Saxophone Quartet (SATBar) SKU: SU.90920040 Composed by Julius Hemphill. ...(+)
Saxophone Quartet
(SATBar)
SKU:
SU.90920040
Composed
by Julius Hemphill.
Woodwinds, Saxophone,
Chamber Music, Woodwind
Quartet/Quintet,
Woodwinds, Woodwind
Ensemble. Score & Parts.
Subito Music Corporation
#90920040. Published by
Subito Music Corporation
(SU.90920040).
Julius Hemphill
is celebrated for the
brilliance and expressive
range of his compositions
for Saxophone Quartet and
Sextet. The Saxophone
Quartet works included in
Book I and II were
premiered by Julius with
the World Saxophone
Quartet (WSQ). Covering a
broad range of musical
styles, they are
compelling vehicles for
improvisation and equally
works that can be
performed without
improvisation as a
concert suite. The
orchestration is S/A/T/B,
with some doubling of
alto and soprano
saxophone. These two
collections are also
available for String
Quartet instrumentation
and performance.
Saxophone Quartet
(SATBar) Published by:
Subito Music Publishing
Includes: Revue Another
Feeling Touchic' R&B
Cool Red JiJi Tune
Pillars Latino Slide
One/Waltz/Time
Bumpkin.
Reconstruction by
Klaus Hofmann.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Single
Part, viola. BWV 80a /
80.1. Duration 12
minutes. Carus Verlag
#3140113. Published by
Carus Verlag
(CA.3140113).
ISBN
9790007298180.
German/English. Text:
Franck,
Salomon.
Ein feste
Burg ist unser Gott BWV
80 (Carus 31.080/00) is
one of Johann Sebastian
Bach's most
frequently-performed
cantatas. But the
well-known form of the
work, with its great
opening chorale chorus,
represents the final
stage of a multi-layered
version history,
beginning with the
cantata Alles, was von
Gott geboren BWV 80a,
probably composed for
Oculi Sunday (the third
Sunday in Lent) 1716. As
no cantatas were
performed during
Passiontide in Leipzig,
if Bach wanted to re-use
the cantata he had to
rewrite it for another
Sunday or feast day.
Reformation Day suggests
itself, as Bach had also
incorporated the hymn Ein
feste Burg ist unser Gott
into the Oculi cantata
(as an instrumental
cantus firmus in the
opening movement and in
the final chorale). The
first version of the
Reformation cantata Ein
feste Burg ist unser Gott
BWV 80b (Carus 31.080/50)
was simply expanded by
the addition of chorale
movements, then the
movements of the Oculi
cantata, slightly
altered, were included in
the cantata in the form
known today as BWV
80.Only the text
of the Oculi cantata
Alles, was von Gott
geboren BWV 80a survives
today. However, the early
version of the cantata
can easily be
extrapolated from the two
later versions. This
first published
reconstruction to date,
by the renowned Bach
scholar Klaus Hofmann,
represents a welcome
addition to the small
repertoire of Bach
cantatas for Passion
Sundays.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-30. Published by
Breitkopf and Haertel
(BR.OB-32117-30).
ISBN
9790004350874. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732114 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732114
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Basso
continuo. Sacred vocal
music, Requiem. Single
Part, basso continuo.
Duration 48 minutes.
Carus Verlag #CV
27.321/14. Published by
Carus Verlag
(CA.2732114).
ISBN
M-007-25438-4.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
Composed by
Valerie Shields.
Collection. Sacred,
Choral. Instrumental
accompaniment parts. Neil
A. Kjos Music Company
#6258X. Published by Neil
A. Kjos Music Company
(KJ.6258X).
This Majestic
Arrangement Of A Medieval
French Carol Is Stunning
For Concert Of Church.
SSA Choir May Be
Supplemented With Another
Choir (I.e.: Adult
Unison). Antiphonal
Effects Are Possible!
Imperial Orchestre d'harmonie - Facile C.L. Barnhouse
Young concert band - Grade 2 SKU: CL.012-4110-75 March. Composed b...(+)
Young concert band -
Grade 2
SKU:
CL.012-4110-75
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR376).
Oversized, spiral-bound
score. Composed 2012.
