Cleopatra Orchestre d'harmonie - Facile De Haske Publications
Score and Parts Concert Band (Score & Parts) - Grade 3 SKU: HL.4007167 (+)
Score and Parts Concert
Band (Score & Parts) -
Grade 3
SKU:
HL.4007167
The
Last Queen of Egypt.
Composed by Thierry
Deleruyelle. De Haske
Concert Band. Concert.
Softcover. Duration 600
seconds. De Haske
Publications #032933.
Published by De Haske
Publications
(HL.4007167).
UPC:
840126965773.
This
work is devoted to Queen
Cleopatra, who ruled
Egypt for over twenty
years and is one of
antiquity's best-known
women. Her eventful life,
much of which she devoted
to her beloved, the Roman
general Mark Antony, is
depicted in three
movements performed
without breaks. A
composition in which
passion, love, conflict
and tragedy are portrayed
in a stirring way.
Gorgeous!
Showcasing Mamma
Mia, La La
Land, and
Chicago
(Featuring: Dancing Queen
/ Mia and Sebastian's
Theme / Overture / And
All That Jazz).
Composed by Various.
Arranged by Justin
Williams. Concert Band;
Performance Music
Ensemble; Single Titles.
Pop Concert Band. Form:
Medley. Movie. Score. 28
pages. Duration 4:00.
Alfred Music #00-46636S.
Published by Alfred Music
(AP.46636S).
UPC:
038081538518. English.
Various.
Musicals
and movies are a match
made in heaven! Mamma
Mia, La La Land, and
Chicago are three
timeless masterpieces of
this immensely popular
genre. Incorporating
Dancing Queen, Mia and
Sebastian's Theme, and
Overture/And All That
Jazz, At the Movies---The
Musicals provides a
memorable and exciting
journey into the
wonderland of movie
musicals.
Music Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-010 Composed by John Mile...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-046-010
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Set (Score &
Parts). Composed 2002.
Anglo Music Press #AMP
046-010. Published by
Anglo Music Press
(BT.AMP-046-010).
9x12
inches.
Born in
Jarrow, northeast
England, in 1949, John
Miles was something of a
child prodigy, learning
the piano from the age of
five. In the early '60s
he persuaded his father
to buy him a guitar and
by the end of the decade
he had joined
asemi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early '70s. In
1975 Miles decided to
move to London and
secured a dealwith Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly,
but their greatest hit,
which stormed the British
charts in March 1976, was
Music.
In
1976 bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
Musi
k war meine erste Liebe-
so beginnt der Text
dieses Pop-Klassikers aus
den Siebzigern von John
Miles, der mit dieser
Zeile damit damals und
heute den Nerv aller
begeisterten Musiker und
Musikfans der Welt traf.
Leise undlaut,
gefühlvoll und
dramatisch, zieht diese
schöne
Liebeserklärung an die
Musik in der
Blasorchester-Bearbeitung
von Philip Sparke noch
immer Musiker und
Zuhörer unweigerlich
in ihren
Bann.
The Queen Orchestre d'harmonie - Intermédiaire Molenaar Edition
Concert Band - Grade 4 SKU: ML.013764080 Composed by Nuno Osório. Full s...(+)
Concert Band - Grade 4
SKU: ML.013764080
Composed by Nuno Osório.
Full set. Molenaar
Edition #013764080.
Published by Molenaar
Edition (ML.013764080).
The work gives
us a portrait of
Ângela's
characteristics, as a
person (confidence,
flexibility, honour,
gratitude, respect,
empathy, determination,
sensitivity and
courage...) and as a
professional in the
musical universe. In this
way, throughout the work,
the composer tries to
find and explore
contrasting and versatile
sounds.
Het werk
geeft ons een portret van
de eigenschappen van
Ângela, als persoon
(vertrouwen,
flexibiliteit, eer,
dankbaarheid, respect,
empathie,
vastberadenheid,
gevoeligheid en moed...)
en als professional in
het muzikale universum.
Zo probeert de componist
door het werk heen
contrasterende en
veelzijdige klanken te
vinden en te
verkennen.
L'œuvr
e dresse un portrait des
caractéristiques
d'Ângela, en tant que
personne (confiance,
flexibilité, honneur,
gratitude, respect,
empathie, détermination,
sensibilité, courage...)
et en tant que
professionnelle dans
l'univers musical. Ainsi,
tout au long de l'œuvre,
le compositeur tente de
trouver et d'explorer des
sonorités contrastées
et
polyvalentes.
Das
Werk gibt uns ein
Porträt von Ângelas
Eigenschaften als Person
(Vertrauen,
Flexibilität, Ehre,
Dankbarkeit, Respekt,
Empathie,
Entschlossenheit,
Sensibilität und Mut...)
und als Profi im
musikalischen Universum.
Auf diese Weise versucht
der Komponist im gesamten
Werk, kontrastreiche und
vielseitige Klänge zu
finden und zu
erforschen.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
Laudate Regem Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135493-010 Composed by Matth...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135493-010
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Opening
Pieces. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135493-010. Published by
De Haske Publications
(BT.DHP-1135493-010).
9x12 inches.
English-Dutch.
L
audate Regem - or
Praise the King! After a
reign of 33 years,
Beatrix, Queen of the
Netherlands, stepped down
from the throne to make
way for her eldest son
Willem-Alexander. For
this special occasion,
Matthias van Nispen tot
Pannerden haswritten a
majestic work for the
Royal Netherlands Air
Force Orchestra, which
sounded at precisely the
moment the new king left
the Nieuwe Kerk after his
inauguration. A festive
work for a memorable
occasion!
Lauda
te Regem, Lof aan de
koning! Deze muziek werd
gespeeld op het moment
dat de koninklijke
familie de Nieuwe Kerk in
Amsterdam verliet, en het
werd door de Kapel van de
Koninklijke Luchtmacht
tevens gespeeld tijdens
de
NationaleHerdenkingsplech
tigheid op 4 mei. Na een
korte beginfanfare volgt
een prachtige, gedragen
melodie waarin even
muzikaal verwezen wordt
naar het Wilhelmus. Naar
het eind toe volgt een
overweldigend slot. Met
dit werk is het altijd
even opnieuw 30
april2013...
La
udate Regem, oder:
Preiset den König!
Nach einer Regierungszeit
von 33 Jahren hat
Beatrix, Königin der
Niederlande, am 30. April
2013 den Thron für
ihren ältesten Sohn
Willem-Alexander frei
gemacht. Für diesen
besonderen Anlassschrieb
Matthias van Nispen tot
Pannerden ein
majestätisches Werk
für das Orchester
der Königlich
Niederländischen
Luftwaffe, die genau in
dem Moment erklang, als
der neue König die
Nieuwe Kerk nach seiner
Amtseinführung in
Amsterdamverließ.
Festliche Musik
La
udate Regem o
piuttosto Lodate il Re!
Dopo 33 anni di regno, il
30 aprile 2013, Beatrice,
regina dei Paesi Bassi,
ha abdicato in favore di
suo _x001E_figlio
Willem-Alexander.
Matthias van Nispen tot
Pannerden ha scritto per
questa
occasioneun’opera
maestosa, eseguita per la
prima volta dalla Royal
Netherlands Air Force
Orchestra, il giorno
dell’investitura.
Le prime note di questa
musica festiva hanno
accompagnato il nuovo Re
all’uscita della
Nuova Chiesa di Amsterdam
e poi mentre siaccingeva
a raccogliere il saluto
dei sudditi nel Dam, la
piazza principale della
citt olandese.
Laudate Regem Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135493-140 Composed by Matth...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1135493-140
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Opening
Pieces. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1135493-140.
Published by De Haske
Publications
(BT.DHP-1135493-140).
9x12 inches.
English-Dutch.
L
audate Regem - or
Praise the King! After a
reign of 33 years,
Beatrix, Queen of the
Netherlands, stepped down
from the throne to make
way for her eldest son
Willem-Alexander. For
this special occasion,
Matthias van Nispen tot
Pannerden haswritten a
majestic work for the
Royal Netherlands Air
Force Orchestra, which
sounded at precisely the
moment the new king left
the Nieuwe Kerk after his
inauguration. A festive
work for a memorable
occasion!
