By Eric Johnson. For Guitar. Hot Licks. Blues. Level: Intermediate. DVD (Region 0), Instrumental Tutor. 52 pages. Published by Hotlicks Videos.

By Marty Haugen. Text: Marty Haugen. For Chorus, Keyboard accompaniment, Synthesizer, 2 C Instruments, Bass, and Percussion. Music Collection. Includes guitar chord names. Sacred. 128 pages. Published by GIA Publications.

Traditional, Old Time, Bluegrass and Celtic Solos. Composed by Mark Geslison. Perfect binding. Book and online audio. Published by Mel Bay Publications, Inc (MB.99941M).

Arranged by Steve Turley. For Guitar. Sacred. Print Music Collection (Instrumental Book). 95 pages. Published by Hope Publishing Company.

(A Workbook for Beginning, Intermediate or Advanced Students). Composed by Miles Okazaki. For guitar. Spiral- bound. Guitar Methods, Scales, Arpeggios, Technique, Theory, Harmony. Book. 166 pages. Published by Mel Bay Publications, Inc

Guitar solo - Intermediate

SKU: YM.GTL01097478

Arranged by Osamuraisan 3. Guitar/Bass/Drum Ji Ta /Bei Si /Gu. Book & CD. Yamaha Music Media #GTL01097478. Published by Yamaha Music Media (YM.GTL01097478).

ISBN 9784636974782.

Cali mba, born in Africa, is made of bord and iron/bamboo pins. This book has 30 songs arranged this new and small instruments, especially with 17 pins.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

Guitar

SKU: HL.14034801

Composed by Pascual Veiga. Music Sales America. Folk. Sheet Music, Instrumental Work. With Text language: Spanish. Music Sales #UMG22232. Published by Music Sales (HL.14034801).

Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffaello Ravasio. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 254. Published by Ut Orpheus

Folk and Country Waltzes for Guitar by Miles Courtiere. For Guitar. Saddle stitch. Folk/Guitar Instruction. Beginner/Intermediate. Book and Play Along CD. 82 pages. Duration 60 minutes. Published by ADG Productions

Arranged for Plectrum-Style Guitar. Classical, Saddle- stitched. Flatpicking GUitar. Book. Mel Bay Publications, Inc #30978. Published by Mel Bay Publications, Inc

Guitar - very easy to easy

SKU: M7.VOGG-207

Composed by Volkmar Kramarz. Sheet music with CD. 144 pages. Voggenreiter #VOGG 207. Published by Voggenreiter (M7.VOGG-207).

ISBN 9783802402074.

Die faszinierende Welt der Pop-, Blues- und Rocksounds! Das wichtigste Instrument der Rockmusik; vielseitig, aufregend und immer sehr individuell: die E-Gitarre. Dieses Buch ermöglicht dir einen schnellen Einstieg in die Welt der unterschiedlichen Möglichkeiten und Sounds der E-Gitarre und zeigt dir die mächtigen Power-Rock-Akkorde, angesagte Rockriffs, Blues-Licks und Improvisations-Skalen, nach deren Muster angesagte Hits von heute, aber auch die großen Klassiker und die traditionsreichen Oldies gestrickt sind. Ob Rock, Blues oder Ballade: in diesem Buch findest du alles, um schon bald deine eigene Musik zu machen. Wenn du dann ein wenig Erfahrung auf der Gitarre gesammelt hast, kannst du sofort mit den vielfältigen Audio-Tracks üben - und deiner eigenen Band wird schon bald nichts mehr im Wege stehen. Für die richtigen Tricks und spieltechnischen Gags ist dabei in diesem Buch genauso gesorgt wie für die entscheidenden Tipps zu Verstärkern, Effektgeräten und anderem Equipment. Auf der beiliegenden CD findest du insgesamt über 50 Takes zum Mitspielen, darunter auch ausführliche Songs u.a. von Green Day, Metallica oder Lynyrd Skynyrd. Alle Beispiele und Licks mit detaillierter Tabulatur und natürlich wie immer ohne Noten! Viel Spaß und keep on rockin'!

Guitar - Beginning-Intermediate

SKU: MB.30115M

Composed by Dix Bruce. Saddle-stitched, Tunebook, Bluegrass, Tunebooks. Parking Lot Pickers. Style. Book and online audio. 52 pages. Mel Bay Publications, Inc #30115M. Published by Mel Bay Publications, Inc (MB.30115M).

ISBN 9780786698929. 8.75 x 11.75 inches.

