A totally groovy collection of riffs, turns, grooves and vamps specially compiled for the Organ player by Andrew D. Gordon. This generous selection of grooves will add swing, bounce and funky syncopations to your playing, with everything from four-bar riffs to more substantial progressions that will squeeze a host of unusual and addictive rhythms from beneath your fingers. All examples are grouped by style, covering Blues, Funk, Gospel, Jazz, Latin and Reggae sounds. There is guidance to help you choose appropriate voice selections, as well as a guide to some of music's funkiest Organ stars. The book is complete with a CD featuring recordings of everyexample to help you really capture the 'feel' of each unique groove./ Recueil / Orgue

La partition Oeuvres Pour Orgue Vol 2/Marche Fun/Cht Seraphique/Verset/Etc./Orgue a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition

Tunes, Tones, and Techniques for Drawbar Keyboards. Build your Hammond chops! The secret to creating funky sizzles and classic Hammond sounds is mastering the combined use of the drawbars, expression pedal, and the Leslie speaker speed switch. Sound complicated and intimidating' It doesn\'t have to be! This hands-on guide takes you step-by-step through the techniques of playing the drawbar organ, one skill at a time. Whether you\'re comping a rock tune or playing lead in a jazz trio, command of the Hammond organ will make you a sought-after player. Groove with this fun and comprehensive Hammond method! Learn to: play gospel, R and B, jazz, blues, funk, and rock with an authentic Hammond feel: Improve your playing skills with hands-onexercises. The accompanying recordings include 21 exercises, plus performance demonstrations of eight songs with minus-organ versions so you can play along: Achieve special effects used by the great Hammond organists, including unique tips and tricks for all drawbar instruments: Understand all the parts of the organ and how to use them, including percussion, expression pedal, vibrato, chorus, and the Leslie speaker and much more! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Pédagogie / Méthode / Clavier ou Orgue

Par KLOMP CARSTEN. The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes, both original works as well as arrangements. The editions include solo parts in C, Bb, Eb and F, which can be played by violin, flute, oboe, clarinet, trumpet and horn in F. The range of the solo instrument parts is in the middle register, making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition – flexible instrumentation with easy playability – ensures that the pieces can easily be tackled and fun to play for church services, musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year: Advent / Christmas Passion / Easter Epiphany / Whitsun / Pentecost Death and Eternity / Funerals Praise and Thanks Divine Service Communion Special Services (baptisms / weddings) The complete series will comprise eight volumes./ Recueil / Orgue et Mélodie

Par OGDEN NIGEL. Lewis Carroll from 'Alice in Wonderland' and inspiration for this lively and fun piece of light organ music. '. . . suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be too late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never beforeseen a rabbit with either a waistcoat pocket or a watch to take out of it, and burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge. ' Lewis Carroll from 'Alice in Wonderland' and inspiration for this lively and fun piece of light organ music. '. . . suddenly a White Rabbit with pink eyes ran close by her. There was nothing so very remarkable in that; nor did Alice think it so very much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh dear! I shall be too late!' (when she thought it over afterwards, it occurred to her that she ought to have wondered at this, but at the time it seemed quite natural); but when the Rabbit actually took a watch out of its waistcoat pocket, and looked at it, and then hurried on, Alice started to her feet, for it flashed across her mind that she had never beforeseen a rabbit with either a waistcoat pocket or a watch to take out of it, and burning with curiosity, she ran across the field after it, and was just in time to see it pop down a large rabbit-hole under the hedge. '/ Répertoire / Orgue

Prenant comme base les événements lors des funérailles service pour le pape Jean-Paul I, le conclave, l'inauguration du nouveau pape, et la visite de Benoît XVI à la Synagogue de Cologne, par le biais de ' Benedicere - Litanei ', Helmschrott présente un morceau de ' expérimenté musique '. Il traduit ses expériences dans la musique - qui est illustrée par la litanie de Toussaint qui a été entendue encore et encore en les festivités à Rome, ou le shofar qui a été joué à Cologne. Il voit son travail comme un symbole de ce qu'il a connu et une invocation du passé, comme un appel pour un avenir meilleur. / Orgue