Lauda
te Regem, Lof aan de
koning! Deze muziek werd
gespeeld op het moment
dat de koninklijke
familie de Nieuwe Kerk in
Amsterdam verliet, en het
werd door de Kapel van de
Koninklijke Luchtmacht
tevens gespeeld tijdens
de
NationaleHerdenkingsplech
tigheid op 4 mei. Na een
korte beginfanfare volgt
een prachtige, gedragen
melodie waarin even
muzikaal verwezen wordt
naar het Wilhelmus. Naar
het eind toe volgt een
overweldigend slot. Met
dit werk is het altijd
even opnieuw 30
april2013...
Laudate
Regem, oder: Preiset
den König! Nach einer
Regierungszeit von 33
Jahren hat Beatrix,
Königin der
Niederlande, am 30. April
2013 den Thron für
ihren ältesten Sohn
Willem-Alexander frei
gemacht. Für diesen
besonderen Anlassschrieb
Matthias van Nispen tot
Pannerden ein
majestätisches Werk
für das Orchester
der Königlich
Niederländischen
Luftwaffe, die genau in
dem Moment erklang, als
der neue König die
Nieuwe Kerk nach seiner
Amtseinführung in
Amsterdamverließ.
Festliche Musik
L
audate Regem o
piuttosto Lodate il Re!
Dopo 33 anni di regno, il
30 aprile 2013, Beatrice,
regina dei Paesi Bassi,
ha abdicato in favore di
suo _x001E_figlio
Willem-Alexander.
Matthias van Nispen tot
Pannerden ha scritto per
questa
occasioneun’opera
maestosa, eseguita per la
prima volta dalla Royal
Netherlands Air Force
Orchestra, il giorno
dell’investitura.
Le prime note di questa
musica festiva hanno
accompagnato il nuovo Re
all’uscita della
Nuova Chiesa di Amsterdam
e poi mentre siaccingeva
a raccogliere il saluto
dei sudditi nel Dam, la
piazza principale della
citt olandese.
Achnaton Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-140
Composed by Jan Bosveld.
Score Only. 40 pages.
Gobelin Music
Publications #GOB
000712-140. Published by
Gobelin Music
Publications
(BT.GOB-000712-140).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Belkis, Queen of
Sheba-Suite for Wind
Orchestra. Composed
by Ottorino Respighi. The
Great Classics. Concert
Piece. Score Only.
Composed 1995. 80 pages.
De Haske Publications
#DHP 0950659-140.
Published by De Haske
Publications
(BT.DHP-0950659-140).
Music Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-046-140 Composed by John Mile...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-046-140
Composed by John Miles.
Arranged by Philip
Sparke. Anglo Music
Midway Series. Pop &
Rock. Score Only.
Composed 2002. 28 pages.
Anglo Music Press #AMP
046-140. Published by
Anglo Music Press
(BT.AMP-046-140).
9x12
inches.
Born in
Jarrow, northeast
England, in 1949, John
Miles was something of a
child prodigy, learning
the piano from the age of
five. In the early
’60s he persuaded
his father to buy him a
guitar and by the end of
the decade he had joined
a semi-professional band,
The Influence. The group
soon disbanded and by
1969 Miles was recording
with his own group, The
John Miles Band,
releasing a dozen singles
in the early ’70s.
In 1975 Miles decided to
move to London and
secured a deal with Decca
Records. By October that
year, a newly formed
band, John Miles and Co,
had released their debut
single, Highfly, but
their greatest hit, which
stormed the British
charts in March 1976, was
Music.
In 1976
bestormde het nummer
Music van de band
John Miles and Co de
hitparades. Music,
vaak bekritiseerd als
pompeus en hoogdravend in
een periode die steeds
meer de kant van de punk
opging, was in feite
typisch Britsetechnopop
en daarbij een bepalende
plaat voor die tijd,
samen met nummers als
Queen’s
Bohemian Rhapsody.
Met veel gevoel voor
dynamiek en dramatiek
werkt deze ode aan de
muziek nog altijd
aanstekelijk.
Musi
k war meine erste
Liebe“ - so beginnt
der Text dieses
Pop-Klassikers aus den
Siebzigern von John
Miles, der mit dieser
Zeile damit damals und
heute den Nerv aller
begeisterten Musiker und
Musikfans der Welt traf.
