Par SCHUBERT FRANZ. Even for small choirs, Schubert’s Mass in G major poses no scoring or performance problems and is thus ideal for use in church services. The work is full of surprises and musical ideas. Apart from the Benedictus, the solo parts are limited to short interpolations. Relatively easy choral and solo writing Straight-forward organ arrangement Ideal for church services The Bärenreiter Choir & Organ Series presents great choral works in arrangements for soloists, choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into easy-to-play organ reductions whereby the contemporary tradition of such arrangements hasbeen taken into consideration. In some cases, the original organ versions by the composer were used. The organ parts are presented on three staves. The choir and solo parts always remain true to the original. You need only one edition for soloists, singers and organist alike. / Classique / Répertoire / Solistes, Choeur Mixte et Orgue

BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue

'Worship Hymns for Organ and Brass? is a new series with remarkable versatility. The arrangements are for Organ with Solo Trumpet or Brass Ensemble and Percussion. All parts are upper intermediate level with optional high notes for Trumpets and Horn. While the parts are not demanding, they have a level of artistry that is compelling to all of the performers involved. Instrumental options with Organ include: Solo Trumpet - Brass Trio (2 Trumpets and 1st Trombone) - Brass Quartet (2 Trumpets and 2 Trombones OR 1st Trombone and Tuba) - Brass Quintet (All but Horn, 2nd Trombone or Tuba) - and Brass Sextet. Versatile and regal, perfect for the most triumphant season of the year. / Ensemble De Cuivres Et Orgue

Organ and percussion, one of the most exotic instrumental combinations in modern music, invariably produce delightful sonic effects and contrasts. This also applies to Zsigmond Szathmary's Sense of Rhythm, where this renowned concert organist and performer of contemporary organ music explores the duo format as a vehicle for conversation, conflict and reconciliation in a rich array of shades and hues.The lavishly scored percussion part (vibraphone, glockenspiel, woodblocks, cymbals, tam-tam, tom-toms, bass drum, Chinese opera gongs and much else) ensures a great variety of colours perfectly suited to the harmonic capacities of the organ. Both instrumental parts clearly reveal the composer's fondness for sophisticated rhythms and varied proportions.Once again Szathmary uses the organova series to present contemporary music at a high level that places demands on performers and listeners alike while employing a musical idiom and energy that never fail to achieve their effect. / Orgue Et Percussions

This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.

27 Original Pieces On Hymns. Par GROOM TE VELDE REBECCA. New settings for organ of all the major hymn tunes for the season Fresh, imaginative new pieces, written by a range of experienced organ composers based in the US and the UK, and displaying a great variety of styles and approaches Practical, concise settings for all parts of the church service - preludes, postludes, fanfares, communion settings Pieces suitable for busy church musicians at intermediate level working in all major denominations Some pieces also suitable for recital use Registration suggestions that can readily be adapted to suit most instruments with pedals Companion website featuring a cumulative index of hymn tunes and contributor biographies / Niveau : Intermédiaire / Recueil / Orgue

This volume devised by Martin Weyer contains organ music of easy to medium technical difficulty for use at communion. The broad range of styles encompasses Johann Sebastian Bach and early Classical works through to the late Romantic period.

The album contains original compositions and first publications as well as arrangements for organ and twelve pieces for communion in settings by Johann Sebastian Bach with melodies and texts appropriate to communion. Some of the pieces can also be performed with solo instruments (in C, Bb or F). Corresponding instrumental parts are included with the score.

- Organ music of easy to medium technical difficulty for use at communion
- Broad range of styles
- Includes first publications
- Original compositions and arrangements for organ, some which can be performed with solo instruments. / [Musique pour Communion] / Célébrations / Partition /

Par TOMKINS THOMAS. Edited by Stephen Tuttle Fancy: July 8th 1647; Fancy: October 24th 1648; Fancy: undated; Short Verse; Substantial Verse; Verse of Three Parts: August 12th 1650; Voluntary: August 10th 1647; Voluntary: undated; Voluntary: undated/ Répertoire / Orgue

This useful series is ideal for keyboard players who find themselves playing church organs for village services. Each volume provides a wide selection of material suitable for use as voluntaries for which pedal parts are not required.Volume 3 contains: BACH CPE - Andante from Sonata #6, BACH JS - Chorale Prelude: Gottes Sohn ist kommen BWV703, BOYCE - Voluntary in A Minor, DE SEVERAC - Prière-Choral, GIGOUT - Andantino, Allegro, Cantabile Molto Tranquillo, Moderato, KARG-ELERT - Madrigal, LISZT - Offertorium, MOZART - Adagio K356, WALTHER - Chorale Prelude: Ach Gott und Herr, Chorale Prelude: Liebster Jesu, wir sind hier, WESLEY - Air / Orgue / niveau : Elémentaire / Recueil

La partition 2 Italian Duets de Haendel / Harbach a été composée pour Trompette et Cornet et plus particulièrement pour 2 Trompettes Et Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 2 Trompettes Et Orgue / Score And Parts, Partition Et Parties

The Cuckoo and the Nightingale'. with Piano reduction of orchestral parts / Orgue

French organist and composer, Marcel Dupré (1886-1971) is also remembered as a significant pedagogue. His Complete Study of the Fugue is an excellent introduction to the important technique. The book is in two parts, the secondgiving focus to elements such as the subject, the coda, modulations, the pedal, and structure, amongst other aspects. Dupré studied at the Paris Conservatoire with Louis Vierne and Charles-Marie Widor, where he won prizes forpiano, organ and fugue, as well as the Grand Prix de Rome. He was a famous organ virtuoso and was able to perform the entire works composed for the instrument by J. S. Bach from memory. Dupré\'s compositions and didactic worksremain important to organists today and his Complete Study of the Fugue is no exception. / Méthodes et pédagogie / Piano et instrument à clavier / Orgue / LEDUC

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue