Violin and Piano SKU: AP.36-60710011 In the Style of Antonio Vivaldi(+)
Violin and Piano
SKU:
AP.36-60710011
In
the Style of Antonio
Vivaldi. Composed by
Fritz Kreisler. Violin.
Master String Series.
Score. LudwigMasters
Publications
#36-60710011. Published
by LudwigMasters
Publications
(AP.36-60710011).
ISBN
9798888521892. UPC:
676737626686.
English.
Austrian-b
orn American violinist
and composer Fritz
Kreisler (1875-1962) is
considered among the best
virtuosic violinists in
history. While he did
write some operettas,
vocal works, and a
smattering of pieces for
other instruments, it is
unsurprising that most of
his output was for the
violin. In the earlier
part of his career, he
wrote a number of
pastiches in the style of
other well-known
composers, going so far
as to ascribe the work to
them rather than to
himself. In 1935,
Kreisler revealed that he
had composed these select
works, answering his
critics by pointing out
that they had deemed to
music worthy under the
other composers' names,
and that the name
changes, the value
remains. Among these such
works is his Concerto in
C, IFK 42, which Kreisler
falsely attributed to
Baroque composer Antonio
Vivaldi. In three
movements, the work
exists with both string
orchestra accompaniment
and this Master reprint
edition for violin and
piano.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440515S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440515S
Composed
by Robert Martin. Full
score. With Standard
notation. 48 pages.
Theodore Presser Company
#144-40515S. Published by
Theodore Presser Company
(PR.14440515S).
UPC:
680160667819. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
One role of music is to
evoke. Therefore,
Nighttime is a nocturne,
a night piece suggestive
of flickering shadows,
perhaps created by
firelight. It is a
recurrent setting in
human existence. The
music opens with the
scene of twilight calm,
gently disturbed with the
slight uncertainty about
what is around us, what
we cannot see. Later, the
clarinet takes on a solo
role, and the notes bleed
like careless paint into
the other instruments
that quietly sustain
them. Next, the flute
takes over the role of
solo. The piece ends with
a repeated cadence of
morning light. (From the
performance notes.).
17 Klezmer Tunes. Composed by Joachim Johow. This edition: Saddle stitching....(+)
17 Klezmer Tunes.
Composed by
Joachim Johow. This
edition:
Saddle stitching. Sheet
music
with CD. String Solo.
Classical, Klezmer.
Edition
with CD, Partitur (2
Violinen
+ Klavier) plus eine
Spielpartitur (2
Violinen).
104 pages. Schott Music
#ED
22866. Published by
Schott
Music
18 Coffee Time Pieces in Popular Style. Composed by Joachim Johow. This edition:...(+)
18 Coffee Time Pieces in
Popular Style. Composed
by Joachim Johow. This
edition: Saddle
stitching. Sheet music
with CD. String. Concert.
Edition with CD. 96
pages. Schott Music
#ED22670. Published by
Schott Music (
Performed by Various Artists. By Philippe Garcia-Ortuno. Arranged by Philippe Ga...(+)
Performed by Various
Artists. By Philippe
Garcia-Ortuno. Arranged
by Philippe
Garcia-Ortuno. For piano
and violin. This edition:
Editions Bourges R. In
Edit. Instrumental. Sheet
music. 20 pages.
Published by Editions
Bourges (French import).
Performed by Various Artists. By Laurent Studer. Arranged by Laurent Studer. For...(+)
Performed by Various
Artists. By Laurent
Studer. Arranged by
Laurent Studer. For piano
and violin. This edition:
Editions Bourges R. In
Edit. Instrumental. Sheet
music. 8 pages. Published
by Editions Bourges
(French import).
7 Easy Pieces Violon et Piano - Facile Digital Music Print
By Various. Edited by John Bowden. For Violin and Piano. Educational. Instrument...(+)
By Various. Edited by
John Bowden. For Violin
and Piano. Educational.
Instrumental Collection.
