Concert Band; Jazz
Ensemble Piano/Keyboard -
Grade 2; Grade 2.5
SKU: FJ.HX102PNO
Composed by Ryan Fraley.
Arranged by Ryan Fraley.
5 or More; Collections;
Jazz Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102PNO. Published
by The FJH Music Company
Inc (FJ.HX102PNO).
ISBN 9781530882854.
UPC: 682500374678.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Concert Band; Jazz Ensemble Jazz Combo - Grade 2; Grade 2.5 SKU: FJ.HX102SC(+)
Concert Band; Jazz
Ensemble Jazz Combo -
Grade 2; Grade 2.5
SKU: FJ.HX102SC
Composed by Ryan Fraley.
Arranged by Ryan Fraley.
5 or More; Collections;
Jazz Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102SC. Published by
The FJH Music Company Inc
(FJ.HX102SC).
ISBN
9781530896028. UPC:
682500374692.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Composed
by Ryan Fraley. Arranged
by Ryan Fraley. 5 or
More; Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102GV. Published by
The FJH Music Company Inc
(FJ.HX102GV).
ISBN
9781530879427. UPC:
682500374661.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Composed
by Ryan Fraley. Arranged
by Ryan Fraley. 5 or
More; Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102EB. Published by
The FJH Music Company Inc
(FJ.HX102EB).
ISBN
9781530840816. UPC:
682500374616.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Composed
by Ryan Fraley. Arranged
by Ryan Fraley. 5 or
More; Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102BB. Published by
The FJH Music Company Inc
(FJ.HX102BB).
ISBN
9781530825288. UPC:
682821970153.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Concert Band; Jazz
Ensemble Horn - Grade 2;
Grade 2.5
SKU:
FJ.HX102F
Composed by
Ryan Fraley. Arranged by
Ryan Fraley. 5 or More;
Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102F. Published by
The FJH Music Company Inc
(FJ.HX102F).
ISBN
9781530865659. UPC:
682500374630.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Composed by Ryan Fraley.
Arranged by Ryan Fraley.
5 or More; Collections;
Jazz Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102BS. Published by
The FJH Music Company Inc
(FJ.HX102BS).
ISBN
9781530867608. UPC:
682500374647.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Composed by Eric B.
Davis. Carl Fischer
Concert String Orchestra
Series. Full score. 8
pages. Carl Fischer Music
#CAS134F. Published by
Carl Fischer Music
(CF.CAS134F).
ISBN
9781491159408. UPC:
680160917983.
Journ
ey to the southern part
of Spain where remnants
of Moorish and Middle
Eastern culture are
found, along with
traditional Flamenco
music. These sounds,
melodies and harmonies
are used in an almost
constant motion with
animated and accented
rhythms throughout. From
the opening measures,
these elements leap off
the page. Every part has
something essential and
interesting to play that
feels natural, while
giving the performers the
opportunity to explore
different parts of the
bow with various
articulations and
colors.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Trombone Quintet - Advanced SKU: CY.CC5010 Composed by Johann Sebastian B...(+)
Trombone Quintet -
Advanced
SKU:
CY.CC5010
Composed by
Johann Sebastian Bach.
Arranged by Jim
Tranquilla. Classical.
Score and Parts. Cherry
Classics #CC5010.
Published by Cherry
Classics (CY.CC5010).
ISBN 9790530111437.
8.5 x 11 in
inches.
The
mysterious Prelude and
Fugue in B-flat minor BWV
867 is special in that
its fugue has five
voices, has a leap of a
minor 9th, and concludes
with a hyperstretto
(remember the theory
class you slept through),
the overlapping of ALL
five voices offset by
only one note. This seven
minute work of genius
beautifully arranged by
Jim Tranquilla of the
iTromboni ensemble is
appropriate for advanced
performers.
Arranged by Dave Barduhn, Mark Taylor, Paul Lavender, Sammy Nestico. Collection ...(+)
Arranged by Dave Barduhn,
Mark Taylor, Paul
Lavender, Sammy Nestico.
