Dialogo Drammatico - Musicale In Un Atto. Par CORGHI AZIO. Dialogo Drammatico - Musicale In Un Atto / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Sei Stanze Drammaticamente Musicali. Per Attrice - Soprano,. Par FURLANI P.. Sei Stanze Drammaticamente Musicali. Per Attrice - Soprano, / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Opera Con Peripezia. Par BOCCADORO CARLO. Opera Con Peripezia / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Opera Lirica In Tre Stadi. Par COLLA ALBERTO. Opera Lirica In Tre Stadi / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Monodramma Del Prometeo Moderno. Par BATTISTELLI GIORGIO. Monodramma Del Prometeo Moderno / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Monodramma Di Costumi Antichi. Par BATTISTELLI GIORGIO. Italian / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Opera In Un Preludio E 10 Scene. Par BOESMANS / CASSOL. Opera In Un Preludio E 10 Scene / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Opera Di Musica Immaginistica. Par BATTISTELLI GIORGIO. Opera Di Musica Immaginistica / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Opéra

Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD. Christoph Willibald Gluck’s most popular opera “Orphée et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plotsurrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set. Urtext editions based on “Gluck, The Complete Works” Revised and newly set The revised editions are compatible with the old editions T48Full score (BA2282-01) and vocal score (BA2282-90) available for sale Performance material (BA2282-72) available for hire/ Répertoire / Opéra

Monteverdi's opera 'L'Orfeo', based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the 'Palazzo Ducale' in Mantua.When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi's 'L'Orfeo'. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi's 'Il ritorno d'Ulisse in patria'.Two contemporary prints of 'L'Orfeo' from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary.This edition of 'L'Orfeo' offers in addition to Monteverdi's somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in 'chiavetta' have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.- Detailed introduction by the editor (Ital/Eng/Ger) on the work's genesis and performance practice- Comprehensive critical commentary (Eng) in the score- Idiomatic piano reductionEdition no.: BA 8793-90ISMN: 9790006533121Composer / Author: Monteverdi, ClaudioTitle: L'Orfeo Favola in musica in one prologue and five actsDetailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, OrchestraLibrettist: Striggio, Alessandro (junior)Editor: Alessandrini, RinaldoForeword / Introduction: Alessandrini, RinaldoProduct format: Piano reduction, Urtext editionLanguage(s) of work: ItalianLanguage(s) of text: German, Italian, EnglishPublisher: BärenreiterBinding: PaperbackPrint run: 1st printing 2012Pages / Format: XIV, 143 S. - 27,0 x 19,0 cmWeight: 428 g

Par CURZI PAOLA. / Solfège/Formation Musicale / Opéra Théorique ou Didactique