Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047040
30
Concert and Salon Pieces
for Cello and Piano.
Composed by Various.
Edited by Beverley Ellis
and Rainer Mohrs. String.
Classical. Softcover. 192
pages. Schott Music
#ED22414. Published by
Schott Music
(HL.49047040).
ISBN
9783795711436. UPC:
196288116332.
9.0x12.0x0.535
inches.
Cello; Piano Accompaniment (CELLO/PIANO) SKU: HL.48025398 Cello and Pi...(+)
Cello; Piano
Accompaniment
(CELLO/PIANO)
SKU:
HL.48025398
Cello
and Piano. Composed
by Leon Gurvitch. Boosey
& Hawkes Chamber Music.
Classical. Softcover.
Duration 1200 seconds.
Bote & Bock #M202538289.
Published by Bote & Bock
(HL.48025398).
UPC:
196288195504.
The
composer, whose family
was severely affected by
the Second World War and
the Holocaust, considers
his Anne Frank Suite as a
“personal memorial
diary and a reminder in
view of the futility of
warâ€. The score is
prefaced by a quotation
from Anne Frank:
“In spite of
everything, I still
believe that people are
really good at
heartâ€, which has
impressed the composer
since his youth. His
three-movement suite
attempts to musically
reflect the emotionality
and thoughtfulness of the
theme, which eludes all
words. The piano is
treated in a classical
manner and creates the
emotional space for the
solo cello. Playing in a
high register in a
cantabilestyle over long
passages, the cello also
astounds with sound
effects, harmonics and an
expressive solo cadenza
in the middle of the
work.
Cello and piano SKU: FG.55011-609-2 Variaatioita sellolle ja orkesteri...(+)
Cello and piano
SKU:
FG.55011-609-2
Variaatioita sellolle
ja orkesterille op 5.
Composed by Aulis
Sallinen. Fennica Gehrman
#55011-609-2. Published
by Fennica Gehrman
(FG.55011-609-2).
ISBN
9790550116092.
Auli
s Sallinen (b. 1935) is
one of the most famous
Finnish contemporary
composers. In his early
instrumental works,
Sallinen was still
seeking to establish a
style of his own. He had
studied at the Sibelius
Academy in the late
1950s, first with Aarre
Merikanto - a composer
representing a national
brand of Neoclassicism -
and then with Joonas
Kokkonen, at that time
just transitioning from
Neoclassicism to
dodecaphony. Twelve-tone
music had won fairly
widespread acceptance in
contemporary Finn-ish
music, and Sallinen was
influenced, too. The
Variations are Sallinen's
first real work for the
cello - an instrument
that would later be one
of his favourites, its
warm, deep voice
corres-ponding to his
music's often dark
undercurrent.
The Variations for Cello
and Orchestra, Op. 5 were
composed in 1961-1962 and
premiered in October
1962. The basic motif
consists of a set of
three descending
intervals stated by the
cello at the beginning:
D-D flat-F, C-B-G and B
flat-A-F sharp. Their use
as basic material is a
ref-lection of the
composer's
dodecaphony-oriented
period, and variation of
this material provides
the framework for the
piece.
Variations for Cello and
Orchestra are now
published for the first
time. Available are a
reduction for cello and
piano, study score and
complete performance
material with
orchestra.