Par WALTHER JOHANN GOTTFRIED. Ach Gott und Herr (3 Vertonungen) Ach Gott vom Himmel sieh darein Ach, was soll ich Sünder machen (Partita, 5 Teile) Allein Gott in der Höh sei Ehr (2 Vertonungen) Allein zu dir, Herr Jesu Christ Christum wir sollen loben schon (3 Vertonungen) Christus der ist mein Leben (2 Vertonungen) Durch Adams Fall ist ganz verderbt Ein feste Burg ist unser Gott Ein Lämmlein geht und trägt die Schuld Erhalt uns, Herr, bei deinem Wort Erschienen ist der herrlich Tag (Partita, 5 Teile) Freu dich sehr, o meine Seele Gottes Sohn ist kommen Herr Christ, der einig Gott's Sohn Herr Gott, nun schleuß den Himmel auf Herr JesuChrist, dich zu uns wend (Partita, 5 Teile) Herr Jesu Christ, du höchstes Gut (3 Vertonungen) Herzlich lieb hab ich dich, o Herr Herzlich tut mich verlangen (Partita, 7 Teile) In dulci jubilo Jesu Kreuz, Leiden und Pein (2 Vertonungen) Jesus, meine Zuversicht (4 Vertonungen) Kommt her zu mir, spricht Gottes Sohn (2 Vertonungen) Liebster Jesu, wir sind hier (3 Vertonungen) Lobt Gott, ihr Christen, alle gleich (Partita, 7 Teile) Mache dich, mein Geist, bereit (2 Vertonungen) Mach's mit mir, Gott, nach deiner Güte / Mir nach, spricht Christus unser Held (Partita, 6 Teile) Mein schönste Zier und Kleinod bist Nun bitten wir den Heiligen Geist Nun komm, der Heiden Heiland (3 Vertonungen) Nun lasst uns Gott dem Herren Dank sagen (4 Vertonungen) Nun lob, mein Seel den Herren Nun singet und seid froh O Herre Gott, dein göttlich Wort (4 Vertonungen) O Jesu Christ, mein's Lebens Licht Puer natus in Bethlehem (2 Vertonungen) Schmücke dich, o liebe Seele(3 Vertonungen) Vom Himmel hoch, da komm ich her (2 Vertonungen) Von Gott will ich nicht lassen (2 Vertonungen) Was Gott tut, das istwohlgetan (2 Vertonungen) Wenn meine Sünd mich kränken Wenn wir inhöchsten Nöten se Werde munter mein Gemüte (3 Vertonungen) Wer nur den lieben Gott lässt walten (3 Vertonungen) Wie nach einer Wasserquelle / Classique / Recueil / Orgue

Band / Reihe: Neue Ausgabe sämtlicher Orgelwerke, Band 1-5 Herausgeber: Albrecht, Christoph Produktart: Spielpartitur(en), Sammelband Enthaltene Einzelstimme(n): Orgel Erscheinungsform: Kartoniert

Wie bereits in seiner Jazz-Partita über Lobe den Herren (Schott, ED 21913) kombiniert Peter Wittrich auch in dieser Komposition wieder Jazz-Elemente mit traditioneller Orgelschreibweise. Nun danket all ist mit seinem gemäßigten Schwierigkeitsgrad gleichermaßen für das Konzert und für den liturgischen Einsatz geeignet. Das Rock-Prélude und die Toccata in ?Funk', als erster und letzter Satz, sind typische Eingangs- bzw. Auszugssätze, mit denen ein feierlicher Rahmen gesetzt werden kann. Kontrastierend und eher meditativ in ihrer Grundstimmung verhalten sich der 2. Satz mit typischem Walking-Bass und Blues-Elementen sowie der 4. Satz, im typischen Groove des Jazz-Waltz auf einem Orgelpunkt über g. / Orgue

Dieses Werk ist eine Hommage Schneiders an Max Reger: Die Orgelsinfonie Nr. 15 unterlässt es, die nicht-steigerbare und nicht-variierbare Regerstilistik zu adaptieren. Im Gegenteil. Mit einem ?glühenden Reduktionismus' werden Motive, Zitate, Fragmente wie einzeln funkelnde Edelsteine aus dem Kontext genommen und neu beleuchtet: Reger aus der Distanz betrachtet, um dem Mysterium dieses genialen Menschen etwas nahezukommen. (Enjott Schneider)Inhalt:?I Obsession and Kontrast?II Einsamkeit?III Fragmente des Fliehens?IV 'Seele, vergiss nicht die Toten!' / Orgue