La série 'ORGUE PLUS UN' contient des pièces qui sont composées librement ou basée sur des airs de cantiques, les deux oeuvres originales ainsi que des arrangements.Les éditions comprennent des pièces en solo en C, Bb, Eb et F, qui peut être joué par le violon, flûte, hautbois, clarinette, trompette et cor en fa La gamme des pièces d'instruments en solo est dans le registre du milieu, ce qui rend cette série particulièrement appel à des musiciens d'église non-professionnels et instrumentistes.La caractéristique de cette édition - l'instrumentation souple avec jeu facile - veille à ce que les pièces peuvent être facilement traitées et sont amusantes à jouer pour les services religieux, des soirées musicales et des petits concerts. Idiomatiques arrangements instrumentaux et la variété stylistique de la réussite garantie pièces pour les deux organistes et instrumentistes.Le contenu des volumes correspondent aux saisons de l'année liturgique:- L'Avent / Noël- Passion / Pâques- Epiphany / Pentecôte / Pentecôte- La mort et l'éternité / funérailles- Louange et Merci- Service Divin- Communion- Les services spéciaux des baptêmes ou des mariages) / Orgue

Description This collection of 50 short liturgical works by Alexandre Guilmant offers organists a practical resource of music ideally suited to church services and recitals. Organists will find here a large, varied, and colourful menu of music for sacred occasions, including offertories, preludes, postludes, marches, meditations, and music for communion services. Selected and edited by Samuel P.Warren. Songlist Absolution In E Minor Allegretto In B Allegro Moderato E Pastorale In E Allegro Non Troppo In A Minor Andante Con Moto In E-flat Andante Con Moto In F Anthems Bridal Chorus In D-flat Cantabile In F Canzona In F Minor Choral In G Communion In D Communion In E Minor Communion In G Elegy In F Minor Elevation In E Minor Elevation In F Fuga Alla Handel In F Funeral March In C Minor Grand Chorus In March Form Grand Triumphal Chorus In A Interlude In E-flat Invocation In E-flat Ite Missa Est In D Minor Madrigal In E-flat Magnificat In G March In D March In F Meditation In B Minor Melody In G Offertory In A Offertory In C Minor Offertory In D Offertory In E-flat Postlude In F Prayer In A Flat Prayer In B-flat Prelude And Fugue In E Minor Prelude In E-flat Processional March In A Scherzo Symphonique In C Strophe For The Hymn Iste Confessor Strophes For The Ascension Hymn Torchlight March In F Versets

Par GORDON ANDREW D.. 100 Ultimate Jazz Riffs for Organ authored by Andrew D. Gordon consists of, as the title suggests, 100 Jazz riffs based on common chord progressions used in jazz such as II-V-I, III-VI-II-V etc. There are five separate sections: Jazz-Swing, Jazz-Ballad, Jazz-Funk, Jazz-Waltz and Latin-Jazz. Besides the 100 riffs at the end of the book there is the chord progression for the popular jazz standard 'Blue Moon” showing you how to use the various riffs from the 100 riffs to create an improvised solo over the cho / Niveau : Intermédiaire à Avancé / Etude / Orgue

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

Par REGER MAX. Max Reger composed the present work in 1899 for the 'Schönberger Orgelalbum', which served as a means of funding the new organ in Schönberg im Taunus. Other renowned organ composers of the time also contributed works to this project, such as Guilmant, Rheinberger and Widor. Reger referred to his piece as a 'little work' that is 'intentionally not difficult' & yet he succeeded in creating a highly skillful piece that was hailed as a confirmation of Reger's artistry at the organ, and enjoyed great popularity from the very start./ Répertoire / Orgue

Dieses Werk ist eine Hommage Schneiders an Max Reger: Die Orgelsinfonie Nr. 15 unterlässt es, die nicht-steigerbare und nicht-variierbare Regerstilistik zu adaptieren. Im Gegenteil. Mit einem ?glühenden Reduktionismus' werden Motive, Zitate, Fragmente wie einzeln funkelnde Edelsteine aus dem Kontext genommen und neu beleuchtet: Reger aus der Distanz betrachtet, um dem Mysterium dieses genialen Menschen etwas nahezukommen. (Enjott Schneider)Inhalt:?I Obsession and Kontrast?II Einsamkeit?III Fragmente des Fliehens?IV 'Seele, vergiss nicht die Toten!' / Orgue