Collection for jazz band
(conductor part). Series:
Hal Leonard Young Jazz
(Jazz Ensemble). 176
pages. Published by Hal
Leonard.
Hal Leonard Student Piano Library. Composed by Various. Educational Piano Librar...(+)
Hal Leonard Student Piano
Library. Composed by
Various. Educational
Piano Library.
Instruction, Recital,
Method. Softcover Audio
Online. 32 pages.
Published by Hal Leonard
Composed by Manuel de Falla (1876-1946). Arranged by Ralph Sauer. Spanish 20th C...(+)
Composed by Manuel de
Falla (1876-1946).
Arranged by Ralph Sauer.
Spanish 20th Century.
Solo part and
accompaniment. Published
by Cherry Classics
(CY.CC2799).
A Complete Groove Encyclopedia for the 21st Century Drummer. Performed by Tommy ...(+)
A Complete Groove
Encyclopedia for the 21st
Century Drummer.
Performed by Tommy Igoe.
Percussion. Book and CD
Package. 120 pages.
Published by Hudson
Music.
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Mus...(+)
String Quartet
SKU:
HL.14008374
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Score. Composed 2006. 24
pages. Chester Music
#CH68629. Published by
Chester Music
(HL.14008374).
ISBN
9781846096150. UPC:
884088435202.
8.25x11.75x0.105
inches.
The Full
Score for Peter Maxwell
Davies' fourth in a
series of ten string
quartets commissioned by
the Naxos Recording
company, first performed
by the Maggini Quartet on
20th August 2004 at the
Chapel of the Royal
Palace, Oslo, Norway, as
part of the Olso Chamber
Music Festival. Composer
Note: The fourth Naxos
quartet was written in
January and February of
2004, with the intention
of producing something
lighter and much less
fierce than its
predecessor, an
unpremeditated and
spontaneous reaction to
the illegal invasion of
Iraq. I returned to the
well-known Brueghel
picture of children's
games (1560, now in
Vienna), which had been
the inspiration for my
sixth Strathclyde
Concerto, for flute and
orchestra. These
illustrations liberated
my musical imagination,
but I feel it would limit
the listener's perception
to be too specific about
which game relates to
exactly which section of
the work. Suffice it to
say that there is
vigorous play -
leap-frog, bind the devil
with a cord, truss,
wrestling - alongside
quieter pastimes - masks,
guess whom I shall
choose, courting, odds
and evens. The single
movement juxtaposes these
activities as abruptly
and intimately as they
occur in Brueghel. Rather
as the eye is taken into
different perspectives
and proportions of scale
within the picture,
taking liberties which
would never be present
in, for instance,
Brunelleschi
architectural drawings,
so here, with a constant
sequence of
transformation processes,
I have distorted the
neat, precise
implications of modal
progression, expressed in
the unison opening phrase
(from F to B through A
sharp/B flat), so that
the ear is led, en route,
into the sound
equivalents of strange
passageways and closed
rooms: sicut exposition
ludus. As work on the
quartet progressed I
became aware that I was
reading into, and behind
the games, adult motives
and implications,
concerning aggression and
war, with their
consequences. It was
impossible to escape into
innocent childhood
fantasy. The nature of
the F to B progression
underlying the whole
construction derives from
a passage in the
development of the first
movement of Mahler's
Third Symphony, and the
opening of Schoenberg's
Second String Quartet.
However, unlike in these
models, here a real - if
temporary - sense of
resolution occurs at the
close of the quartet: as
when the curtain falls on
the reconciled Count and
Countess in 'Figaro' one
wonders how long the F/B
truce will hold, and
games break out again.
The quartet is dedicated
to Giuseppe Rebecchini,
Roman architect, and
friend since the
nineteen-fifties.
Trombone and Piano - advanced SKU: CY.CC2724 Composed by Manuel de Falla....(+)
Trombone and Piano -
advanced
SKU:
CY.CC2724
Composed by
Manuel de Falla. Arranged
by Ralph Sauer. Spanish
20th Century. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2724).
