Una Trama Da Emanuele Navarro Della Miraglia (Libero Adat - Tamento Di S. Bussotti) . Par BUSSOTTI SYLVANO. Una Trama Da Emanuele Navarro Della Miraglia (Libero Adat - Tamento Di S. Bussotti) / Musique contemporaine / Répertoire / Opéra

Par TCHAIKOVSKI PIOTR ILITCH. Written during the composer’s years as a professor at the renowned Moscow Conservatory, this volume presents a clear and thorough introduction to the study of harmony - a complete course in writing music featuring numerous examples and exercises. It functions equally well as a classroom text, an adjunct to private instruction, or as a guide to individual musicians. Out of print for several decades and exceedingly rare in its original edition, the Guide to Practical Study of Harmony holds an intrinsic historical interest. This is the unabridged republication of the classic 1900 edition and is an excellent manual which remains as useful and instructive today as it wasat the turn of the 20th century./ Répertoire / Opéra Théorique ou Didactique

Par VINAY VITTORIO. Ce livre offre une méthode efficace d'opérer une analyse formelle et harmonique. Le manuel utilisé et 68 entièrement exploré est l'oeuvre de Robert Schumann (Album für die Jugend)./ Autre FM / Opéra Théorique ou Didactique

Par MAURO ORELIO. Méthode du rythme des enfants préparatoires Contient le Manuel de l\'enseignant. Le CD joint contient toutes les chansons et toutes les histoires narrate.Questo méthode est conçue pour les enseignants, les éducateurs et dirigeants impliqués dans les programmes d\'éducation, d\'animation et d\'initiation à la musique peu ou moins de compétences musicales. Le livre est une méthode amusante et efficace de rythme préliminaires pour les enfants de l\'école primaire. C\'est tellement amusant de suivre les événements dans les poissons et TA TA Blue Sea, que vous oubliez que je suis un enseignant semplicesto. Le livre est plein de détails techniques (trucs et conseils), et les cartes d\'exploitation (jeux). A la fin de chaque chapitre, en plus de questions sur la compréhension en lecture, il ya la musique de nombreux instruments de l\'orchestre et dans le CD joint pergolas. Il est immédiatement présenté avec la notation classique dans son intégralité: il n\'ya pas de symbolisations double ou triple d\'entraver et de retarder le stockage correct. La méthode est progressive: pour chaque/ Recueil / Opéra Théorique ou Didactique

Edition no.: BVK 2270ISBN: 9783761822708Volume / Series: Documenta musicologica II/45 / Bärenreiter FacsimileEditor: Konrad, UlrichLanguage(s) of work: English, GermanProduct format: FacsimileBinding: Half-leather bindingPages / Format: 405 S. - 41,7 x 30,0 cm 'This Tristan will be something formidable! This last act!''I fear the opera will be banned ' if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.'Richard WagnerWhile working on the score to 'Tristan und Isolde', Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the 'dawn' of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting.He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner's highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness.In time for the 200th anniversary of Wagner's birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches.Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.

para el Reconocimiento de Los Estilos. Par DESPORTES / BERNAUD. Classical/ Recueil / Opéra Théorique ou Didactique

Par CASELLI NICOLETTA. Theory / Formation musicale / Théorie / Opéra Théorique ou Didactique