Composed by Gabriel
Faure. Edited by
Christina M. Stahl and
Michael Stegemann. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Version of 1900.
Choral score. Opus 48. 19
pages. Baerenreiter
Verlag #BA09461_91.
Published by Baerenreiter
Verlag (BA.BA09461-91).
ISBN 9790006565474. 27
x 19 cm inches. Text
Language:
Latin.
TheMesse de
Requiemis probably the
internationally
best-known and most
frequently performed work
by Gabriel Faure . The
composer's first version
was limited to just five
movements and small-scale
forces with low strings,
harp and organ. The work
was then expanded several
times culminating in the
version for large
orchestra of 1900. This
orchestral version forms
the basis of this
edition.
Despite
its comparatively long
period of gestation, the
Requiem forms a stylistic
unity. Unlike other
requiem settings, the
composer foregoes any
theatrical gestures in
this work. A restrained
dynamic range together
with graceful melodic
writing for both soloists
and choir give the work a
gentle and optimistic
character.
The
choral score just as the
vocal score are based on
the volume of the
Complete Works of Gabriel
Faure (BA 9461) published
in 2010. It is important
to note that this choral
score is also compatible
with the first
small-scale version as
well as the second
chamber orchestra
version.
-
High-quality Urtext
edition based on
theComplete Works of
Gabriel Faure - First
systematic evaluation of
all sources - Based on
the large orchestral
version of 1900 -
Choral score suitable for
all versions of the
Requiem
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Chorus (with soloists)
and orchestra (solos:
SSTB - choir: SATBSATB -
1.2.0.2 - 2.2.3.0 - timp
- org - str)
SKU:
BR.PB-5562
Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
The
Missa in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Full score.
188 pages. Duration 52'.
Breitkopf and Haertel #PB
5562. Published by
Breitkopf and Haertel
(BR.PB-5562).
ISBN
9790004213728. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Descant Recorder (Recorder) SKU: HL.49046069 Lieder und Spielstucke Kl...(+)
Descant Recorder
(Recorder)
SKU:
HL.49046069
Lieder
und Spielstucke Klassen-
und Gruppenunterricht
Descant Rec. Composed
by Bernhard Gortheil.
Woodwind Method.
Classical. Softcover with
CD. 64 pages. Schott
Music #ED23005. Published
by Schott Music
(HL.49046069).
New and
well-known songs, a
musical Olympics and
versatile tasks guarantee
fun and learning success
with the recorder band,
the concept for class and
group lessons with
children of primary
school age. Making music
together is supported by
the included CD with a
variety of audio
playbacks.
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-16. Published by
Breitkopf and Haertel
(BR.OB-5562-16).
ISBN
9790004342299. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Organ Solo SKU: AP.36-M241991 Composed by Camille Saint-Saens. Master Org...(+)
Organ Solo
SKU:
AP.36-M241991
Composed by Camille
Saint-Saens. Master Organ
Series. Book.
LudwigMasters
Publications #36-M241991.
Published by
LudwigMasters
Publications
(AP.36-M241991).
ISBN
9798892703802. UPC:
659359546006.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
the FANTAISIE No. 3 in C,
Op. 157 for organ in
1919.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Set of parts.
116 pages. Duration 52'.
Breitkopf and Haertel #OB
5562-30. Published by
Breitkopf and Haertel
(BR.OB-5562-30).
ISBN
9790004342329. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-19. Published by
Breitkopf and Haertel
(BR.OB-5562-19).
ISBN
9790004342305. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 20
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-26. Published by
Breitkopf and Haertel
(BR.OB-5562-26).
ISBN
9790004342312. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Organ Solo SKU: AP.36-M362291 Composed by Camille Saint Saens. Organ. Mas...(+)
Organ Solo
SKU:
AP.36-M362291
Composed by Camille Saint
Saens. Organ. Master
Organ Series. Book.
LudwigMasters
Publications #36-M362291.
Published by
LudwigMasters
Publications
(AP.36-M362291).
ISBN
9798892705783. UPC:
676737997571.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
MARCHE RELIGIEUSE, Op.
107, for organ in 1897.
Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
SKU: M7.AHW-1630 For all instruments. Composed by Walter Stuart. S...(+)
SKU: M7.AHW-1630
For all
instruments. Composed
by Walter Stuart. Sheet
music. Method. 39 pages.
