Stabat Mater, Op. 58 / B. 71 Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Vocal Score] Serenissima
By Antonin Dvorak (1841-1904). Edited by Otakar Sourek. Arranged by Josef Zubay....(+)
By Antonin Dvorak
(1841-1904). Edited by
Otakar Sourek. Arranged
by Josef Zubay. Choir and
piano. For Soprano voice,
Alto voice, Tenor voice,
and Bass voice (Soli),
SATB Choir, Piano. This
edition: Paperback.
Choral, Transcriptions,
Original Works,
Liturgical. Romantic
Period; Sacred/Hymns,
Czech. Vocal Score. 166
pages. Published by
Serenissima
Boris Godunov Soli, choeur mixte et accompagnement [Vocal Score] Kalmus
German, English Language Edition. Composed by Modest Petrovich Mussorgsky (1839-...(+)
German, English Language
Edition. Composed by
Modest Petrovich
Mussorgsky (1839-1881).
Arranged by Nikolay
Andreyevich
Rimsky-Korsakov. Complete
Score. Kalmus Edition.
Masterwork; Romantic.
Score. 296 pages. Kalmus
Classic Edition
#00-K06353. Published by
Kalmus Classic Edition
Romantic opera in
three acts. Composed
by Franz Berwald. Edited
by Folke Lindberg. This
edition: complete
edition, urtext edition.
Linen. Franz Berwald.
Complete Works, Volume
18a. Complete edition,
Score. Duration 2 hours,
30 minutes. Baerenreiter
Verlag #BA04918_00.
Published by Baerenreiter
Verlag (BA.BA04918).
ISBN 9790006460526. 33
x 25.7 cm inches. Text
Language: Swedish.
Preface: Lindberg, Folke.
Text: Vial, J. B. C. /
Favières, E. G. F.
de.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Viola. Op.
107. 12 pages. Duration
25 minutes. Carus Verlag
#CV 23.007/13. Published
by Carus Verlag
(CA.2300713).
ISBN
9790007037703. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violoncello. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Cello. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/14. Published by
Carus Verlag
(CA.2706014).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Mass in A-Flat Major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Clavier [Partition] Alfred Publishing
By Franz Schubert. For Orch. (SATB divisi with SATB Soli). Choral Worship Canta...(+)
By Franz Schubert. For
Orch. (SATB divisi with
SATB Soli). Choral
Worship Cantata. Kalmus
Edition. Masterwork;
Sacred. Book. 108 pages.
Published by Alfred
Publishing.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/12. Published by
Carus Verlag
(CA.2300712).
ISBN
9790007037697. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed by Anton
Diabelli. 1x 23.007/21
flute, 1x 23.007/22
clarinet 1, 1x 23.007/23
clarinet 2, 1x 23.007/31
trumpet 1, 1x 23.007/32
trumpet 2, 1x 23.007/33
horn 1, 1x 23.007/34 horn
2, 1x 23.007/41 timpani.
German title: Messe in Es
8. Sacred vocal music,
Masses, Latin. Set of
Orchestra Parts. Op. 107.
44 pages. Duration 25
minutes. Carus Verlag #CV
23.007/09. Published by
Carus Verlag
(CA.2300709).
ISBN
9790007037673. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and
parts available
separately - see item
CA.2300700.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Cello/Double
Bass. Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/14. Published by
Carus Verlag
(CA.2300714).
ISBN
9790007037710. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 1.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/11. Published by
Carus Verlag
(CA.2300711).
ISBN
9790007037680. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed
by Heinrich von
Herzogenberg. Edited by
Bernd Wiechert. This
edition: Paperbound.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Messe In E. Streicher
Leihweise 20. Sacred
vocal music, Masses,
Latin. Full score. Op.
87. Duration 60 minutes.
Carus Verlag #CV
27.020/00. Published by
Carus Verlag
(CA.2702000).
ISBN
9790007088958. Key: E
minor. Language:
Latin.
The
musically convincing and,
in many respects,
original setting of the
liturgical text in
Herzogenberg's Mass
represents a final
culmination in the late
romantic repertoire of
the genre Missa solemnis.
The full score, which is
published here for the
first time, makes this
most inspiring work by
Herzogenberg accessible
for performance.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 2. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 2. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/12. Published
by Carus Verlag
(CA.2706012).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Violin 1. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Violin 1. Composed 1856.
Op. 4. 12 pages. Duration
45 minutes. Carus Verlag
#CV 27.060/11. Published
by Carus Verlag
(CA.2706011).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
Composed
by Camille Saint-Saens.
Edited by Dieter Zeh.
Arranged by Sven Hiemke.
Viola. Sacred vocal
music, Masses, Latin,
Whole church year / Omni
tempore. Single Part,
Viola. Composed 1856. Op.
4. 12 pages. Duration 45
minutes. Carus Verlag #CV
27.060/13. Published by
Carus Verlag
(CA.2706013).
Text
language:
Latin.
Carus-Verlag
is now publishing this
early work by Camille
Saint-Saens in a critical
new edition. Among the
sacred works by
Saint-Saens there are
just two settings of the
mass: the Messe de
Requiem op. 54 from his
middle period (1878), and
the Mass op. 4 dating
from 1856. This was first
performed on 21 April
1857. Camille Saint-Saens
was a devoted follower of
historicism as part of
the reform movement in
French church music. This
is more evident in the
mass published here than
anywhere else. The model
for this work is the
unison Messe Royale by
Henry DuMont (1610-1683).
Saint-Saens combined its
Gregorian style in a
convincing manner with
contemporary elements of
Romantic composition, an
expressive chromaticism,
which determines the
harmonic progression.
Alongside the orchestral
forces, the Grand Orgue
plays an important role.
Used as a solo
instrument, it is an
equal partner in the
composition. Score and
part available separately
- see item
CA.2706000.
By Felix Mendelssohn; Michael Pilkington (Editor). For Soprano, Alto, Tenor, Bar...(+)
By Felix Mendelssohn;
Michael Pilkington
(Editor). For Soprano,
Alto, Tenor, Baritone,
SATB Chorus, Piano
Accompaniment. Romantic,
Sacred, Classical,
Choral. Sheet Music. 206
pages. Published by
Novello and Co Ltd.
By Felix Mendelssohn. For 2 Soprano and 1 Tenor Soli, SATB Choir, Piano. Romanti...(+)
By Felix Mendelssohn. For
2 Soprano and 1 Tenor
Soli, SATB Choir, Piano.
Romantic, Choral, Sacred.
Sheet Music. 84 pages.
Published by Novello and
Co Ltd.
By Gustav Mahler. Edited by Gustav Mahler. Arranged by Josef Venantius Woss. For...(+)
By Gustav Mahler. Edited
by Gustav Mahler.
Arranged by Josef
Venantius Woss. For 2
Soprano voice, 2 Alto
voices, Tenor voice, and
2 Bass voices (Soli),
Boy's Choir, SSAATTBB
Choir / Piano. (Chorus
and piano). New Issues.
Post-Romantic. Large
Vocal Score. Text
Language: Latin, German.
Composed 1910. 212 pages.
Duration 85 minutes.
Published by Serenissima.