SKU: HL.51488044 Henle Music Folios. G. Henle #HN8044. Published by G. He...(+)
SKU: HL.51488044
Henle Music Folios. G.
Henle #HN8044. Published
by G. Henle
(HL.51488044).
UPC:
196288082385. 2.5x9.0x9.0
inches.
“Time
for a break†white
print on Henle blue, 425
ml, 74 x 74 x 217 mm. The
three-part Henle Water
Bottle easily breaks down
into its individual
components for thorough
cleaning - even in the
dish-washer. It is sturdy
and safe, and the ideal
travelling companion on
outings, at school, at
work and at home.
However, it is not a
thermos flask and should
not be used for hot
drinks. Also not suitable
for carbonated drinks.
This product is based on
cellulose: 100% pure
material, 100%
recyclable, extremely
long-lasting, food- and
dishwasher-safe, and
without any harmful
substances, Koziol
quality.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
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world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Green Day: Dookie Guitare notes et tablatures [Partition] Alfred Publishing
By Green Day. Artist/Personality; Authentic Guitar TAB; Guitar Personality; Guit...(+)
By Green Day.
Artist/Personality;
Authentic Guitar TAB;
Guitar Personality;
Guitar TAB. Guitar
Recorded Version. Punk
Rock and Pop Rock. Guitar
tablature songbook
(softcover). With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams and
guitar tab glossary. 63
pages. Alfred Music
#GF0663. Published by
Alfred Music
Vocal and Piano SKU: HL.14008497 Composed by Harry Egediusen. Music Sales...(+)
Vocal and Piano
SKU:
HL.14008497
Composed
by Harry Egediusen. Music
Sales America. Classical.
Book [Softcover].
Composed 2005. 24 pages.
Edition Wilhelm Hansen
#WH27285. Published by
Edition Wilhelm Hansen
(HL.14008497).
ISBN
9788774553298.
Indh
old:1. Her vil jeg tegne
ottetaller2. Mae si'r det
lille lam3. Vil du, vil
du4. Nissen er en kunstig
mand5. Stork, stork
langeben6. Hvilket
postbud 7. Tinge- linge-
later8. En lille fro9.
Lille Lise10. Tornerose
var et vakkert barn11.
Der bor en bager12. jeg
gik mig over so og
land13. Skaere, skaere
havre14. Sa gar vi rundt
om en enebaerbusk15.
Save, save braende16.
Bro, bro brille17. En
lille nisse rejste18. l
en kaelder sort som
kul19. Drengen og
laerken20. Vil du vide21.
Haren hist i groften22.
Snehvide og dvaergene23.
Barnets farvel 24. l
skoven skulde vaere
gilde25. jeg elsker de
gronne lunde26. Roselil
og hendes moder27.
Prinsessen sad i
hojeloft28. Kukkeren29.
Op lille Hans30.Vente pa
far31. Ride, ride
ranke32. Lille Peter
edderkop33. Pjerrot og
manen34. jeg vil sjunge
om en helt35. Poul sine
hons36. Og raeven han
lakked37. Dagen gar med
raske fjed38. Giv tid39.
Hojt pa en gren40. Sov
sodelig41. Pa en gron
bakketop.
Band concert band - Grade 2.5 SKU: KJ.WB370 Composed by Brad Ciechomski. ...(+)
Band concert band - Grade
2.5
SKU: KJ.WB370
Composed by Brad
Ciechomski. Beginning
Concert BandWorks. Score
and set of parts. Neil A.
Kjos Music Company
#WB370. Published by Neil
A. Kjos Music Company
(KJ.WB370).
ISBN
9788402702012. UPC:
8402702015.
Written
to capture moods often
found in school hallways
and classrooms, the suite
of Three Moods for
Concert Band is a
terrific way to challenge
your younger band! I.
Energetic serves as an
exhilarating beginning.
II. Questioning depicts
curiosity, as questions
are asked and answered
between various sections.
III. Laughing
incorporates the comic
effects of a siren and
slide whistles with the
quick rhythms of a light
hearted march.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-19. Published by
Breitkopf and Haertel
(BR.OB-32034-19).
ISBN
9790004350911. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-15. Published by
Breitkopf and Haertel
(BR.OB-32034-15).
ISBN
9790004350898. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Chorus (with soloists)
and orchestra (solos:
SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc)
SKU:
BR.PB-32034
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Full score.
Duration 9'. Breitkopf
and Haertel #PB 32034.
Published by Breitkopf
and Haertel
(BR.PB-32034).
ISBN
9790004215678. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU...(+)
Organ (solos: SATB -
0.0.0.0. - 0.0.0.0. - 2
cornetts ad lib. - str -
bc)
SKU:
BR.OB-32034-11
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-11. Published by
Breitkopf and Haertel
(BR.OB-32034-11).
ISBN
9790004350881. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-20. Published by
Breitkopf and Haertel
(BR.OB-32034-20).
ISBN
9790004350928. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-26. Published by
Breitkopf and Haertel
(BR.OB-32034-26).
ISBN
9790004350935. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Chorus and piano (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str -...(+)
Chorus and piano (solos:
SATB - 0.0.0.0. -
0.0.0.0. - 2 cornetts ad
lib. - str - bc)
SKU:
BR.EB-32034
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. Duration 9'.
Breitkopf and Haertel #EB
32034. Published by
Breitkopf and Haertel
(BR.EB-32034).
ISBN
9790004186398. 7.5 x 10.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-16. Published by
Breitkopf and Haertel
(BR.OB-32034-16).
ISBN
9790004350904. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.
Cantata for Easter -
Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 9'.
Breitkopf and Haertel #OB
32034-54. Published by
Breitkopf and Haertel
(BR.OB-32034-54).
ISBN
9790004350966. 10 x 12.5
inches.
The cantata
Christ lag in
Todes-Banden is a mixed
chorale cantata that sets
the first and last verses
of the corresponding
Luther chorale verbatim,
but the other movements
in free poetry based on
the content of the
chorale. The time of
composition cannot be
clearly determined, but
at the end of the copy
that serves as the basis
for the edition, there is
a date of January 1693.
According to this, the
composition was written
before 1693 and thus well
before Johann Kuhnau took
up his post as
Thomaskantor in Leipzig
(1701). The use of two
cornetti is also a
parallel to the cantata
Lobe den Herren, meine
Seele(PB 32091), whose
composition can be linked
to Kuhnau's stay in
Zittau. The two parts
marked Cornett are only
in the first two
movements of the cantata;
in the further course, a
collaparte lead would be
possible, but cannot be
proven. In principle,
according to the source,
the two cornett parts can
also be played by
violins. The title page
also notes the
possibility of adding
ripieno singers, i.e. a
choir, in the
non-soloistic
movements.The cantata,
according to its text
intended for Easter, is
very well suited for use
in church services with
its small size and
flexible scoring.