Leise und laut,
gefühlvoll und
dramatisch, zieht diese
schöne
Liebeserklärung an die
Musik in der
Blasorchester-Bearbeitung
von Philip Sparke noch
immer Musiker und
Zuhörer unweigerlich
in ihren Bann.
E’ con
Music, il suo
più grande successo,
che John Miles (1949)
conquista le hit-parade
inglesi nel marzo 1976.
Espressiva, potente e
dinamica, questa canzone
è un magnifico inno
alla musica.
L’arrangiamento di
Philip Sparke è fedele
alla versione
originale.
Achnaton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-010
Composed by Jan Bosveld.
Set (Score & Parts). 38
pages. Gobelin Music
Publications #GOB
000712-010. Published by
Gobelin Music
Publications
(BT.GOB-000712-010).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Orchestra Orchestra SKU: AP.6-80531X Composed by Franz Joseph Haydn. Full...(+)
Orchestra Orchestra
SKU: AP.6-80531X
Composed by Franz Joseph
Haydn. Full Orchestra
(Full Score). Dover
Edition. Classical;
Masterwork. Score; Book.
300 pages. Dover
Publications #06-80531X.
Published by Dover
Publications
(AP.6-80531X).
ISBN
9780486805306. UPC:
800759805310.
English.
Commission
ed in 1786 by the
Paris-based orchestra Le
Concert de la Loge
Olympique, these six
symphonies were created
for an extraordinarily
large ensemble of both
professional and amateur
players, including
reinforced woodwind parts
and a large string
section. The symphonies
are: Symphony No. 82
in C major, L'Ours (The
Bear), 1786 Symphony
No. 83 in G minor, La
Poule (The Hen),
1785 Symphony No. 84
in E flat major, In
Nomine Domini,
1786 Symphony No. 85
in B flat major, La Reine
(The Queen),
1785 Symphony No. 86
in D major,
1786 Symphony No. 87
in A major,
1785 Composer Giuseppe
Maria Cambini, a member
of the orchestra, noted
that the enthusiastically
received premieres
featured some of the
city's finest musicians.
A contemporary critic
remarked that Each
hearing increases our
appreciation and
admiration of the works
of the great genius, who,
in all his pieces,
understands so well how
to draw the richest and
most varied developments
from every theme.
Reproduced from the
authoritative Breitkopf &
Härtel editions, this
volume offers musicians
and music lovers an
inexpensive and
authoritative compilation
of Haydn's ever-popular
works.
Sir Roger de Coverley Orchestre d'harmonie [Conducteur] - Avancé Faber Music Limited
Concert Band SKU: AP.12-0571572391 Composed by Frank Bridge. Concert Band...(+)
Concert Band
SKU:
AP.12-0571572391
Composed by Frank Bridge.
Concert Band; Performance
Music Ensemble; Single
Titles. Faber Edition.
Score. Faber Music
#12-0571572391. Published
by Faber Music
(AP.12-0571572391).
ISBN 9780571572397.
English.
Frank
Bridge (1879--1941) was
one of the leading
English composers of his
time. In October 1922, he
adapted his popular
string quartet Sir Roger
de Coverley for full
symphony orchestra and
Sir Henry Wood agreed, at
the last minute, to
include it in the last
night of the Queen's Hall
Promenade Concerts at the
end of that month. This
elaborate and colourful
orchestral version has
never been widely
performed, but has now
been brilliantly
transcribed by Alastair
Wheeler to provide a
miniature dance poem for
grade 5 level concert
band. Bridge's lively
treatment of one of
England's most famous
traditional dance
melodies will make a
fitting end to any
concert, with the strains
of Auld Lang Syne
introduced by Bridge as a
nod towards Sir Roger de
Coverley's traditional
function as the final
dance of a Christmas
Ball, as it was in Old
Mr. Fezziwig's party in
Dickens' A Christmas
Carol.
Concert Band SKU: AP.12-0571572383 Composed by Frank Bridge. Concert Band...(+)
Concert Band
SKU:
AP.12-0571572383
Composed by Frank Bridge.
Concert Band; Performance
Music Ensemble; Single
Titles. Faber Edition.
Score and Part(s). Faber
Music #12-0571572383.
Published by Faber Music
(AP.12-0571572383).
ISBN 9780571572380.
English.
Frank
Bridge (1879--1941) was
one of the leading
English composers of his
time. In October 1922, he
adapted his popular
string quartet Sir Roger
de Coverley for full
symphony orchestra and
Sir Henry Wood agreed, at
the last minute, to
include it in the last
night of the Queen's Hall
Promenade Concerts at the
end of that month. This
elaborate and colourful
orchestral version has
never been widely
performed, but has now
been brilliantly
transcribed by Alastair
Wheeler to provide a
miniature dance poem for
grade 5 level concert
band. Bridge's lively
treatment of one of
England's most famous
traditional dance
melodies will make a
fitting end to any
concert, with the strains
of Auld Lang Syne
introduced by Bridge as a
nod towards Sir Roger de
Coverley's traditional
function as the final
dance of a Christmas
Ball, as it was in Old
Mr. Fezziwig's party in
Dickens' A Christmas
Carol.
The Frost Queen Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.013-0577-00 March & Two-Step. Composed by G. Holmes. Band....(+)
SKU:
CL.013-0577-00
March & Two-Step.
Composed by G. Holmes.
Band. Score and set of
parts. Composed 1914.
C.L. Barnhouse
#013-0577-00. Published
by C.L. Barnhouse
(CL.013-0577-00).
A
Tribute to H.G.
Wells. Composed by
Ron Goodwin. Band Music.
Score and parts. Duration
10:15. Published by G & M
Brand Music Publishers
(CN.R10243).
This 3-movement
tribute to H.G. Wells
perfectly captures the
imagination and
wonderment found in the
author's collection of
works. The first movement
is a march that could
easily be extracted and
performed on its own as a
nice alternative to
Sousa.
The Time
Traveller: A tribute to
H.G. Wells is cast in
three movements: March:
Anticipation, Mankind in
the Making, and A Modern
Utopia. Commissioned by
the Bromley Youth Concert
Band and first performed
under the Director: Peter
Mawson, on Sunday, March
3, 2002, at the Queen
Elizabeth Hall, South
Bank Centre, London.
Power Rock Orchestre d'harmonie [Partition] - Débutant Hal Leonard
By Queen. Arranged by Michael Sweeney. Essential Elements - Concert Band, Explor...(+)
By Queen. Arranged by
Michael Sweeney.
Essential Elements -
Concert Band, Explorer
Level (begining Grade 1).
Score and full set of
parts. Published by Hal
Leonard.
Campus Queen Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
SKU: CL.013-1139-00 March. Composed by J. J. Richards. Band. Score...(+)
SKU:
CL.013-1139-00
March. Composed by
J. J. Richards. Band.
Score and set of parts.
Composed 1936. C.L.
Barnhouse #013-1139-00.
Published by C.L.
Barnhouse
(CL.013-1139-00).
Concert Band - Grade 3 SKU: AP.50067 Featuring Let's Dance, Space Oddi...(+)
Concert Band - Grade 3
SKU: AP.50067
Featuring Let's Dance,
Space Oddity, and Under
Pressure. Composed by
Various. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band. Pop;
Pop/Rock; Radio. Score
and Part(s). Duration
6:45. Alfred Music
#00-50067. Published by
Alfred Music (AP.50067).
ISBN 9781470662226.
UPC: 038081579429.
English.
Bowie.
Some artists only need to
be known and recalled by
one name. This fantastic
medley contains three of
his biggest hits. The
jazzy and funky Let's
Dance, the ethereal Space
Oddity, and the
ever-grooving hit, with
rock group Queen, Under
Pressure. (6:45).
The Hive Orchestre d'harmonie [Conducteur] - Intermédiaire FJH
Concert Band Concert Band - Grade 3.5; Grade 4 SKU: FJ.B1368S Survival...(+)
Concert Band Concert Band
- Grade 3.5; Grade 4
SKU: FJ.B1368S
Survival and
Sacrifice. Composed
by Erik Morales. Concert
Band. FJH Concert Band.
Programmatic. Score.
Duration 6:00. The FJH
Music Company Inc
#98-B1368S. Published by
The FJH Music Company Inc
(FJ.B1368S).
English.
