By Raymond H Haan. For SATB choir, organ, optional violin, harp. Choral Music. Level: Medium-Easy. Published by MorningStar Music Publishers.

Solo soprano voice, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041819

Composed by Niccolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. Complete orchestral parts. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Set of Orchestra Parts. Duration 9 minutes. Carus Verlag #CV 40.418/19. Published by Carus Verlag (CA.4041819).

ISBN 9790007218447. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and parts available separately - see item CA.4041800.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041814

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Cello/Double Bass. Composed 1763. 4 pages. Duration 9 minutes. Carus Verlag #CV 40.418/14. Published by Carus Verlag (CA.4041814).

ISBN 9790007067199. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041805

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Choral Score. 8 pages. Duration 9 minutes. Carus Verlag #CV 40.418/05. Published by Carus Verlag (CA.4041805).

ISBN 9790007067151. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score available separately - see item CA.4041800.

Soprano voice solo, SATB choir, 2 violins, basso continuo, [viola]

SKU: CA.4041813

Composed by Nicolo Jommelli. Edited by Wolfgang Hochstein. Contemporary Choir Music. German title: Veni creator spiritus. Sacred vocal music, Hymns, Easter and Eastertide, Whitsun. Single Part, Viola. 4 pages. Duration 9 minutes. Carus Verlag #CV 40.418/13. Published by Carus Verlag (CA.4041813).

ISBN 9790007067182. Language: Latin.

After musical training in Naples Niccolo Jommelli began to make his name as an opera composer from the end of the 1730ies onwards. From 1750 until 1753 he was assistant director of music at St. Peter's, Rome, and responsible for the music at the Cappella Giulia - years which were decisive for Jommelli's sacred music. During those years he also composed the three-movement setting of the Whitsun hymn Veni Creator Spiritus for solo soprano, mixed-voice choir, string orchestra and continuo. It is marked by the maturity of the writing for the solo voice, modelled on the example of composers such as Johann Adolf Hasse, and by stylistic hallmarks of Jommelli's music, such as his relatively simple yet highly effective choral writing. Score and part available separately - see item CA.4041800.

By Philip W.J. Stopford. For organ, optional flute, violin, brass quintet, timpani (SATB choir). Choral. Ordination/Installation, Commitment/Discipleship, Pentecost. Medium. Octavo. 11 pages. Published by MorningStar Music Publishers

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118811

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 1. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/11. Published by Carus Verlag (CA.3118811).

ISBN 9790007210038. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Ob, Tl (Eh), 2 Vl, Va, Vc, organ obl, Bc

SKU: CA.3118812

Cantata for the 21st Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Pieter Dirksen. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, End of the church year, Trinity. Single Part, Violin 2. Composed 1728. BWV 188. 8 pages. Duration 25 minutes. Carus Verlag #CV 31.188/12. Published by Carus Verlag (CA.3118812).

ISBN 9790007210045. Language: German/English.

The cantata Ich habe meine Zuversicht BWV 188 comes from the so-called Picander cycle and was written for the 21st Sunday after Trinity in 1728 or 1729. There are some particular problems associated with its transmission. The original set of parts was lost, and the manuscript score only survives in fragmentary form. Probably as early as the 18th century the score was divided up into numerous separate parts in order to make more money, or to be able to provide as many Bach relics as possible for posterity. The first movement, an instrumental sinfonia, is missing apart from the final bars. We simply know that this sinfonia is based on the 3rd movement of the Harpsichord Concerto BWV 1052 in D minor and that instead of the harpsichord, an obbligato organ was envisaged. Its successful reconstruction by the baroque specialist and organist Pieter Dirksen now makes it possible to perform the cantata again complete with the introductory sinfonia. Score and part available separately - see item CA.3118800.

Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 3 Trb, 2 Vl, Va, Bc

SKU: CA.3750112

Herr! Straf mich nicht in deinem Zorne. Composed by Justin Heinrich Knecht. Edited by Claudia Seidl. Herr, Straf Mich Nicht. Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 2. 4 pages. Duration 17 minutes. Carus Verlag #CV 37.501/12. Published by Carus Verlag (CA.3750112).

ISBN 9790007214999. Language: German.

Justin Heinrich Knecht's compositional interpretation of Moses Mendelssohn's poetic translation of the 6th psalm bears the force of Enlightenment ideas in its music. Effective instrumentation, the targeted use of the choir and vocal soloists together with contrasting dynamics communicate the entire emotional spectrum of this psalm text. Knecht created an early Romantic piece of south German church music which has unjustly lain in obscurity for too long. As in his other psalm compositions, the scoring can be regarded as flexible, allowing parts to be omitted or unavailable instruments to be substituted by similar sounding ones according to the forces available. Score and part available separately - see item CA.3750100.

Soli SATB, SATB Choir, 2 Fl, 2 Ob, 2 Cor, 3 Trb, 2 Vl, Va, Bc

SKU: CA.3750111

Herr! Straf mich nicht in deinem Zorne. Composed by Justin Heinrich Knecht. Edited by Claudia Seidl. Herr, Straf Mich Nicht. Sacred vocal music, Psalms, German, Psalms. Single Part, Violin 1. 4 pages. Duration 17 minutes. Carus Verlag #CV 37.501/11. Published by Carus Verlag (CA.3750111).

ISBN 9790007214982. Language: German.

Justin Heinrich Knecht's compositional interpretation of Moses Mendelssohn's poetic translation of the 6th psalm bears the force of Enlightenment ideas in its music. Effective instrumentation, the targeted use of the choir and vocal soloists together with contrasting dynamics communicate the entire emotional spectrum of this psalm text. Knecht created an early Romantic piece of south German church music which has unjustly lain in obscurity for too long. As in his other psalm compositions, the scoring can be regarded as flexible, allowing parts to be omitted or unavailable instruments to be substituted by similar sounding ones according to the forces available. Score and part available separately - see item CA.3750100.

Composed by Dan Forrest. Church Choral. All Saints' / Remembrance, Comfort / Healing / Hope, General, Good Shepherd, Memorial / Funeral. Octavo. Beckenhorst Press #BP2318. Published by Beckenhorst Press

(Cantata for the Sunday of Jubilate). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For AT vocal soli, SATB choir, recorder d2 (flute or violin), 2 oboe d'amore, trumpet, 2 violins, viola, basso continuo. H-Moll (B minor). German title: Ihr werdet weinen 4. Cantatas, Special days, Easter and Eastertide. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1725. BWV 103. 26 pages. Duration 18 minutes. Published by Carus Verlag

By Taylor Davis. For SATB choir, piano, Violin (C Instrument). Mixed Voices. General, Thanksgiving, Sacred. Sacred Anthem

Mixed Choir [SATB] and String Ensemble

SKU: HL.14015305

Composed by Bo Holten. Music Sales America. Hymns & Chorals. Choral Score. Composed 2002. 44 pages. Edition Wilhelm Hansen #WH29424. Published by Edition Wilhelm Hansen (HL.14015305).

ISBN 9788759858189. 8.25x11.75x0.18 inches. English.

Score of this wordless work for SSATTB Choir and 4 Violins, 2 Violas, 2 Cellos and Double Bass. The theme is taken from Tallis, Lamentations of Jeremiah II, bars 29-43.

Composed by Mary McDonald. Palm Sunday, Sacred. Octavo. 12 pages. Hope Publishing Company #C 6075. Published by Hope Publishing Company (HP.C6075).

STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo - Level 3

SKU: CA.3102119

Cantata for the 3rd Sanday after Trinity/all occasions. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich hatte viel Bekummernis. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1713. BWV 21. Duration 45 minutes. Carus Verlag #CV 31.021/19. Published by Carus Verlag (CA.3102119).

ISBN 9790007136000. Key: C dorian / c major. Language: German/English.

The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score and parts available separately - see item CA.3102100.

Orchestra STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo - Level 3

SKU: CA.3102107

Cantata for the 3rd Sanday after Trinity/all occasions. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich hatte viel Bekummernis. Sacred vocal music, Cantatas. Study score. Composed 1713. BWV 21. 92 pages. Duration 45 minutes. Carus Verlag #CV 31.021/07. Published by Carus Verlag (CA.3102107).

ISBN 9790007058258. Key: C dorian / c major. Language: German/English.

The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.

STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo - Level 3

SKU: CA.3102105

Cantata for the 3rd Sanday after Trinity/all occasions. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Ich hatte viel Bekummernis. Sacred vocal music, Cantatas. Choral Score. Composed 1713. BWV 21. 24 pages. Duration 45 minutes. Carus Verlag #CV 31.021/05. Published by Carus Verlag (CA.3102105).