Classical. Level: Easy.
Book and Solo Part. 28+12
pages. Duration 25
minutes. Published by
Digital Music Print
(Belgian import).
8 Great Pieces Violon et Piano - Intermédiaire Digital Music Print
By Various. Edited by John Bowden. For Violin and Piano. Educational. Instrument...(+)
By Various. Edited by
John Bowden. For Violin
and Piano. Educational.
Instrumental Collection.
Classical. Level:
Intermediate. Book and
Solo Part. 40+16 pages.
Duration 28 minutes.
Published by Digital
Music Print (Belgian
import).
Violin and Piano SKU: HL.14030977 Composed by Bent Sorensen. Music Sales ...(+)
Violin and Piano
SKU:
HL.14030977
Composed
by Bent Sorensen. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00906. Published
by Music Sales
(HL.14030977).
ISBN
9788759862148.
Work
for Violin and Piano
dating from 1999. The
composer writes: 'Sieben
Sehnsuchte was written in
1999 for David Alberman
and Rolf Hind. As the
title suggests, it is in
seven movements - each
more insanely difficult
and bothersome than the
other. All sorts of
possible and impossible
playing techniques have
been used, and the
performers have to both
whistle and sing.
However, it is not the
intention that the
slightly more unusual
sound should be heard as
effects. Everything is
supposed to fuse together
into something that is in
itself a little opera - a
'chamber piece'. It was
written in a period when
I was waiting impatiently
for the libretto for
Under the Sky, and I see
it as a meeting (or seven
meetings) between two
people - two instruments
- longing for each other;
longing to merge
together. The piece is a
kind of sister work to
Roses are Falling.'.
Violin, Piano SKU: BA.BA11086 Composed by Thomas Daniel Schlee. Stapled. ...(+)
Violin, Piano
SKU:
BA.BA11086
Composed
by Thomas Daniel Schlee.
Stapled. Urauffuhrung
24.10.2017, Wien.
Performance score, Part
(1). Opus 82. 20/9 pages.
Baerenreiter Verlag
#BA11086_00. Published by
Baerenreiter Verlag
(BA.BA11086).
ISBN
9790006564446. 32.5 x
25.5 cm inches.
A
suite whose movements
always deliver something
other than what they seem
to promise. But
throughout, the two
instruments and
respectively their
players act like two
people in very specific
situations:
I.:
The opening movement is
reserved for the piano;
the initially earnest,
solitary cantilena
intensifies creating
expectation.
Suddenly II.: the
violin sounds. Its moving
figures replace the now
silent piano, also
soloistically. III.
„Passacaglia“
: The title is taken
literally – the
two instruments/persons
encounter each other in
the street. Two musical
characters who meet at a
specific point, recognize
each other, but move on
again, each one by
itself. IV.
„Rondo“: The
two of them dance
together. Before me, I
saw people dancing the
Sardana – a round
dance – in front
of the cathedral of
Barcelona. Four themes in
different time signatures
circle ceaselessly
between the two
instruments. V.
„Fuga“: At
last, regardless, panic
flight – again the
title is taken literally
... Human, only too human
…
Chamber Music Cello, Clarinet, Flute, Piano, Violin SKU: PR.14440517S Com...(+)
Chamber Music Cello,
Clarinet, Flute, Piano,
Violin
SKU:
PR.14440517S
Composed
by Robert Martin. Full
score. With Standard
notation. 20 pages.
Theodore Presser Company
#144-40517S. Published by
Theodore Presser Company
(PR.14440517S).
UPC:
680160667888. 9 x 12
inches.
In 1979,
Martin produced a set of
three quintets, in
consideration of Gorky's
piece Nighttime Enigma
Nostalgia. Each is scored
for flute, clarinet,
violin, cello, and piano.
There are passages in
Nostalgia that build
using two layers, a
louder foreground and a
quieter background. Both
of these layers are
independent of specific
instruments, in other
words, the various
instruments jump in to
play a role in either
layer, then jump to the
other layer. It is as if
the ensemble has doubled.
