The Exodus Song Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084574-140 Composed by Ernes...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084574-140
Composed by Ernest Gold.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band.
TV-Film-Musical-Show.
Score Only. Composed
2008. 20 pages. De Haske
Publications #DHP
1084574-140. Published by
De Haske Publications
(BT.DHP-1084574-140).
9x12 inches.
English-German-French-Dut
ch.
De Amerikaanse
componist Ernest Gold,
van geboorte
Oostenrijker, schreef de
prachtige score voor de
film Exodus. Deze
werd in 1960 door Otto
Preminger gemaakt op
basis van de roman van
Leon Uris, die handelt
over het ontstaanvan de
staat Israël. De
filmmuziek was goed voor
een Academy Award en twee
Grammy’s. De
ontroerende titelsong is
een klassieker geworden.
Naohiro Iwai schreef dit
mooie arrangement voor
harmonieorkest.
Exodus ist ein Film
aus dem Jahre 1960
über die Jahre nach
dem zweiten Weltkrieg,
als zahlreiche
jüdische Menschen
nach Palästina
auswanderten und dort vor
genau sechzig Jahren den
Staat Israel
gründeten. Ernest
Gold, der selbst 1938 von
Österreich in die USA
emigrieren musste,
schrieb die Musik zu
diesem Film und wurde
dafür mit einem
Oscar und einem Grammy
ausgezeichnet. Naohiro
Iwai schuf diese
Bearbeitung der
bewegenden Titelmelodie
aus dem Film.Aufnahme auf
CD: I Got Rhythm (DHR
07-017-3)
The Exodus Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1084574-010 Composed by Ernes...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1084574-010
Composed by Ernest Gold.
Arranged by Naohiro Iwai.
New Sounds for Concert
Band.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2008. De Haske
Publications #DHP
1084574-010. Published by
De Haske Publications
(BT.DHP-1084574-010).
9x12 inches.
English-German-French-Dut
ch.
De Amerikaanse
componist Ernest Gold,
van geboorte
Oostenrijker, schreef de
prachtige score voor de
film Exodus. Deze
werd in 1960 door Otto
Preminger gemaakt op
basis van de roman van
Leon Uris, die handelt
over het ontstaanvan de
staat Israël. De
filmmuziek was goed voor
een Academy Award en twee
Grammy’s. De
ontroerende titelsong is
een klassieker geworden.
Naohiro Iwai schreef dit
mooie arrangement voor
harmonieorkest.
Exodus ist ein Film
aus dem Jahre 1960
über die Jahre nach
dem zweiten Weltkrieg,
als zahlreiche
jüdische Menschen
nach Palästina
auswanderten und dort vor
genau sechzig Jahren den
Staat Israel
gründeten. Ernest
Gold, der selbst 1938 von
Österreich in die USA
emigrieren musste,
schrieb die Musik zu
diesem Film und wurde
dafür mit einem
Oscar und einem Grammy
ausgezeichnet. Naohiro
Iwai schuf diese
Bearbeitung der
bewegenden Titelmelodie
aus dem Film.Aufnahme auf
CD: I Got Rhythm (DHR
07-017-3)
By Rory Cooney. For Voices: Cantor, assembly; opt. SATB. Instruments: Flute; or ...(+)
By Rory Cooney. For
Voices: Cantor, assembly;
opt. SATB. Instruments:
Flute; or oboe, saxophone
(improvisation)
(instruments optional).
Piano. Celeb; Ccs Sacred.
Level: easy. 11 pages.
Published by GIA
Publications.
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello
SKU:
BO.B.3726
Composed by
Melani Mestre. Published
by Editorial de Musica
Boileau (BO.B.3726).
Written in
2001, this work was
conceived by the need to
enlarge the repertoire of
works for solo cello, an
important goal since the
repertoire of such works
is limited. Most cellists
are limited to
performances of such
well-known solo works as
the Suites of Bach,
written almost 300 years
ago, as well as other
classics of the genre by
Max Reger, Zoltan Kodaly,
Benjamin Britten, Gaspar
Cassado, Enric Casals,
etc.
The
intention of the Suite
Exotique is to
revolutionize the concept
of the Baroque suite by
transforming the suite
into a collection of
modern dances, which are
both contemporary and
widely recognized today.
Thus, the dances of the
Baroque suite, such as
Allemande, Courante,
Sarabande are substituted
for the Tango, Milonga,
Blues in such a way that
the traditional formal
structure of six
movements of Baroque
dances is modernized by
rhythms and contemporary
styles which coexist in
the Modern world, but are
separate from and do not
pertain to those works
which are normally
considered to belong to
the realm of cultured
music.
Apart
from the fusion
represented by the
mixture of a Baroque
genre with modern, urban
musical language found in
this work, the subtitle
exotica is appropriate
due to the originality of
writing such a work for
cello solo. This work
allows the interpreter to
explore and take full
advantage of their
technical, artistic and
expressive
abilities.
This
work establishes a total
symbiosis between the
instrument and the
evolutionary
transformation of its
musical language which in
turn creates a style
adapted to the expressive
requirements of the work
itself. The specific
techniques and qualities
of the cello are placed
in service of the
required style and
concept of each movement
of the Suite. At the same
time those stylistic
characteristics are
transformed and adapted
to the particular
characteristics of the
cello and taking full
advantage of the
instruments polyphonic,
sonic, aesthetic
qualities as well as its
timbre.