Duration 2 minutes, 8
seconds. Opus III Wind
Orchestra Publications
#012-4110-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4110-75).
The long list
of newly edited King
marches continues to grow
by leaps and bounds. You
can be assured that this
latest selection will be
another crowd pleaser for
audiences of all ages. It
should also be noted that
musicians love to revisit
the glory days of circus
band performances and it
just doesn't get any
better than this toe
tapping march by the
great Karl L. King. A
real crowd pleaser!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Sextet & Orchestra SKU: SU.29000080 For Sextet & Orchestra. Compos...(+)
Sextet & Orchestra
SKU: SU.29000080
For Sextet &
Orchestra. Composed
by Chick Corea.
Orchestra. Jazz. Study
Score. Subito Music
Corporation #29000080.
Published by Subito Music
Corporation
(SU.29000080).
Spain
composed in 1971 is
another jazz/classical
hybrid and is perhaps the
composer's most
recognized piece. The
work has been recorded in
several versions. A
passage from JoaquÃn
Rodrigo’s
Concierto de Aranjuez is
quoted in the
introduction. Corea was
awarded the Best
Instrumental Arrangement
Grammy for the piece in
2001. Total performance
time is about 23 minutes.
Jazz Sextet & Orchestra
Published by: Universal
Music Corp.Performance
materials available on
rental only:.
Cantata for the 3rd
Sunday of Pentecost.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Erwunschtes
Freudenlicht. Sacred
vocal music, Cantatas,
Whitsun. Set of Orchestra
Parts. Composed 1724. BWV
184. Duration 25 minutes.
Carus Verlag #CV
31.184/19. Published by
Carus Verlag
(CA.3118419).
ISBN
9790007134235. Key: G
major / e minor.
Language:
German/English.
The
Pentecost cantata Desired
ray of light BWV 184 is
based on a Kothen
composition, probably a
congratulatory cantata,
whose instrumental parts
(only these have
survived) Bach reused in
the Leipzig Pentecost
cantata. Only the chorale
setting was evidently
newly composed. Despite
the narrow leeway that
the already finished
composition left for the
librettist, he
nevertheless succeeded in
crafting a coherent
Pentecost text. The fact
that the cantata begins
with a long tenor
accompagnato with two
flutes followed by a
pastoral duet is
surprising. The placing
of the chorale not at the
end of the work but
before the concluding
chorus is unusual. Bach
was evidently aware of
the effect that the
ending of this lively
movement would have and
wanted to retain this in
its sacred form as well.
The sacred version was
first performed on the
third day of Pentecost in
1724, probably after a
parody version of another
Kothen cantata (BWV 173)
had already been
performed on the second
day of Pentecost. Score
and parts available
separately - see item
CA.3118400.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-11. Published by
Breitkopf and Haertel
(BR.OB-32117-11).
ISBN
9790004350829. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Sheet Music.
Duration 25'. Breitkopf
and Haertel #PB 32117.
Published by Breitkopf
and Haertel
(BR.PB-32117).
ISBN
9790004215845. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Flying Cadets Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4439-75 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4439-75
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR389).
Oversized, spiral-bound
score. Composed 2016.
Duration 2 minutes, 11
seconds. Opus III Wind
Orchestra Publications
#012-4439-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4439-75).
The vault of
musical treasures at the
C.L. Barnhouse Co. has
yielded another classic
march composed by the
great Karl King, now
masterfully arranged by
James Swearingen. It goes
without saying that King
was a master at creating
tuneful marches that have
certainly stood the test
of time. You can be
assured that this latest
edition is certain to be
a real crowd pleaser of
monumental proportion. A
musical treat!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Arranged by Taylor Davis. National/Emerson Fred Bock. Christmas, Christmas Sac...(+)
Arranged by Taylor Davis.
National/Emerson Fred
Bock.
Christmas, Christmas
Sacred,
Christmas/Advent Sacred.
Octavo. Duration 580
seconds.
Hal Leonard #NMB102.
Published
by Hal Leonard
By Mark Hayes. Orchestra. For SATB divisi Choir, Solo Quartet, flute/piccolo, ob...(+)
By Mark Hayes. Orchestra.
