Composed by Ludwig van Beethoven (1770-1827). Edited by Leonardo Miucci. This ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Leonardo Miucci. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Performance
score,
Set of part(s),
anthology.
WoO 36. Baerenreiter
Verlag
#BA09037. Published by
Baerenreiter Verlag
Les Adieux Sonata * Complete Original * with Performance CD composed by Ludwig v...(+)
Les Adieux Sonata *
Complete Original * with
Performance CD composed
by Ludwig van Beethoven
(1770-1827). For piano
solo. This edition:
Paperback. Solo.
Classical. Book and CD.
Text Language: English.
48 pages. Published by
Santorella Publications
Score and Parts Concert Band (SCORE+PARTS) - Level 2.5 SKU: HL.4006992 (+)
Score and Parts Concert
Band (SCORE+PARTS) -
Level 2.5
SKU:
HL.4006992
The
Fastest Mouse in all
Mexico. Composed by
Peter Kleine Schaars. De
Haske Concert Band.
Concert. Softcover.
Duration 135 seconds. De
Haske Publications
#032820. Published by De
Haske Publications
(HL.4006992).
UPC:
840126949421. 9.0x12.0
inches.
Speedy
Gonzales is a well-known
cartoon character from
the series Looney Tunes
and Merrie Melodies by
Warner Bros. Pictures.
This super-fast Mexican
mouse with its large
yellow sombrero drives
both Daffy Duck and the
cat Sylvester to
distraction time and
again. The song that was
inspired by the shrewd
little mouse, of which
many cover versions in
different languages have
been made throughout the
years, has been arranged
for flexible
instrumentation by Peter
Kleine Schaars. His
arrangement has the same
drive and energy as the
original - and leaves
room to feature Speedy's
renowned catchphrase
Ãndale! Ãndale!
Arriba! Arriba!
Teach Yourself Fingerpicking Guitar with CD arranged by Jared Walker. For guitar...(+)
Teach Yourself
Fingerpicking Guitar with
CD arranged by Jared
Walker. For guitar. This
edition: Paperback.
Instructional. Method.
Book and CD. Text
Language: English. 96
pages. Published by
Santorella Publications
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Score Only. Composed
2006. 56 pages. De Haske
Publications #DHP
1064079-140. Published by
De Haske Publications
(BT.DHP-1064079-140).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
Sand Waltz Flûte, Hautbois, Clarinette, Basson Hal Leonard
Flute, Oboe, Clarinet, Bassoon and Horn Woodwind Ensemble (Score and Parts) S...(+)
Flute, Oboe, Clarinet,
Bassoon and Horn Woodwind
Ensemble (Score and
Parts)
SKU:
HL.48022746
Score
and Parts. Composed
by Elena Kats-Chernin.
Boosey and Hawkes Chamber
Music. Classical,
Contemporary. Softcover.
Hal Leonard #M202532959.
Published by Hal Leonard
(HL.48022746).
UPC:
884088925239.
9.25x12.0x0.28
inches.
The title
refers to the writer
Aurore Dupin (1804-1876)
who, under the pseudonym
of George Sand, ranks
among the important
self-confident and
socio-critical women in
19th-century literature.
Musicians have known her
from her relationship of
nine years with
Chopin.
Urtext. Composed
by Felix Bartholdy
Mendelssohn. Edited by
Christian R. Riedel.
Choir; Folder.
Orchester-Bibliothek
(Orchestral Library).
The new edition, based
on autographic and
printed sources, meets
all the requirements of
an authoritative
performance material.
Psalm; Romantic. Set of
parts. 36 pages. Duration
12'. Breitkopf and
Haertel #OB 5189-30.
Published by Breitkopf
and Haertel
(BR.OB-5189-30).
ISBN
9790004330326. 9 x 12
inches.
Originally,
the present work - with a
Latin text and the title
Non nobis, Domine - was a
gift written by Felix
Mendelssohn Bartholdy in
November 1830 for the
25th birthday of his
sister Fanny. Five years
later he decided to have
it printed, and his
publisher Simrock urged
him to produce a German
translation as well. It
is in this form that the
setting of Psalm 115 has
become known alongside
four other Psalms of
Mendelssohn's in a
compositional scope
ranging from church to
concert hall.The Urtext
edition is based on the
main sources, the
autograph and the first
edition.
The new
edition, based on
autographic and printed
sources, meets all the
requirements of an
authoritative performance
material.
Arranged by Donald Hunsberger. Arr. Donald Hunsberger. For Concert Band. Concert...(+)
Arranged by Donald
Hunsberger. Arr. Donald
Hunsberger. For Concert
Band. Concert Band.
Donald Hunsberger Wind
Library. Level: 4
(Medium) (grade 4).
Conductor Score and
Parts. Published by
Alfred Publishing.
By Johnny Richards. Arranged by Johnny Richards. Jazz Ensemble / Jazz Band. The ...(+)
By Johnny Richards.