The
Suite Exotique was
premiered in August, 2003
during the International
Music Festival of Ibiza
by the Russian cellist
Svetlana Tovstukha.
Exodus [Conducteur] PWM (Polskie Wydawnictwo Muzyczne)
Mixed Choir and Orchestra SKU: BT.PWM8597 Composed by Wojciech Kilar. Cla...(+)
Mixed Choir and Orchestra
SKU: BT.PWM8597
Composed by Wojciech
Kilar. Classical. Score
Only. Composed 2000. 96
pages. Polskie
Wydawnictwo Muzyczne
#PWM8597. Published by
Polskie Wydawnictwo
Muzyczne (BT.PWM8597).
ISBN
9788322405000.
''Th
e title refers to the
Biblical Book of Exodus.
The biblical words of the
song: we will sing unto
Yahwe, for He has
triumphed
gloriously;...'', which
the people of Israel
chant after passing
through the Red Sea serve
as the motto of the
composition. The formal
concept of the piece
refers to M. Ravels
''Bolero''. The composer
has confirmed in his
statements that this
reference is fully
intentional. ''Exodus''
would be the third -
after Ravel and
Shostakovich (Symphony
No.7) - version of a
fascinating crescendo of
form, based on one theme
or idea obsessively
repeated. Its first
performance at the Warsaw
Autumn Festival in 1981
provoked a tremendous
ovation. The audience, at
first confused by the
continual repetition of
the E-major chord (bursts
laughter were even
heard), was eventually
abducted by the force and
dynamism of the
composition.
Composed by Sigfrid Karg-Elert (1877-1933). Edited by Douglas Worthen. With Stan...(+)
Composed by Sigfrid
Karg-Elert (1877-1933).
Edited by Douglas
Worthen. With Standard
notation. Falls House
Press #ED-KE134.
Published by Falls House
Press (PR.FH0023).
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Guitar SKU: HL.298174 By Bob Marley. Strum & Sing Guitar. Reggae. Softcov...(+)
Guitar
SKU:
HL.298174
By Bob
Marley. Strum & Sing
Guitar. Reggae.
Softcover. 64 pages.
Published by Hal Leonard
(HL.298174).
ISBN
9781540057761. UPC:
888680951160.
9.0x12.0x0.198
inches.
This
collection gives you just
what you need to play 20
of your Marley favorites:
lyrics, chord symbols,
and guitar chord
diagrams. Songs include:
Africa Unite * Buffalo
Soldier * Exodus * Get up
Stand Up * I Shot the
Sheriff * Jamming *
Lively up Yourself * No
Woman No Cry * One
Love/People Get Ready *
So Much Trouble in the
World * Stir It Up * and
more.
By Marty Haugen. For SATB Choir & Assembly. Bible Reference: Exodus 15; John 6:3...(+)
By Marty Haugen. For SATB
Choir & Assembly. Bible
Reference: Exodus 15;
John 6:31-35. Celebration
Series. Sacred, Easter.
Easy. 12 pages. Published
by GIA Publications
By John Karl Hirten. Translated by: Various. For SATB Chorus and Cantor. Bible R...(+)
By John Karl Hirten.
Translated by: Various.
For SATB Chorus and
Cantor. Bible Reference:
Exodus 15:1-6, 16-18.
Choral. Sacred. Level:
easy. 12 pages. Published
by GIA Publications.
Guitar SKU: GI.G-7599G Composed by Marty Haugen. This edition: Guitar edi...(+)
Guitar
SKU:
GI.G-7599G
Composed
by Marty Haugen. This
edition: Guitar edition.
Easter Vigil, Ordinary
Time 18 B. Sacred. Guitar
part. With guitar chord
names. 4 pages. GIA
Publications #7599G.
Published by GIA
Publications
(GI.G-7599G).
English.
Text by Susan R. Briehl.
Scripture: Exodus 15,
John 6:31D35.
Exorcist For Trombone Quartet Quatuor de cuivres: 4 trombones [Conducteur et Parties séparées] EMB (Editio Musica Budapest)
Trombones (MORE TROMBON) SKU: HL.50511784 Partitur und Stimmen. Co...(+)
Trombones (MORE TROMBON)
SKU: HL.50511784
Partitur und
Stimmen. Composed by
Laszlo Dubrovay. EMB.
Contemporary Hungarian
Works. Score and parts.
Editio Musica Budapest
#Z14511. Published by
Editio Musica Budapest
(HL.50511784).
ISBN
9790080145111.
8.5x11.75x0.099 inches.
Hungarian, English.
Laszlo
Dubrovay.
The
composer wrote this work
in 2004 for the Corpus
trombone quartet, to whom
it is dedicated. The
piece consists of a slow
and a fast section, both
in rondo form. Its
musical language makes
use of a great many new
elements of playing
technique, which provide
an excellent opportunity
for displaying the
fantastically virtuosic
capabilities of both the
new modes of sound
production and the
performers: they include
Wah-muted notes with
modulated tone colour,
harmonic-glissandi,
sequences of buzzing
notes sung into the
instrument,
valve-modulated harmonic
glissandi, rapid double-
and tripletongued
staccatos, and
flutter-tongued,
lip-trilled and buzzing
lip-vibrating notes. The
purpose: playful,
good-humoured
music-making, to exorcise
evil from our lives.
Listening Lab. Composed
by
Olivier Messiaen
(1908-1992).
Listening Lab - Materials
for
Communicating Music.
Textbook. With Standard
notation. Universal
Edition
#UE026321. Published by
Universal Edition