Orgelchoräle Der Leipziger Handschrift. Par BACH JOHANN SEBASTIAN. Editorial Board: Werner Breig/ Pieter Dirksen/ Reinmar Emans music text faithful to the sources and reflecting the current status of Bach research developed for musical practice through the cooperation of scholars and performers contains all of Bach's keyboard works that require an independent pedal manual contains all authentic early versions and fragmentarily transmitted or dubious works that can be attributed to Bach with a fair amount of certainty features comprehensive introductions, extensive source descriptions and text-critical notes features supplementary material illustrated synoptically on CD-ROM (in printable quality) brochure, in large format (32 x 25 cm) and compact music engraving, clear, easy to read, with convenient page turns 'The Breitkopf edition is obviously preferable if you're buying new copies. The series so far has been most impressive.' (Clifford Bartlett, Early Music Review) Subscription Conditions A subscription is only possible for the complete collection. The subscription price of the volumes is 20% lower than the final sales price. A subscription can begin at any time. The subscription obliges the subscriber to purchase the entire collection. The New Edition of Bach's Complete Organ Works With repertoire works, musicians often have the choice between editions conceived for practical music-making and others that are more scholarly in concept. This also applies to the organ works of Johann Sebastian Bach, which are available today in various editions. Among them is that of Heinz Lohmann, which Breitkopf and Härtel began publishing in 1967 and whose concept strove for an amalgamation of practice and Urtext. Current Urtext status, historically informed, edited with performers in mind: More than 40 years later, the demands made on a new Urtext edition of Bach's organ works are as stringent as ever before. Next to the results of scholarly research on Bach and the sources, aspects of a historically informed performance practice are increasingly claiming our attention today. Also important for study, teaching and concert performance are, in addition to the above-mentioned demands, such external criteria as format, paper, convenient page turns and an easily legible layout that helps the user quickly grasp the musical context. The new edition, beginning in 2010, also contains all keyboard works with pedal and the 'dubious works' that are hardly dubious anymore The edition of Johann Sebastian Bach's organ works which Breitkopf and Härtel is beginning to publish in fall 2010 wants to do justice to these demands. Next to the core contents of the repertoire, it will also feature all of the master's 'clavier' works which require an independent pedal. Moreover, it will include all authentic early versions as well as the fragmentarily transmitted works. As to the dubious works, it will contain those which can be attributed to Bach today with considerable certainty. It offers incerta, early, and alternative versions on CD-ROM In this work group, the new edition uses for the first time the modern forms of editorial technique with which the synoptical depiction of various versions is made possible on CD-ROM. Thanks to the collaboration with the EDIROM project, which is a leader in the field of digital scientific editorial technique, the edition offers new types of solutions. Incerta, early, and alternative versions that cannot be included in the printed volumes for reasons of size or problems of authenticity, are published on CD-ROM, supplied with comments, and depicted synoptically. Thus, after comparing the versions, the player can decide upon a different version than the one printed in the volume, and can make a high-quality print-out of it. The texts and comments customary to the 'Breitkopf Urtext' editions comprehensive introductions, extensive source descriptions and text-critical observations can be found in the printed version of the volumes. Edited by a competent team: With Werner Breig (Erlangen), Pieter Dirksen (Culemborg/Netherlands) and Reinmar Emans (Bochum), a.o. we have brought together a team that guarantees the highest expertise in various domains. Further Bach experts such as Sven Hiemke (Hamburg), David Schulenberg (Boston) and Jean-Claude Zehnder (Basel) were also enlisted for the edition of single volumes. Werner Breig (* 1932) studied Evangelical church music in Berlin as well as musicology in Erlangen and Hamburg. He obtained his doctorate in 1962 and completed his habilitation (postdoctoral lecturing qualification) in 1973. He then devoted himself to musicology at the Universities of Freiburg i. Br, Karlsruhe, Wuppertal and Bochum. Since his retirement in 1997 he has been living in Erlangen. Between 1997 and 2007 Breig was appointed General Editor of the complete edition of Richard Wagners letters. He is the author of many publications and editions, particularly of early clavier and organ music by Heinrich Schütz and Johann Sebastian Bach, but also of Richard Wagner and Arnold Schoenberg. Furthermore he is the author of the Bach article in the dictionary Die Musik in Geschichte und Gegenwart (MGG, 2nd edition). Pieter Dirksen (* 1961) studied organ, harpsichord and musicology. His 1996 doctoral thesis on Sweelinck's keyboard music was awarded the Praemium Erasmianum. Dirksen has since published many studies on, and editions of, several masters of the 17th century (Sweelinck, Bull, Cornet, Scheidt, Scheidemann, Buxtehude, Luebeck, Johann Christoph Bach) as well as Johann Sebastian Bach. In collaboration with Harald Vogel, he edited Sweelinck's Complete Works for Keyboard Instrument (4 volumes, Breitkopf and Härtel). Dirksen is a member of the academic board of the Bach-Jahrbuch as well as a sought-after harpsichordist, organist and continuo player in international ensembles. Dirksen issued a number of much-acclaimed solo recordings (Sweelinck, Scheidemann, Boehm, Louis Couperin, Bach-Vivaldi, Bachs Art of Fugue and Goldberg Variations). Edison Winner 2003. Reinmar Emans (* 1953) studied musicology in Bonn and wrote his doctoral thesis on the cantatas and canzonettas of Giovanni Legrenzi in 1982. From 1983 to 2008 he was an academic staff member of the Johann-Sebastian-Bach-Institut Göttingen, and temporarily deputy of the managing director. He has taught in Bochum, Marburg, Detmold, Cologne and Hamburg, and has been a freelance contributor to various music periodicals. In 2000 he was responsible for the conception and direction of the Thuringian state exhibition 'Der junge Bach: Weil er nicht aufzuhalten' in Erfurt. He has conducted research and produced publications on opera and the cantata in 17th-century Italy, on stylistic development in the music of Johann Sebastian Bach, and on editorial philology./ Répertoire / Orgue