Arranged by Johnny
Richards. Jazz Ensemble /
Jazz Band. The Stan
Kenton Orchestra Library
Series. Latin. Grade 5.
Score and set of parts
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
16 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-26. Published
by Breitkopf and Haertel
(BR.EOS-8047-26).
ISBN
9790004789766. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Composed by Kees
Schoonenbeek. Inspiration
Series. Concert Piece.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064079-010. Published by
De Haske Publications
(BT.DHP-1064079-010).
9x12 inches.
English-German-French-Dut
ch.
The Golden
Age is a programmatic
composition in four
movements. I
Overture For the
Netherlands, the
seventeenth century was a
period of great
flourishing in the fields
of economy, culture and
politics; thus it is
called the Golden Age.
Overseas trade boomed,
and the Dutch East India
Company (known as the VOC
by the Dutch) was founded
and expanded to become a
powerful -and, at the
time - modern enterprise.
II ¡Adiós
españoles!(Farewel
l, Spaniards!) In 1567,
the Spanish army invaded,
led by the Duke of Alva.
There was a fierce
resistance against the
Spanish tyranny; toward
the end of the sixteenth
century, the Dutch
proclaimed theRepublic.
However, the Spanish
continued the war. Only
with the Treaty of
Münster in 1648 did
the Dutch get their much
sought-after
independence. This was
also the end of the
Eighty Years’ War.
III Rembrandt’s
Night WatchThe field
of culture, particularly
literature, painting,
sculpture, architecture,
the art of printing, and
cartography developed
fast. It was in the
Golden Age that the
celebrated painter
Rembrandt van Rijn
created his famous Night
Watch. IV The
Admiral Overseas
trade entailed the
colonization of large
areas in Asia, from where
precious products that
yielded lots of money
were brought in.
Surrounding countries
were also involved in
such practices.
Colonizers poached on
each other’s
territories in the
literal and figurative
sense - in this context
the Anglo-Dutch Sea Wars
are legendary. The fourth
movement starts with the
English patriotic song
Rule Britannia, after
which the Dutch Admiral
Michiel de Ruyter makes
the English change their
tune; one can even hear
the roaring of cannons.
When the smoke of battle
has cleared, a small
fragment of a Dutch song
about Michiel de Ruyter
appears, followed by a
fitting closing.
The Golden
Age is een
programmatische
compositie in vier delen.
Overtureverklankt
de Gouden Eeuw, voor
Nederland een periode van
grote bloei. Dan volgt
¡Adiós
españoles! over
het einde van de
Tachtigjarige
Oorlog.Rembrandtâ€
s Night Watch
beschrijft de
ontwikkeling op cultureel
gebied: in de Gouden Eeuw
schilderde Rembrandt van
Rijn zijn beroemde
Nachtwacht. Deel
vier, The Admiral,
begint met Rule
Britannia,waarna de
Nederlandse admiraal
Michiel de Ruyter de
Engelsen een toontje
lager laat zingen, er is
zelfs kanongebulder te
horen. Dan klinkt een
fragment van het
Nederlandse liedje dat
aan Michiel de Ruyter is
gewijd, waarna een
passendslot
volgt.
The
Golden Age ist eine
programmatische
Komposition in vier
Sätzen über das so
genannte “Goldene
Zeitalter“ in der
Geschichte der
Niederlande. In dieser
Periode erlebte das Land
eine Blütezeit des
(Ãœbersee-)Handels, der
Kultur und Politik, es
befreite sich von der
spanischen Herrschaft,
brachte Kunstwerke wie
Rembrandt’s
Nachtwache hervor
und entwickelte sich zu
einer Kolonialmacht. Die
Aufmerksamkeit der
Zuhörer ist bei Kees
Schoonenbeeks spannender
musikalischer
Geschichtsstunde
garantiert!
Dopo
una guerra che durò 80
anni, la Spagna riconobbe
l’indipendenza
delle Province-Unite
olandesi che divennero
potenze marittime ed
economiche del XVII
secolo. Questo periodo
è conosciuto con il
nome di Secolo
d’Oro (The Golden
Age) e corrisponde ad una
fase di sviluppo
eccezionale dei Paesi
Bassi sia sul piano
coloniale e militare, sia
sul piano culturale,
intellettuale e
artistico.
No. 2 from the
Symphonic Poem My
Fatherland. Composed
by Bedrich Smetana.
Edited by Milan Pospisil.
Softbound. Eulenburg
Orchestral Series.
Today, it is hard to
believe that Bedrich
Smetana kept receiving
rejections when he tried
to get his enormously
popular Moldau
printed.
Symphonic
poem; Romantic. Full
score. 84 pages. Duration
13'. Breitkopf and
Haertel #EOS 20472-00.
Published by Breitkopf
and Haertel
(BR.EOS-20472-00).
ISBN 9790004780008. 10
x 12.5
inches.