The technical musical
term for multiple
instruments interweaving
to produce a single
thread or idea is called
Klangfarbenmelodie
(tone-color-melody).
Because there are two
layers (louder and
softer), both using this
technique, Nostalgia is a
unique example of 'double
Klangfarbenmelodie.' The
piece ends with a series
of intense rhythmic
pulsations and several
apocalyptic fanfares.
(From the performance
notes.).
Violin, piano SKU: BR.SON-454 Complete Works. Composed by Felix Ba...(+)
Violin, piano
SKU:
BR.SON-454
Complete Works.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Birgit Muller.
Solo instruments; Linen.
Complete Works. Romantic
period. Complete Works.
Breitkopf and Haertel
#SON 454. Published by
Breitkopf and Haertel
(BR.SON-454).
ISBN
9790004803646. 9 x 12
inches.
The Violin
Concerto in E minor, op.
64, and the Sonata in F
minor, op. 4, are the
only works for solo
violin that Mendelssohn
had had printed during
his lifetime. However,
his complete oeuvre
includes other completed
or fragmentary
compositions, including
two further concertos and
several unfinished
sonatas and other
individual pieces. He
himself had an
extraordinary command of
the violin and entrusted
the instrument in several
other works, such as the
Octet op. 20 or the
concert aria Infelice! -
Ah, ritorno, eta
dell'oro, with special
tasks. Nevertheless, with
regard to details of
playing technique, he
usually sought advice
from solo violinist
friends, first from
Eduard Ritz, then, after
Ritz's early death, from
Ferdinand David. The
present volume contains
all of the completed and
fragmentary compositions
for violin and piano that
have survived - from the
early Prelude and Fugue
in D and G minor from
Zelter's practice book
(1820), which can be
assigned without doubt,
through to the Sonata in
F major (1838) in their
various versions.
Chamber Music Cello, Piano, Violin SKU: PR.414411630 Composed by Shulamit...(+)
Chamber Music Cello,
Piano, Violin
SKU:
PR.414411630
Composed
by Shulamit Ran. Set of
Score and Parts. With
Standard notation.
28+28+20+24+20+24 pages.
Duration 20 minutes.
Theodore Presser Company
#414-41163. Published by
Theodore Presser Company
(PR.414411630).
ISBN
9781491114551. UPC:
680160089956. 9.5 x 13
inches.
EXCURSIONS
is a one-movement work
exploring two
“characters.â€
A rhapsodic, descending
passage is introduced by
the cello, followed by
a static,
chorale-like phrase for
the violin and cello.
Their individual
developments are
separated by a slow,
contrasting middle
section. The composer has
written: “This is
analogous to situations
in life: we stand by a
crossroad, choosing one
option and forfeiting the
other. But in art, the
realm of the imagination,
we can perhaps afford to
pursue more than one
route to its ultimate
destination… or can
we? It is symbolic that
in this work both roads
eventually lead to the
same
place.â€. Excursi
ons for violin, cello and
piano, is a one-movement
work of tripartite
structure in which
materials explored in the
first of three large
sections are brought back
in the last section.Â
The traditional
statement-contrast-restat
ement form, which is
readily suggested by such
a description, is,
however, not at all in
the mold in which the
work is cast. Rather,
my aim was to subject the
essential materials of
the piece (two
“charactersâ€
–the rhapsodic,
descending passage played
by the cello in the very
opening and, later, a
static, slow moving,
chorale-like phrase for
the violin and cello) to
two entirely different
developments separated by
a slow, contrasting
middle section. This
is analogous to an
exploration of the
ramifications that two
divergent choices made by
the same person might
lead to. In life, as
we stand by a crossroad,
choosing one option
usually means having to
forfeit the other.Â
But in art, the realm of
the imagination, we can
perhaps afford to pursue
more than one route to
its ultimate
destination…or can
we? It is, I believe,
symbolic that in this
work both roads
eventually lead to the
same place: in composing
Excursions, it seemed
absolutely inescapable
that at the end the slow,
contrasting middle
sections – both
more resigned and
peaceful than the
battling spirits of the
outer parts –
should return briefly to
end the work. The
piano trio combination
(once highly favored, but
to this composer still as
challenging today) is
approached here as a
collaborative effort of
three equal soloists
– partners. Of
the available pairings,
the two strings find
themselves occasionally
approached as a team
pitted against the
piano. The
cello-piano combination
is also not uncommon
here, and there is an
extended violin cadenza
toward the end of the
piece. The writing
for the three instruments
is closely and at times
interlinked, but the
players are all
instructed to play from
scores. Excursions was
first performed at
Brandeis University in
1982.