The Ritual Fire
Dance by Manuel da Falla
is taken from the ballet
El amor brujo (The
Bewitched Love) written
in 1915. The work was
influenced by a
traditional dance used to
worship the fire-god
where the participants
involved would jump or
leap through
fire.
Candela, a
gypsy girl performs this
Ritual Fire Dance causing
a ghost to appear. She
begins to dance with the
ghost whirling faster and
faster until the ghost is
pulled into the fire,
causing it to
disappear.
This
brilliant arrangement of
about four and one half
minutes is written for
advanced performers.
Guitar - Intermediate SKU: DY.DO-1522 Composed by Francis Bebey. Arranged...(+)
Guitar - Intermediate
SKU: DY.DO-1522
Composed by Francis
Bebey. Arranged by Ingrid
Riollot. Score. Les
Editions Doberman-Yppan
#DO 1522. Published by
Les Editions
Doberman-Yppan
(DY.DO-1522).
Francis
Bebey was born in Douala
in July 1929, into a
large family where his
father, a pastor,
struggled to feed his
children. But Francis had
the opportunity to go to
school. Admiring his
elder brother, Marcel
Eyidi Bebey, he educated
himself, distinguished
himself, and eventually
received a scholarship to
go and take his
baccalaureate in
France. We approached
the end of the 1950s when
he arrived in La
Rochelle. More than ever,
in this France where
Africans were looked at
with curiosity,
condescension, or
disdain, Francis relied
on his intellectual
resources. A diligent
worker, he obtained his
Baccalaureate, then moved
to Paris where he started
English studies at the
Sorbonne. One day, he
knew what truly attracted
him: he wanted to do
radio. Francis learned
his craft in France and
in the USA. After
working for a few years
as a reporter, he was
hired in 1961 as an
international civil
servant in the UNESCO
Information
Department. In
parallel, Francis had
always been drawn to
musical creation. His
very serious daytime
activity didnâ??t
prevent him from
frequenting jazz clubs in
the evenings. In Paris,
the Jazz, the trendy
music of that time, but
also rumba and salsa
attracted him. He
collected records and
attended numerous
concerts. With his
accomplice Manu Dibango,
Francis took the stage
and played
music. Francis liked
classical music since his
childhood. He grew up
listening to the cantatas
and oratorios of Bach or
Handel that his father
had sung in the temple.
He became passionate
about the guitar,
impressed by the Spanish
and South American
masters, and decided to
learn to strum the
instrument himself. He
started composing guitar
pieces, blending the
various influences that
flow through him with the
traditional African music
he had carried within
since childhood. His
approach captivated the
director of the American
Cultural Center (then
located in the
Saint-Germain
neighborhood of Paris),
who offered him the
opportunity to perform in
front of an audience.
Francis gave his first
guitar recital there
(1963) in front of a
mesmerized audience. His
first solo album was
released shortly
thereafter. Gradually,
Francis became recognized
as a musician and
composer. Several albums
of the African guitar
ambassador, as described
by the press, were
released. He also wrote
books, to the point that
his artistic career
became challenging to
reconcile with his career
as a civil servant. In
1974, even though he had
become the General
Manager in charge of
music at UNESCO, he took
the bold leap and
resigned from this
prestigious institution
to dedicated himself to
the three activities that
interested him: music,
literature, and
journalism. He
explored the traditional
musical heritage of the
African continent,
notably through the thumb
piano sanza, and the
polyphonic music of the
Central African pygmies,
or singing in his native
language and composing
humoristic songs in
French! Success
followed. Francis Bebey
traveled the world: from
France to Brazil,
Cameroon to Sweden,
Germany to the Carribean,
or Morocco to Japan...
the list of countries
where he was invited to
perform, gives lectures,
or meets readers is very
long. In addition to
public recognition, he
enjoyed the recognition
of his fellow musicians,
such as guitarist John
Williams or Venezuelan
Antonio Lauro, who
invited him to be a part
of the jury for a
classical guitar
competition in
Caracas. His life was
the journey of an African
pioneer, a man rooted in
his cultural heritage and
carrying a message of
sharing and hope for the
world. His originality
continues to vibrate
around the world since
his passing at the end of
May 2001.