Charles Colin Corp. #AHW
1630. Published by
Charles Colin Corp.
(M7.AHW-1630).
English.
In this
book, Walter Stuart
presents a system of how
to piece together an
unlimited amount of jazz
choruses. The accent is
on utmost simplicity.
This book is designed for
wide appeal, for it is
directed not only towards
the ambitious music
student and the
professional
instrumentalist, but the
arranger as well. NO
SPECIAL TRAINING REQUIRED
This collection of 1080
JAZZ PHRASES has the
similarity and simplicity
of o jig-saw puzzle.
Assembled here within the
foregoing text, the
Stuart's system reveals
the key to an unlimited
amount of smooth flowing
and professional sounding
choruses.
Chorus (with soloists) and piano (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2....(+)
Chorus (with soloists)
and piano (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str)
SKU:
BR.EB-8654
Urtext
- Completion.
Composed by Wolfgang
Amadeus Mozart. Edited by
Clemens Kemme. Arranged
by Clemens Kemme. Choir;
Softbound. Edition
Breitkopf. The Missa in c
was so dear to Mozart
that he cited it as
evidence of the reality
of my vow to marry his
beloved Constanze and to
complete the only
half-finished mass.
Nevertheless, one of
Mozart's greatest
masterpieces remained a
torso. Mass; Classical.
Piano/Vocal Score. 116
pages. Duration 52'.
Breitkopf and Haertel #EB
8654. Published by
Breitkopf and Haertel
(BR.EB-8654).
ISBN
9790004184882. 7.5 x 10.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Oceanside Ensemble Jazz [Conducteur et Parties séparées] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.032-4959-00 Composed by Newton. Jazz Ensemble. Score and ...(+)
Grade 1
SKU:
CL.032-4959-00
Composed by Newton. Jazz
Ensemble. Score and set
of parts. C.L. Barnhouse
#032-4959-00. Published
by C.L. Barnhouse
(CL.032-4959-00).
This relaxed
bossa chart will have
your youngest jazz
musicians playing
together in no time! The
easygoing feel and
memorable melodies are
sure to be a favorite of
your students and
audience. A perfect
vehicle for beginning
improvisation, the Bb
concert scale works well
over the simple yet
utilizes interesting
chord changes. Your band
will sound great on this
tune!
Piano - Elementary SKU: AP.20133UK Book 2. 'Hands Together' at ...(+)
Piano - Elementary
SKU: AP.20133UK
Book 2. 'Hands
Together' at the
Piano. Composed by
Sharon Goodey.
Method/Instruction; Piano
Method. Playing with
Colour. Book. Alfred
Music #00-20133UK.
Published by Alfred Music
(AP.20133UK).
ISBN
9781905734016.
English.
The
Playing with Colour
series introduces
students to music making
from the start. Coloured
notation, numbered
staves, as well as clear
graphic illustrations for
the right and left hands
are presented in the
beginning of each book.
Thereafter, theory,
rhythm, ear training,
improvisation, and
sight-reading exercises
are gradually introduced
so the student has the
best possible platform
upon which to build.
Organ (solos: SSTB - choir: SATBSATB - 1.2.0.2 - 2.2.3.0 - timp - org - str) ...(+)
Organ (solos: SSTB -
choir: SATBSATB - 1.2.0.2
- 2.2.3.0 - timp - org -
str)
SKU:
BR.OB-5562-11
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by C. M.
and Kemme Grunert. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 32
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-11. Published by
Breitkopf and Haertel
(BR.OB-5562-11).
ISBN
9790004343548. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Organ Solo SKU: AP.36-M312091 Composed by Camille Saint-Saens. Organ, Sol...(+)
Organ Solo
SKU:
AP.36-M312091
Composed by Camille
Saint-Saens. Organ, Solo,
Unaccompanied, Solo.
Master Organ Series.
Book. LudwigMasters
Publications #36-M312091.
Published by
LudwigMasters
Publications
(AP.36-M312091).
ISBN
9798892701907. UPC:
659359604232.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
the beautiful
ÉLÉVATION, OU COMMUNION
in E Major for organ or
harmonium in 1859.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Oceanside Ensemble Jazz [Conducteur] - Débutant C.L. Barnhouse
Grade 1 SKU: CL.032-4959-01 Composed by Newton. Jazz Ensemble. Extra full...(+)
Grade 1
SKU:
CL.032-4959-01
Composed by Newton. Jazz
Ensemble. Extra full
score. C.L. Barnhouse
#032-4959-01. Published
by C.L. Barnhouse
(CL.032-4959-01).