Lotus Land was undoubtedly the work for which Scott is best known. Written in 19...(+)
Lotus Land was
undoubtedly the work for
which Scott is best
known. Written in 1905,
Lotus Land achieved great
popularity and was
arranged for a vast array
of instruments. It is a
dreamy, impressionistic
piece and extremely
innovative for its era.
Cyril Scott was a British
composer active from the
very late 19th century
and through the 20th
whose work could be
termed late Romantic with
elements of impressionism
with free use of exotic
harmonies. Scott was an
extremely prolific
composer who left more
than four hundred works
ranging from symphonies,
operas and concertos to
many works for smaller
ensembles, solo
instruments and short
songs.Virtuoso Violinist
Fritz Kreislerwas the
premier Violinist of his
day and, some believe,
the greatest Violinist of
all time. In addition to
his original
compositions, Kreisler
often transcribed or
arranged the work of
other composers
Violin, piano SKU: BR.EB-9407 Urtext. Composed by Joachim Raff. Ed...(+)
Violin, piano
SKU:
BR.EB-9407
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Kagi. Solo
instruments; stapled.
Edition Breitkopf.
Sonata; Romantic. Score.
68 pages. Breitkopf and
Haertel #EB 9407.
Published by Breitkopf
and Haertel (BR.EB-9407).
ISBN 9790004188811. 9
x 12 inches.
With
his Six Morceaux , Raff
created a collection of
six short pieces with the
aim of pleasantly
entertaining many a
listener and
demonstrating that he was
also capable of writing
something easy. After
all, he had made a name
for himself in the years
before with extremely
demanding chamber music
for renowned dedicatees.
The Six Morceaux ,
dedicated to the
violinist Ludwig Straus,
on the other hand, are
probably related to
Raff's teaching
activities at a private
piano school in Wiesbaden
at that time. Therefore,
with the individual
pieces varying in
difficulty they are well
suited for violin lessons
without losing any of
their musical ambition.
The most famous piece is
probably the Cavatina.
Arranged for various
scorings during Raff's
lifetime, it continues to
be one of the most
popular Encore pieces
altogether - Fritz
Kreisler, Yehudi Menuhin
and Itzhak Perlman have
made recordings of the
piece. They say that a
piano quintet version was
even heard on the Titanic
. This modern Urtext
edition is based on the
first printing,
supervised and initiated
by Raff himself. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH).
Resignation Violon et Piano - Intermédiaire MorningStar Music Publishers
Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo wi...(+)
Composed by David
Nowakowsky. Arranged by
Gregory Cherninsky. For
violin solo with piano
accompaniment. David
Nowakowsky Foundation
Series. Medium. Published
by MorningStar Music
Publishers
Chamber Music violin, piano SKU: PR.114419280 Composed by Chen Yi. Arrang...(+)
Chamber Music violin,
piano
SKU:
PR.114419280
Composed
by Chen Yi. Arranged by
Wong Tak Chiu.
Performance Score. 32+12
pages. Duration 20
minutes. Theodore Presser
Company #114-41928.
Published by Theodore
Presser Company
(PR.114419280).
ISBN
9781491132357. UPC:
680160676125.
