Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. / Hymnes et chorals / Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. / Hymnes et chorals / Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. / Hymnes et chorals / Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. This is a very effective setting of the Marian antiphon for Easter was probably composed in Dresden. The piece consists of two practically identically outer movements which frame an expressive, but restrained alto aria. / Hymnes et chorals / Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. Marienfeste, Marianische Gesänge - Langue : Latin/ Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. Marienfeste, Marianische Gesänge - Langue : Latin/ Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons

Tonalité : D-Dur -. Par HASSE JOHANN ADOLF. Verwendung / Anlässe: Marienfeste, Marianische Gesänge - Langue : Latin / Hymnes et chorals / Répertoire / Solo A, Choeur SATB, 2 Hautbois, 2 Cors, 2 Violons