For SATB divisi Choir,
Solo Quartet,
flute/piccolo,
oboe/english horn,
clarinet, bassoon, horn,
trumpet, percussion,
harp, piano (for
rehearsal only), violin 1
and 2, viola, cello, bass
(with optional orchestra:
Flute/Piccolo,
Oboe/English Horn,
Clarinet, Bassoon, Horn,
Trumpet, Percussion,
Harp, Piano (for
rehearsal only), Violin 1
and 2, Viola, Cello,
Bass). Christmas,
General. Orchestral Score
and Parts. Published by
Roger Dean Publishing
Missa pro defunctis (Requiem) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire Carus Verlag
Soli SATB, Coro SATB, 2 Vl, 2 Va, Bc - Level 3 SKU: CA.2732111 Composed b...(+)
Soli SATB, Coro SATB, 2
Vl, 2 Va, Bc - Level 3
SKU: CA.2732111
Composed by Niccolo
Jommelli. Edited by Julia
Rosemeyer. Violin 1.
Sacred vocal music,
Requiem. Part. Duration
48 minutes. Carus Verlag
#CV 27.321/11. Published
by Carus Verlag
(CA.2732111).
ISBN
M-007-25435-3.
Latin.
The
best-known setting of the
Requiem Mass before
Mozart's unfinished work
is by the celebrated
opera composer Niccolo
Jommelli. The Missa pro
defunctis was composed in
1756, during Jommelli's
time as Kapellmeister at
the court of the
Wurttemberg Duke Carl
Eugen, on the occasion of
the death of the Dowager
Duchess Maria Augusta.
The work went on to enjoy
wide circulation and
numerous further
performances. Jommelli
composed it in the
Neapolitan style, with
orchestral forces of just
strings and basso
continuo. The simple but
effective choral
movements are partly
contrapuntal in the stile
antico, and partly with
solo/tutti alternation
and numerous suspended
dissonances, whilst in
the solo parts the opera
composer can be
recognized. This
beautiful sounding Missa
pro defunctis is now
published for the first
time in a critical
edition. Where sections
are missing in Jommelli's
composition, the Appendix
contains settings by
another composer from his
circle, Nicola Sala. *
The best-known setting of
the Requiem Mass before
Mozart * First critical
edition * Effective
choral movements with
numerous suspended
dissonances and
solo/tutti alternation *
Scored for small
instrumental forces of
strings and organ.
SATB choir; orchestra SKU: HP.C5064O Composed by Allen Pote. Piano Accomp...(+)
SATB choir; orchestra
SKU: HP.C5064O
Composed by Allen Pote.
Piano Accompaniment with
Optional Orchestra.
Outreach, General
Worship, Commitment,
Confidence, Devotion,
Encouragement, Faith &
Faithfulness, Guidance,
Promise, Trust & Unity,
Sacred. Set of
Instrumental Parts. Hope
Publishing Company
#C5064O. Published by
Hope Publishing Company
(HP.C5064O).
UPC:
763628144609. Tom S.
Long. 2 Samuel
1:1,17-27.
Original
composition One of the
centerpieces of their
musical for young voices,
The Rock Slinger and His
Greatest Hit, Tom Long
and Allen Pote have
re-voiced the
captivating, Friends in
the Lord for SATB voices.
With its vivid statement
of mutual encouragement
and standing together
with one another at all
times, the message of
this anthem is especially
relevant to our children
and families.
Double Bass, Bayan (Score & Parts) SKU: HL.50600462 For Bayan and Two ...(+)
Double Bass, Bayan (Score
& Parts)
SKU:
HL.50600462
For
Bayan and Two Double
Basses. Composed by
Sofia Gubaidulina.
Ensemble. Classical,
Contemporary. Softcover.
28 pages. Sikorski
#SIK8717. Published by
Sikorski (HL.50600462).
UPC: 888680602598.
8.25x11.75
inches.
It so
happens, time and again,
that composers have
written one work or
another with great
élan and then
withheld it for a while.
