Voice & Piano

SKU: SU.50022590

For Voice & Piano. Composed by Henry Orland. Vocal/Choral, Solo Voice. Accompanied by piano. Score. Seesaw Music Corp #50022590. Published by Seesaw Music Corp (SU.50022590).

Published by: Seesaw Music.

Horn and piano

SKU: BR.EB-32114

Urtext. Composed by Camillo Schumann. Solo instruments; stapled. Edition Breitkopf.

The first edition of a forgotten treasureThis edition contains the original solo part for horn in D as well as a version for horn in F.

Sonata; Late-romantic. Score. 68 pages. Breitkopf and Haertel #EB 32114. Published by Breitkopf and Haertel (BR.EB-32114).

ISBN 9790004186794. 9 x 12 inches.

Schumann's horn sonatas were composed in 1936/37. Considering the slim repertoire offered horn players from this period, it is more than surprising that these two masterpieces could have slumbered for so long. Both sonatas are similar in structure, with op. 118 being one Schumann's few three-movement sonatas. The first movements of the pieces sparkle with melancholically lyrical melodies, whereas passages strongly marked rhythmically, variously shape the two outer movements. Virtuoso moments can be found, respectively, in the final movements, bringing the works to a brilliant close. The horn parts predominantly range within the full, sonorous middle register, where occasional outbursts up to the notated a flat'' are also not lacking. The clever handling of the balance of sounds, the possibilities on the early valve horn as well as the inner interweaving of themes differentiating horn and piano make the sonatas an exceedingly vivid testimony to Schumann's mature compositional art.

Schumann's horn sonatas are a crucial enhancement to each horn player's repertoire.

Arranged by Ethan Sperry. Gentry Publications. Concert, Festival, Folk. Octavo. 12 pages. Gentry Publications #JG2522. Published by Gentry Publications

Jazz Ensemble - Grade 3.5

SKU: AP.46167

From Gay Divorcee. Composed by Cole Porter. Arranged by Kris Berg. Jazz Ensemble; Performance Music Ensemble; Single Titles. Jazz Band Series. Jazz; Movie. Score and Part(s). 102 pages. Duration 4:10. Alfred Music #00-46167. Published by Alfred Music (AP.46167).

UPC: 038081529066. English.

This standard has been arranged in a contemporary, funky groove played around 136 BPM going into a boogaloo occasionally. Lead trumpet range it to written A above the staff, and sample solos are provided for alto and tenor saxophones. The bass part is pretty funky and don't forget to check out the mellow interlude that builds into the shout chorus. Hip chart! (4:10).

Orchestra String Sextet, Piano - Grade 2

SKU: CF.YAS157F

Composed by Bud Woodruff. Carl Fischer Young String Orchestra Series. Full score. With Standard notation. 12 pages. Duration 2 minutes, 31 seconds. Carl Fischer Music #YAS157F. Published by Carl Fischer Music (CF.YAS157F).

ISBN 9781491143711. UPC: 680160901210.

Roy H. Berryhill was a musical trailblazer, teacher, and mentor at Sam Houston University Music Camp who inspired thousands of young musicians. Berryhill Trail is designed to capture the positive spirit of this remarkable teacher. The tempo and the pulse should reflect the footfalls of a happy, carefree, hiker. It has the form of a standard march and is incredibility tuneful.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Concert Band (Score)

SKU: HL.44013253

Concert Band Score. Composed by Jan Van der Roost. De Haske Concert Band. Classical. Softcover. 20 pages. Duration 630 seconds. De Haske Publications #1185844140. Published by De Haske Publications (HL.44013253).

UPC: 888680900588.

I Shall Love But Thee is an occasional work in the literal sense of the word, since it was originally written on the occasion of thecomposer’s youngest son’s wedding. The texts, by William Shakespeare, inspired Jan Van der Roost to compose profound and appealing music, largely in the style of Henry Purcell (in the first part) and Georg Friedrich Handel (in the second part)—although no literalquotations have been used. The rather rare combination of soprano and concert band makes this piece a unique addition to the repertoire!

Double bass (solo: vc - 2.2.2.2. - 3.2.3.0. - timp.trg - str)

SKU: BR.OB-5290-27

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edit. Solo concerto; Romantic. Part. 12 pages. Duration 42'. Breitkopf and Haertel #OB 5290-27. Published by Breitkopf and Haertel (BR.OB-5290-27).

ISBN 9790004334768. 10 x 12.5 inches.

Choosing an edition of this celebrated violoncello concerto has always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorak, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorak Complete Edition of 1955, for example. Klaus Doge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Doge generally gives priority to the first edition. However, he does not smooth out Dvorak's special notation, such as Dvorak's publisher Simrock did in his day. Doge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part. The piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Doge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.