This relaxed
bossa chart will have
your youngest jazz
musicians playing
together in no time! The
easygoing feel and
memorable melodies are
sure to be a favorite of
your students and
audience. A perfect
vehicle for beginning
improvisation, the Bb
concert scale works well
over the simple yet
utilizes interesting
chord changes. Your band
will sound great on this
tune!
Urtext -
Completion. Composed
by Wolfgang Amadeus
Mozart. Edited by Clemens
Kemme. Arranged by
Clemens Kemme. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The Missa in c was so
dear to Mozart that he
cited it as evidence of
the reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso.
Have. Mass;
Classical. Part. 24
pages. Duration 52'.
Breitkopf and Haertel #OB
5562-12. Published by
Breitkopf and Haertel
(BR.OB-5562-12).
ISBN
9790004344460. 10 x 12.5
inches.
The Missa
in c was so dear to
Mozart that he cited it
as evidence of the
reality of my vow to
marry his beloved
Constanze and to complete
the only half-finished
mass. Nevertheless, one
of Mozart's greatest
masterpieces remained a
torso. The Dutch music
theorist, arranger, and
musicologist Clemens
Kemme closes the gap in
this work by creating a
new supplement,
creatively and profoundly
grounded and giving due
respect to the
composition, hence
fulfilling that part of
Mozart's vow after more
than 200 years. This
version is published by
Breitkopf, complete with
performance material,
piano reduction, and
study score. The edition
is based on a meticulous
re-examination of the
sources for the completed
sections and
offersAddenda validated
by authentic materialNew
orchestration of the two
Credo movements modeled
on Handel and Bach as
well as on Mozart's own
music, e.g., the aria Se
il padre perdei
(Idomeneo)Reconstruction
of the Sanctus for double
chorus from secondary
sources and models by
Caldara and J. Chr.
BachSections added in the
score clear at first
glance from their gray
resolutionPreparation of
the edition in close
collaboration with Frans
BruggenFirst performance
of the version in 2006 by
Bruggen with many
subsequent performances,
such as by the chorus of
the Bavarian Radio under
Peter Dijkstra (together
with CD production) Kemme
applies the same level of
care and diligence shown
in his 'Et incarnates
est' and 'Osanna'
reconstructions
throughout the score,
though these two
movements truly set this
edition apart from its
predecessors. Careful
awareness of
eighteenth-century music
theory and practices
facilitate skillful and
insightful interventions
at every stage. The
outcome is a highly
refined and elegant take
on the C-minor mass as
Mozart left it. (Peter
Keenan,
Eighteenth-Century
Music)Audio samples:10.
Et incarnatus est: Claron
McFadden (Soprano),
Orchestra of the 18th
Century, cond. Frans
Bruggen (NOS Radio, 2006)
11. Sanctus: Chor des
Bayerischen Rundfunks,
Munchener
Kammerorchester, cond.
Peter Dijkstra (Sony,
2013)
This edition
represents the
culmination of some
eleven or so years of
extensive research. It
brings an exhaustive
understanding of
eighteenth-century
practices and Mozart's
stylistic habits to bear
on the unfathomable task
of replicating Mozart's
style without impinging
upon the tone of the
work. The rigour with
which Clemens Kemme has
produced this edition of
Mozart's abandoned mass
is nothing but
exceptional. (Peter
Keenan,
Eighteenth-Century
Music).
Organ Solo SKU: AP.36-M334891 Composed by Camille Saint-Saens. Organ, Sol...(+)
Organ Solo
SKU:
AP.36-M334891
Composed by Camille
Saint-Saens. Organ, Solo,
Unaccompanied, Solo Book.
Master Organ Series.
Book. LudwigMasters
Publications #36-M334891.
Published by
LudwigMasters
Publications
(AP.36-M334891).
ISBN
9798892702157. UPC:
659359663536.
English.