Inspi
red by Chinese tradition,
this concerto-like dance
suite includes: 1. Lion
Dance, 2. YangKo, and 3.
Muqam. Each movement
draws from melodies and
rhythms characteristic of
various regions of China
many centuries ago.
CHINESE FOLK DANCE SUITE
is available for violin
with full orchestra, or
as a recital work with
piano. Supported by a
major commissioning award
from the Serge
Koussevitzky Music
Foundation in the Library
of Congress, Chinese Folk
Dance Suite is written
for solo violin and
orchestra; it was
premiered by The
Women’s
Philharmonic with violin
soloist Terrie Baune,
conducted by Apo Hsu, on
March 10, 2001, at Yerba
Buena Center For the Arts
Theater in San
Francisco.Inspired by
various Chinese
traditional folk dances,
the suite has three
movements:I. Lion Dance.
Traditionally, people
dance with richly
decorated hand-made
lions, accompanied by
percussion ensemble, to
celebrate happy occasions
and major festivals
throughout the country.
In this composition, I
use Chinese drum and
other percussion
instruments in the
background, to form a
dynamic and rhythmic
texture responding to the
solo part, which imitates
the tunes played on the
suona (traditional
Chinese trumpet). The
pitch materials came from
the traditional Guangdong
tune “Dragon Boat
Racing,†and the
Chaozhou tune “Lion
Playing Ball.â€II.
YangKo. Originating in
northern China, this is a
major folk dance form in
mass performance
popularized in the
country. In YangKo
performance, people play
rhythmic patterns on the
drums hung around their
waists while singing and
dancing. In the second
movement, I imagined a
warm scene of YangKo
dancing in distance. The
solo violin plays a sweet
and gracious melodic line
while all members of the
orchestra sing
non-pitched syllables in
different layers as the
soft background, to
imitate the percussion
sound which produces the
ever-going pulse.III.
Muqam. This large-scale
music and dance form,
from the Uygur
nationality in Xinjiang
province, originated in
the 15th century. My
third movement use a 7/8
meter and the melodic
style of Muqam music. The
fiery dancing gesture
culminates in the
sustained climax section
at the end of the work,
after a colorful violin
cadenza in both
improvisational singing
style and polyphonic
writing with woven
lines.
Violin, piano SKU: BR.EB-9250 Composed by Nicolaus A. Huber. Solo instrum...(+)
Violin, piano
SKU:
BR.EB-9250
Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Toronto,
November 17, 2016Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez)
New
music (post-2000); Music
post-1945. Performance
score. Composed 2016. 12
pages. Duration 12'.
Breitkopf and Haertel #EB
9250. Published by
Breitkopf and Haertel
(BR.EB-9250).
ISBN
9790004185506. 10 x 12.5
inches.
Whereas
Nono considered the world
to be only fragmentarily
analyzable, so-called
consumer capitalism
increasingly intrudes
upon ego structures, by
fragmenting them to the
point of: assumed
insufficiency, i.e., was
consumption a form of
infiltration?, or: in
television you can see
models licking face cream
because it's so rich etc.
(retranslated), as
Meredith Haaf cited in
her book review (SZ /
23.05.2016 Alexandra
Kleeman: You Too Can Have
A Body Like Mine) , and
to the point of similar
perfection-senselessness.
Music doesn't do things
by halves. Even when
events or notes are
puffed up, they can
retain elegance and
significance. Other ego
amplitudes are of
violinistic nature or are
favourite memories -
Paganini's Capricci,
Stockhausen's Studie I,
Steve Reich, the tone C
and similar things. The
craziest egos are
quantums, because at no
time are they identical
with themselves. They can
entangle and superpose,
are nonlocal, etc.
Although the sound
character in this Duo is
fairly open, I believe I
succeeded in making
probability waves of
harmonic stopovers
perceptible. This means
hearing without analyzing
and without constantly
measuring. Nonlocality -
without messenger
particles - means no
harmonic steps, but with
the capacity to interact.