What is
also amazing is that the
first text-critical
edition prepared by the
Czech Smetana expert
Milan Pospisil in 1999,
which had entailed an
exhaustive evaluation of
the sources and been
given a full
text-critical editorial
treatment as a Eulenburg
study score, had no
resonance of any kind
among performers since no
performance material had
been published. After 15
years, Pospisils edition
is finally being
completed in a manner
suitable for practice:
with a conducting score
and orchestral parts
which will ensure that
all future performances
are based on a musical
text that is as reliable
as can
be.
The
work depicts the course
of the river Vltava,
beginning with its first
two sources, the cold and
warm Vltava, and the
confluence of the two
streams that join to form
a single river; then the
course of the Vltava
through forests and
meadows, and through open
countryside where a
peasant wedding is being
celebrated; water-sprites
dance by the light of the
moon; on the nearby
cliffs castles, mansions
and ruins rise proudly
into the air; the Vltava
eddies in the St John's
Rapids, then flows in a
broad stream as it
continues its course
towards Prague, where the
Vysehrad appears, before
the river finally
disappears into the
distance as it flows
majestically into the
Elbe.
Vltava
(The Moldau),
Smetana's best-known and
most frequently performed
orchestral work, was
written between 19
November and 8 December
1874, at a time when
Smetana was already
completely deaf. The
world premiere took place
in Prague on 4 April
1875, but the score was
not published until
1880.
Score and Parts Chamber Ensemble; Piano Accompaniment (Score & Parts) - intermed...(+)
Score and Parts Chamber
Ensemble; Piano
Accompaniment (Score &
Parts) - intermediate to
advanced
SKU:
HL.49046031
For
Viola, Clarinet, and
Piano. Composed by
Robert Schumann. Edited
by Elisa Novara. This
edition: Saddle
stitching. Sheet music.
Ensemble. Stucke nach
Robert Schumann.
Classical. Softcover. Op.
132. 44 pages. Schott
Music #ED22751. Published
by Schott Music
(HL.49046031).
ISBN
9790001165297. UPC:
841886031678.
9.0x12.0x0.213
inches.
The
Fairy-Tale Narratives
(Märchenerzählungen
) for B-flat Clarinet (ad
libitum Violin), Viola
and Piano, Op. 132,
belong to the few
Schumann works that were
composed, revised and
published in a short
time: composed in
Düsseldorf, at
beginning of October
1853, the new composition
was already offered for
publication to the
Breitkopf & Härtel
publishing house on 3
November and printed in
February1854. Composition
and publication of the
Märchenerzählungen
were accompanied, though,
by difficult times, the
final days before the
composer was admitted to
the psychiatric clinic in
Endenich. The work's
reception lies in the
shadow of the last
creative period: The
pieces were associated
with his life's darker
phases and were very
little played. The
Märchenerzählungen
transmit Schumann's
single work for this
unusual piano trio with
viola and clarinet. The
only well-known earlier
example in this setting
at that time is Mozart's
“Kegelstattâ€
Trio K 498 (composed in
1786). Schumann was
certainly already
acquainted with the work
from his Leipzig years -
it was played in one of
the “quartet
sessions†in 1829.
This edition is based on
a new edition of all
Schumann works, Volume II
/ 3.
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1165689-140 As performed b...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.DHP-1165689-140
As performed by Stevie
Wonder. Composed by
Stevie Wonder. Arranged
by Richard Johnsen. DHP
Pop, Film and Show. Pop &
Rock. Score Only.
Composed 2016. De Haske
Publications #DHP
1165689-140. Published by
De Haske Publications
(BT.DHP-1165689-140).
Don’t
You Worry ‘Bout A
Thing is one of the
most popular songs by
Stevie Wonder and has
been performed by various
other famous artists
throughout the years. The
version from Al Jarreau
is probably the most well
known, and has been
arranged by the Norwegian
arranger Richard Johnsen.
Don’t
You Worry ‘Bout A
Thing is een van de
populairste songs van
superster Stevie Wonder.
Het nummer is in de loop
der jaren ook door
diverse andere beroemde
artiesten uitgevoerd. De
versie van Al Jarreau
waarschijnlijk de
bekendste is door de
Noorse arrangeur Richard
Johnsen gebruikt als
uitgangspunt voor zijn
fraaie bewerking.
Don’t
You Worry ‘Bout A
Thing gehört zu
den bekanntesten Songs
von Stevie Wonder und
wurde im Laufe der Jahre
auch von verschiedenen
anderen berühmten
Künstlern
aufgeführt. Die
Version von Al Jarreau
ist sicherlich die
bekannteste. Sie wurde
von dem norwegischen
Arrangeur Richard Johnson
bearbeitet.
Brano di
Stevie Wonder tra i
più amati di sempre,
Don’t You Worry
‘Bout A Thing
ha trovato anche in Al
Jarreau un eccellente
interprete. La
popolarissima versione di
quest’ultimo è
stata riarrangiata con
grande fedelt dal
musicista norvegese
Richard Johnsen.