ISBN 9790007103002. Key: C dorian / c major. Language: German/English.

The edition allows for the performance of this cantate in the various forms which Bach himself used. The solo parts for high voice are always allotted primarily to the voice specified by Bach in Leipzig, with the alternative authorized by the Weimar and Cothen parts placed afterwards in brackets. Score available separately - see item CA.3102100.

By Lee Dengler. Words by Susan Naus Dengler. For SATB Choir and Violin. Published by Music Sales.

SATB choir, organ accompaniment, violin 1, violin 2, viola, cello, bass, horn in F, trumpet in B-flat, flugelhorn, timpani, glockenspiel

SKU: GI.G-8653ORCH

Composed by Leo Nestor. Tune Name: Great Falls. Sacred. Full score and parts. 20 pages. GIA Publications #8653ORCH. Published by GIA Publications (GI.G-8653ORCH).

UPC: 785147865391. English. Text Source: Ode III: Deute poma piomen kainon, tr. John Mason Neale, 1818–1866, alt.; Translation: John Mason Neale. Translation: John Mason Neale.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705511

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 1. Op. 45. 24 pages. Duration 70 minutes. Carus Verlag #CV 27.055/11. Published by Carus Verlag (CA.2705511).

ISBN 9790007199630. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705512

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. Op. 45. 24 pages. Duration 70 minutes. Carus Verlag #CV 27.055/12. Published by Carus Verlag (CA.2705512).

ISBN 9790007199647. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

Orchestra soprano solo voice, alto solo voice, tenor solo voice, bass solo voice, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 3 horns, 2 trumpets, 3 trombones, timpani, percussion, harp, solo violin, 2 violins, viola, cello, contrabass - Grade 5

SKU: CA.5021820

Composed by Josef Gabriel Rheinberger. Edited by Sebastian Hammelsbeck, Felix Loy. This edition: Complete edition, linen cover. German title: Montfort Op.145. Chorballaden Iii/2. Secular choral music. Full score (complete edition / selected edition). Composed 1886. Op. 145. 288 pages. Carus Verlag #CV 50.218/20. Published by Carus Verlag (CA.5021820).

ISBN 9790007090753. Language: German. Text: von Hoffnaass, Franziska (Fanny). Text: Franziska (Fanny) von Hoffnaass.

Score available separately - see item CA.5021800.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705509

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. 1x 27.055/21 piccolo, 1x 27.055/22 flute 1, 1x 27.055/23 flute 2, 1x 27.055/24 oboe 1, 1x 27.055/25 oboe 2, 1x 27.055/26 clarinet 1, 1x 27.055/27 clarinet 2, 1x 27.055/28 bassoon 1, 1x 27.055/29 bassoon 2, 1x 27.055/30 contrabassoon, 1x 27.055/31 horn 1, . Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. Op. 45. 232 pages. Duration 70 minutes. Carus Verlag #CV 27.055/09. Published by Carus Verlag (CA.2705509).

ISBN 9790007199623. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and parts available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705513

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Viola. Op. 45. 28 pages. Duration 70 minutes. Carus Verlag #CV 27.055/13. Published by Carus Verlag (CA.2705513).

ISBN 9790007199654. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705514

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Cello. Op. 45. 28 pages. Duration 70 minutes. Carus Verlag #CV 27.055/14. Published by Carus Verlag (CA.2705514).

ISBN 9790007199661. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705505

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Choral Score. Op. 45. Duration 70 minutes. Carus Verlag #CV 27.055/05. Published by Carus Verlag (CA.2705505).

ISBN 9790007041694. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score available separately - see item CA.2705500.

Orchestra SB vocal soli, SATB choir, piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, 3 timpani, harp, 2 violin, viola, cello, contrabass, [organ]

SKU: CA.2705549

To words from the Holy Scriptures. Composed by Johannes Brahms. Edited by Gunter Graulich. Carus sheet music series: Vocal scores XL. German title: Ein Deutsches Requiem Kart. Innovative practice aids, Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Organ. Op. 45. Duration 70 minutes. Carus Verlag #CV 27.055/49. Published by Carus Verlag (CA.2705549).

ISBN 9790007199685. Language: German.

Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther's translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. Score and part available separately - see item CA.2705500.

By John D. Horman. For SATB Choir and Piano (with optional flute (violin)). Mixed Voices Series. Sacred Anthem: General, Lent, Trinity Sunday. Octavo. Published by Chorister's Guild