The best way to learn a musical instrument is to play it as much as possible, and the most enjoyable way is with other musicians in a band setting. Trading songs, interacting with other instrumentalists, and building an ensemble sound help you learn much faster than approaching a new instrument on your own. This play- along series of books and companion audio promotes a fun way of learning by providing you with a band to play along with. You can practice chords and rhythm, singing and lyrics, melodies, solos, licks, and back-up playing along with a real band. The companion audio includes Dix Bruce on the guitar, mandolin and vocals, Bill Evans on the banjo and vocals, Julie Cline on vocals, and Cindy Browne on the string bass. The songs are recorded just as they would be played at a jam session or performance, with introductions kickoffs , vocals and solos. By playing back-up/melody and singing along, you will have a lot of fun while you learn. Open solo spaces in the recordings allow you to play the chords and solos from the book, create your own improvised solos, or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass, old-time and gospel songs, recorded at slow and regular tempos in the audio. No matter what your ability level is on the guitar, you can enjoy playing along with the band. Includes access to online audio.

Raising Your Chord Awareness. Composed by Andrew Green. Squareback saddle-stitched. Jazz and Contemporary; Technique, Theory, Reference & Rhythm. Book & Online Audio. 136 pages. Published by Mel Bay Publications, Inc

Music transcribed and adapted for modern guitar. By Frank Koonce. By Frank Koonce. For Guitar (Classical). Solos. Frank Koonce Series. Early Music/Renaissance. Level: Intermediate. Book. 188 pages. Published by Mel Bay Publications, Inc.

Guitar

SKU: BT.MUSME0298

Latin. Book, CD and DVD. 60 pages. Play Music Publishing #MUSME0298. Published by Play Music Publishing (BT.MUSME0298).

English.

As it is the most commonly used instrument in Bossa Nova, the Guitar stands at the very core of these 25 complete accompani­ments; they are performed in the style of legendary Bossa Nova Guitar players such as Gilberto Gil, Stan Getz, Joao Gilberto, Baden Powell, Antonio Carlos Jobim and many more. Wistfully swaying rhythms and subtle chords are adorning the pages of this coursebook - admittedly, intended for learning purposes, yet, without ever disregarding the pleasure of playing. The approach to be followed for the interpretation of these 25 musical pieces is illustrated in detail within the three preliminary chapters of this coursebook: fingerstyle techniques, rhythmsand chords specific to Bossa Nova are accurately and meticulously explained to you. In addition to this, the DVD shows you all 25 musical pieces at their full length and at two different tempi: first, for demonstration purposes, recorded at actual playing speed, then at a slower speed, in order to give you the opportunity to practice and overcome the upcoming difficulties. For its part, the MP3 CD allows you to practice the musical pieces by playing them along to backing tracks of a proper length - once again at two different tempi: at a slower speed for practicing and at actual speed for playing contextually appropriately.

Composed by William Bay. For guitar. Guitar: Gospel and Sacred. Intermediate. Book. 104 pages. Published by Mel Bay Publications, Inc

For Guitar. Rock House. DVD. Hal Leonard #FR00938. Published by Hal Leonard . DVD.

Performed by Happy Traum. Homespun Tapes (Instructional). DVD (Digital Video Disk). Size 5.3x7.5 inches. Published by Homespun Video.

Composed by John Mccarthy. Rock House. Acoustic, Instruction. DVD. Hal Leonard #FR00936. Published by Hal Leonard

By Pete Kershaw. For electric guitar. Instructional book and CD. 64 pages. Published by Boston Music.

Guitar

SKU: BT.SY-2794

125 Gitarren-Patterns für 500 Songs. Book with Online Audio. Composed 2019. 118 pages. Ricordi #SY 2794. Published by Ricordi (BT.SY-2794).

German.

Songb� �cher sind eine feine Sache, doch wenn es ums Begleiten eines Lieblingssongs auf der Gitarre geht, beschränken sie sich zumeist auf die Angabe der Harmonien und geben keine weitere Hilfestellung. Genau hier setzt Der große Pattern-Guide an und sorgt für Orientierung: Einfach den gewünschten (oder einen vergleichbaren) Song in der Liste suchen und eines der dazu passenden Begleit-Patterns mit den Harmonien des jeweiligen Songs spielen schon hat man die perfekte Basis für eine stilechte Gitarrenbegleitung.

Die Autoren Peter Reimer und Fabian Payr haben eine Liste von 500 Songs aller denkbaren Stilrichtungen von Rock, Pop und Folk bis hin zu populären Lagerfeuersongs zusammengestellt; die passenden Patterns werden im Buch in Noten- und Tabulaturschrift vorgestellt, zusätzlich stehen Demoaufnahmen im MP3-Format online zur Verfügung. Dieses einzigartige Lehr- und Nachschlagewerk im handlichen DIN A5-Format ist ein Muss für alle Gitarristen, die bei Partys und ähnlichen Events glänzen wollen beinahe so unverzichtbar wie das Instrument selbst ….

Guitar (rock and blues) - Beginning-Intermediate

SKU: MB.30648M

Composed by Adam Douglass. Saddle-stitched, Technique, Theory and Reference, Pop. Style. Book and online video. 32 pages. Mel Bay Publications, Inc #30648M. Published by Mel Bay Publications, Inc (MB.30648M).

ISBN 9780786699490. 8.75 x 11.75 inches.

Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentâ??playing music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youâ??re also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.