord is My Shepherd".

(It's the Gospel Truth! A Children's Christmas Musical). By Celeste Clydesdale. Arranged by David Clydesdale. For 2-part/Unison. Musical. Christmas. Choral Book. Duration 37'00 . Published by Word Music

Music by Mississippi John Hurt, transcribed by Stefan Grossman. Guitar tablature songbook and examples CD for acoustic guitar. Series: Stefan Grossmans Early Masters of American Blues Guitar. 96 pages. Published by Alfred Publishing.

By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Robert P. Manookin, Reid Nibley, Robert Galbraith, Tracy Y. Cannon, Robert Cundick, Charles H. Gabriel, Harrison Millard, Lorin F. Wheelwright And Philip Paul Bliss. Arranged by Compiled By Clayne W. Robison - Settings By Marcus Smith, Robert Lee Rowberry, Murray Boren, David Zabriskie, Royce Isham, Robert P. Manookin, Reid Nibley, Robert Galbraith, Robert Cundick, Daniel Bradwhaw, Murray Boren, Ronald Staheli. Text: John Jacques, Robert Morris, Robert Keen, Virginia Maughan, Marcus Smith, John 15:1, 2, 4-6, Orson Hyde, attributed to Bernard of Clairvaux, Robert Galbraith, Revelation 7:13-17, Frank I. Kooyman, Job 14:14;19:25,26, Charles H. Gabriel, Anne Steele, Laurie M. Hofford, Lorin F. Wheelwright and Philip Paul Bliss. For Vocal Songbook. Published by Jackman Music Corporation.
Level: Varied.

By Marcus Smith, H. R. Palmer, Murray Boren, David A. Zabriskie, Royce Isham, Robert P. Manookin, Reid Nibley, Robert Galbraith, Tracy Y. Cannon, Robert Cundick, Charles H. Gabriel, Harrison Millard, Lorin F. Wheelwright And Philip Paul Bliss. Arranged by Compiled By Clayne W. Robison - Settings By Marcus Smith, Robert Lee Rowberry, Murray Boren, David Zabriskie, Royce Isham, Robert P. Manookin, Reid Nibley, Robert Galbraith, Robert Cundick, Daniel Bradwhaw, Murray Boren, Ronald Staheli. Text: John Jacques, Robert Morris, Robert Keen, Virginia Maughan, Marcus Smith, John 15:1, 2, 4-6, Orson Hyde, attributed to Bernard of Clairvaux, Robert Galbraith, Revelation 7:13-17, Frank I. Kooyman, Job 14:14;19:25,26, Charles H. Gabriel, Anne Steele, Laurie M. Hofford, Lorin F. Wheelwright and Philip Paul Bliss. For Vocal Solo Book. Published by Jackman Music Corporation.
Level: Varied.