This is rather an
exception with Sofia
Gubaidulina. Nonetheless,
several decades passed
before the striking
“Tatar Dance”
for bayan and two double
basses - unusual simply
in view of its
instrumental combination
- could now be published
as a printed edition. The
“Tatar” Dance
was composed in 1992, and
it is thanks to the bayan
virtuoso Friedrich Lips
that he continued to
speak to the composer
about this wonderful
composition and motivated
her to have it published.
Lips has now edited the
work which is full of
magnificent new sounds,
with the double basses
forming a sonorous
counterpoint to the
bayan. The world premiere
of the chamber work
“Tatar Dance”
was given on 25 July 1992
by the soloists Elsbeth
Moser (bayan), Wolfgang
Güttler and
Alexander Suslin (both
double bass) in
Hitzacker. Sofia
Gubaidulina dedicated
this work to Viktor
Suslin.
Knarf Big band [Conducteur et Parties séparées] - Intermédiaire Sierra Music
By Michael Abene. Arranged by Michael Abene. Jazz Ensemble / Jazz Band. The Mayn...(+)
By Michael Abene.
Arranged by Michael
Abene. Jazz Ensemble /
Jazz Band. The Maynard
Ferguson Big Band Series.
Medium Swing. Grade 5.
Score and set of parts
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-19. Published by
Breitkopf and Haertel
(BR.OB-32117-19).
ISBN
9790004350850. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Concert band - Grade 3 SKU: CL.012-4439-01 March. Composed by King...(+)
Concert band - Grade 3
SKU:
CL.012-4439-01
March. Composed by
King. Concert Band.
Heritage of the March
Series. Audio recording
available separately
(item CL.WFR389). Extra
full score. Composed
2016. Duration 2 minutes,
11 seconds. Opus III Wind
Orchestra Publications
#012-4439-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4439-01).
The vault of
musical treasures at the
C.L. Barnhouse Co. has
yielded another classic
march composed by the
great Karl King, now
masterfully arranged by
James Swearingen. It goes
without saying that King
was a master at creating
tuneful marches that have
certainly stood the test
of time. You can be
assured that this latest
edition is certain to be
a real crowd pleaser of
monumental proportion. A
musical treat!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
An American Elegy Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for high school, community, and college...(+)
By Frank Ticheli. Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor Full
Score. Duration 11:10.
Published by Manhattan
Beach Music.
SATB chorus and piano - Medium SKU: JK.01520 Composed by Darwin Wolford. ...(+)
SATB chorus and piano -
Medium
SKU:
JK.01520
Composed by
Darwin Wolford. Arranged
by Darwin Wolford. Choral
SATB, Difficulty Medium,
Instrumental Violin,
Organ Choir, Piano Choir,
Charity, Jesus Christ -
Savior, Love, Service.
Christian, Inspirational.
Duration 2:45. Jackman
Music Corporation #01520.
Published by Jackman
Music Corporation
(JK.01520).
1
Corinthians 13:3 and 1
John
4:7-8.
Arranged for
mixed chorus (SATB),
violin and piano or organ
accompaniment. Based on
scriptural text from 1
Corinthians 13:3 and 1
John 4:7-8, on the
importance of having love
for one another. (violin
part
included) Composer:
Darwin Wolford
Arranger: Darwin
Wolford Lyricist:
Scriptural text from 1
Corinthians 13:3 and 1
John 4:7-8
Difficulty: Medium
Performance time:
2:45 Reference: 1
Corinthians 13:3 and 1
John 4:7-8.
Choral (ChoirTrax CD) SKU: HL.154495 A Musician's Blessing. Compos...(+)
Choral (ChoirTrax CD)
SKU: HL.154495
A Musician's
Blessing. Composed by
Joseph M. Martin. Sacred
Choral. Anthem,
Benediction, Concert,
General Worship,
Graduation, Sacred. CD
only. Published by Hal
Leonard (HL.154495).
UPC: 888680101442. 5x5
inches.
A
musician's benediction,
this choral original is
at home in school
concerts, as well as
church sanctuaries.
Written as a special
commission tribute for a
beloved conductor, the
text celebrates the
community created by
singing. Filled with
emotion, the harmonies
and melody collaborate
seamlessly, and the
instrumental
accompaniment will add
another layer of beauty
to the work. Score and
Parts (hn, vn 1-2, va,
vc, db) available as a
digital download.