By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for S...(+)
By Gerald E. Anderson.
Edited by Robert Frost.
Orchestra Method/Study.
All for Strings Method.
Level: Elementary. Music
Book. Published by Neil
A. Kjos Music Company.
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Andrew H.
Dabczynski. Orchestra.
Masterworks; SmartMusic;
String Orchestra.
HighlandåÊString
Explorer. Form:
Transcription. Christmas;
Masterwork Arrangement;
Romantic; Winter. Grade
1.5. Conductor Score and
Parts. 140 pages.
Published by Alfred Music
Publishing
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Andrew H. Dabczynski. Orche...(+)
By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Andrew H.
Dabczynski. Orchestra.
For String Orchestra.
String Orchestra. String
Explorer. Form:
Transcription. Christmas;
Romantic; Winter. 1.5
(grade 1.5). Score. 8
pages
Orchestra String Orchestra - Grade 0.5 SKU: FJ.ST6537 Composed by Morgan ...(+)
Orchestra String
Orchestra - Grade 0.5
SKU: FJ.ST6537
Composed by Morgan
Denney. MakeMusic Cloud;
String Orchestra. FJH
Beginning Strings. Score
and Part(s). The FJH
Music Company Inc
#98-ST6537. Published by
The FJH Music Company Inc
(FJ.ST6537).
UPC:
241444438824.
English.
Depicting
a scenic drive up the
historic first road in
Rocky Mountain National
Park, this highly
accessible work is based
on a D major scale with
stepwise motion in all
parts and string
crossings on open
strings. Musical motifs
are shared throughout the
ensemble as the beauty of
nature takes center stage
in this peaceful, yet
joyful work.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Morgan
Denney. Series; String
Orchestra. FJH Beginning
Strings. Score. The FJH
Music Company Inc
#98-ST6537S. Published by
The FJH Music Company Inc
(FJ.ST6537S).
English.
Depicti
ng a scenic drive up the
historic first road in
Rocky Mountain National
Park, this highly
accessible work is based
on a D major scale with
stepwise motion in all
parts and string
crossings on open
strings. Musical motifs
are shared throughout the
ensemble as the beauty of
nature takes center stage
in this peaceful, yet
joyful work.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Bob Phillips. Score; SmartMusic; String Orchestra. Sound Innovations...(+)
Composed by Bob Phillips.
Score; SmartMusic; String
Orchestra. Sound
Innovations for String
Orchestra. Fall;
Halloween; Light Concert.
8 pages. Published by
Alfred Music (AP.41246S).
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Masterwork
Arrangement. Score and
Part(s). Duration 1:50.
The FJH Music Company Inc
#98-ST6460. Published by
The FJH Music Company Inc
(FJ.ST6460).
UPC:
241444389560.
English.
This
extremely popular melody
was composed when Mozart
was a mere 6 years old
and surely predicts his
remarkable genius!
Written for the youngest
of musicians, this
arrangement features
simple phrases infused
with contrasting dynamics
and articulations.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Masterwork
Arrangement. Score.
Duration 1:50. The FJH
Music Company Inc
#98-ST6460S. Published by
The FJH Music Company Inc
(FJ.ST6460S).
English.
This
extremely popular melody
was composed when Mozart
was a mere 6 years old
and surely predicts his
remarkable genius!
Written for the youngest
of musicians, this
arrangement features
simple phrases infused
with contrasting dynamics
and articulations.
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Chosen Kallah Mazel Tov Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
Arranged by Deborah Baker Monday. Orchestra. For string. Part(s); Score; String ...(+)
Arranged by Deborah Baker
Monday. Orchestra. For
string. Part(s); Score;
String Orchestra.
Highland String
Orchestra. Jewish
Heritage; Multicultural.
Grade 2. 124 pages.
Published by Alfred Music
Arranged by Deborah Baker
Monday. Orchestra. Score;
String Orchestra.
Highland String
Orchestra. Jewish
Heritage; Multicultural.