(Nicolaus A. Huber, May
2016)
World
premiere: Toronto,
November 17, 2016 Written
for the Duo Wapiti
(Genevieve Liboiron,
Daniel Anez).
Violin Solo and piano - early advanced SKU: JK.00602 Composed by Clara W....(+)
Violin Solo and piano -
early advanced
SKU:
JK.00602
Composed by
Clara W. McMaster.
Arranged by Kelly D.
Anderson. Difficulty
Medium Hard, Instrumental
Violin, Seasonal Music
Fathers Day, Seasonal
Music Mothers Day,
Agency, Children,
Example, Fatherhood, God
the Father, Guidance,
Home, Honesty,
Motherhood, Obedience,
Plan of Salvation,
Spirituality, Teaching.
Christian, Inspirational.
Duration 4:47. Jackman
Music Corporation #00602.
Published by Jackman
Music Corporation
(JK.00602).
Isaiah
2:5, Ephesians
5:8.
Early
advanced violin solo of a
cherished Primary Song,
with piano accompaniment.
Only one copy needed for
performance. Composer:
Clara W. McMaster
Arranger: Kelly D.
Anderson Difficulty:
early advanced
Performance time:
4:47 References:
Isaiah 2:5, Ephesians
5:8.
Composed by Louis Spohr (1784-1859). Masterworks; Solo; Solo Small Ensembles; St...(+)
Composed by Louis Spohr
(1784-1859). Masterworks;
Solo; Solo Small
Ensembles; String -
Violin and Piano. Kalmus
Edition. Masterwork;
Romantic. Book. Kalmus
Classic Edition
#00-K02211. Published by
Kalmus Classic Edition
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra
Reduction
(Piano). Composed by
Claude
Debussy (1862-1918) and
Robert Orledge. Arranged
by
Robert Orledge. String.
Softcover. 34 pages.
Schott
Music #VLB214. Published
by
Schott Music
Hot Violin 1 Violon et Piano [Partition + CD] - Facile Schott
20 Easy Pop Pieces in 1st position. Composed by Gabriel Koeppen. This edition:...(+)
20 Easy Pop Pieces in 1st
position. Composed by
Gabriel
Koeppen. This edition:
Saddle
stitching. Sheet music
with
CD. String Solo.
Instruction,
Recital. Edition with CD.
52
pages. Schott Music
#ED22672.
Published by Schott Music
Composed by Cesar Auguste Franck (1822-1890). Edited by Douglas Woodfull-Harris....(+)
Composed by Cesar Auguste
Franck (1822-1890).
Edited by Douglas
Woodfull-Harris. This
edition: urtext edition.
Paperback. With an
introduction by Gudula
Schutz. Score and part.
Published by Baerenreiter
Verlag (BA.BA9425).
Violin, piano SKU: FG.55011-635-1 Composed by Jean Sibelius. Fennica Gehr...(+)
Violin, piano
SKU:
FG.55011-635-1
Composed by Jean
Sibelius. Fennica Gehrman
#55011-635-1. Published
by Fennica Gehrman
(FG.55011-635-1).
ISBN
9790550116351.
In
1929 Sibelius sent some
small pieces to the New
York publisher Carl
Fischer for
consideration. Included
among these was the Suite
for Violin and String
Orchestra, to which
he had assigned the opus
number 117. The Suite
for Violin and String
Orchestra represents the
culmination point in a
series of works
written for violin and
orchestra which started
with the serenades op. 69
and continued with
the Six Humoresques opp.
87 & 89. Together these
works bear witness to
the composer's deep
insight into the
instrumental
possibilities of the
violin. In these works,
more limited in
formal scope than the
Violin Concerto though
they be, the voice of the
solo violin -
Sibelius' second
mother-tongue - unites
with the orchestral
writing of a mature
and experienced
symphonist. The reduction
and solo part are
published together for
the first time.
---.