Composed by Jay Rouse. Choral. Sacred Anthem. Octavo. Medallion Music #10/5160MD. Published by Medallion Music

SKU: CA.210400

Composed by Anonymus and John Hoybye. Edited by Volker Hempfling, Stanley Engebretson. Choral collections. Conductor's score, with CD. Sacred vocal music. Choir Book. 104 pages. Carus Verlag #CV 02.104/00. Published by Carus Verlag (CA.210400).

ISBN 9790007187651.

The choral collection Hallelujah. Gospels and Spirituals transports us into the fascinating world of African American folk songs. 30 gospels and spirituals have been arranged for mixed choir, unaccompanied or with piano. The choral parts sometimes divide, and occasionally solo parts (or even a small choral group) are required. The arrangements with their catchy rhythms, groove, their blue notes and other elements from Jazz and Blues and the principles of call-and-response will move performers and audiences in equal measure. As well as American classics (e.g. Amazing grace, Go down Moses, Kumbaya, Deep river, Down by the riverside, Good News, O when the saints, Nobody knows, Joshua fit the battle of Jericho), the collection also contains some discoveries from the beginnings of the genre. Just under half the arrangements were specially commissioned for the collection. Young composers from the USA (such as Courtney Carey, Marques Garrett) and arrangers from Canada, Denmark, and Germany (including Mark Sirett, John Hoybye, Thomas Gabriel, Carsten Gerlitz, Gunther Martin Gottsche, and Hans Ludemann) have contributed to this stylistically extremely varied choral collection. The medium difficulty level will enable many choirs to get to grips with the gospel style, something which perhaps few of them are very familiar with. Tips from the editors on performance, and a CD recording with a selection of the arrangements will help with learning the pieces. With their deep and emotional symbolism of captivity and repression on the one hand and redemption and freedom on the other hand, these Gospel settings are well-suited for many uses in concerts and church services. arrangements of around 30 spirituals and gospels for four-part mixed choir a cappella or with keyboard accompaniment medium difficulty level a good introduction for choirs with little previous experience of this repertoire includes popular classics such as Amazing grace, Deep river, Go down Moses, Good News, Nobody knows, Joshua fit the battle of Jericho wide variety of styles with many new arrangements conductor's score with CD Introductory price: 29.90 Euro, from 01.12.2019: 34.90 Euro.

Woodwinds (solo: org(hp) - 2rec.0.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5386-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Set of parts. 4 pages. Duration 12'. Breitkopf and Haertel #OB 5386-30. Published by Breitkopf and Haertel (BR.OB-5386-30).

ISBN 9790004334614. 10 x 12.5 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions.The popular Concerto Op. 4 No. 6 in B flat major was originally a harp concerto (and is thus called Concerto per la Harpa in the autograph) and was performed in this version at its premiere in 1736, when it was inserted into Handel's oratorio Alexander's Feast in order to illustrate the harp playing of the Greek singer Timotheus. A harp edition is also in preparation.I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik)Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).

Composed by Michael John Trotta. Folio. Score and part(s). 82 Cover pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YAS198. Published by Carl Fischer Music

Brass Band - Grade 2

SKU: BT.GOB-000817-130

Composed by John Emerson Blackstone. Score Only. 10 pages. Gobelin Music Publications #GOB 000817-130. Published by Gobelin Music Publications (BT.GOB-000817-130).

There are people who are capable of planning well. They live their lives in a well-structured manner and know exactly what they have to do. On the other hand, there are also people who are the exact opposite: they want to do too many things at once and are often somewhat absent-minded, which occasionally results in frantic situations. The outcome of one such situation is ‘They are coming’.
John Emerson Blackstone had been working on a new composition for some time when he received a telephone call from his editor, who told him that the deadline was approaching rapidly, even worse, that it would expire at the end of that same day and that he would drop by in person to fetch thecomposition!
Blackstone set to work in a frenzy and completed the last details. When his editor arrived, the piece was finished ..... and got its definitive title: ‘They are coming’.

Er zijn mensen die goed kunnen plannen. Ze leven zeer gestructureerd en weten precies wat ze moeten doen. Er zijn er ook die dat niet kunnen. Ze doen vaak vijf dingen tegelijkertijd, zijn niet zelden enigszins verstrooid met als gevolgdat er af en toe gespannen situaties ontstaan. Het resultaat van zo’n situatie is ‘They are coming’.
John Emerson Blackstone was al een poosje bezig met een nieuwe compositie toen de hij zijn uitgever aan de telefoon kreeg.De deadline kwam met rasse schreden in zicht, sterker nog, het einde van die bewuste dag was de deadline en zou de uitgever het materiaal bij de componist ophalen.
Blackstone is als een razende Roeland aan het werk gegaanen heeft de laatste puntjes op de i gezet.
Toen de uitgever arriveerde was het stuk klaar... en kreeg haar definitieve titel: ‘They are coming’.

Orchestra Cello, Contrabass, Viola, Violin, Violin 1, Violin 2, Violin 3 - Grade 2.5

SKU: CF.YAS228

Composed by Kathryn Griesinger. Set of Score and Parts. Duration 3 minutes. Carl Fischer Music #YAS228. Published by Carl Fischer Music (CF.YAS228).