Grade 2. 12 pages.
Published by Alfred Music
Publishing
Orchestra String Orchestra - Grade 1 SKU: CF.BAS5 Composed by Joseph Comp...(+)
Orchestra String
Orchestra - Grade 1
SKU: CF.BAS5
Composed by Joseph
Compello. SWS - FS. Carl
Fischer Beginning String
Orchestra Series.
Classical. Score and
Parts. With Standard
notation.
12+8+8+5+5+5+3+2 pages.
Duration 2:30. Carl
Fischer Music #BAS5.
Published by Carl Fischer
Music (CF.BAS5).
ISBN
9780825845086. UPC:
798408045081. 8.5 X 11
inches. Key: D
major.
The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect ofA Prarie
LullabyA should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close toA p as
possible. Beginning at
m.39, the violin and
viola parts are markedA
pizzicato. If
young players are unable
to return quickly toA
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. TheA
divisiA notes at
m. 69 are provided for
ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes. Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If
young players are unable
to return quickly to
argo at m.53,
they may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie Lullaby
should be graceful and
serene, evocative of a
peaceful night on the
open plains. To that end,
players will need to
strive for an unlabored
rhythmic flow, smooth
bowing and a clear,
steady tone as close to p
as possible. Beginning at
m.39, the violin and
viola parts are marked
pizzicato. If young
players are unable to
return quickly to argo at
m.53, they may make the
bow preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and score. The divisi
notes at m. 69 are
provided for ensembles
which lack violas.
Ensembles with violas may
have them play the lower
notes while the second
violins play the upper
notes. Percussion, which
is completely optional,
should be very subdued.
Choose a bell mallet
which allows the tones to
be heard just above the
strings. the woodblock
part is intended to
imitate the clip-clop
sound of a horse's
hooves. Two different
sizes of woodblocks or
temple blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead. The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54. Performance time
with the repeat is two
and a half
minutes. The musical
effect of Prarie
Lullaby should be
graceful and serene,
evocative of a peaceful
night on the open plains.
To that end, players will
need to strive for an
unlabored rhythmic flow,
smooth bowing and a
clear, steady tone as
close to p as
possible.Beginning at
m.39, the violin and
viola parts are
marked pizzicato. If
young players are unable
to return quickly
to argo at m.53, they
may make the bow
preparation easier by
taking a full measure
rest at m.52. This option
is marked in the parts
and
score.The divisi no
tes at m. 69 are provided
for ensembles which lack
violas. Ensembles with
violas may have them play
the lower notes while the
second violins play the
upper notes.Percussion,
which is completely
optional, should be very
subdued. Choose a bell
mallet which allows the
tones to be heard just
above the strings. the
woodblock part is
intended to imitate the
clip-clop sound of a
horse's hooves. Two
different sizes of
woodblocks or temple
blocks are needed.
Finding two suitable
sounds on one woodblock
is difficult. Again, the
right mallets are very
important. The suspended
cymbal should be played
with brushes if the
string ensemble is small.
If the suspended cymbal
with brushes cannot be
heard above a large
number of strings, then
sticks should be used
instead.The percussion
part can be performed by
one player, provided the
instruments and mallets
are set up properly and
the player has the skill
to make the transitions
smoothly. Note the
optional rest at mm.
53-54.Performance time
with the repeat is two
and a half minutes.
About Carl
Fischer Beginning String
Orchestra
Series
Thi
s series of Grade 1
pieces is designed for
first year string groups.
The pieces in this series
are characterized by:
Limited parts
(often 2nd violin and
viola are the same part,
cello and bass are same
part)
Limited
keys and rhythms - only
simple 8th note
patterns
Composed by Soon Hee
Newbold. Beginning
Strings. FJH Beginning
Strings. Score and parts.
Duration 2 minutes.
Published by The FJH
Music Company Inc
(FJ.ST6393).