Camille
Saint-Saëns (1835-1921),
while most well-known for
his chamber and
orchestral works, also
composed much for the
organ, having himself
been appointed organist
at both Saint Merri
(1853-1857) and Madeleine
(1857-1877), the latter
post he held for 20
years. He is one of the
19th century's most
important composers and
performers for the organ,
counted together with
other greats such as
Gigout, Guilmant, and
Widor. Saint-Saëns wrote
BÉNÉDICTION NUPTIALE in
F Major for organ in
1859.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Ensemble; Voice (Study Score) SKU: HL.49033011 Voice and Ensemble....(+)
Ensemble; Voice (Study
Score)
SKU:
HL.49033011
Voice
and Ensemble.
Composed by Harry Partch.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover.
Composed 1942-1943. 34
pages. Duration 9'.
Schott Music #ED9333.
Published by Schott Music
(HL.49033011).
ISBN
9790001130349. UPC:
888680949334.
8.25x11.75x0.135 inches.
English.
Dark
Brother, a setting of the
last two paragraphs from
Thomas Wolf's God's
Lonely Man, was the first
piece that Partch wrote
especially for his
self-developed
Chromelodeon. The voice
for Chromelodeon
emphasizes Tonality flux
- Partchs notion for his
vocal guidance method by
means of the resolution
of small intervals as
well as fast passages
with very small intervals
that obscure the harmonic
event. These two
techniques became
features of Partch's
music for Chromelodeon
altogether.
SATB choir (a cappella) - Intermediate SKU: WD.080689579172 Composed by C...(+)
SATB choir (a cappella) -
Intermediate
SKU:
WD.080689579172
Composed by Cliff Duren.
Choral collection.
Sacred, Choral. Book.
Word Music #080689579172.
Published by Word Music
(WD.080689579172).
UPC:
080689579172.
Heari
ng just one gifted voice
sing an inspired piece of
music can be a glorious,
moving experience.
Hearing it accompanied by
musical instruments
played by skillful
musicians can be
even more exciting.
But...put together a
group of exceptional
Human Voices, joined in
perfect harmony,
skillfully arranged and
executed, and a
cappella music can
take us to even greater
heights of musical
expression, soul-stirring
emotion, and musical
appreciation!
Th
e music in this book acts
as a SPOTLIGHT
illuminating the
brilliance and
exceptional qualities of
the Human Voice, made
even more brilliant and
exceptional by virtue of
the fact that these songs
magnify and glorify God.
SPOTLIGHT features
a group of voices weaving
a tapestry of sound and
movement, textures and
lyrics…spotlighting
the Human Voice, yes, but
even more significantly,
spotlighting the One Who
created those voices and
gave us the gift of
all
music!
A
rranged by gifted
arrangers Cliff Duren and
David Wise (both of whom
have their own special
love of a cappella
music!),
SPOTLIGHT is both
balanced and diverse in
its content, including
Hymns, Worship Songs,
CCM Songs, Christmas and
Patriotic Songs,
being done in traditional
a cappella styles and in
the fresh, contemporary
style of groups like
Pentatonix.
Herz an Herz Piano seul University Of York Music Press
Piano SKU: HL.278745 Piano Solo. Composed by Frederick Viner. Musi...(+)
Piano
SKU:
HL.278745
Piano
Solo. Composed by
Frederick Viner. Music
Sales America. Classical.
Softcover. 8 pages.
Duration 300 seconds.
University of York Music
Press #M570368143.
Published by University
of York Music Press
(HL.278745).
Herz an Herz,
as the title implies
(heart to heart), is a
love duet. Two distinct
voices, characterised
through their respective
male and female vocal
registers, negotiate a
warm, heartfelt melody
through a loosely
strophic form. Initially
the voices sing in turn,
each section - or verse -
led predominantly by one.
Each time their lines
entwine, virtuosic
flourishes ascend the
keyboard, interrupting to
render them silent again.
It is only after one
particularly tumultuous
episode that the true
duet appears: Out of the
murky resonances of the
lowest “Aâ€
emerges the throbbing
chords and impassioned
vocal lines from
WagnerÂ’s famous duet,
O sink hernieder, Nacht
der Liebefrom the second
act of Tristan und
Isolde. The 'singers',
now reconciled, come
together for one final
verse before a fleeting
memory of the beginning
gently ushers in the end
of the piece. Herz an
Herz was awarded 1st
prize in William Howard's
Love Song Composing
Competition and was
premiered on 26th April
2017 at Hoxton Hall,
London, by William
Howard.
(Music, Movement and More! The Music Magazine for Grades K-6). Composed by Kris ...(+)
(Music, Movement and
More! The Music Magazine
for Grades K-6). Composed
by Kris Kropff. For
unison choir, Orff
Instrument. Games and CD.
Published by Heritage
Music Press
Piano SKU: HL.48023788 Composed by Bela Bartok. Edited by Hywel Davies. B...(+)
Piano
SKU:
HL.48023788
Composed
by Bela Bartok. Edited by
Hywel Davies. BH Piano.
Classical. Softcover with
CD. 36 pages. Boosey &
Hawkes #M060131981.
Published by Boosey &
Hawkes (HL.48023788).
ISBN 9781784541927.
UPC: 888680687953. 9x12
inches.
The
Definitive Bartók
Edition brings
together selected
highlights from the
definitive imprints of
pedagogical masterpieces
Mikrokosmos
(1926-37) and For
Children (1908-09,
revised 1943) alongside
excerpts from Romanian
Folk Dances (1915)
and Romanian Christmas
Carols (1915) in two
companion volumes for the
very first
time.
Contents:
St. George Day (For
Children I/2) • Come
Here, Lidi (For Children
I/3) • Melody with
Accompaniment
(Mikrokosmos - No. 41)
• Children's Song
(For Children II/9)
• Mourning Song (For
Children II/10) • In
Yugoslave Style
(Mikrokosmos - No. 40)
• Ploughing (For
Children II/14) •
Rogue's Song/Sorrow (For
Children II/7) •
Bagatelle No. 6 (Fourteen
Bagatelles - No. 6)
• Baking Song (For
Children I/1) •
County Fair (Mikrokosmos
No. 47) • The Lost
Couple (For Children
I/11) • The Two
Roses (For Children
II/11) • Three Roses
(For Children II/11)
• My Lover's Mother
(For Children II/12)
• Where Are Your
Geese? (For Children
II/13) • Slovakian
Folk Song (Ten Easy
Pieces - No. 8) • In
The Garden (For Children
I/26) • Carol No. 4
(Romanian Christmas
Carols - set I, No. 4)
• Carol No. 7
(Romanian Christmas
Carols - set II, No. 7)
• Triplets
(Mikrokosmos - No. 75)
• Farewell (For
Children II/34) •
Duet for Pipes
(Mikrokosmos - No. 88)
• Kitty, Kitty (For
Children I/5) •
Round Dance (For Children
I/17) • Bagatelle
No. 4 (Fourteen
Bagatelles - No. 5)
• Variations
(Mikrokosmos - No. 87)
• From the Island of
Bali (Mikrokosmos - No.
109) • Children's
Dance (For Children
I/10).
Piano Accompaniment - intermediate-adv SKU: HL.44001230 Play with a re...(+)
Piano Accompaniment -
intermediate-adv
SKU:
HL.44001230
Play
with a real band!.
Composed by Fons Van
Gorp. De Haske Concert
Band. Educational Tool.
Book [Softcover].
Composed 2000. De Haske
Publications #1002318.
Published by De Haske
Publications
(HL.44001230).
ISBN
9789043112772. UPC:
073999725216.
International (more than
one language).
This
exciting book with CD
accompaniment featuring
real musicians, covering
many styles of light
music including swing,
country, rumba, slow
rock, disco, mambo,
cha-cha and rock. This
book can be used together
with a keyboard or piano
(book available
separately) for a concert
performance or as a short
audition item.
Met Master
Swop is het 'swoppen'
op niveau geblazen voor
diegenen die meesterschap
nastreven in
verschillende swing- en
popstijlen. Het is
wederom een
tegelijkertijd leerzaam
en leuk boek vol
afwisseling. Zoals alle
SWOP-boeken:met een door
een live-band ingespeelde
cd en een afzonderlijk
verkrijgbaar
begeleidingsboek voor
keyboard/piano, inclusief
de akkoorden voor gitaar
en
basgitaar.
L'union
e delle parole Swing e
Pop ha dato il nome a
questo stile musicale
dinamico e tonificante:
lo Swop. Questa equazione
funziona altrettanto bene
nel jazz e nel blues, nel
rock e nella musica pop.
Per scoprire, migliorare
e perfezionare questo
nuovo genere musicale, la
collezione Swop si
articola in sette
raccolte distinte. Da
Very Easy Swop a Work
Swop (per creare un
vero gruppo), lasciatevi
guidare
dall'accompagnamento
musicale affidato ad un
gruppo di
professionisti.