Cello and Orchestra

SKU: BT.ALHE32207

Composed by Henri Dutilleux. Classical. Score Only. 137 pages. Heugel & Cie #ALHE32207. Published by Heugel & Cie (BT.ALHE32207).

French.

Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout un monde lointain, is considered to be one of the most important20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each inspired by the poetry of Charles Baudelaire. The movements are: 1) Énigme(Enigma), 2) Regard (Gaze), 3) Houles (Surges), 4) Miroirs (Mirrors), and 5) Hymne (Hymn). Tout un monde lointain was first performed in July 1970 by Russian cellist, Mstislav Rostropovich with the Orchestre de Paris. The pieceremains popular to this day, and including the entire orchestral score, this edition is essential to the advanced cellist's repertoire.

By Dvorak Antonin. Czech title: Koncert pro violoncello a orchestr h moll op. 104. Published by Praha (Czech import).

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15132

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library). In Cooperation with G. Henle Verlag. Solo concerto; Romantic; Late-romantic. Full score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15132. Published by Breitkopf and Haertel (BR.PB-15132).

ISBN 9790004214688. 10 x 12.5 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.

Violin and orchestra (solo: vl - 1.2.0.2. - 2.0.0.0. - str)

SKU: BR.PB-14590

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Shin Augustinus Kojima. Orchestra; stapled. Partitur-Bibliothek (Score Library).

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Solo concerto; Classical. Full score. 28 pages. Breitkopf and Haertel #PB 14590. Published by Breitkopf and Haertel (BR.PB-14590).

ISBN 9790004211120. 10 x 12.5 inches.

When Ludwig van Beethoven wrote the present two works around 1800, the Romance as a genre designation for a soulful, melodious instrumental piece was anything but established, despite the occasional piece bearing this title. Beethoven himself named the pieces Romance in the autographs, but offered them to Breitkopf & Hartel for publication as Solo. His brother Karl even spoke of 2 Adagios to the publisher. Nevertheless, Beethoven's two Romances for violin achieved lasting popularity ever since the publication of the first editions in 1803 and 1805.The present Urtext edition takes the autographs and first editions as its main sources.

The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag.

Violin and orchestra (solo: vl - str - bc)

SKU: BR.PB-5297

Composed by Franz Joseph Haydn. Edited by Walter Heinz Bernstein. Orchestra; stapled. Partitur-Bibliothek (Score Library).

Haydn's C major Concerto now in a new, up-to-date edition

EB 8634 (edition for violin and piano) with cadenzas by Thomas Zehetmair

Solo concerto; Classical. Full score. 24 pages. Duration 24'. Breitkopf and Haertel #PB 5297. Published by Breitkopf and Haertel (BR.PB-5297).

ISBN 9790004211755. 10 x 12.5 inches.

Haydn's Violin Concerto in C major has always been closely linked to Breitkopf & Hartel, which began selling copies of the work back in 1769. The first edition came out in 1909 and helped secure the work a broad dissemination and lasting popularity. Strangely enough, this first edition is one of the most important sources today, since its own source a copy of Haydn's autograph, perhaps the autograph itself was lost at the end of World War II. Although other copies from Haydn's time were made, they are textually less reliable. Walter Heinz Bernstein has created an easily playable and pleasant-sounding piano score on the basis of the first edition, whereby he has respected the early classical continuo practice. As he did earlier in the G major Concerto (EB 8606), Thomas Zehetmair has once again accepted the challenging task of embellishing the solo part with stylistically accurate cadenzas and flourishes. This delightful concerto is thus now available in a modern edition.The piano-harpsichord part by Walter Heinz Bernstein features a continuo part in keeping with the late Baroque performing tradition and offers a much cleaner, unfettered realization.(Stringendo)< br>
Haydn's C major Concerto now in a new, up-to-date edition.

Violin and orchestra (solo: vl - 2.2.2.2 - 4.2.0.0 - timp - str)

SKU: BR.PB-15133-07

Urtext. Composed by Max Bruch. Edited by Michael Kube. Orchestra; stapled. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic; Late-romantic. Study Score. 84 pages. Duration 25'. Breitkopf and Haertel #PB 15133-07. Published by Breitkopf and Haertel (BR.PB-15133-07).

ISBN 9790004214695. 6.5 x 9 inches.

Bruch's evergreen for the first time in UrtextThanks to the premiere performance by Joseph Joachim and to the release of the printed edition in 1868, Max Bruch's Violin Concerto no. 1 zipped onto the road to success and has never left it since. Yet from the preface of the BreitkopfUrtext edition,one can infer how things looked like behind the dazzling facade. After the world premiere, the composer struggled for the definitive form. He wrote 3, 4 development sections in the finale, and sought the advice of celebrated virtuosi such as Joseph Joachim and Ferdinand David to revise the solo part. And after all this was done (see above), Bruch suffered under the work's popularity: Have I written nothing but this one concerto?The new Urtext edition is based primarily on the first edition. Next to the main source and the autograph, what is supremely interesting is a solo part with entries by Joachim and Bruch. It confirms how intensively the two men collaborated on honing the final form of the work.