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning St...(+)
By Lauren Bernofsky
(1967-). For narrator and
string orchestra. FJH
Beginning Strings. Score
only. Full set (score and
parts) also available:
ST6192. Halloween. Grade
1. Score. Composed 2009
By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning S...(+)
By Lauren Bernofsky
(1967-). For narration
and string orchestra. FJH
Beginning Strings. Full
set (score and parts).
Score only also
available: ST6192S.
Halloween. Grade 1. Score
and set of parts.
Composed 2009
Tabula Rasa (1977) Orchestre à Cordes [Conducteur d'étude / Miniature] Universal Edition
Doppelkonzert. Composed by Arvo Part (1935-). World Premiere: in Tallinn / Eston...(+)
Doppelkonzert. Composed
by Arvo Part (1935-).
World Premiere: in
Tallinn / Estonia; by the
Estonian Chamber
Orchestra; conducted by
Eri Klas. Study score.
With Standard notation.
Composed 1977. Duration
27 minutes. Universal
Edition #UE31937.
Published by Universal
Edition
Score Only.
Composed by Brian
Balmages. Series; String
Orchestra. FJH Beginning
Strings. Score. The FJH
Music Company Inc
#98-ST6550S. Published by
The FJH Music Company Inc
(FJ.ST6550S).
English.
An
imagined soundtrack to a
high-stakes game of
espionage... The music
drifts between episodes
of intense dissonance and
brief moments of calm,
allowing you to catch
your breath before the
chase continues once
again. Relying heavily on
rhythmic pulse and
reinforcing rhythmic
independence, this
engaging work also offers
plenty of opportunities
to showcase dynamic
contrast and really bring
the excitement to a new
level!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Orchestra String Orchestra - Grade 1.5 SKU: FJ.ST6550 Composed by Brian B...(+)
Orchestra String
Orchestra - Grade 1.5
SKU: FJ.ST6550
Composed by Brian
Balmages. Series; String
Orchestra. FJH Beginning
Strings. Novelty. Score
and Part(s). The FJH
Music Company Inc
#98-ST6550. Published by
The FJH Music Company Inc
(FJ.ST6550).
English.
An
imagined soundtrack to a
high-stakes game of
espionage... The music
drifts between episodes
of intense dissonance and
brief moments of calm,
allowing you to catch
your breath before the
chase continues once
again. Relying heavily on
rhythmic pulse and
reinforcing rhythmic
independence, this
engaging work also offers
plenty of opportunities
to showcase dynamic
contrast and really bring
the excitement to a new
level!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Holiday Pops.
Score. Duration 2:30. The
FJH Music Company Inc
#98-ST6345S. Published by
The FJH Music Company Inc
(FJ.ST6345S).
English.
Beginni
ng with an unaccompanied
solo that can be
performed on any
instrument, this
beautiful arrangement
weaves Angels We Have
Heard on High with Once
in Royal David's City to
create a breathtaking
setting suitable for the
youngest of players. An
ideal way to feature your
rock star soloist,
regardless of
instrument!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Composed by Bernardo
Pasquini. Arranged by
Deborah Baker Monday.
Series; String Orchestra.
FJH Developing Strings.
Masterwork Arrangement.
Score. Duration 2:45. The
FJH Music Company Inc
#98-ST6377S. Published by
The FJH Music Company Inc
(FJ.ST6377S).
English.
These
two lively dances come
from a collection of
keyboard pieces by
Italian composer
Pasquini. The music is
very rich and all
instruments have
melodically interesting
roles. An excellent
choice for concert or
festival, and also ideal
as a change of pace in
your program.
About FJH
Developing
Strings
Sl
ightly more advanced than
Beginning Strings, this
series begins to involve
more position work and a
slightly more complex
rhythmic figures.
Rehearsal piano is often
provided. Ideal for
middle school and smaller
high school programs.
Grade 2 - 2.5
Score Only.
Composed by Kathryn
Griesinger. Series;
String Orchestra. FJH
Beginning Strings.
Masterwork Arrangement.
Score. The FJH Music
Company Inc #98-ST6503S.