This
serious programmatic work
depicts a day in the life
of a honeybee hive by
drawing on various
musical effects
throughout. The opening
section, Daybreak, is
tranquil and serene, yet
intensifies as the hive
becomes active. A flurry
of musical activity
accompanies the next
section, Scouting for
Pollen, as forager bees
disperse. Other
interesting sections
include Directional
Tango, Her Majesty, the
Queen, Hungry Bear
(depicting the ransacking
of the hive), and New
Cycle Begins, during
which several of the
previous themes come back
in a brilliant collage of
musical sounds and
textures. Experience the
full gamut of styles in
this brilliant and highly
entertaining work!
About FJH
Concert
Band
Desig
ned for high school
groups and upper-level
middle school groups.
Independence is
encouraged, but many
lines are cross-cued.
Usually includes an
expanded percussion
section. Grades 3 -
3.5
Majesty Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.4008192 Composed by Thierr...(+)
Concert Band (Score &
Parts) - Grade 4
SKU:
HL.4008192
Composed
by Thierry Deleruyelle.
De Haske Concert Band.
Concert. Softcover.
Duration 380 seconds. De
Haske Publications
#034097. Published by De
Haske Publications
(HL.4008192).
UPC:
196288137252.
Majes
ty is a powerful and
spectacular overture.
Right from the start, the
brass open the work
brilliantly before making
way for a majestic hymn
mostly played by the
woodwind. The end of the
piece repeats the opening
fanfare as a monumental
finale in the style of an
American symphonic march.
This work was
commissioned by the
Bourbourg Wind Orchestra
(France), conducted by
Claude Deconinck, on the
occasion of its 230th
anniversary. This piece
was premiered by the
commissioning orchestra
on 19 November 2022, just
two months after the
death of Queen Elizabeth
II. Naturally, this work
is dedicated to her.
Queen of Flowers Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 3 SKU: CL.013-0308-00 Waltzes. Composed by G. Holmes. Band. ...(+)
Grade 3
SKU:
CL.013-0308-00
Waltzes. Composed
by G. Holmes. Band. Score
and set of parts.
Composed 1904. C.L.
Barnhouse #013-0308-00.
Published by C.L.
Barnhouse
(CL.013-0308-00).
Note: This is a
reprint from a vintage
publication of 1904. No
conductor score is
published for this work.
The Solo Cornet part
serves as a conductor
guide. Due to the era of
this work, saxophone
parts are not published.
Parts for Eb Horns are
included; no F Horn parts
are published for this
work. If a C Piccolo/C
Flute part was not
published originally, one
has been subsequently
added by our editorial
staff.
Concert Band - Grade 1.5 SKU: AP.44974S Composed by Scott Watson. Concert...(+)
Concert Band - Grade 1.5
SKU: AP.44974S
Composed by Scott Watson.
Concert Band; Performance
Music Ensemble; Single
Titles. Challenger Band
Series. Score. 8 pages.
Duration 3:05. Alfred
Music #00-44974S.
Published by Alfred Music
(AP.44974S).
UPC:
038081517605.
English.
Capturing
the Blue Riband musically
celebrates the excitement
and sense of occasion
experienced when
traveling aboard the
grand, early 20th century
transatlantic liners,
such as the Queen Mary
and Lusitania. The Blue
Riband was the coveted
trophy bestowed on the
vessel that clocked the
fastest transatlantic
time. The energetic
opening and closing
sections of this piece
evoke the exhilaration of
taking to the sea in this
historic race of
prestige, while a
contrasting section
conveys the sense of
grandeur and honor
central to the era and
the award. (3:05).
Concert Band - Grade 3 SKU: AP.50067S Featuring Let's Dance, Space Odd...(+)
Concert Band - Grade 3
SKU: AP.50067S
Featuring Let's Dance,
Space Oddity, and Under
Pressure. Composed by
Various. Arranged by
Patrick Roszell. Concert
Band; Performance Music
Ensemble; Single Titles.
Pop Concert Band. Pop;
Pop/Rock; Radio. Score.
Duration 6:45. Alfred
Music #00-50067S.
Published by Alfred Music
(AP.50067S).
ISBN
9781470662233. UPC:
038081579436.
English.
Bowie.
Some artists only need to
be known and recalled by
one name. This fantastic
medley contains three of
his biggest hits. The
jazzy and funky Let's
Dance, the ethereal Space
Oddity, and the
ever-grooving hit, with
rock group Queen, Under
Pressure. (6:45).