The complete edition of Bunk's organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition, prepared by the composer's grandson, is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword, a Critical Commentary, and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk's Liebe zur Orgel. This reference book by the late Romantic composer, which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of organ building and organ playing in Germany during the first half of the 20th century, has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk's organ works- Edited by the composer's grandson- Detailed foreword and Critical Commentary for each volume (Ger/Eng)- Many facsimiles and illustrationsContents'Wilhelmus van Nassouwe en Choral? 'Nun danket alle Gott?'Kleine Fantasie über C.H.D.B.? for organ or pianoChorale prelude 'Wachet auf, ruft uns die Stimme? (trio for 2 manuals and pedals)37 short chorale improvisations for liturgical use / Orgue

Musique d'orgue de Buxtehude déjà fasciné JS Bach, et des générations d'organistes depuis. Notre édition Urtext de son oeuvre organe complet dans 'Masters de l'Ecole du Nord orgue allemand de la série renommée est basée sur les sources, en prenant les derniers résultats de la recherche Buxtehude en compte. Contrairement à toutes les éditions précédentes Buxtehude, cette nouvelle édition par Claudia Schumacher suit le rythme de la notation initiale, à savoir la tablature, offrant ainsi pour la première fois la version authentique qui permet au joueur d'interpréter les oeuvres d'une manière différenciée. Volumes 3 et 4 contiennent un total de 48 arrangements de chorals dans l'ordre alphabétique des initiales de l'chorals: Vol. 3 contient 26 pièces (A-L), vol. 4 22 arrangements (M-W). / Orgue

Diese erfolgreiche Edition folgt der Nummerierung des Evangelischen Gesangbuches und richtet sich nach der Abfolge des Kirchenjahres.Die Bände enthalten technisch leichte, originelle kleine Choralvorspiele und Begleitsätze zu sämtlichen Liedern des Stammteils im Evangelischen Gesangbuch. Sie wurden speziell für diese Edition von Gunther Martin Göttsche und Martin Weyer komponiert. Zielgruppe sind nebenberufliche Organisten und Kirchenmusiker.Die Notation erfolgt konsequent auf zwei Systemen, sodass grundsätzlich eine Aufführung auch auf einmanualigen Instrumenten möglich ist.- Originelle kleine Choralvorspiele und Begleitsätze zu sämtlichen Stammliedern des EG- Auf sieben Bände geplante Edition- Für nebenberufliche Kirchenmusiker- Auch auf einmanualigen Instrumenten aufführbar / Orgue