Published by The FJH
Music Company Inc
(FJ.ST6503S).
English.
Feature
every section of your
orchestra in this
swashbuckling piece!
Three distinct pirate
themes are given to the
violins, violas, and
cellos/basses to allow
all players a chance to
shine. All seafaring
melodies stay in first
position with minimal
low-two finger patterns
and lots of doubling for
a big, full sound. Each
section takes an
adventurous turn into new
tonalities before joining
forces at the end for a
triumphant finale!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Composed by Kathryn
Griesinger. Series;
String Orchestra. FJH
Beginning Strings.
Masterwork Arrangement.
Score and Part(s). The
FJH Music Company Inc
#98-ST6503. Published by
The FJH Music Company Inc
(FJ.ST6503).
UPC:
241444414672.
English.
Feature
every section of your
orchestra in this
swashbuckling piece!
Three distinct pirate
themes are given to the
violins, violas, and
cellos/basses to allow
all players a chance to
shine. All seafaring
melodies stay in first
position with minimal
low-two finger patterns
and lots of doubling for
a big, full sound. Each
section takes an
adventurous turn into new
tonalities before joining
forces at the end for a
triumphant finale!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Arranged by Deborah Baker Monday. Orchestra. For string. Part(s); Score; String ...(+)
Arranged by Deborah Baker
Monday. Orchestra. For
string. Part(s); Score;
String Orchestra.
Highland String
Orchestra. Christmas;
Latin; Novelty; Secular;
Winter. Grade 2. 62
pages. Published by
Alfred Music Publishing
March Momentous Orchestre à Cordes [Conducteur et Parties séparées] - Débutant FJH
By Elliot Del Borgo. For string orchestra. Orchestra. FJH Beginning Strings. Ful...(+)
By Elliot Del Borgo. For
string orchestra.
Orchestra. FJH Beginning
Strings. Full set (score
and parts). Score only
also available: ST6003S.
Grade 1. Score and set of
parts. Duration 3
minutes, 11 seconds.
Published by The FJH
Music Company Inc
(FJ.ST6003. Score and
Parts.
Score Only.
Arranged by Carrie Lane
Gruselle. Series; String
Orchestra. FJH Beginning
Strings. Christmas;
Holiday Pops. Score.
Duration 2:30. The FJH
Music Company Inc
#98-ST6272S. Published by
The FJH Music Company Inc
(FJ.ST6272S).
English.
Punctua
te your holiday program
with this delightful
medley that ingeniously
combines O Come, Little
Children, O Come, O Come
Emmanuel, and O Come, All
Ye Faithful. An excellent
vehicle to teach dotted
quarter note counting,
this work also allows
everyone to play a few
long tones on octave
harmonics. Simply
delightful!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Score Only.
Arranged by Soon He
Newbold. Series; String
Orchestra. FJH Beginning
Strings. Masterwork
Arrangement;
Multicultural. Score.
Duration 2:15. The FJH
Music Company Inc
#98-ST6357S. Published by
The FJH Music Company Inc
(FJ.ST6357S).
English.
This
lively Icelandic vikivaki
folk song makes a great
opener or closer and
calls for stomping by the
orchestra members.
Telling the tragic tale
of Olaf and his deadly
encounter with an elf
maiden, the music
includes open drones that
support the melody as it
is passed around the
different instruments in
the ensemble.
Fantastic!
About FJH
Beginning
Strings
Ap
propriate for first year
string students. All
instruments stay in first
position, and optional
third violin (viola)
parts and piano are
included to aid in
rehearsal and performance
situations. Grade 1 -
1.5
Battalia Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Heinrich Biber. Arranged by Brendan Mcbrien. Orchestra. Masterworks; Part(s);...(+)
By Heinrich Biber.
Arranged by Brendan
Mcbrien. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Highland String
Orchestra. Form:
Transcription. Baroque;
Masterwork Arrangement.
Grade 3. 124 pages.
Published by Alfred Music
Publishing