Edited by Martin Winkler. Instrumental collection (educational). 88 pages. Published by Warner Brothers.

(Oboe With Piano Accompaniment)

SKU: HL.48186530

Composed by Gabriel Pierne. Leduc. Classical. Softcover. 3 pages. Alphonse Leduc #AL7532. Published by Alphonse Leduc (HL.48186530).

UPC: 888680832018. 9.0x12.0x0.058 inches.

Piece in G minor, Op. 5 is a piece for Oboe and Piano accompaniment composed by Gabriel Pierne. Its medium difficulty will enable intermediate players and above levels to play it, and to appreciate its features. Really enjoyable, this early work, written in 1833, lasts approximately 2?30 and has been transcribed for many other instruments. It is perfect for recitals and concerts. The book contains the score and Oboe part. The score mentions the possibility of replacing the Oboe by a Violin or a Cello. Gabriel Pierne (1863-1937) won the Prix de Rome in 1882.The composer wrote many chamber compositions, Piano pieces, symphonic music and some oratorios..

By Various. Edited by Frans Hanssen. For Oboe and Piano. Educational. Instrumental Collection. Classical. Level: Easy. Book and Solo Part. 24 12 pages. Duration 24 minutes. Published by Digital Music Print (Belgian import).

Edited by Martin Winkler. Educational instrumental collection (oboe and piano). 68 pages. Published by Edwin F. Kalmus.

Oboe and piano

SKU: BO.B.3647

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3647).

Al Valles, for oboe and piano, is a work that has two distinct characteristics-it is a concert work but was composed as a work for a final examination piece. The work is dedicated to Vicent Montalt, who performed it for his final examination at the Mozarteum in Saltzburg, 2012.

Al Valles begins with a Paganini-like cadenza for the oboe which introduces the main feature of the work- the alternation of legato with spiccato which is at times rapid and at other times lento. The cadenza is followed by an Allegro which begins with decisiveness by the piano. The two instruments establish a game of brief and very specific rhythmic figures with rapid chromatic descents, which in the piano are in octaves. A tranquil and mysterious passage ends with a sudden fortissimo. The oboe plays another cadenza, reminiscent of the first one, which is followed by a return of the Allegro. However, this time the music stops on a trill on F # in the high register of the oboe. The work concludes with a rapid coda which begins brilliantly in the piano with chromatic descending octaves.

Oboe, piano

SKU: BR.EB-4762

Original and Arrangements. Composed by Max Reger. Edited by A. Piguet. Arranged by Alfred Piguet. Solo instruments; stapled. Edition Breitkopf.

Reger designated his Romance shortly after its publication as an occasional piece of the worst kind - for me!

Romantic; Late-romantic. Score. 6 pages. Duration 2'. Breitkopf and Haertel #EB 4762. Published by Breitkopf and Haertel (BR.EB-4762).

ISBN 9790004163160. 9 x 12 inches.

Max Reger's well-known Romance in G major WoO II/10 was written as a supplement for the Neue Musik-Zeitung, which was the recipient of works - particularly songs and piano pieces - by Reger in the years 1900 and 1901. Reger himself designated his Romance shortly after its publication as an occasional piece of the worst kind - for me! The work was published in 1910 both in its original scoring for violin (and piano) as well as in its first arrangements for other solo instruments.

Reger designated his Romance shortly after its publication as an occasional piece of the worst kind - for me!.

With Piano Accompaniment. For Oboe, Piano. Romantic. Solo part with piano reduction. Composed 2002. 98 pages. Published by Theodore Presser Company.

Composed by Thomas Attwood Walmisley. Edited by Christopher Hogwood. For Oboe (or flute/clarinet) and piano. Full score and C instrument part. 28 8(xix) pages. Published by Edition HH Music Publishers

SKU: HL.48186455

Composed by Eugene Bozza. Leduc. Post-1900. Softcover. 5 pages. Alphonse Leduc #AL30697. Published by Alphonse Leduc (HL.48186455).

UPC: 888680828639. 9x12 inches.

“Born to an Italian father and a French mother, Eugène Bozza (1905-1991) divided his music studies between the Academia Santa Cecilia in Rome and the Conservatoire de Paris, where he was taught by Henri Büsser and Henri Rabaud. His chamber music compositions reveal a marked predilection for wind instruments, as reflected in Fantaisie pastorale for oboe and piano (1939) and New-Orléans for bass saxhorn and piano (1944). During his stay a few years earlier at the Villa Medici in Rome (1936), Bozza had written his Aria Pour Saxophone Alto Et Piano ' a free adaptation of the third movement of Johann Sebastian Bach's Organ Pastorale in F major BWV 590. This expansive and nostalgic melody, which unfolds over a regular meter, has become one of the most widely played SaxoEphone pieces in the world. Having enjoyed such success, Éditions Leduc has decided to supplement its republication with an audio version that will enable saxoEphonists to carry out 'full-scale' practice.&rdquo.

Oboe solo and piano - medium easy

SKU: JK.09169

Composed by Joleen G. Meredith. Edited by Martha Sargent. Arranged by James C. Kasen. Instrumental Other, Comfort, Hope, Jesus Christ - Friend, Jesus Christ - Savior, Peace, Trials, Youth. Christian, Inspirational. Oboe part. Duration 4 minutes, 10 seconds. Jackman Music Corporation #09169. Published by Jackman Music Corporation (JK.09169).

Only available as a PDF download. Oboe solo with piano accompaniment.
Compose r: Joleen G. Meredith
Arranger: James C. Kasen
Performance time: 4:10
Reference: John 14:27, John 16:33, Hebrews 4:14-16.

Oboe and Piano

SKU: BT.EMBZ1852

Composed by Frigyes Hidas. Book Only. Composed 1955. 68 pages. Editio Musica Budapest #EMBZ1852. Published by Editio Musica Budapest (BT.EMBZ1852).

Hungarian.

It s quite rare when a composer s diploma work becomes a successful, popular piece even after 70 years. Frigyes Hidas (1928 2007) Oboe Concerto, written in 1951, is a work that Péter Pongrácz, Lajos Lencsés, and many other Hungarian and foreign oboists gladly add to their concert programs. It is difficult to pinpoint exactly what stylistic conventions helped to form the musical language of the Oboe Concerto: the three-movement form is suggestive of Viennese Classicism, and Hungarian motifs of the era can also be detected here and there. However, the main influences can be felt from the Neoclassicism of the 1920s and 1930s, the Baroque era, and the French woodwind school. Aswith all of his musical creations, Hidas demonstrates here that he is a master of instrumental knowledge, consideration towards his works performers, and tasteful moderation. This publication is printed on high-quality, age-resistant, pale-yellow paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials.