Violin, Cello and Piano

SKU: HL.48187987

Composed by Darius Milhaud. Leduc. Classical. Softcover. Heugel & Cie #HE31919. Published by Heugel & Cie (HL.48187987).

UPC: 888680839079. 9.0x12.0x0.261 inches.

Darius Milhaud: Trio a Cordes No.2, Op.428 (Trio - Piano).

Cello, piano

SKU: KU.GM-1325

Composed by Sergej Tanejew. Edited by Werner Thomas-Mifune. Arranged by Werner Thomas-Mifune. Bach format (230 x 302). Staple Bound. Piano reduction, solo part. Op. 28. 108 pages. Edition Kunzelmann #GM-1325. Published by Edition Kunzelmann (KU.GM-1325).

Cello and Piano

SKU: BT.SCHBB3259

Composed by Ursula Mamlok. Book Only. Composed 2012. 28 pages. Bote & Bock #SCHBB3259. Published by Bote & Bock (BT.SCHBB3259).

For Cello and Piano. Composed by Nikolai Kapustin. This edition: Saddle stitching. Sheet music. Cello Library. Classical. Score and part, Softcover. Composed 1997. Op. 84. 72 pages. Duration 20' 40''. Schott Music #CB289. Published by Schott Music (HL.49045469).

Composed by Franz Schubert (1797-1828). Arranged by Watson Forbes. For cello and piano. String music. Published by Stainer and Bell Ltd.

(Violoncello and Piano). By Woldemar Bargiel (1828-1897). String. Softcover. 16 pages. Sikorski #SIK1666. Published by Sikorski

Cello

SKU: HL.48188578

Violoncelle Et Clavecin - Ou Piano. Composed by Jean-Louis Duport. Leduc. Classical. Softcover. 96 pages. Heugel & Cie #HE32848. Published by Heugel & Cie (HL.48188578).

For cello and piano (or harpsichord).

Cello and Piano. Composed by Nikolai Kapustin. This edition: Saddle stitching. Sheet music. String Solo. Classical. Softcover. Composed 1999. Op. 97. 16 pages. Duration 3' 20''. Schott Music #ED22849. Published by Schott Music (HL.49045755).

Cello; Piano Accompaniment

SKU: HL.50565828

Composed by Nicolas Bacri. Editions Durand. Classical. Softcover. 12 pages. Editions Durand #DF15930. Published by Editions Durand (HL.50565828).

Cello and piano

SKU: LM.28035

Composed by Ichiro Nodaira. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #28035. Published by Editions Henry Lemoine (LM.28035).

ISBN 9790230980357.

Cello and Piano - Grade 3

SKU: HL.14043036

Composed by Niels Viggo Bentzon. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31943. Published by Edition Wilhelm Hansen (HL.14043036).

ISBN 9788759829332.

Sona ta No. 4 For Cello And Piano: Op.289 was composed by Danish composer Niels Viggo Bentzon .

SKU: HL.50560284

Cello and Piano. Composed by Johannes Brahms. This edition: DC1147000. Editions Durand. Classical. 33 pages. Editions Durand #DC1147000. Published by Editions Durand (HL.50560284).

UPC: 073999947458. 9.0x12.0x0.108 inches.

(Cello Part And Piano Score)

SKU: HL.50565998

Editions Durand. Softcover. Editions Durand #DF16683. Published by Editions Durand (HL.50565998).

ISBN 9781705149966. UPC: 196288016687. 9.0x12.0x0.063 inches.

Schirmer's Library of Musical Classics, Vol. 2053. By Johann Sebastian Bach. Arranged by Bernard Greenhouse, Kate Dillingham. (Cello). String. Softcover. Size 9x12 inches. 54 pages. Published by G. Schirmer, Inc.

Cello and piano (VC/PNO)

SKU: HL.49030408

Composed by Percy Aldridge Grainger. Sheet music. Edition Schott. 28 pages. Schott Music #ED 12563. Published by Schott Music (HL.49030408).

ISBN 9790220122989. 9.0x12.0x0.128 inches.

Cello, Piano SKU: HU.HN621 Composed by Antonin Dvorak. Edited by Milan Pospisil. Strings, Repertoire, Solos. Silent Woods Op. 68 No.5. Softcover Book. 20 pages. G. Henle #HN621. Published by G. Henle (HU.HN621). 12.2 x 9.2 x 0.1 inches.

Cello, Piano

SKU: HL.228772

Cello and Piano. Composed by Thilo Jaques. Peermusic Classical. Classical. Softcover. 28 pages. Peermusic Classical #61785-624. Published by Peermusic Classical (HL.228772).

UPC: 680160430246. 8.5x12 inches.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.50566000

For Cello and Piano. Composed by Camille Saint-Saens. Editions Durand. Classical. Softcover. 28 pages. Editions Durand #DF1668901. Published by Editions Durand (HL.50566000).

ISBN 9781705150009. UPC: 196288016724. 9.0x12.0x0.115 inches.

“Musi que française” is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. The second half of the 19th century saw the growth in popularity of instrumental Romances. These, which one could categorise as morceaux de salon, continued the characteristics of the vocal Romance, which was born in the middle of the Age of Enlightenment and which, at the beginning of the Romantic period, had achieved great success among composers, performers and audience alike.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Medium voice with 2 flutes, cello and Piano (Set)

SKU: HL.49006763

Composed by Wolfgang Fortner. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1981. 28 pages. Duration 10'. Schott Music #ED 6883. Published by Schott Music (HL.49006763).

ISBN 9790001072816. 9.0x12.0x0.086 inches. Spanish - German.

Cello; Piano (Cello)

SKU: HL.50159800

Cello and Piano. Composed by Dmitri Kabalevsky. String Solo. Classical, Contemporary, Sonata. 76 pages. Sikorski #SIK2223. Published by Sikorski (HL.50159800).

UPC: 196288155195. 8.5x11.75x0.228 inches.