ISBN 9781491162767. UPC: 680160921515. Key: D major.

Perfect for combined concerts or blended-level ensembles, Festival Fanfare provides a celebration of music where all students can participate. The grade 2.5 piece can be performed alone or with beginning-level parts that use only simple rhythms on open strings or first-finger notes. Set in G major with just a little easy shifting in first violin and bass, the piece features energetic accompaniment patterns and open-string double stops for a big fanfare of sound. A slower middle section introduces a solemn moment of reflection before the joyous theme returns for a grand finale.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Composed by Gary P. Gilroy. Concert Band. Achievement Plus Series. Grade 3. Full set. Published by Wingert-Jones Publications

Composed by Terry Peter. Folio. Score and part(s). 96 Cover pages. Duration 2:40. Carl Fischer Music #YAS195. Published by Carl Fischer Music

Piano

SKU: BO.BC0006

Composed by Pau Casals. Published by Editorial de Musica Boileau (BO.BC0006).

Despite a strong vocation for the cello, which he studied and began to play with a distinctive character, Pau Casals, like most ambitious, creative musicians, wrote at the piano and for the piano, as it is the ultimate teaching instrument, summarising the full vision of the creative process. Any creative musician habitually worked at the piano, whether for this instrument alone or for piano accompanied by other solo instruments. To date, it has not been possible to document whether Casals had systematic training on this instrument, although at that time it was more common than it is today because, considering its qualities of timbre and combination, it was particularly attractive for creating test pieces and different kinds of compositions.

Th e piano works contained in this second volume include part of the salon repertoire, a continuation of the first volume, and four sardanas for piano of diverse origin: some are reductions of more complex forms and others sketches for instrumental groups. In the first group, some works intended for children are published, a demonstration of the tenderness the ‘cellist felt for the children of his closest friends. In the second case, the sardanas are works from his first exile in Prada and show the nostalgia of the composer, away from his country against his will.

In general, the works are not especially complex; their purpose and nature are diverse. They come in the context of salon music, with the appearance of creative entertainments characterised by a basically tonal, transparent language with a widespread tendency to modulate to nearby keys more as a momentary expressive resource than as a structural evolutionary procedure. They show a lack of systematic work on the instrument as well as the commonplaces of piano composition of their time. In some of these works, the piano thread breaks, the works do not have the thrust of finished products; the occasional appearance of chords that are difficult or impossible to finger leads us to think of intentions closer to test pieces than to products intended for normal performance. But not all these piano works are circumstantial. There is also a prelude and a minuet of a certain piano writing complexity.

By Andy Beck and Ben Cohn. For Opt. Flute. (SAB). Choral Octavo. Jewish Heritage, Jewish. Choral Octavo. 12 pages. Published by Alfred Publishing.

SKU: WD.080689407772

Composed by Allan Douglas. Arranged by Allan Douglas and Sarah Huffmann. Choral, cantatas. Christmas. Posters (12-pak). Word Music #080689407772. Published by Word Music (WD.080689407772).

UPC: 080689407772.

For music ministers looking for an Easter musical that is strong on content and excitement yet easy to rehearse and perform, Jesus Is Alive! is your answer. Created by Dale Mathews and including such beloved classics as Celebrate Jesus, He's Alive and Gerald Crabb's The Cross, this accessible musical features dynamic original arrangements by Russell Mauldin, Gary Rhodes, Robert Sterling and Lari Goss, expertly revoiced by Allan Douglas and Sarah Huffman for unison choir with occasional two-part singing and no solos. At less than 30 minutes in length, Jesus Is Alive! is an ideal addition to your Easter morning service, allowing ample time for additional celebratory observances and a sermon. Deborah Craig-Claar has provided a sensitive Scripture-based narration for a single narrator that beautifully weaves together the themes of Jesus' redemptive sacrifice and His victory over death. Let Jesus Is Alive! declare the eternal truth to your church this Easter: Jesus is alive - today and forevermore!

(0.2.0.0/0.3.0.0,timp,str )

SKU: TM.05323SC

Composed by George Frideric Handel. Score. Published by Lucks Music Library (TM.05323SC).

PF reduction in score.

By George Frideric Handel. For Organ. Classical. Level: Intermediate. Book. 11 pages. Published by Willemsen (German import).

Woodwinds (solo: org - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5385-30

Urtext. Composed by George Frideric Handel. Edited by Ton Koopman. Folder. Orchester-Bibliothek (Orchestral Library). I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. ' (Ton Koopman). Solo concerto; Baroque. Set of parts. 6 pages. Duration 8'. Breitkopf and Haertel #OB 5385-30. Published by Breitkopf and Haertel (BR.OB-5385-30).

ISBN 9790004336755. 10 x 12.5 inches.

Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.